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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A3B230 it is the complementary color #5C4DCF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A3B230. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A3B230 shade: #A8B22B, #B9C43E, #CAD651, #DBE864 and #ECFA77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A3B230. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A3B230 shade: #A3B230, #92A01D, #818E0A, #707C00 and #5F6A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A3B230 shade: #A2B12F, #B19D2F, #B17A2F, #B1562F and #B1332F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A3B230 shade: #A2B12F, #7FB12F, #5CB12F, #38B12F and #2FB148

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A3B230 shade matches the following richer shades: #A2B12F, #B0C31C and #BED50A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A3B230 shade: #A2B12F, #949F41, #868C53, #787A65 and #6A6877

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A3B230 shade: #B1782F, #B19B2F, #A4B12F, #81B12F and #5EB12F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A3B230 shade: #66701D, #849026, #A2B12F, #BBCB3D and #C6D45E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A3B230 shade: #A3B230, #2FB156 and #8A2FB1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A3B230 shade: #A3B230, #2FA4B1 and #B12FA4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A3B230 shade: #A3B230, #2FB156, #3C2FB1 and #B12F8A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A3B230 shade: #A3B230, #2FB17D, #3C2FB1 and #B12F63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 73 / 30

HEX #A3B230

RGB 163 178 48

HSL 66.92, 0.58%, 0.44%

LAB 69.36, -21.69, 60.62

 

Complementary color

CMYK 56 / 63 / 0 / 19

HEX #5C4DCF

RGB 92 77 207

HSL 246.92, 0.58%, 0.56%

LAB 41.36, 41.65, -65.44

 

CMYK 6 / 0 / 76 / 30

HEX #A8B22B

RGB 168 178 43

HSL 64.44, 0.61%, 0.43%

LAB 69.71, -19.79, 62.78

 

CMYK 6 / 0 / 68 / 23

HEX #B9C43E

RGB 185 196 62

HSL 64.93, 0.53%, 0.51%

LAB 76.16, -20.61, 62.75

 

CMYK 6 / 0 / 62 / 16

HEX #CAD651

RGB 202 214 81

HSL 65.41, 0.62%, 0.58%

LAB 82.51, -21.28, 62.2

 

CMYK 6 / 0 / 57 / 9

HEX #DBE864

RGB 219 232 100

HSL 65.91, 0.74%, 0.65%

LAB 88.78, -21.83, 61.37

 

CMYK 6 / 0 / 52 / 2

HEX #ECFA77

RGB 236 250 119

HSL 66.41, 0.93%, 0.72%

LAB 94.97, -22.28, 60.39

 

CMYK 8 / 0 / 73 / 30

HEX #A3B230

RGB 163 178 48

HSL 66.92, 0.58%, 0.44%

LAB 69.36, -21.69, 60.62

 

CMYK 9 / 0 / 82 / 37

HEX #92A01D

RGB 146 160 29

HSL 66.41, 0.69%, 0.37%

LAB 62.79, -20.79, 60.12

 

CMYK 9 / 0 / 93 / 44

HEX #818E0A

RGB 129 142 10

HSL 65.91, 0.87%, 0.3%

LAB 56.12, -19.65, 58.22

 

CMYK 10 / 0 / 100 / 51

HEX #707C00

RGB 112 124 0

HSL 65.81, 1%, 0.24%

LAB 49.33, -18.21, 54.2

 

CMYK 10 / 0 / 100 / 58

HEX #5F6A00

RGB 95 106 0

HSL 66.23, 1%, 0.21%

LAB 42.37, -16.55, 48.41

 

CMYK 8 / 0 / 73 / 31

HEX #A2B12F

RGB 162 177 47

HSL 66.92, 0.58%, 0.44%

LAB 68.99, -21.66, 60.59

 

CMYK 0 / 11 / 73 / 31

HEX #B19D2F

RGB 177 157 47

HSL 50.77, 0.58%, 0.44%

LAB 64.7, -4.77, 56.9

 

