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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A3BC42 it is the complementary color #5C43BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A3BC42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A3BC42 shade: #A8BC3D, #B9CE50, #CAE063, #DBF276 and #ECFF89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A3BC42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A3BC42 shade: #A3BC42, #92AA2F, #81981C, #708609 and #5F7400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A3BC42 shade: #A3BC42, #BCB442, #BC9342, #BC7242 and #BC5142

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A3BC42 shade: #A3BC42, #82BC42, #61BC42, #42BC44 and #42BC65

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A3BC42 shade matches the following richer shades: #A3BC42, #AFD12D, #BBE519 and #C8FA04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A3BC42 shade: #A3BC42, #97A856, #8B936B, #7F7E80 and #726A94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A3BC42 shade: #BC9342, #BCB442, #A4BC42, #83BC42 and #62BC42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A3BC42 shade: #6E7F2C, #899E37, #A3BC42, #B2C760 and #C1D27F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A3BC42 shade: #A3BC42, #42BC73 and #A442BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A3BC42 shade: #A3BC42, #42A4BC and #BC42A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A3BC42 shade: #A3BC42, #42BC73, #5A42BC and #BC428B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A3BC42 shade: #A3BC42, #42BC97, #5A42BC and #BC4267

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 65 / 26

HEX #A3BC42

RGB 163 188 66

HSL 72.3, 0.48%, 0.5%

LAB 72.33, -25.53, 56.72

 

Complementary color

CMYK 51 / 65 / 0 / 26

HEX #5C43BD

RGB 92 67 189

HSL 252.3, 0.48%, 0.5%

LAB 37.78, 41.99, -60.8

 

CMYK 11 / 0 / 68 / 26

HEX #A8BC3D

RGB 168 188 61

HSL 69.45, 0.51%, 0.49%

LAB 72.65, -23.8, 59.17

 

CMYK 10 / 0 / 61 / 19

HEX #B9CE50

RGB 185 206 80

HSL 70, 0.56%, 0.56%

LAB 79.06, -24.35, 58.54

 

CMYK 10 / 0 / 56 / 12

HEX #CAE063

RGB 202 224 99

HSL 70.56, 0.67%, 0.63%

LAB 85.39, -24.78, 57.65

 

CMYK 10 / 0 / 51 / 5

HEX #DBF276

RGB 219 242 118

HSL 71.13, 0.83%, 0.71%

LAB 91.63, -25.13, 56.63

 

CMYK 7 / 0 / 46 / 0

HEX #ECFF89

RGB 236 255 137

HSL 69.66, 1%, 0.77%

LAB 96.48, -23.04, 53.96

 

CMYK 13 / 0 / 65 / 26

HEX #A3BC42

RGB 163 188 66

HSL 72.3, 0.48%, 0.5%

LAB 72.33, -25.53, 56.72

 

CMYK 14 / 0 / 72 / 33

HEX #92AA2F

RGB 146 170 47

HSL 71.71, 0.57%, 0.43%

LAB 65.8, -24.95, 57.1

 

CMYK 15 / 0 / 82 / 40

HEX #81981C

RGB 129 152 28

HSL 71.13, 0.69%, 0.35%

LAB 59.17, -24.18, 56.71

 

CMYK 16 / 0 / 93 / 47

HEX #708609

RGB 112 134 9

HSL 70.56, 0.87%, 0.28%

LAB 52.41, -23.16, 54.89

 

CMYK 18 / 0 / 100 / 55

HEX #5F7400

RGB 95 116 0

HSL 70.86, 1%, 0.23%

LAB 45.53, -21.81, 50.78

 

CMYK 13 / 0 / 65 / 26

HEX #A3BC42

RGB 163 188 66

HSL 72.3, 0.48%, 0.5%

LAB 72.33, -25.53, 56.72

 

CMYK 0 / 4 / 65 / 26

HEX #BCB442

RGB 188 180 66

HSL 56.07, 0.48%, 0.5%

LAB 72.05, -11.02, 57.02

 

