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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A3B35F it is the complementary color #5C4CA0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A3B35F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A3B35F shade: #A8B35A, #B9C56D, #CAD780, #DBE993 and #ECFBA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A3B35F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A3B35F shade: #A3B35F, #92A14C, #818F39, #707D26 and #5F6B13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A3B35F shade: #A3B35F, #B3AD5F, #B3965F, #B37F5F and #B3685F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A3B35F shade: #A3B35F, #8DB35F, #76B35F, #5FB35F and #5FB376

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A3B35F shade matches the following richer shades: #A3B35F, #AFC64C, #BBD939 and #C7EC26

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A3B35F shade: #A3B35F, #98A072, #8C8D85, #807A98 and #7468AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A3B35F shade: #B3965F, #B3AC5F, #A4B35F, #8DB35F and #77B35F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A3B35F shade: #75833D, #8F9F4A, #A3B35F, #B3C17B and #C3CE97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A3B35F shade: #A3B35F, #5FB37F and #A15FB3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A3B35F shade: #A3B35F, #5FA4B3 and #B35FA4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A3B35F shade: #A3B35F, #5FB37F, #6E5FB3 and #B35F93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A3B35F shade: #A3B35F, #5FB399, #6E5FB3 and #B35F7A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 47 / 30

HEX #A3B35F

RGB 163 179 95

HSL 71.43, 0.36%, 0.54%

LAB 70.07, -18.56, 40.8

 

Complementary color

CMYK 43 / 53 / 0 / 37

HEX #5C4CA0

RGB 92 76 160

HSL 251.43, 0.36%, 0.46%

LAB 37.81, 27.92, -43.55

 

CMYK 6 / 0 / 50 / 30

HEX #A8B35A

RGB 168 179 90

HSL 67.42, 0.37%, 0.53%

LAB 70.39, -17.03, 43.74

 

CMYK 6 / 0 / 45 / 23

HEX #B9C56D

RGB 185 197 109

HSL 68.18, 0.43%, 0.6%

LAB 76.89, -17.35, 42.57

 

CMYK 6 / 0 / 40 / 16

HEX #CAD780

RGB 202 215 128

HSL 68.97, 0.52%, 0.67%

LAB 83.29, -17.6, 41.4

 

CMYK 6 / 0 / 37 / 9

HEX #DBE993

RGB 219 233 147

HSL 69.77, 0.66%, 0.75%

LAB 89.6, -17.8, 40.26

 

CMYK 6 / 0 / 34 / 2

HEX #ECFBA6

RGB 236 251 166

HSL 70.59, 0.91%, 0.82%

LAB 95.82, -17.97, 39.16

 

CMYK 9 / 0 / 47 / 30

HEX #A3B35F

RGB 163 179 95

HSL 71.43, 0.36%, 0.54%

LAB 70.07, -18.56, 40.8

 

CMYK 9 / 0 / 53 / 37

HEX #92A14C

RGB 146 161 76

HSL 70.59, 0.36%, 0.46%

LAB 63.44, -18.26, 41.96

 

CMYK 10 / 0 / 60 / 44

HEX #818F39

RGB 129 143 57

HSL 69.77, 0.43%, 0.39%

LAB 56.69, -17.85, 43.03

 

CMYK 10 / 0 / 70 / 51

HEX #707D26

RGB 112 125 38

HSL 68.97, 0.53%, 0.32%

LAB 49.8, -17.28, 43.79

 

CMYK 11 / 0 / 82 / 58

HEX #5F6B13

RGB 95 107 19

HSL 68.18, 0.7%, 0.25%

LAB 42.76, -16.48, 43.77

 

CMYK 9 / 0 / 47 / 30

HEX #A3B35F

RGB 163 179 95

HSL 71.43, 0.36%, 0.54%

LAB 70.07, -18.56, 40.8

 

CMYK 0 / 3 / 47 / 30

HEX #B3AD5F

RGB 179 173 95

HSL 55.71, 0.36%, 0.54%

LAB 69.68, -8.9, 40.61

 

