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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A3C25A it is the complementary color #5C3DA5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A3C25A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A3C25A shade: #A8C255, #B9D468, #CAE67B, #DBF88E and #ECFFA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A3C25A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A3C25A shade: #A3C25A, #92B047, #819E34, #708C21 and #5F7A0E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A3C25A shade: #A3C25B, #BFC25B, #C2A95B, #C28D5B and #C2715B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A3C25A shade: #A3C25B, #87C25B, #6BC25B, #5BC266 and #5BC282

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A3C25A shade matches the following richer shades: #A3C25B, #AAD449, #B2E636 and #B9F824

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A3C25A shade: #A3C25B, #9CB06D, #949E7F, #8D8B91 and #8679A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A3C25A shade: #C2A85B, #C0C25B, #A5C25B, #89C25B and #6EC25B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A3C25A shade: #789436, #90B241, #A3C25B, #B4CD79 and #C5D897

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A3C25A shade: #A3C25A, #5BC28D and #B65BC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A3C25A shade: #A3C25A, #5BA5C2 and #C25BA5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A3C25A shade: #A3C25A, #5BC28D, #785BC2 and #C25B90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A3C25A shade: #A3C25A, #5BC2AC, #785BC2 and #C25B71

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 54 / 24

HEX #A3C25A

RGB 163 194 90

HSL 77.88, 0.46%, 0.56%

LAB 74.26, -26.48, 48.23

 

Complementary color

CMYK 44 / 63 / 0 / 35

HEX #5C3DA5

RGB 92 61 165

HSL 257.88, 0.46%, 0.44%

LAB 34.66, 38.42, -51.62

 

CMYK 13 / 0 / 56 / 24

HEX #A8C255

RGB 168 194 85

HSL 74.31, 0.47%, 0.55%

LAB 74.55, -24.95, 50.97

 

CMYK 13 / 0 / 51 / 17

HEX #B9D468

RGB 185 212 104

HSL 75, 0.56%, 0.62%

LAB 80.96, -25.23, 49.92

 

CMYK 12 / 0 / 47 / 10

HEX #CAE67B

RGB 202 230 123

HSL 75.7, 0.68%, 0.69%

LAB 87.28, -25.44, 48.8

 

CMYK 12 / 0 / 43 / 3

HEX #DBF88E

RGB 219 248 142

HSL 76.42, 0.88%, 0.76%

LAB 93.51, -25.59, 47.68

 

CMYK 7 / 0 / 37 / 0

HEX #ECFFA1

RGB 236 255 161

HSL 72.13, 1%, 0.82%

LAB 96.79, -20.49, 42.87

 

CMYK 16 / 0 / 54 / 24

HEX #A3C25A

RGB 163 194 90

HSL 77.88, 0.46%, 0.56%

LAB 74.26, -26.48, 48.23

 

CMYK 17 / 0 / 60 / 31

HEX #92B047

RGB 146 176 71

HSL 77.14, 0.43%, 0.48%

LAB 67.74, -26.21, 49.24

 

CMYK 18 / 0 / 67 / 38

HEX #819E34

RGB 129 158 52

HSL 76.42, 0.5%, 0.41%

LAB 61.11, -25.82, 50.01

 

CMYK 20 / 0 / 76 / 45

HEX #708C21

RGB 112 140 33

HSL 75.7, 0.62%, 0.34%

LAB 54.36, -25.27, 50.24

 

CMYK 22 / 0 / 89 / 52

HEX #5F7A0E

RGB 95 122 14

HSL 75, 0.79%, 0.27%

LAB 47.47, -24.46, 49.31

 

CMYK 16 / 0 / 53 / 24

HEX #A3C25B

RGB 163 194 91

HSL 78.06, 0.46%, 0.56%

LAB 74.27, -26.38, 47.77

 

CMYK 2 / 0 / 53 / 24

HEX #BFC25B

RGB 191 194 91

HSL 61.75, 0.46%, 0.56%

LAB 76.32, -15.11, 50.69

 

