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Color name
HEX #A3A220

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A3A220 it is the complementary color #5C5DDF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A3A220. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A3A220 shade: #A8A21B, #B9B42E, #CAC641, #DBD854 and #ECEA67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A3A220. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A3A220 shade: #A3A220, #92900D, #817E00, #706C00 and #5F5A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A3A220 shade: #A1A01F, #A17D1F, #A15A1F, #A1371F and #A11F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A3A220 shade: #A1A01F, #7FA11F, #5CA11F, #39A11F and #1FA129

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A3A220 shade matches the following richer shades: #A1A01F, #B1B010 and #C1BF00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A3A220 shade: #A1A01F, #92912F, #82813F, #72724F and #63635E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A3A220 shade: #A15A1F, #A17D1F, #A19F1F, #81A11F and #5EA11F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A3A220 shade: #5C5C12, #7F7E19, #A1A01F, #C4C326 and #D8D73B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A3A220 shade: #A3A220, #1FA137 and #6B1FA1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A3A220 shade: #A3A220, #1FA19F and #9F1FA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A3A220 shade: #A3A220, #1FA137, #1F22A1 and #A11F8A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A3A220 shade: #A3A220, #1FA15E, #1F22A1 and #A11F63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 80 / 36

HEX #A3A220

RGB 163 162 32

HSL 59.54, 0.67%, 0.38%

LAB 64.75, -14.24, 61.51

 

Complementary color

CMYK 59 / 58 / 0 / 13

HEX #5C5DDF

RGB 92 93 223

HSL 239.54, 0.67%, 0.62%

LAB 46.22, 37.16, -66.68

 

CMYK 0 / 4 / 84 / 34

HEX #A8A21B

RGB 168 162 27

HSL 57.45, 0.72%, 0.38%

LAB 65.16, -12.18, 63.38

 

CMYK 0 / 3 / 75 / 27

HEX #B9B42E

RGB 185 180 46

HSL 57.84, 0.6%, 0.45%

LAB 71.66, -13.35, 64.1

 

CMYK 0 / 2 / 68 / 21

HEX #CAC641

RGB 202 198 65

HSL 58.25, 0.56%, 0.52%

LAB 78.07, -14.31, 63.97

 

CMYK 0 / 1 / 62 / 14

HEX #DBD854

RGB 219 216 84

HSL 58.67, 0.65%, 0.59%

LAB 84.39, -15.11, 63.36

 

CMYK 0 / 1 / 56 / 7

HEX #ECEA67

RGB 236 234 103

HSL 59.1, 0.78%, 0.66%

LAB 90.62, -15.79, 62.49

 

CMYK 0 / 1 / 80 / 36

HEX #A3A220

RGB 163 162 32

HSL 59.54, 0.67%, 0.38%

LAB 64.75, -14.24, 61.51

 

CMYK 0 / 1 / 91 / 43

HEX #92900D

RGB 146 144 13

HSL 59.1, 0.84%, 0.31%

LAB 58.12, -12.95, 59.89

 

CMYK 0 / 2 / 100 / 49

HEX #817E00

RGB 129 126 0

HSL 58.6, 1%, 0.25%

LAB 51.37, -11.38, 56.35

 

CMYK 0 / 4 / 100 / 56

HEX #706C00

RGB 112 108 0

HSL 57.86, 1%, 0.22%

LAB 44.48, -9.53, 50.63

 

CMYK 0 / 5 / 100 / 63

HEX #5F5A00

RGB 95 90 0

HSL 56.84, 1%, 0.19%

LAB 37.38, -7.59, 44.74

 

CMYK 0 / 1 / 81 / 37

HEX #A1A01F

RGB 161 160 31

HSL 59.54, 0.68%, 0.38%

LAB 64.01, -14.12, 61.09

 

CMYK 0 / 22 / 81 / 37

HEX #A17D1F

RGB 161 125 31

HSL 43.38, 0.68%, 0.38%

LAB 54.39, 4.88, 52.55

 

