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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A3CD40 it is the complementary color #5C32BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A3CD40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A3CD40 shade: #A8CD3B, #B9DF4E, #CAF161, #DBFF74 and #ECFF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A3CD40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A3CD40 shade: #A3CD40, #92BB2D, #81A91A, #709707 and #5F8500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A3CD40 shade: #A3CD40, #C9CD40, #CDAB40, #CD8540 and #CD5F40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A3CD40 shade: #A3CD40, #7DCD40, #57CD40, #40CD4F and #40CD75

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A3CD40 shade matches the following richer shades: #A3CD40, #ABE12D and #B3F419

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A3CD40 shade: #A3CD40, #9BBA53, #94A767, #8C937A and #84808E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A3CD40 shade: #CDAA40, #CBCD40, #A5CD40, #80CD40 and #5ACD40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A3CD40 shade: #749526, #8DB62E, #A3CD40, #B3D661 and #C3DE82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A3CD40 shade: #A3CD40, #40CD84 and #BD40CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A3CD40 shade: #A3CD40, #40A5CD and #CD40A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A3CD40 shade: #A3CD40, #40CD84, #6840CD and #CD4089

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A3CD40 shade: #A3CD40, #40CDAF, #6840CD and #CD405F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 69 / 20

HEX #A3CD40

RGB 163 205 64

HSL 77.87, 0.59%, 0.53%

LAB 77.17, -33.71, 62.52

 

Complementary color

CMYK 52 / 74 / 0 / 25

HEX #5C32BF

RGB 92 50 191

HSL 257.87, 0.59%, 0.47%

LAB 34.64, 51.69, -67.11

 

CMYK 18 / 0 / 71 / 20

HEX #A8CD3B

RGB 168 205 59

HSL 75.21, 0.59%, 0.52%

LAB 77.46, -32.04, 64.75

 

CMYK 17 / 0 / 65 / 13

HEX #B9DF4E

RGB 185 223 78

HSL 75.72, 0.69%, 0.59%

LAB 83.78, -32.54, 64.39

 

CMYK 16 / 0 / 60 / 5

HEX #CAF161

RGB 202 241 97

HSL 76.25, 0.84%, 0.66%

LAB 90.01, -32.92, 63.69

 

CMYK 14 / 0 / 55 / 0

HEX #DBFF74

RGB 219 255 116

HSL 75.54, 1%, 0.73%

LAB 95.09, -31.39, 61.56

 

CMYK 7 / 0 / 47 / 0

HEX #ECFF87

RGB 236 255 135

HSL 69.5, 1%, 0.76%

LAB 96.45, -23.23, 54.86

 

CMYK 20 / 0 / 69 / 20

HEX #A3CD40

RGB 163 205 64

HSL 77.87, 0.59%, 0.53%

LAB 77.17, -33.71, 62.52

 

CMYK 22 / 0 / 76 / 27

HEX #92BB2D

RGB 146 187 45

HSL 77.32, 0.61%, 0.45%

LAB 70.76, -33.17, 62.56

 

CMYK 24 / 0 / 85 / 34

HEX #81A91A

RGB 129 169 26

HSL 76.78, 0.73%, 0.38%

LAB 64.26, -32.43, 61.7

 

CMYK 26 / 0 / 95 / 41

HEX #709707

RGB 112 151 7

HSL 76.25, 0.91%, 0.31%

LAB 57.65, -31.46, 59.39

 

CMYK 29 / 0 / 100 / 48

HEX #5F8500

RGB 95 133 0

HSL 77.14, 1%, 0.26%

LAB 50.93, -30.17, 54.88

 

CMYK 20 / 0 / 69 / 20

HEX #A3CD40

RGB 163 205 64

HSL 77.87, 0.59%, 0.53%

LAB 77.17, -33.71, 62.52

 

CMYK 2 / 0 / 69 / 20

HEX #C9CD40

RGB 201 205 64

HSL 61.7, 0.59%, 0.53%

LAB 79.87, -18.28, 66.11

 