CMYK 0 / 31 / 73 / 31

HEX #B17A2F

RGB 177 122 47

HSL 34.62, 0.58%, 0.44%

LAB 55.55, 14.49, 47.82

 

CMYK 0 / 51 / 73 / 31

HEX #B1562F

RGB 177 86 47

HSL 18, 0.58%, 0.44%

LAB 47.25, 34.25, 39.09

 

CMYK 0 / 71 / 73 / 31

HEX #B1332F

RGB 177 51 47

HSL 1.85, 0.58%, 0.44%

LAB 41.09, 50.47, 32.25

 

CMYK 8 / 0 / 73 / 31

HEX #A2B12F

RGB 162 177 47

HSL 66.92, 0.58%, 0.44%

LAB 68.99, -21.66, 60.59

 

CMYK 28 / 0 / 73 / 31

HEX #7FB12F

RGB 127 177 47

HSL 83.08, 0.58%, 0.44%

LAB 66.64, -35.91, 57.51

 

CMYK 48 / 0 / 73 / 31

HEX #5CB12F

RGB 92 177 47

HSL 99.23, 0.58%, 0.44%

LAB 64.9, -48.14, 55.2

 

CMYK 68 / 0 / 73 / 31

HEX #38B12F

RGB 56 177 47

HSL 115.85, 0.58%, 0.44%

LAB 63.75, -57.31, 53.66

 

CMYK 73 / 0 / 59 / 31

HEX #2FB148

RGB 47 177 72

HSL 131.54, 0.58%, 0.44%

LAB 63.77, -56.35, 43.11

 

CMYK 8 / 0 / 73 / 31

HEX #A2B12F

RGB 162 177 47

HSL 66.92, 0.58%, 0.44%

LAB 68.99, -21.66, 60.59

 

CMYK 10 / 0 / 86 / 24

HEX #B0C31C

RGB 176 195 28

HSL 66.83, 0.75%, 0.44%

LAB 75.04, -25.28, 71.67

 

CMYK 11 / 0 / 95 / 16

HEX #BED50A

RGB 190 213 10

HSL 66.8, 0.91%, 0.44%

LAB 81.05, -28.37, 79.52

 

CMYK 8 / 0 / 73 / 31

HEX #A2B12F

RGB 162 177 47

HSL 66.92, 0.58%, 0.44%

LAB 68.99, -21.66, 60.59

 

CMYK 7 / 0 / 59 / 38

HEX #949F41

RGB 148 159 65

HSL 67.02, 0.42%, 0.44%

LAB 62.91, -17.36, 46.63

 

CMYK 4 / 0 / 41 / 45

HEX #868C53

RGB 134 140 83

HSL 66.32, 0.26%, 0.44%

LAB 56.53, -11.48, 29.68

 

CMYK 2 / 0 / 17 / 52

HEX #787A65

RGB 120 122 101

HSL 65.71, 0.09%, 0.44%

LAB 50.51, -4.68, 11.27

 

CMYK 11 / 13 / 0 / 53

HEX #6A6877

RGB 106 104 119

HSL 248, 0.07%, 0.44%

LAB 44.66, 4.01, -8.08

 

CMYK 0 / 32 / 73 / 31

HEX #B1782F

RGB 177 120 47

HSL 33.69, 0.58%, 0.44%

LAB 55.06, 15.61, 47.31

 

CMYK 0 / 12 / 73 / 31

HEX #B19B2F

RGB 177 155 47

HSL 49.85, 0.58%, 0.44%

LAB 64.16, -3.69, 56.37

 

CMYK 7 / 0 / 73 / 31

HEX #A4B12F

RGB 164 177 47

HSL 66, 0.58%, 0.44%

LAB 69.14, -20.81, 60.79

 

CMYK 27 / 0 / 73 / 31

HEX #81B12F

RGB 129 177 47

HSL 82.15, 0.58%, 0.44%

LAB 66.76, -35.14, 57.67

 