CMYK 0 / 22 / 65 / 26

HEX #BC9342

RGB 188 147 66

HSL 39.84, 0.48%, 0.5%

LAB 63.3, 6.58, 47.63

 

CMYK 0 / 39 / 65 / 26

HEX #BC7242

RGB 188 114 66

HSL 23.61, 0.48%, 0.5%

LAB 55.2, 24.78, 38.45

 

CMYK 0 / 57 / 65 / 26

HEX #BC5142

RGB 188 81 66

HSL 7.38, 0.48%, 0.5%

LAB 48.22, 42.1, 30.11

 

CMYK 13 / 0 / 65 / 26

HEX #A3BC42

RGB 163 188 66

HSL 72.3, 0.48%, 0.5%

LAB 72.33, -25.53, 56.72

 

CMYK 31 / 0 / 65 / 26

HEX #82BC42

RGB 130 188 66

HSL 88.52, 0.48%, 0.5%

LAB 70.25, -38.39, 53.89

 

CMYK 48 / 0 / 65 / 26

HEX #61BC42

RGB 97 188 66

HSL 104.75, 0.48%, 0.5%

LAB 68.68, -49.42, 51.73

 

CMYK 65 / 0 / 64 / 26

HEX #42BC44

RGB 66 188 68

HSL 120.98, 0.48%, 0.5%

LAB 67.68, -57.12, 49.48

 

CMYK 65 / 0 / 46 / 26

HEX #42BC65

RGB 66 188 101

HSL 137.21, 0.48%, 0.5%

LAB 68.07, -52.7, 34.23

 

CMYK 13 / 0 / 65 / 26

HEX #A3BC42

RGB 163 188 66

HSL 72.3, 0.48%, 0.5%

LAB 72.33, -25.53, 56.72

 

CMYK 16 / 0 / 78 / 18

HEX #AFD12D

RGB 175 209 45

HSL 72.44, 0.65%, 0.5%

LAB 78.99, -31.78, 70.84

 

CMYK 18 / 0 / 89 / 10

HEX #BBE519

RGB 187 229 25

HSL 72.35, 0.8%, 0.5%

LAB 85.34, -36.74, 80.95

 

CMYK 20 / 0 / 98 / 2

HEX #C8FA04

RGB 200 250 4

HSL 72.2, 0.97%, 0.5%

LAB 91.98, -41.27, 88.65

 

CMYK 13 / 0 / 65 / 26

HEX #A3BC42

RGB 163 188 66

HSL 72.3, 0.48%, 0.5%

LAB 72.33, -25.53, 56.72

 

CMYK 10 / 0 / 49 / 34

HEX #97A856

RGB 151 168 86

HSL 72.44, 0.32%, 0.5%

LAB 65.95, -18.78, 40.08

 

CMYK 5 / 0 / 27 / 42

HEX #8B936B

RGB 139 147 107

HSL 72, 0.16%, 0.5%

LAB 59.36, -9.96, 20.26

 

CMYK 1 / 2 / 0 / 50

HEX #7F7E80

RGB 127 126 128

HSL 270, 0.01%, 0.5%

LAB 52.94, 0.78, -0.96

 

CMYK 23 / 28 / 0 / 42

HEX #726A94

RGB 114 106 148

HSL 251.43, 0.17%, 0.5%

LAB 47.01, 12.54, -21.79

 

CMYK 0 / 22 / 65 / 26

HEX #BC9342

RGB 188 147 66

HSL 39.84, 0.48%, 0.5%

LAB 63.3, 6.58, 47.63

 

CMYK 0 / 4 / 65 / 26

HEX #BCB442

RGB 188 180 66

HSL 56.07, 0.48%, 0.5%

LAB 72.05, -11.02, 57.02

 

CMYK 13 / 0 / 65 / 26

HEX #A4BC42

RGB 164 188 66

HSL 71.8, 0.48%, 0.5%

LAB 72.4, -25.13, 56.81

 

CMYK 30 / 0 / 65 / 26

HEX #83BC42

RGB 131 188 66

HSL 88.03, 0.48%, 0.5%

LAB 70.31, -38.02, 53.96

 

