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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A3CA2D it is the complementary color #5C35D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A3CA2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A3CA2D shade: #A8CA28, #B9DC3B, #CAEE4E, #DBFF61 and #ECFF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A3CA2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A3CA2D shade: #A3CA2D, #92B81A, #81A607, #709400 and #5F8200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A3CA2D shade: #A1C82C, #C8C52C, #C89B2C, #C8702C and #C8462C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A3CA2D shade: #A1C82C, #77C82C, #4DC82C, #2CC835 and #2CC85F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A3CA2D shade matches the following richer shades: #A1C82C, #ABDC18 and #B5F004

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A3CA2D shade: #A1C82C, #97B43F, #8DA153, #838D67 and #79797B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A3CA2D shade: #C8992C, #C8C32C, #A4C82C, #7AC82C and #50C82C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A3CA2D shade: #6B851D, #86A624, #A1C82C, #B3D647 and #C1DE69

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A3CA2D shade: #A3CA2D, #2CC86F and #AE2CC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A3CA2D shade: #A3CA2D, #2CA4C8 and #C82CA4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A3CA2D shade: #A3CA2D, #2CC86F, #502CC8 and #C82C84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A3CA2D shade: #A3CA2D, #2CC89E, #502CC8 and #C82C55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 78 / 21

HEX #A3CA2D

RGB 163 202 45

HSL 74.9, 0.64%, 0.48%

LAB 76.2, -33.34, 68.01

 

Complementary color

CMYK 56 / 75 / 0 / 18

HEX #5C35D2

RGB 92 53 210

HSL 254.9, 0.64%, 0.52%

LAB 36.88, 55.53, -74.49

 

CMYK 17 / 0 / 80 / 21

HEX #A8CA28

RGB 168 202 40

HSL 72.59, 0.67%, 0.47%

LAB 76.51, -31.53, 69.83

 

CMYK 16 / 0 / 73 / 14

HEX #B9DC3B

RGB 185 220 59

HSL 73.04, 0.7%, 0.55%

LAB 82.82, -32.26, 70.34

 

CMYK 15 / 0 / 67 / 7

HEX #CAEE4E

RGB 202 238 78

HSL 73.5, 0.82%, 0.62%

LAB 89.04, -32.84, 70.19

 

CMYK 14 / 0 / 62 / 0

HEX #DBFF61

RGB 219 255 97

HSL 73.67, 1%, 0.69%

LAB 94.93, -32.85, 69.36

 

CMYK 7 / 0 / 55 / 0

HEX #ECFF74

RGB 236 255 116

HSL 68.2, 1%, 0.73%

LAB 96.25, -24.89, 63.19

 

CMYK 19 / 0 / 78 / 21

HEX #A3CA2D

RGB 163 202 45

HSL 74.9, 0.64%, 0.48%

LAB 76.2, -33.34, 68.01

 

CMYK 21 / 0 / 86 / 28

HEX #92B81A

RGB 146 184 26

HSL 74.43, 0.75%, 0.41%

LAB 69.8, -32.52, 66.87

 

CMYK 22 / 0 / 96 / 35

HEX #81A607

RGB 129 166 7

HSL 73.96, 0.92%, 0.34%

LAB 63.31, -31.49, 64.31

 

CMYK 24 / 0 / 100 / 42

HEX #709400

RGB 112 148 0

HSL 74.59, 1%, 0.29%

LAB 56.71, -30.19, 59.76

 

CMYK 27 / 0 / 100 / 49

HEX #5F8200

RGB 95 130 0

HSL 76.15, 1%, 0.25%

LAB 49.98, -28.75, 54.15

 

CMYK 20 / 0 / 78 / 22

HEX #A1C82C

RGB 161 200 44

HSL 75, 0.64%, 0.48%

LAB 75.49, -33.25, 67.61

 

CMYK 0 / 1 / 78 / 22

HEX #C8C52C

RGB 200 197 44

HSL 58.85, 0.64%, 0.48%

LAB 77.52, -15.59, 70.51

 