CMYK 0 / 13 / 53 / 24

HEX #C2A95B

RGB 194 169 91

HSL 45.44, 0.46%, 0.56%

LAB 69.9, -0.85, 43.19

 

CMYK 0 / 27 / 53 / 24

HEX #C28D5B

RGB 194 141 91

HSL 29.13, 0.46%, 0.56%

LAB 62.74, 14.36, 34.43

 

CMYK 0 / 42 / 53 / 24

HEX #C2715B

RGB 194 113 91

HSL 12.82, 0.46%, 0.56%

LAB 56.12, 29.72, 25.99

 

CMYK 16 / 0 / 53 / 24

HEX #A3C25B

RGB 163 194 91

HSL 78.06, 0.46%, 0.56%

LAB 74.27, -26.38, 47.77

 

CMYK 30 / 0 / 53 / 24

HEX #87C25B

RGB 135 194 91

HSL 94.37, 0.46%, 0.56%

LAB 72.55, -36.89, 45.32

 

CMYK 45 / 0 / 53 / 24

HEX #6BC25B

RGB 107 194 91

HSL 110.68, 0.46%, 0.56%

LAB 71.19, -46.15, 43.36

 

CMYK 53 / 0 / 47 / 24

HEX #5BC266

RGB 91 194 102

HSL 126.41, 0.46%, 0.56%

LAB 70.71, -49.16, 37.23

 

CMYK 53 / 0 / 33 / 24

HEX #5BC282

RGB 91 194 130

HSL 142.72, 0.46%, 0.56%

LAB 71.16, -44.44, 23.32

 

CMYK 16 / 0 / 53 / 24

HEX #A3C25B

RGB 163 194 91

HSL 78.06, 0.46%, 0.56%

LAB 74.27, -26.38, 47.77

 

CMYK 20 / 0 / 66 / 17

HEX #AAD449

RGB 170 212 73

HSL 78.13, 0.62%, 0.56%

LAB 79.68, -33.63, 61.77

 

CMYK 23 / 0 / 77 / 10

HEX #B2E636

RGB 178 230 54

HSL 77.73, 0.78%, 0.56%

LAB 85.16, -39.75, 73.96

 

CMYK 25 / 0 / 85 / 3

HEX #B9F824

RGB 185 248 36

HSL 77.83, 0.94%, 0.56%

LAB 90.59, -45.58, 83.3

 

CMYK 16 / 0 / 53 / 24

HEX #A3C25B

RGB 163 194 91

HSL 78.06, 0.46%, 0.56%

LAB 74.27, -26.38, 47.77

 

CMYK 11 / 0 / 38 / 31

HEX #9CB06D

RGB 156 176 109

HSL 77.91, 0.3%, 0.56%

LAB 68.91, -18.18, 32.05

 

CMYK 6 / 0 / 20 / 38

HEX #949E7F

RGB 148 158 127

HSL 79.35, 0.14%, 0.56%

LAB 63.58, -9.24, 15.03

 

CMYK 3 / 4 / 0 / 43

HEX #8D8B91

RGB 141 139 145

HSL 260, 0.03%, 0.56%

LAB 58.2, 1.93, -2.94

 

CMYK 18 / 26 / 0 / 36

HEX #8679A3

RGB 134 121 163

HSL 258.57, 0.19%, 0.56%

LAB 53.37, 13.82, -20.65

 

CMYK 0 / 13 / 53 / 24

HEX #C2A85B

RGB 194 168 91

HSL 44.85, 0.46%, 0.56%

LAB 69.63, -0.32, 42.87

 

CMYK 1 / 0 / 53 / 24

HEX #C0C25B

RGB 192 194 91

HSL 61.17, 0.46%, 0.56%

LAB 76.4, -14.69, 50.8

 

CMYK 15 / 0 / 53 / 24

HEX #A5C25B

RGB 165 194 91

HSL 76.89, 0.46%, 0.56%

LAB 74.41, -25.6, 47.97

 

CMYK 29 / 0 / 53 / 24

HEX #89C25B

RGB 137 194 91

HSL 93.2, 0.46%, 0.56%

LAB 72.67, -36.18, 45.48

 