CMYK 0 / 16 / 47 / 30

HEX #B3965F

RGB 179 150 95

HSL 39.29, 0.36%, 0.54%

LAB 63.53, 3.46, 32.95

 

CMYK 0 / 29 / 47 / 30

HEX #B37F5F

RGB 179 127 95

HSL 22.86, 0.36%, 0.54%

LAB 57.64, 16.23, 25.37

 

CMYK 0 / 42 / 47 / 30

HEX #B3685F

RGB 179 104 95

HSL 6.43, 0.36%, 0.54%

LAB 52.19, 29.02, 18.09

 

CMYK 9 / 0 / 47 / 30

HEX #A3B35F

RGB 163 179 95

HSL 71.43, 0.36%, 0.54%

LAB 70.07, -18.56, 40.8

 

CMYK 21 / 0 / 47 / 30

HEX #8DB35F

RGB 141 179 95

HSL 87.14, 0.36%, 0.54%

LAB 68.55, -27.2, 38.59

 

CMYK 34 / 0 / 47 / 30

HEX #76B35F

RGB 118 179 95

HSL 103.57, 0.36%, 0.54%

LAB 67.22, -35.55, 36.63

 

CMYK 47 / 0 / 47 / 30

HEX #5FB35F

RGB 95 179 95

HSL 120, 0.36%, 0.54%

LAB 66.14, -42.88, 35.05

 

CMYK 47 / 0 / 34 / 30

HEX #5FB376

RGB 95 179 118

HSL 136.43, 0.36%, 0.54%

LAB 66.51, -39.12, 23.46

 

CMYK 9 / 0 / 47 / 30

HEX #A3B35F

RGB 163 179 95

HSL 71.43, 0.36%, 0.54%

LAB 70.07, -18.56, 40.8

 

CMYK 12 / 0 / 62 / 22

HEX #AFC64C

RGB 175 198 76

HSL 71.31, 0.52%, 0.54%

LAB 76.08, -24.8, 56.8

 

CMYK 14 / 0 / 74 / 15

HEX #BBD939

RGB 187 217 57

HSL 71.25, 0.68%, 0.54%

LAB 82.1, -30.16, 70.36

 

CMYK 16 / 0 / 84 / 7

HEX #C7EC26

RGB 199 236 38

HSL 71.21, 0.84%, 0.54%

LAB 88.1, -34.85, 81.14

 

CMYK 9 / 0 / 47 / 30

HEX #A3B35F

RGB 163 179 95

HSL 71.43, 0.36%, 0.54%

LAB 70.07, -18.56, 40.8

 

CMYK 5 / 0 / 29 / 37

HEX #98A072

RGB 152 160 114

HSL 70.43, 0.19%, 0.54%

LAB 64.19, -10.75, 23.09

 

CMYK 1 / 0 / 6 / 45

HEX #8C8D85

RGB 140 141 133

HSL 67.5, 0.03%, 0.54%

LAB 58.34, -1.9, 4.13

 

CMYK 16 / 20 / 0 / 40

HEX #807A98

RGB 128 122 152

HSL 252, 0.13%, 0.54%

LAB 52.7, 8.66, -15.32

 

CMYK 32 / 39 / 0 / 33

HEX #7468AB

RGB 116 104 171

HSL 250.75, 0.29%, 0.54%

LAB 47.69, 20.37, -34.25

 

CMYK 0 / 16 / 47 / 30

HEX #B3965F

RGB 179 150 95

HSL 39.29, 0.36%, 0.54%

LAB 63.53, 3.46, 32.95

 

CMYK 0 / 4 / 47 / 30

HEX #B3AC5F

RGB 179 172 95

HSL 55, 0.36%, 0.54%

LAB 69.41, -8.37, 40.28

 

CMYK 8 / 0 / 47 / 30

HEX #A4B35F

RGB 164 179 95

HSL 70.71, 0.36%, 0.54%

LAB 70.15, -18.15, 40.91

 

CMYK 21 / 0 / 47 / 30

HEX #8DB35F

RGB 141 179 95

HSL 87.14, 0.36%, 0.54%

LAB 68.55, -27.2, 38.59

 