CMYK 48 / 0 / 65 / 26

HEX #62BC42

RGB 98 188 66

HSL 104.26, 0.48%, 0.5%

LAB 68.72, -49.13, 51.78

 

CMYK 13 / 0 / 65 / 50

HEX #6E7F2C

RGB 110 127 44

HSL 72.29, 0.49%, 0.34%

LAB 50.31, -18.79, 41.64

 

CMYK 13 / 0 / 65 / 38

HEX #899E37

RGB 137 158 55

HSL 72.23, 0.48%, 0.42%

LAB 61.7, -22.27, 49.53

 

CMYK 13 / 0 / 65 / 26

HEX #A3BC42

RGB 163 188 66

HSL 72.3, 0.48%, 0.5%

LAB 72.33, -25.53, 56.72

 

CMYK 11 / 0 / 52 / 22

HEX #B2C760

RGB 178 199 96

HSL 72.23, 0.48%, 0.58%

LAB 76.77, -22.42, 48.62

 

CMYK 8 / 0 / 40 / 18

HEX #C1D27F

RGB 193 210 127

HSL 72.29, 0.48%, 0.66%

LAB 81.27, -18.71, 39.2

 

CMYK 13 / 0 / 65 / 26

HEX #A3BC42

RGB 163 188 66

HSL 72.3, 0.48%, 0.5%

LAB 72.33, -25.53, 56.72

 

CMYK 65 / 0 / 39 / 26

HEX #42BC73

RGB 66 188 115

HSL 144.1, 0.48%, 0.5%

LAB 68.29, -50.27, 27.26

 

CMYK 13 / 65 / 0 / 26

HEX #A442BC

RGB 164 66 188

HSL 288.2, 0.48%, 0.5%

LAB 46.2, 57.84, -46.19

 

CMYK 13 / 0 / 65 / 26

HEX #A3BC42

RGB 163 188 66

HSL 72.3, 0.48%, 0.5%

LAB 72.33, -25.53, 56.72

 

CMYK 65 / 13 / 0 / 26

HEX #42A4BC

RGB 66 164 188

HSL 191.8, 0.48%, 0.5%

LAB 62.79, -20.99, -20.81

 

CMYK 0 / 65 / 13 / 26

HEX #BC42A4

RGB 188 66 164

HSL 311.8, 0.48%, 0.5%

LAB 48.6, 59.67, -28.07

 

CMYK 13 / 0 / 65 / 26

HEX #A3BC42

RGB 163 188 66

HSL 72.3, 0.48%, 0.5%

LAB 72.33, -25.53, 56.72

 

CMYK 65 / 0 / 39 / 26

HEX #42BC73

RGB 66 188 115

HSL 144.1, 0.48%, 0.5%

LAB 68.29, -50.27, 27.26

 

CMYK 52 / 65 / 0 / 26

HEX #5A42BC

RGB 90 66 188

HSL 251.8, 0.48%, 0.5%

LAB 37.3, 41.9, -61

 

CMYK 0 / 65 / 26 / 26

HEX #BC428B

RGB 188 66 139

HSL 324.1, 0.48%, 0.5%

LAB 47.56, 56.11, -14.74

 

CMYK 13 / 0 / 65 / 26

HEX #A3BC42

RGB 163 188 66

HSL 72.3, 0.48%, 0.5%

LAB 72.33, -25.53, 56.72

 

CMYK 65 / 0 / 20 / 26

HEX #42BC97

RGB 66 188 151

HSL 161.8, 0.48%, 0.5%

LAB 69.01, -42.62, 8.9

 

CMYK 52 / 65 / 0 / 26

HEX #5A42BC

RGB 90 66 188

HSL 251.8, 0.48%, 0.5%

LAB 37.3, 41.9, -61

 

CMYK 0 / 65 / 45 / 26

HEX #BC4267

RGB 188 66 103

HSL 341.8, 0.48%, 0.5%

LAB 46.4, 51.97, 5.43

 

Description

Color code: HEX #A3BC42 | qconv.com Color code: HEX #A3BC42 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 188 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 188 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 65 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 65% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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