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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A3C034 it is the complementary color #5C3FCB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A3C034. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A3C034 shade: #A8C02F, #B9D242, #CAE455, #DBF668 and #ECFF7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A3C034. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A3C034 shade: #A3C034, #92AE21, #819C0E, #708A00 and #5F7800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A3C034 shade: #A3C034, #C0B734, #C09134, #C06C34 and #C04634

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A3C034 shade: #A3C034, #7DC034, #58C034, #34C036 and #34C05C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A3C034 shade matches the following richer shades: #A3C034, #AED320 and #BAE70D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A3C034 shade: #A3C034, #97AC48, #8C985C, #808470 and #747083

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A3C034 shade: #C09134, #C0B634, #A4C034, #7FC034 and #59C034

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A3C034 shade: #6C7F22, #879F2B, #A3C034, #B4CE4F and #C2D76F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A3C034 shade: #A3C034, #34C06C and #A434C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A3C034 shade: #A3C034, #34A4C0 and #C034A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A3C034 shade: #A3C034, #34C06C, #5034C0 and #C03488

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A3C034 shade: #A3C034, #34C096, #5034C0 and #C0345E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 73 / 25

HEX #A3C034

RGB 163 192 52

HSL 72.43, 0.57%, 0.48%

LAB 73.37, -28.3, 63.1

 

Complementary color

CMYK 55 / 69 / 0 / 20

HEX #5C3FCB

RGB 92 63 203

HSL 252.43, 0.57%, 0.52%

LAB 38.1, 48.38, -68.45

 

CMYK 13 / 0 / 76 / 25

HEX #A8C02F

RGB 168 192 47

HSL 69.93, 0.61%, 0.47%

LAB 73.69, -26.49, 65.2

 

CMYK 12 / 0 / 69 / 18

HEX #B9D242

RGB 185 210 66

HSL 70.42, 0.62%, 0.54%

LAB 80.07, -27.18, 65.18

 

CMYK 11 / 0 / 63 / 11

HEX #CAE455

RGB 202 228 85

HSL 70.91, 0.73%, 0.61%

LAB 86.35, -27.73, 64.67

 

CMYK 11 / 0 / 58 / 4

HEX #DBF668

RGB 219 246 104

HSL 71.41, 0.89%, 0.69%

LAB 92.56, -28.18, 63.88

 

CMYK 7 / 0 / 52 / 0

HEX #ECFF7B

RGB 236 255 123

HSL 68.64, 1%, 0.74%

LAB 96.32, -24.32, 60.18

 

CMYK 15 / 0 / 73 / 25

HEX #A3C034

RGB 163 192 52

HSL 72.43, 0.57%, 0.48%

LAB 73.37, -28.3, 63.1

 

CMYK 16 / 0 / 81 / 32

HEX #92AE21

RGB 146 174 33

HSL 71.91, 0.68%, 0.41%

LAB 66.89, -27.55, 62.63

 

CMYK 17 / 0 / 91 / 39

HEX #819C0E

RGB 129 156 14

HSL 71.41, 0.84%, 0.33%

LAB 60.32, -26.58, 60.91

 

CMYK 19 / 0 / 100 / 46

HEX #708A00

RGB 112 138 0

HSL 71.3, 1%, 0.27%

LAB 53.62, -25.35, 57.42

 

CMYK 21 / 0 / 100 / 53

HEX #5F7800

RGB 95 120 0

HSL 72.5, 1%, 0.24%

LAB 46.8, -23.84, 51.73

 

CMYK 15 / 0 / 73 / 25

HEX #A3C034

RGB 163 192 52

HSL 72.43, 0.57%, 0.48%

LAB 73.37, -28.3, 63.1

 

CMYK 0 / 5 / 73 / 25

HEX #C0B734

RGB 192 183 52

HSL 56.14, 0.57%, 0.48%

LAB 73.1, -11.6, 63.61

 

