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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A3BFC1 it is the complementary color #5C403E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A3BFC1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A3BFC1 shade: #A8BFBC, #B9D1CF, #CAE3E2, #DBF5F5 and #ECFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A3BFC1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A3BFC1 shade: #A3BFC1, #92ADAE, #819B9B, #708988 and #5F7775

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A3BFC1 shade: #A3BFC1, #A3B7C1, #A3AFC1, #A3A7C1 and #A8A3C1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A3BFC1 shade: #A3BFC1, #A3B7C1, #A3AFC1, #A3A7C1 and #A3A3C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A3BFC1 shade matches the following richer shades: #A3BFC1, #97C9CD, #8BD4D9, #7EDFE6 and #72EAF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A3BFC1 shade: #A3BFC1, #B0B4B4, #BCA9A8, #C99E9B and #D5948F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A3BFC1 shade: #A3C1B3, #A3C1BB, #A3BFC1, #A3B7C1 and #A3AFC1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A3BFC1 shade: #729C9F, #8BADB0, #A3BFC1, #BCD0D1 and #D5E1E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A3BFC1 shade: #A3BFC1, #ABA3C1 and #C1B7A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A3BFC1 shade: #A3BFC1, #C1A3BF and #BFC1A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A3BFC1 shade: #A3BFC1, #ABA3C1, #C1A5A3 and #B9C1A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A3BFC1 shade: #A3BFC1, #B4A3C1, #C1A5A3 and #B0C1A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 1 / 0 / 24

HEX #A3BFC1

RGB 163 191 193

HSL 184, 0.19%, 0.7%

LAB 75.39, -9.01, -4.19

 

Complementary color

CMYK 0 / 30 / 33 / 64

HEX #5C403E

RGB 92 64 62

HSL 4, 0.19%, 0.3%

LAB 30.13, 11.89, 6.07

 

CMYK 12 / 0 / 2 / 25

HEX #A8BFBC

RGB 168 191 188

HSL 172.17, 0.15%, 0.7%

LAB 75.59, -8.4, -1.15

 

CMYK 11 / 0 / 1 / 18

HEX #B9D1CF

RGB 185 209 207

HSL 175, 0.21%, 0.77%

LAB 82.07, -8.4, -1.74

 

CMYK 11 / 0 / 0 / 11

HEX #CAE3E2

RGB 202 227 226

HSL 177.6, 0.31%, 0.84%

LAB 88.44, -8.41, -2.32

 

CMYK 11 / 0 / 0 / 4

HEX #DBF5F5

RGB 219 245 245

HSL 180, 0.57%, 0.91%

LAB 94.72, -8.43, -2.89

 

CMYK 7 / 0 / 0 / 0

HEX #ECFFFF

RGB 236 255 255

HSL 180, 1%, 0.96%

LAB 98.66, -6.16, -2.13

 

CMYK 16 / 1 / 0 / 24

HEX #A3BFC1

RGB 163 191 193

HSL 184, 0.19%, 0.7%

LAB 75.39, -9.01, -4.19

 

CMYK 16 / 1 / 0 / 32

HEX #92ADAE

RGB 146 173 174

HSL 182.14, 0.15%, 0.63%

LAB 68.79, -9.02, -3.63

 

CMYK 17 / 0 / 0 / 39

HEX #819B9B

RGB 129 155 155

HSL 180, 0.12%, 0.56%

LAB 62.06, -9.05, -3.04

 

CMYK 18 / 0 / 1 / 46

HEX #708988

RGB 112 137 136

HSL 177.6, 0.1%, 0.49%

LAB 55.19, -9.1, -2.44

 

CMYK 20 / 0 / 2 / 53

HEX #5F7775

RGB 95 119 117

HSL 175, 0.11%, 0.42%

LAB 48.15, -9.17, -1.8

 

CMYK 16 / 1 / 0 / 24

HEX #A3BFC1

RGB 163 191 193

HSL 184, 0.19%, 0.7%

LAB 75.39, -9.01, -4.19

 

CMYK 16 / 5 / 0 / 24

HEX #A3B7C1

RGB 163 183 193

HSL 200, 0.19%, 0.7%

LAB 73.22, -4.76, -7.39

 

