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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A3D0EA it is the complementary color #5C2F15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A3D0EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A3D0EA shade: #A8D0E5, #B9E2F8, #CAF4FF, #DBFFFF and #ECFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A3D0EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A3D0EA shade: #A3D0EA, #92BED7, #81ACC4, #709AB1 and #5F889E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A3D0EA shade: #A3D0EA, #A3BDEA, #A3AAEA, #AFA3EA and #C3A3EA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A3D0EA shade: #A3D0EA, #A3BDEA, #A3AAEA and #A3A3EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A3D0EA shade matches the following richer shades: #A3D0EA, #9AD2F3 and #91D5FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A3D0EA shade: #A3D0EA, #ACCDE1, #B5CBD8, #BEC9CF and #C7C6C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A3D0EA shade: #A3EADD, #A3E4EA, #A3D1EA, #A3BEEA and #A3ABEA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A3D0EA shade: #60AEDA, #81BFE2, #A3D0EA, #C5E1F1 and #E6F2F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A3D0EA shade: #A3D0EA, #CAA3EA and #EAE6A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A3D0EA shade: #A3D0EA, #EAA3D1 and #D1EAA3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A3D0EA shade: #A3D0EA, #CAA3EA, #EABCA3 and #C3EAA3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A3D0EA shade: #A3D0EA, #DFA3EA, #EABCA3 and #AEEAA3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 11 / 0 / 8

HEX #A3D0EA

RGB 163 208 234

HSL 201.97, 0.63%, 0.78%

LAB 81.2, -8.7, -17.59

 

Complementary color

CMYK 0 / 49 / 77 / 64

HEX #5C2F15

RGB 92 47 21

HSL 21.97, 0.63%, 0.22%

LAB 24.84, 18.15, 25.19

 

CMYK 27 / 9 / 0 / 10

HEX #A8D0E5

RGB 168 208 229

HSL 200.66, 0.54%, 0.78%

LAB 81.34, -8.43, -14.68

 

CMYK 25 / 9 / 0 / 3

HEX #B9E2F8

RGB 185 226 248

HSL 200.95, 0.82%, 0.85%

LAB 87.72, -8.49, -15.07

 

CMYK 21 / 4 / 0 / 0

HEX #CAF4FF

RGB 202 244 255

HSL 192.45, 1%, 0.9%

LAB 93.66, -11.12, -9.76

 

CMYK 14 / 0 / 0 / 0

HEX #DBFFFF

RGB 219 255 255

HSL 180, 1%, 0.93%

LAB 97.55, -11.49, -3.89

 

CMYK 7 / 0 / 0 / 0

HEX #ECFFFF

RGB 236 255 255

HSL 180, 1%, 0.96%

LAB 98.66, -6.16, -2.13

 

CMYK 30 / 11 / 0 / 8

HEX #A3D0EA

RGB 163 208 234

HSL 201.97, 0.63%, 0.78%

LAB 81.2, -8.7, -17.59

 

CMYK 32 / 12 / 0 / 16

HEX #92BED7

RGB 146 190 215

HSL 201.74, 0.46%, 0.71%

LAB 74.73, -8.62, -17.24

 

CMYK 34 / 12 / 0 / 23

HEX #81ACC4

RGB 129 172 196

HSL 201.49, 0.36%, 0.64%

LAB 68.14, -8.53, -16.89

 

CMYK 37 / 13 / 0 / 31

HEX #709AB1

RGB 112 154 177

HSL 201.23, 0.29%, 0.57%

LAB 61.42, -8.41, -16.54

 

CMYK 40 / 14 / 0 / 38

HEX #5F889E

RGB 95 136 158

HSL 200.95, 0.25%, 0.5%

LAB 54.56, -8.28, -16.19

 

CMYK 30 / 11 / 0 / 8

HEX #A3D0EA

RGB 163 208 234

HSL 201.97, 0.63%, 0.78%

LAB 81.2, -8.7, -17.59

 

CMYK 30 / 19 / 0 / 8

HEX #A3BDEA

RGB 163 189 234

HSL 218.03, 0.63%, 0.78%

LAB 76.14, 1.42, -25.27

 