CMYK 0 / 24 / 73 / 25

HEX #C09134

RGB 192 145 52

HSL 39.86, 0.57%, 0.48%

LAB 63.1, 8.64, 53.83

 

CMYK 0 / 44 / 73 / 25

HEX #C06C34

RGB 192 108 52

HSL 24, 0.57%, 0.48%

LAB 54.22, 28.92, 44.67

 

CMYK 0 / 64 / 73 / 25

HEX #C04634

RGB 192 70 52

HSL 7.71, 0.57%, 0.48%

LAB 46.76, 47.91, 36.53

 

CMYK 15 / 0 / 73 / 25

HEX #A3C034

RGB 163 192 52

HSL 72.43, 0.57%, 0.48%

LAB 73.37, -28.3, 63.1

 

CMYK 35 / 0 / 73 / 25

HEX #7DC034

RGB 125 192 52

HSL 88.71, 0.57%, 0.48%

LAB 71.08, -42.95, 60.08

 

CMYK 54 / 0 / 73 / 25

HEX #58C034

RGB 88 192 52

HSL 104.57, 0.57%, 0.48%

LAB 69.49, -54.68, 57.96

 

CMYK 73 / 0 / 72 / 25

HEX #34C036

RGB 52 192 54

HSL 120.86, 0.57%, 0.48%

LAB 68.53, -62.41, 55.94

 

CMYK 73 / 0 / 52 / 25

HEX #34C05C

RGB 52 192 92

HSL 137.14, 0.57%, 0.48%

LAB 68.9, -58.03, 39.7

 

CMYK 15 / 0 / 73 / 25

HEX #A3C034

RGB 163 192 52

HSL 72.43, 0.57%, 0.48%

LAB 73.37, -28.3, 63.1

 

CMYK 18 / 0 / 85 / 17

HEX #AED320

RGB 174 211 32

HSL 72.4, 0.74%, 0.48%

LAB 79.44, -33.55, 74.45

 

CMYK 19 / 0 / 94 / 9

HEX #BAE70D

RGB 186 231 13

HSL 72.39, 0.89%, 0.48%

LAB 85.82, -38.22, 82.81

 

CMYK 15 / 0 / 73 / 25

HEX #A3C034

RGB 163 192 52

HSL 72.43, 0.57%, 0.48%

LAB 73.37, -28.3, 63.1

 

CMYK 12 / 0 / 58 / 33

HEX #97AC48

RGB 151 172 72

HSL 72.6, 0.41%, 0.48%

LAB 66.94, -22.12, 47.99

 

CMYK 8 / 0 / 39 / 40

HEX #8C985C

RGB 140 152 92

HSL 72, 0.25%, 0.48%

LAB 60.61, -14.29, 30.14

 

CMYK 3 / 0 / 15 / 48

HEX #808470

RGB 128 132 112

HSL 72, 0.08%, 0.48%

LAB 54.3, -5.25, 10.3

 

CMYK 11 / 15 / 0 / 49

HEX #747083

RGB 116 112 131

HSL 252.63, 0.08%, 0.48%

LAB 48.18, 5.57, -9.88

 

CMYK 0 / 24 / 73 / 25

HEX #C09134

RGB 192 145 52

HSL 39.86, 0.57%, 0.48%

LAB 63.1, 8.64, 53.83

 

CMYK 0 / 5 / 73 / 25

HEX #C0B634

RGB 192 182 52

HSL 55.71, 0.57%, 0.48%

LAB 72.83, -11.08, 63.36

 

CMYK 15 / 0 / 73 / 25

HEX #A4C034

RGB 164 192 52

HSL 72, 0.57%, 0.48%

LAB 73.44, -27.9, 63.19

 

CMYK 34 / 0 / 73 / 25

HEX #7FC034

RGB 127 192 52

HSL 87.86, 0.57%, 0.48%

LAB 71.19, -42.23, 60.22

 