CMYK 0 / 17 / 69 / 20

HEX #CDAB40

RGB 205 171 64

HSL 45.53, 0.59%, 0.53%

LAB 71.2, 0.91, 57.46

 

CMYK 0 / 35 / 69 / 20

HEX #CD8540

RGB 205 133 64

HSL 29.36, 0.59%, 0.53%

LAB 61.76, 21.45, 47.45

 

CMYK 0 / 54 / 69 / 20

HEX #CD5F40

RGB 205 95 64

HSL 13.19, 0.59%, 0.53%

LAB 53.53, 41.47, 38.2

 

CMYK 20 / 0 / 69 / 20

HEX #A3CD40

RGB 163 205 64

HSL 77.87, 0.59%, 0.53%

LAB 77.17, -33.71, 62.52

 

CMYK 39 / 0 / 69 / 20

HEX #7DCD40

RGB 125 205 64

HSL 94.04, 0.59%, 0.53%

LAB 75.07, -47.59, 59.7

 

CMYK 58 / 0 / 69 / 20

HEX #57CD40

RGB 87 205 64

HSL 110.21, 0.59%, 0.53%

LAB 73.58, -58.73, 57.68

 

CMYK 69 / 0 / 61 / 20

HEX #40CD4F

RGB 64 205 79

HSL 126.38, 0.59%, 0.53%

LAB 73.1, -62.18, 50.77

 

CMYK 69 / 0 / 43 / 20

HEX #40CD75

RGB 64 205 117

HSL 142.55, 0.59%, 0.53%

LAB 73.57, -56.76, 33.14

 

CMYK 20 / 0 / 69 / 20

HEX #A3CD40

RGB 163 205 64

HSL 77.87, 0.59%, 0.53%

LAB 77.17, -33.71, 62.52

 

CMYK 24 / 0 / 80 / 12

HEX #ABE12D

RGB 171 225 45

HSL 78, 0.75%, 0.53%

LAB 83.28, -40.59, 74.61

 

CMYK 27 / 0 / 90 / 4

HEX #B3F419

RGB 179 244 25

HSL 77.81, 0.91%, 0.53%

LAB 89.09, -46.36, 83.79

 

CMYK 20 / 0 / 69 / 20

HEX #A3CD40

RGB 163 205 64

HSL 77.87, 0.59%, 0.53%

LAB 77.17, -33.71, 62.52

 

CMYK 17 / 0 / 55 / 27

HEX #9BBA53

RGB 155 186 83

HSL 78.06, 0.43%, 0.53%

LAB 71.36, -26.41, 48

 

CMYK 11 / 0 / 38 / 35

HEX #94A767

RGB 148 167 103

HSL 77.81, 0.27%, 0.53%

LAB 65.68, -17.49, 30.92

 

CMYK 5 / 0 / 17 / 42

HEX #8C937A

RGB 140 147 122

HSL 76.8, 0.1%, 0.53%

LAB 59.75, -7.18, 12.39

 

CMYK 7 / 10 / 0 / 44

HEX #84808E

RGB 132 128 142

HSL 257.14, 0.06%, 0.53%

LAB 54.34, 4.35, -7

 

CMYK 0 / 17 / 69 / 20

HEX #CDAA40

RGB 205 170 64

HSL 45.11, 0.59%, 0.53%

LAB 70.94, 1.44, 57.19

 

CMYK 1 / 0 / 69 / 20

HEX #CBCD40

RGB 203 205 64

HSL 60.85, 0.59%, 0.53%

LAB 80.03, -17.44, 66.32

 

CMYK 20 / 0 / 69 / 20

HEX #A5CD40

RGB 165 205 64

HSL 77.02, 0.59%, 0.53%

LAB 77.3, -32.93, 62.69

 

CMYK 38 / 0 / 69 / 20

HEX #80CD40

RGB 128 205 64

HSL 92.77, 0.59%, 0.53%

LAB 75.22, -46.58, 59.89

 