CMYK 0 / 44 / 81 / 37

HEX #A15A1F

RGB 161 90 31

HSL 27.23, 0.68%, 0.38%

LAB 45.62, 24.7, 44.46

 

CMYK 0 / 66 / 81 / 37

HEX #A1371F

RGB 161 55 31

HSL 11.08, 0.68%, 0.38%

LAB 38.57, 42.66, 37.65

 

CMYK 0 / 81 / 81 / 37

HEX #A11F1F

RGB 161 31 31

HSL 0, 0.68%, 0.38%

LAB 35.31, 51.61, 34.38

 

CMYK 0 / 1 / 81 / 37

HEX #A1A01F

RGB 161 160 31

HSL 59.54, 0.68%, 0.38%

LAB 64.01, -14.12, 61.09

 

CMYK 21 / 0 / 81 / 37

HEX #7FA11F

RGB 127 161 31

HSL 75.69, 0.68%, 0.38%

LAB 61.74, -29.29, 58.1

 

CMYK 43 / 0 / 81 / 37

HEX #5CA11F

RGB 92 161 31

HSL 91.85, 0.68%, 0.38%

LAB 59.77, -42.64, 55.56

 

CMYK 65 / 0 / 81 / 37

HEX #39A11F

RGB 57 161 31

HSL 108, 0.68%, 0.38%

LAB 58.47, -52.73, 53.89

 

CMYK 81 / 0 / 75 / 37

HEX #1FA129

RGB 31 161 41

HSL 124.62, 0.68%, 0.38%

LAB 57.98, -56.66, 49.86

 

CMYK 0 / 1 / 81 / 37

HEX #A1A01F

RGB 161 160 31

HSL 59.54, 0.68%, 0.38%

LAB 64.01, -14.12, 61.09

 

CMYK 0 / 1 / 91 / 31

HEX #B1B010

RGB 177 176 16

HSL 59.63, 0.83%, 0.38%

LAB 69.78, -15.67, 69.66

 

CMYK 0 / 1 / 100 / 24

HEX #C1BF00

RGB 193 191 0

HSL 59.38, 1%, 0.38%

LAB 75.2, -16.48, 76.22

 

CMYK 0 / 1 / 81 / 37

HEX #A1A01F

RGB 161 160 31

HSL 59.54, 0.68%, 0.38%

LAB 64.01, -14.12, 61.09

 

CMYK 0 / 1 / 68 / 43

HEX #92912F

RGB 146 145 47

HSL 59.39, 0.51%, 0.38%

LAB 58.57, -12.16, 49.88

 

CMYK 0 / 1 / 52 / 49

HEX #82813F

RGB 130 129 63

HSL 59.1, 0.35%, 0.38%

LAB 52.74, -9.39, 35.55

 

CMYK 0 / 0 / 31 / 55

HEX #72724F

RGB 114 114 79

HSL 60, 0.18%, 0.38%

LAB 47.21, -6.08, 19.46

 

CMYK 0 / 0 / 5 / 61

HEX #63635E

RGB 99 99 94

HSL 60, 0.03%, 0.38%

LAB 41.82, -1.02, 2.83

 

CMYK 0 / 44 / 81 / 37

HEX #A15A1F

RGB 161 90 31

HSL 27.23, 0.68%, 0.38%

LAB 45.62, 24.7, 44.46

 

CMYK 0 / 22 / 81 / 37

HEX #A17D1F

RGB 161 125 31

HSL 43.38, 0.68%, 0.38%

LAB 54.39, 4.88, 52.55

 

CMYK 0 / 1 / 81 / 37

HEX #A19F1F

RGB 161 159 31

HSL 59.08, 0.68%, 0.38%

LAB 63.73, -13.6, 60.84

 

CMYK 20 / 0 / 81 / 37

HEX #81A11F

RGB 129 161 31

HSL 74.77, 0.68%, 0.38%

LAB 61.87, -28.46, 58.27

 

CMYK 42 / 0 / 81 / 37

HEX #5EA11F

RGB 94 161 31

HSL 90.92, 0.68%, 0.38%

LAB 59.86, -41.95, 55.69

 