CMYK 47 / 0 / 73 / 31

HEX #5EB12F

RGB 94 177 47

HSL 98.31, 0.58%, 0.44%

LAB 64.99, -47.52, 55.31

 

CMYK 9 / 0 / 74 / 56

HEX #66701D

RGB 102 112 29

HSL 67.23, 0.59%, 0.28%

LAB 44.94, -15.42, 42.37

 

CMYK 8 / 0 / 74 / 44

HEX #849026

RGB 132 144 38

HSL 66.79, 0.58%, 0.36%

LAB 57.07, -18.35, 51.55

 

CMYK 8 / 0 / 73 / 31

HEX #A2B12F

RGB 162 177 47

HSL 66.92, 0.58%, 0.44%

LAB 68.99, -21.66, 60.59

 

CMYK 8 / 0 / 70 / 20

HEX #BBCB3D

RGB 187 203 61

HSL 66.76, 0.58%, 0.52%

LAB 78.24, -23.27, 65.24

 

CMYK 7 / 0 / 56 / 17

HEX #C6D45E

RGB 198 212 94

HSL 67.12, 0.58%, 0.6%

LAB 81.78, -20.97, 55.71

 

CMYK 8 / 0 / 73 / 30

HEX #A3B230

RGB 163 178 48

HSL 66.92, 0.58%, 0.44%

LAB 69.36, -21.69, 60.62

 

CMYK 73 / 0 / 51 / 31

HEX #2FB156

RGB 47 177 86

HSL 138, 0.58%, 0.44%

LAB 63.93, -54.39, 36.53

 

CMYK 22 / 73 / 0 / 31

HEX #8A2FB1

RGB 138 47 177

HSL 282, 0.58%, 0.44%

LAB 38.92, 57.85, -51.62

 

CMYK 8 / 0 / 73 / 30

HEX #A3B230

RGB 163 178 48

HSL 66.92, 0.58%, 0.44%

LAB 69.36, -21.69, 60.62

 

CMYK 73 / 7 / 0 / 31

HEX #2FA4B1

RGB 47 164 177

HSL 186, 0.58%, 0.44%

LAB 61.94, -27.17, -15.99

 

CMYK 0 / 73 / 7 / 31

HEX #B12FA4

RGB 177 47 164

HSL 306, 0.58%, 0.44%

LAB 44.32, 63.95, -34.9

 

CMYK 8 / 0 / 73 / 30

HEX #A3B230

RGB 163 178 48

HSL 66.92, 0.58%, 0.44%

LAB 69.36, -21.69, 60.62

 

CMYK 73 / 0 / 51 / 31

HEX #2FB156

RGB 47 177 86

HSL 138, 0.58%, 0.44%

LAB 63.93, -54.39, 36.53

 

CMYK 66 / 73 / 0 / 31

HEX #3C2FB1

RGB 60 47 177

HSL 246, 0.58%, 0.44%

LAB 29.83, 44.74, -66.82

 

CMYK 0 / 73 / 22 / 31

HEX #B12F8A

RGB 177 47 138

HSL 318, 0.58%, 0.44%

LAB 43.09, 60.18, -21.16

 

CMYK 8 / 0 / 73 / 30

HEX #A3B230

RGB 163 178 48

HSL 66.92, 0.58%, 0.44%

LAB 69.36, -21.69, 60.62

 

CMYK 73 / 0 / 29 / 31

HEX #2FB17D

RGB 47 177 125

HSL 156, 0.58%, 0.44%

LAB 64.59, -47.04, 16.82

 

CMYK 66 / 73 / 0 / 31

HEX #3C2FB1

RGB 60 47 177

HSL 246, 0.58%, 0.44%

LAB 29.83, 44.74, -66.82

 

CMYK 0 / 73 / 44 / 31

HEX #B12F63

RGB 177 47 99

HSL 336, 0.58%, 0.44%

LAB 41.66, 55.65, 0.81

 

Description

Color code: HEX #A3B230 | qconv.com Color code: HEX #A3B230 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 178 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 178 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 73 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 73% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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