CMYK 56 / 0 / 69 / 20

HEX #5ACD40

RGB 90 205 64

HSL 108.94, 0.59%, 0.53%

LAB 73.68, -57.97, 57.81

 

CMYK 22 / 0 / 74 / 42

HEX #749526

RGB 116 149 38

HSL 77.84, 0.59%, 0.37%

LAB 57.41, -27.72, 51.49

 

CMYK 23 / 0 / 75 / 29

HEX #8DB62E

RGB 141 182 46

HSL 78.09, 0.6%, 0.45%

LAB 68.98, -32.79, 60.42

 

CMYK 20 / 0 / 69 / 20

HEX #A3CD40

RGB 163 205 64

HSL 77.87, 0.59%, 0.53%

LAB 77.17, -33.71, 62.52

 

CMYK 16 / 0 / 55 / 16

HEX #B3D661

RGB 179 214 97

HSL 77.95, 0.59%, 0.61%

LAB 81.04, -29.16, 53.15

 

CMYK 12 / 0 / 41 / 13

HEX #C3DE82

RGB 195 222 130

HSL 77.61, 0.58%, 0.69%

LAB 84.72, -23.48, 42.11

 

CMYK 20 / 0 / 69 / 20

HEX #A3CD40

RGB 163 205 64

HSL 77.87, 0.59%, 0.53%

LAB 77.17, -33.71, 62.52

 

CMYK 69 / 0 / 36 / 20

HEX #40CD84

RGB 64 205 132

HSL 148.94, 0.59%, 0.53%

LAB 73.82, -54.01, 25.72

 

CMYK 8 / 69 / 0 / 20

HEX #BD40CD

RGB 189 64 205

HSL 293.19, 0.59%, 0.53%

LAB 50.56, 67.47, -48.86

 

CMYK 20 / 0 / 69 / 20

HEX #A3CD40

RGB 163 205 64

HSL 77.87, 0.59%, 0.53%

LAB 77.17, -33.71, 62.52

 

CMYK 69 / 20 / 0 / 20

HEX #40A5CD

RGB 64 165 205

HSL 197.02, 0.59%, 0.53%

LAB 63.68, -16.44, -28.94

 

CMYK 0 / 69 / 20 / 20

HEX #CD40A5

RGB 205 64 165

HSL 317.02, 0.59%, 0.53%

LAB 51.11, 64.98, -24.55

 

CMYK 20 / 0 / 69 / 20

HEX #A3CD40

RGB 163 205 64

HSL 77.87, 0.59%, 0.53%

LAB 77.17, -33.71, 62.52

 

CMYK 69 / 0 / 36 / 20

HEX #40CD84

RGB 64 205 132

HSL 148.94, 0.59%, 0.53%

LAB 73.82, -54.01, 25.72

 

CMYK 49 / 69 / 0 / 20

HEX #6840CD

RGB 104 64 205

HSL 257.02, 0.59%, 0.53%

LAB 39.61, 50.39, -67.09

 

CMYK 0 / 69 / 33 / 20

HEX #CD4089

RGB 205 64 137

HSL 328.94, 0.59%, 0.53%

LAB 50.04, 61.45, -9.53

 

CMYK 20 / 0 / 69 / 20

HEX #A3CD40

RGB 163 205 64

HSL 77.87, 0.59%, 0.53%

LAB 77.17, -33.71, 62.52

 

CMYK 69 / 0 / 15 / 20

HEX #40CDAF

RGB 64 205 175

HSL 167.23, 0.59%, 0.53%

LAB 74.73, -44.39, 4.08

 

CMYK 49 / 69 / 0 / 20

HEX #6840CD

RGB 104 64 205

HSL 257.02, 0.59%, 0.53%

LAB 39.61, 50.39, -67.09

 

CMYK 0 / 69 / 54 / 20

HEX #CD405F

RGB 205 64 95

HSL 346.81, 0.59%, 0.53%

LAB 48.85, 57.38, 14.18

 

Description

Color code: HEX #A3CD40 | qconv.com Color code: HEX #A3CD40 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 205 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 205 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 69 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 69% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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