CMYK 0 / 0 / 80 / 64

HEX #5C5C12

RGB 92 92 18

HSL 60, 0.67%, 0.22%

LAB 37.79, -9.6, 39.48

 

CMYK 0 / 1 / 80 / 50

HEX #7F7E19

RGB 127 126 25

HSL 59.41, 0.67%, 0.3%

LAB 51.27, -11.67, 50.51

 

CMYK 0 / 1 / 81 / 37

HEX #A1A01F

RGB 161 160 31

HSL 59.54, 0.68%, 0.38%

LAB 64.01, -14.12, 61.09

 

CMYK 0 / 1 / 81 / 23

HEX #C4C326

RGB 196 195 38

HSL 59.62, 0.68%, 0.46%

LAB 76.62, -16.5, 71.26

 

CMYK 0 / 0 / 73 / 15

HEX #D8D73B

RGB 216 215 59

HSL 59.62, 0.67%, 0.54%

LAB 83.71, -17.2, 71.99

 

CMYK 0 / 1 / 80 / 36

HEX #A3A220

RGB 163 162 32

HSL 59.54, 0.67%, 0.38%

LAB 64.75, -14.24, 61.51

 

CMYK 81 / 0 / 66 / 37

HEX #1FA137

RGB 31 161 55

HSL 131.08, 0.68%, 0.38%

LAB 58.09, -55.3, 44.31

 

CMYK 34 / 81 / 0 / 37

HEX #6B1FA1

RGB 107 31 161

HSL 275.08, 0.68%, 0.38%

LAB 31.06, 54.66, -54.97

 

CMYK 0 / 1 / 80 / 36

HEX #A3A220

RGB 163 162 32

HSL 59.54, 0.67%, 0.38%

LAB 64.75, -14.24, 61.51

 

CMYK 81 / 0 / 1 / 37

HEX #1FA19F

RGB 31 161 159

HSL 179.08, 0.68%, 0.38%

LAB 60.14, -32.97, -8.57

 

CMYK 1 / 81 / 0 / 37

HEX #9F1FA1

RGB 159 31 161

HSL 299.08, 0.68%, 0.38%

LAB 39.45, 64.31, -41.01

 

CMYK 0 / 1 / 80 / 36

HEX #A3A220

RGB 163 162 32

HSL 59.54, 0.67%, 0.38%

LAB 64.75, -14.24, 61.51

 

CMYK 81 / 0 / 66 / 37

HEX #1FA137

RGB 31 161 55

HSL 131.08, 0.68%, 0.38%

LAB 58.09, -55.3, 44.31

 

CMYK 81 / 79 / 0 / 37

HEX #1F22A1

RGB 31 34 161

HSL 238.62, 0.68%, 0.38%

LAB 23.7, 44.01, -67.36

 

CMYK 0 / 81 / 14 / 37

HEX #A11F8A

RGB 161 31 138

HSL 310.62, 0.68%, 0.38%

LAB 38.54, 61.2, -28.45

 

CMYK 0 / 1 / 80 / 36

HEX #A3A220

RGB 163 162 32

HSL 59.54, 0.67%, 0.38%

LAB 64.75, -14.24, 61.51

 

CMYK 81 / 0 / 42 / 37

HEX #1FA15E

RGB 31 161 94

HSL 149.08, 0.68%, 0.38%

LAB 58.59, -49.35, 25.51

 

CMYK 81 / 79 / 0 / 37

HEX #1F22A1

RGB 31 34 161

HSL 238.62, 0.68%, 0.38%

LAB 23.7, 44.01, -67.36

 

CMYK 0 / 81 / 39 / 37

HEX #A11F63

RGB 161 31 99

HSL 328.62, 0.68%, 0.38%

LAB 36.85, 56.32, -6.62

 

Description

Color code: HEX #A3A220 | qconv.com Color code: HEX #A3A220 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 162 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 162 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 80 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 80% 36% C M Y K

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