CMYK 34 / 0 / 47 / 30

HEX #77B35F

RGB 119 179 95

HSL 102.86, 0.36%, 0.54%

LAB 67.27, -35.2, 36.71

 

CMYK 11 / 0 / 53 / 49

HEX #75833D

RGB 117 131 61

HSL 72, 0.36%, 0.38%

LAB 52.23, -16.34, 35.71

 

CMYK 10 / 0 / 53 / 38

HEX #8F9F4A

RGB 143 159 74

HSL 71.29, 0.36%, 0.46%

LAB 62.62, -18.67, 41.92

 

CMYK 9 / 0 / 47 / 30

HEX #A3B35F

RGB 163 179 95

HSL 71.43, 0.36%, 0.54%

LAB 70.07, -18.56, 40.8

 

CMYK 7 / 0 / 36 / 24

HEX #B3C17B

RGB 179 193 123

HSL 72, 0.36%, 0.62%

LAB 75.55, -16.09, 33.68

 

CMYK 5 / 0 / 27 / 19

HEX #C3CE97

RGB 195 206 151

HSL 72, 0.36%, 0.7%

LAB 80.73, -12.86, 26.18

 

CMYK 9 / 0 / 47 / 30

HEX #A3B35F

RGB 163 179 95

HSL 71.43, 0.36%, 0.54%

LAB 70.07, -18.56, 40.8

 

CMYK 47 / 0 / 29 / 30

HEX #5FB37F

RGB 95 179 127

HSL 142.86, 0.36%, 0.54%

LAB 66.68, -37.42, 18.84

 

CMYK 10 / 47 / 0 / 30

HEX #A15FB3

RGB 161 95 179

HSL 287.14, 0.36%, 0.54%

LAB 50.71, 40.86, -33.85

 

CMYK 9 / 0 / 47 / 30

HEX #A3B35F

RGB 163 179 95

HSL 71.43, 0.36%, 0.54%

LAB 70.07, -18.56, 40.8

 

CMYK 47 / 8 / 0 / 30

HEX #5FA4B3

RGB 95 164 179

HSL 190.71, 0.36%, 0.54%

LAB 63.54, -17.72, -14.54

 

CMYK 0 / 47 / 8 / 30

HEX #B35FA4

RGB 179 95 164

HSL 310.71, 0.36%, 0.54%

LAB 52.34, 43.51, -22.39

 

CMYK 9 / 0 / 47 / 30

HEX #A3B35F

RGB 163 179 95

HSL 71.43, 0.36%, 0.54%

LAB 70.07, -18.56, 40.8

 

CMYK 47 / 0 / 29 / 30

HEX #5FB37F

RGB 95 179 127

HSL 142.86, 0.36%, 0.54%

LAB 66.68, -37.42, 18.84

 

CMYK 39 / 47 / 0 / 30

HEX #6E5FB3

RGB 110 95 179

HSL 250.71, 0.36%, 0.54%

LAB 45.3, 26.39, -42.75

 

CMYK 0 / 47 / 18 / 30

HEX #B35F93

RGB 179 95 147

HSL 322.86, 0.36%, 0.54%

LAB 51.7, 40.7, -13.38

 

CMYK 9 / 0 / 47 / 30

HEX #A3B35F

RGB 163 179 95

HSL 71.43, 0.36%, 0.54%

LAB 70.07, -18.56, 40.8

 

CMYK 47 / 0 / 15 / 30

HEX #5FB399

RGB 95 179 153

HSL 161.43, 0.36%, 0.54%

LAB 67.26, -31.86, 5.41

 

CMYK 39 / 47 / 0 / 30

HEX #6E5FB3

RGB 110 95 179

HSL 250.71, 0.36%, 0.54%

LAB 45.3, 26.39, -42.75

 

CMYK 0 / 47 / 32 / 30

HEX #B35F7A

RGB 179 95 122

HSL 340.71, 0.36%, 0.54%

LAB 50.89, 37.07, 0.27

 

Description

Color code: HEX #A3B35F | qconv.com Color code: HEX #A3B35F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 179 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 179 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 47 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 47% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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