CMYK 0 / 23 / 78 / 22

HEX #C89B2C

RGB 200 155 44

HSL 42.69, 0.64%, 0.48%

LAB 66.45, 6.38, 60.47

 

CMYK 0 / 44 / 78 / 22

HEX #C8702C

RGB 200 112 44

HSL 26.15, 0.64%, 0.48%

LAB 56.14, 29.75, 50.71

 

CMYK 0 / 65 / 78 / 22

HEX #C8462C

RGB 200 70 44

HSL 10, 0.64%, 0.48%

LAB 48.06, 50.38, 42.66

 

CMYK 20 / 0 / 78 / 22

HEX #A1C82C

RGB 161 200 44

HSL 75, 0.64%, 0.48%

LAB 75.49, -33.25, 67.61

 

CMYK 41 / 0 / 78 / 22

HEX #77C82C

RGB 119 200 44

HSL 91.15, 0.64%, 0.48%

LAB 73.16, -48.81, 64.61

 

CMYK 62 / 0 / 78 / 22

HEX #4DC82C

RGB 77 200 44

HSL 107.31, 0.64%, 0.48%

LAB 71.6, -60.82, 62.57

 

CMYK 78 / 0 / 74 / 22

HEX #2CC835

RGB 44 200 53

HSL 123.46, 0.64%, 0.48%

LAB 70.94, -66.2, 58.72

 

CMYK 78 / 0 / 53 / 22

HEX #2CC85F

RGB 44 200 95

HSL 139.62, 0.64%, 0.48%

LAB 71.33, -61.46, 41.19

 

CMYK 20 / 0 / 78 / 22

HEX #A1C82C

RGB 161 200 44

HSL 75, 0.64%, 0.48%

LAB 75.49, -33.25, 67.61

 

CMYK 22 / 0 / 89 / 14

HEX #ABDC18

RGB 171 220 24

HSL 75, 0.8%, 0.48%

LAB 81.79, -39, 77.81

 

CMYK 25 / 0 / 98 / 6

HEX #B5F004

RGB 181 240 4

HSL 75, 0.97%, 0.48%

LAB 88.04, -44.19, 85.14

 

CMYK 20 / 0 / 78 / 22

HEX #A1C82C

RGB 161 200 44

HSL 75, 0.64%, 0.48%

LAB 75.49, -33.25, 67.61

 

CMYK 16 / 0 / 65 / 29

HEX #97B43F

RGB 151 180 63

HSL 74.87, 0.48%, 0.48%

LAB 69.17, -26.75, 54.37

 

CMYK 12 / 0 / 48 / 37

HEX #8DA153

RGB 141 161 83

HSL 75.38, 0.32%, 0.48%

LAB 63.16, -19.6, 38.04

 

CMYK 7 / 0 / 27 / 45

HEX #838D67

RGB 131 141 103

HSL 75.79, 0.16%, 0.48%

LAB 56.93, -10.51, 19.11

 

CMYK 2 / 2 / 0 / 52

HEX #79797B

RGB 121 121 123

HSL 240, 0.01%, 0.48%

LAB 50.89, 0.41, -1.1

 

CMYK 0 / 24 / 78 / 22

HEX #C8992C

RGB 200 153 44

HSL 41.92, 0.64%, 0.48%

LAB 65.94, 7.46, 60

 

CMYK 0 / 3 / 78 / 22

HEX #C8C32C

RGB 200 195 44

HSL 58.08, 0.64%, 0.48%

LAB 76.98, -14.59, 70.03

 

CMYK 18 / 0 / 78 / 22

HEX #A4C82C

RGB 164 200 44

HSL 73.85, 0.64%, 0.48%

LAB 75.69, -32.05, 67.86

 

CMYK 39 / 0 / 78 / 22

HEX #7AC82C

RGB 122 200 44

HSL 90, 0.64%, 0.48%

LAB 73.3, -47.8, 64.79

 