CMYK 54 / 0 / 73 / 25

HEX #59C034

RGB 89 192 52

HSL 104.14, 0.57%, 0.48%

LAB 69.52, -54.4, 58

 

CMYK 15 / 0 / 73 / 50

HEX #6C7F22

RGB 108 127 34

HSL 72.26, 0.58%, 0.32%

LAB 50.08, -20.36, 45.61

 

CMYK 15 / 0 / 73 / 38

HEX #879F2B

RGB 135 159 43

HSL 72.41, 0.57%, 0.4%

LAB 61.76, -24.38, 54.34

 

CMYK 15 / 0 / 73 / 25

HEX #A3C034

RGB 163 192 52

HSL 72.43, 0.57%, 0.48%

LAB 73.37, -28.3, 63.1

 

CMYK 13 / 0 / 62 / 19

HEX #B4CE4F

RGB 180 206 79

HSL 72.28, 0.56%, 0.56%

LAB 78.7, -26.43, 58.47

 

CMYK 10 / 0 / 48 / 16

HEX #C2D76F

RGB 194 215 111

HSL 72.12, 0.57%, 0.64%

LAB 82.5, -22.5, 48.59

 

CMYK 15 / 0 / 73 / 25

HEX #A3C034

RGB 163 192 52

HSL 72.43, 0.57%, 0.48%

LAB 73.37, -28.3, 63.1

 

CMYK 73 / 0 / 44 / 25

HEX #34C06C

RGB 52 192 108

HSL 144, 0.57%, 0.48%

LAB 69.12, -55.45, 31.94

 

CMYK 15 / 73 / 0 / 25

HEX #A434C0

RGB 164 52 192

HSL 288, 0.57%, 0.48%

LAB 44.45, 64.22, -51.32

 

CMYK 15 / 0 / 73 / 25

HEX #A3C034

RGB 163 192 52

HSL 72.43, 0.57%, 0.48%

LAB 73.37, -28.3, 63.1

 

CMYK 73 / 15 / 0 / 25

HEX #34A4C0

RGB 52 164 192

HSL 192, 0.57%, 0.48%

LAB 62.58, -21.78, -23.4

 

CMYK 0 / 73 / 15 / 25

HEX #C034A4

RGB 192 52 164

HSL 312, 0.57%, 0.48%

LAB 47.42, 65.8, -29.86

 

CMYK 15 / 0 / 73 / 25

HEX #A3C034

RGB 163 192 52

HSL 72.43, 0.57%, 0.48%

LAB 73.37, -28.3, 63.1

 

CMYK 73 / 0 / 44 / 25

HEX #34C06C

RGB 52 192 108

HSL 144, 0.57%, 0.48%

LAB 69.12, -55.45, 31.94

 

CMYK 58 / 73 / 0 / 25

HEX #5034C0

RGB 80 52 192

HSL 252, 0.57%, 0.48%

LAB 33.91, 49.23, -68.92

 

CMYK 0 / 73 / 29 / 25

HEX #C03488

RGB 192 52 136

HSL 324, 0.57%, 0.48%

LAB 46.23, 62.1, -14.89

 

CMYK 15 / 0 / 73 / 25

HEX #A3C034

RGB 163 192 52

HSL 72.43, 0.57%, 0.48%

LAB 73.37, -28.3, 63.1

 

CMYK 73 / 0 / 22 / 25

HEX #34C096

RGB 52 192 150

HSL 162, 0.57%, 0.48%

LAB 69.92, -46.71, 10.69

 

CMYK 58 / 73 / 0 / 25

HEX #5034C0

RGB 80 52 192

HSL 252, 0.57%, 0.48%

LAB 33.91, 49.23, -68.92

 

CMYK 0 / 73 / 51 / 25

HEX #C0345E

RGB 192 52 94

HSL 342, 0.57%, 0.48%

LAB 44.9, 57.8, 8.94

 

Description

Color code: HEX #A3C034 | qconv.com Color code: HEX #A3C034 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 192 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 192 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 73 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 73% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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