CMYK 16 / 9 / 0 / 24

HEX #A3AFC1

RGB 163 175 193

HSL 216, 0.19%, 0.7%

LAB 71.08, -0.44, -10.59

 

CMYK 16 / 13 / 0 / 24

HEX #A3A7C1

RGB 163 167 193

HSL 232, 0.19%, 0.7%

LAB 68.95, 3.95, -13.78

 

CMYK 13 / 16 / 0 / 24

HEX #A8A3C1

RGB 168 163 193

HSL 250, 0.19%, 0.7%

LAB 68.29, 7.81, -14.73

 

CMYK 16 / 1 / 0 / 24

HEX #A3BFC1

RGB 163 191 193

HSL 184, 0.19%, 0.7%

LAB 75.39, -9.01, -4.19

 

CMYK 16 / 5 / 0 / 24

HEX #A3B7C1

RGB 163 183 193

HSL 200, 0.19%, 0.7%

LAB 73.22, -4.76, -7.39

 

CMYK 16 / 9 / 0 / 24

HEX #A3AFC1

RGB 163 175 193

HSL 216, 0.19%, 0.7%

LAB 71.08, -0.44, -10.59

 

CMYK 16 / 13 / 0 / 24

HEX #A3A7C1

RGB 163 167 193

HSL 232, 0.19%, 0.7%

LAB 68.95, 3.95, -13.78

 

CMYK 16 / 16 / 0 / 24

HEX #A3A3C1

RGB 163 163 193

HSL 240, 0.19%, 0.7%

LAB 67.9, 6.16, -15.36

 

CMYK 16 / 1 / 0 / 24

HEX #A3BFC1

RGB 163 191 193

HSL 184, 0.19%, 0.7%

LAB 75.39, -9.01, -4.19

 

CMYK 26 / 2 / 0 / 20

HEX #97C9CD

RGB 151 201 205

HSL 184.44, 0.35%, 0.7%

LAB 77.73, -15.28, -7.3

 

CMYK 36 / 2 / 0 / 15

HEX #8BD4D9

RGB 139 212 217

HSL 183.85, 0.51%, 0.7%

LAB 80.51, -21.39, -9.68

 

CMYK 45 / 3 / 0 / 10

HEX #7EDFE6

RGB 126 223 230

HSL 184.04, 0.68%, 0.7%

LAB 83.4, -26.79, -12.35

 

CMYK 53 / 3 / 0 / 5

HEX #72EAF2

RGB 114 234 242

HSL 183.75, 0.83%, 0.7%

LAB 86.42, -31.52, -14.21

 

CMYK 16 / 1 / 0 / 24

HEX #A3BFC1

RGB 163 191 193

HSL 184, 0.19%, 0.7%

LAB 75.39, -9.01, -4.19

 

CMYK 2 / 0 / 0 / 29

HEX #B0B4B4

RGB 176 180 180

HSL 180, 0.03%, 0.7%

LAB 73, -1.4, -0.5

 

CMYK 0 / 10 / 11 / 26

HEX #BCA9A8

RGB 188 169 168

HSL 3, 0.13%, 0.7%

LAB 70.8, 6.69, 3.01

 

CMYK 0 / 21 / 23 / 21

HEX #C99E9B

RGB 201 158 155

HSL 3.91, 0.3%, 0.7%

LAB 68.92, 15.49, 7.67

 

CMYK 0 / 31 / 33 / 16

HEX #D5948F

RGB 213 148 143

HSL 4.29, 0.45%, 0.7%

LAB 67.51, 23.85, 12.52

 

CMYK 16 / 0 / 7 / 24

HEX #A3C1B3

RGB 163 193 179

HSL 152, 0.19%, 0.7%

LAB 75.56, -12.9, 3.66

 

CMYK 16 / 0 / 3 / 24

HEX #A3C1BB

RGB 163 193 187

HSL 168, 0.19%, 0.7%

LAB 75.77, -11.3, -0.38

 

CMYK 16 / 1 / 0 / 24

HEX #A3BFC1

RGB 163 191 193

HSL 184, 0.19%, 0.7%

LAB 75.39, -9.01, -4.19

 