CMYK 60 / 0 / 78 / 22

HEX #50C82C

RGB 80 200 44

HSL 106.15, 0.64%, 0.48%

LAB 71.69, -60.11, 62.69

 

CMYK 20 / 0 / 78 / 48

HEX #6B851D

RGB 107 133 29

HSL 75, 0.64%, 0.32%

LAB 51.83, -24.13, 49.11

 

CMYK 19 / 0 / 78 / 35

HEX #86A624

RGB 134 166 36

HSL 74.77, 0.64%, 0.4%

LAB 63.73, -28.57, 58.57

 

CMYK 20 / 0 / 78 / 22

HEX #A1C82C

RGB 161 200 44

HSL 75, 0.64%, 0.48%

LAB 75.49, -33.25, 67.61

 

CMYK 16 / 0 / 67 / 16

HEX #B3D647

RGB 179 214 71

HSL 74.69, 0.64%, 0.56%

LAB 80.81, -31.17, 63.91

 

CMYK 13 / 0 / 53 / 13

HEX #C1DE69

RGB 193 222 105

HSL 74.87, 0.64%, 0.64%

LAB 84.28, -26.82, 53.5

 

CMYK 19 / 0 / 78 / 21

HEX #A3CA2D

RGB 163 202 45

HSL 74.9, 0.64%, 0.48%

LAB 76.2, -33.34, 68.01

 

CMYK 78 / 0 / 45 / 22

HEX #2CC86F

RGB 44 200 111

HSL 145.77, 0.64%, 0.48%

LAB 71.55, -58.89, 33.51

 

CMYK 13 / 78 / 0 / 22

HEX #AE2CC8

RGB 174 44 200

HSL 290, 0.64%, 0.48%

LAB 45.59, 70.27, -54.06

 

CMYK 19 / 0 / 78 / 21

HEX #A3CA2D

RGB 163 202 45

HSL 74.9, 0.64%, 0.48%

LAB 76.2, -33.34, 68.01

 

CMYK 78 / 18 / 0 / 22

HEX #2CA4C8

RGB 44 164 200

HSL 193.85, 0.64%, 0.48%

LAB 62.72, -20.08, -27.66

 

CMYK 0 / 78 / 18 / 22

HEX #C82CA4

RGB 200 44 164

HSL 313.85, 0.64%, 0.48%

LAB 47.96, 70.05, -28.92

 

CMYK 19 / 0 / 78 / 21

HEX #A3CA2D

RGB 163 202 45

HSL 74.9, 0.64%, 0.48%

LAB 76.2, -33.34, 68.01

 

CMYK 78 / 0 / 45 / 22

HEX #2CC86F

RGB 44 200 111

HSL 145.77, 0.64%, 0.48%

LAB 71.55, -58.89, 33.51

 

CMYK 60 / 78 / 0 / 22

HEX #502CC8

RGB 80 44 200

HSL 253.85, 0.64%, 0.48%

LAB 33.3, 55.48, -74.62

 

CMYK 0 / 78 / 34 / 22

HEX #C82C84

RGB 200 44 132

HSL 326.15, 0.64%, 0.48%

LAB 46.64, 66.16, -11.71

 

CMYK 19 / 0 / 78 / 21

HEX #A3CA2D

RGB 163 202 45

HSL 74.9, 0.64%, 0.48%

LAB 76.2, -33.34, 68.01

 

CMYK 78 / 0 / 21 / 22

HEX #2CC89E

RGB 44 200 158

HSL 163.85, 0.64%, 0.48%

LAB 72.44, -49.04, 9.92

 

CMYK 60 / 78 / 0 / 22

HEX #502CC8

RGB 80 44 200

HSL 253.85, 0.64%, 0.48%

LAB 33.3, 55.48, -74.62

 

CMYK 0 / 78 / 58 / 22

HEX #C82C55

RGB 200 44 85

HSL 344.23, 0.64%, 0.48%

LAB 45.27, 61.96, 15.26

 

Description

Color code: HEX #A3CA2D | qconv.com Color code: HEX #A3CA2D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 202 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 202 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 78 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 78% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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