CMYK 43 / 0 / 53 / 24

HEX #6EC25B

RGB 110 194 91

HSL 108.93, 0.46%, 0.56%

LAB 71.32, -45.23, 43.55

 

CMYK 19 / 0 / 64 / 42

HEX #789436

RGB 120 148 54

HSL 77.87, 0.47%, 0.4%

LAB 57.5, -24.45, 45.11

 

CMYK 19 / 0 / 63 / 30

HEX #90B241

RGB 144 178 65

HSL 78.05, 0.47%, 0.48%

LAB 68.13, -28.46, 52.28

 

CMYK 16 / 0 / 53 / 24

HEX #A3C25B

RGB 163 194 91

HSL 78.06, 0.46%, 0.56%

LAB 74.27, -26.38, 47.77

 

CMYK 12 / 0 / 41 / 20

HEX #B4CD79

RGB 180 205 121

HSL 77.86, 0.46%, 0.64%

LAB 78.89, -21.93, 39.01

 

CMYK 9 / 0 / 30 / 15

HEX #C5D897

RGB 197 216 151

HSL 77.54, 0.45%, 0.72%

LAB 83.56, -17.14, 30

 

CMYK 16 / 0 / 54 / 24

HEX #A3C25A

RGB 163 194 90

HSL 77.88, 0.46%, 0.56%

LAB 74.26, -26.48, 48.23

 

CMYK 53 / 0 / 27 / 24

HEX #5BC28D

RGB 91 194 141

HSL 149.13, 0.46%, 0.56%

LAB 71.37, -42.28, 17.74

 

CMYK 6 / 53 / 0 / 24

HEX #B65BC2

RGB 182 91 194

HSL 293.01, 0.46%, 0.56%

LAB 53.3, 51.89, -38.26

 

CMYK 16 / 0 / 54 / 24

HEX #A3C25A

RGB 163 194 90

HSL 77.88, 0.46%, 0.56%

LAB 74.26, -26.48, 48.23

 

CMYK 53 / 15 / 0 / 24

HEX #5BA5C2

RGB 91 165 194

HSL 196.89, 0.46%, 0.56%

LAB 64.18, -14.89, -21.96

 

CMYK 0 / 53 / 15 / 24

HEX #C25BA5

RGB 194 91 165

HSL 316.89, 0.46%, 0.56%

LAB 53.67, 50.33, -20.75

 

CMYK 16 / 0 / 54 / 24

HEX #A3C25A

RGB 163 194 90

HSL 77.88, 0.46%, 0.56%

LAB 74.26, -26.48, 48.23

 

CMYK 53 / 0 / 27 / 24

HEX #5BC28D

RGB 91 194 141

HSL 149.13, 0.46%, 0.56%

LAB 71.37, -42.28, 17.74

 

CMYK 38 / 53 / 0 / 24

HEX #785BC2

RGB 120 91 194

HSL 256.89, 0.46%, 0.56%

LAB 46.14, 35.51, -50.08

 

CMYK 0 / 53 / 26 / 24

HEX #C25B90

RGB 194 91 144

HSL 329.13, 0.46%, 0.56%

LAB 52.91, 47.23, -9.57

 

CMYK 16 / 0 / 54 / 24

HEX #A3C25A

RGB 163 194 90

HSL 77.88, 0.46%, 0.56%

LAB 74.26, -26.48, 48.23

 

CMYK 53 / 0 / 11 / 24

HEX #5BC2AC

RGB 91 194 172

HSL 167.18, 0.46%, 0.56%

LAB 72.09, -35.31, 1.97

 

CMYK 38 / 53 / 0 / 24

HEX #785BC2

RGB 120 91 194

HSL 256.89, 0.46%, 0.56%

LAB 46.14, 35.51, -50.08

 

CMYK 0 / 53 / 42 / 24

HEX #C25B71

RGB 194 91 113

HSL 347.18, 0.46%, 0.56%

LAB 52, 43.39, 7.51

 

Description

Color code: HEX #A3C25A | qconv.com Color code: HEX #A3C25A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 194 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 194 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 54 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 54% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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