CMYK 16 / 5 / 0 / 24

HEX #A3B7C1

RGB 163 183 193

HSL 200, 0.19%, 0.7%

LAB 73.22, -4.76, -7.39

 

CMYK 16 / 9 / 0 / 24

HEX #A3AFC1

RGB 163 175 193

HSL 216, 0.19%, 0.7%

LAB 71.08, -0.44, -10.59

 

CMYK 28 / 2 / 0 / 38

HEX #729C9F

RGB 114 156 159

HSL 184, 0.19%, 0.54%

LAB 61.53, -13.46, -6.19

 

CMYK 21 / 2 / 0 / 31

HEX #8BADB0

RGB 139 173 176

HSL 184.86, 0.19%, 0.62%

LAB 68.4, -10.84, -5.37

 

CMYK 16 / 1 / 0 / 24

HEX #A3BFC1

RGB 163 191 193

HSL 184, 0.19%, 0.7%

LAB 75.39, -9.01, -4.19

 

CMYK 10 / 0 / 0 / 18

HEX #BCD0D1

RGB 188 208 209

HSL 182.86, 0.19%, 0.78%

LAB 82.06, -6.51, -2.8

 

CMYK 6 / 0 / 0 / 11

HEX #D5E1E2

RGB 213 225 226

HSL 184.62, 0.18%, 0.86%

LAB 88.68, -3.81, -1.88

 

CMYK 16 / 1 / 0 / 24

HEX #A3BFC1

RGB 163 191 193

HSL 184, 0.19%, 0.7%

LAB 75.39, -9.01, -4.19

 

CMYK 11 / 16 / 0 / 24

HEX #ABA3C1

RGB 171 163 193

HSL 256, 0.19%, 0.7%

LAB 68.54, 8.81, -14.34

 

CMYK 0 / 5 / 16 / 24

HEX #C1B7A3

RGB 193 183 163

HSL 40, 0.19%, 0.7%

LAB 74.73, 0.17, 11.44

 

CMYK 16 / 1 / 0 / 24

HEX #A3BFC1

RGB 163 191 193

HSL 184, 0.19%, 0.7%

LAB 75.39, -9.01, -4.19

 

CMYK 0 / 16 / 1 / 24

HEX #C1A3BF

RGB 193 163 191

HSL 304, 0.19%, 0.7%

LAB 70.38, 15.9, -10.27

 

CMYK 1 / 0 / 16 / 24

HEX #BFC1A3

RGB 191 193 163

HSL 64, 0.19%, 0.7%

LAB 77.2, -5.86, 14.9

 

CMYK 16 / 1 / 0 / 24

HEX #A3BFC1

RGB 163 191 193

HSL 184, 0.19%, 0.7%

LAB 75.39, -9.01, -4.19

 

CMYK 11 / 16 / 0 / 24

HEX #ABA3C1

RGB 171 163 193

HSL 256, 0.19%, 0.7%

LAB 68.54, 8.81, -14.34

 

CMYK 0 / 15 / 16 / 24

HEX #C1A5A3

RGB 193 165 163

HSL 4, 0.19%, 0.7%

LAB 70.1, 9.89, 4.82

 

CMYK 4 / 0 / 16 / 24

HEX #B9C1A3

RGB 185 193 163

HSL 76, 0.19%, 0.7%

LAB 76.74, -8.06, 14.18

 

CMYK 16 / 1 / 0 / 24

HEX #A3BFC1

RGB 163 191 193

HSL 184, 0.19%, 0.7%

LAB 75.39, -9.01, -4.19

 

CMYK 7 / 16 / 0 / 24

HEX #B4A3C1

RGB 180 163 193

HSL 274, 0.19%, 0.7%

LAB 69.29, 11.83, -13.13

 

CMYK 0 / 15 / 16 / 24

HEX #C1A5A3

RGB 193 165 163

HSL 4, 0.19%, 0.7%

LAB 70.1, 9.89, 4.82

 

CMYK 9 / 0 / 16 / 24

HEX #B0C1A3

RGB 176 193 163

HSL 94, 0.19%, 0.7%

LAB 76.08, -11.32, 13.16

 

Description

Color code: HEX #A3BFC1 | qconv.com Color code: HEX #A3BFC1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 191 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 191 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 1 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 1% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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