CMYK 30 / 27 / 0 / 8

HEX #A3AAEA

RGB 163 170 234

HSL 234.08, 0.63%, 0.78%

LAB 71.2, 11.9, -32.87

 

CMYK 25 / 30 / 0 / 8

HEX #AFA3EA

RGB 175 163 234

HSL 250.14, 0.63%, 0.78%

LAB 70.35, 19.3, -34.11

 

CMYK 17 / 30 / 0 / 8

HEX #C3A3EA

RGB 195 163 234

HSL 267.04, 0.63%, 0.78%

LAB 72.05, 25.31, -31.34

 

CMYK 30 / 11 / 0 / 8

HEX #A3D0EA

RGB 163 208 234

HSL 201.97, 0.63%, 0.78%

LAB 81.2, -8.7, -17.59

 

CMYK 30 / 19 / 0 / 8

HEX #A3BDEA

RGB 163 189 234

HSL 218.03, 0.63%, 0.78%

LAB 76.14, 1.42, -25.27

 

CMYK 30 / 27 / 0 / 8

HEX #A3AAEA

RGB 163 170 234

HSL 234.08, 0.63%, 0.78%

LAB 71.2, 11.9, -32.87

 

CMYK 30 / 30 / 0 / 8

HEX #A3A3EA

RGB 163 163 234

HSL 240, 0.63%, 0.78%

LAB 69.41, 15.83, -35.64

 

CMYK 30 / 11 / 0 / 8

HEX #A3D0EA

RGB 163 208 234

HSL 201.97, 0.63%, 0.78%

LAB 81.2, -8.7, -17.59

 

CMYK 37 / 14 / 0 / 5

HEX #9AD2F3

RGB 154 210 243

HSL 202.25, 0.79%, 0.78%

LAB 81.53, -10.01, -21.94

 

CMYK 42 / 15 / 0 / 1

HEX #91D5FC

RGB 145 213 252

HSL 201.87, 0.95%, 0.78%

LAB 82.18, -11.55, -25.77

 

CMYK 30 / 11 / 0 / 8

HEX #A3D0EA

RGB 163 208 234

HSL 201.97, 0.63%, 0.78%

LAB 81.2, -8.7, -17.59

 

CMYK 24 / 9 / 0 / 12

HEX #ACCDE1

RGB 172 205 225

HSL 202.64, 0.47%, 0.78%

LAB 80.67, -6.59, -13.53

 

CMYK 16 / 6 / 0 / 15

HEX #B5CBD8

RGB 181 203 216

HSL 202.29, 0.31%, 0.78%

LAB 80.46, -4.72, -8.96

 

CMYK 8 / 3 / 0 / 19

HEX #BEC9CF

RGB 190 201 207

HSL 201.18, 0.15%, 0.78%

LAB 80.31, -2.58, -4.29

 

CMYK 0 / 1 / 1 / 22

HEX #C7C6C5

RGB 199 198 197

HSL 30, 0.02%, 0.78%

LAB 79.93, 0.17, 0.61

 

CMYK 30 / 0 / 6 / 8

HEX #A3EADD

RGB 163 234 221

HSL 169.01, 0.63%, 0.78%

LAB 87.9, -24.77, -0.76

 

CMYK 30 / 3 / 0 / 8

HEX #A3E4EA

RGB 163 228 234

HSL 185.07, 0.63%, 0.78%

LAB 86.61, -18.92, -9.5

 

CMYK 30 / 11 / 0 / 8

HEX #A3D1EA

RGB 163 209 234

HSL 201.13, 0.63%, 0.78%

LAB 81.47, -9.22, -17.19

 

CMYK 30 / 19 / 0 / 8

HEX #A3BEEA

RGB 163 190 234

HSL 217.18, 0.63%, 0.78%

LAB 76.41, 0.88, -24.87

 

CMYK 30 / 27 / 0 / 8

HEX #A3ABEA

RGB 163 171 234

HSL 233.24, 0.63%, 0.78%

LAB 71.45, 11.34, -32.48

 

CMYK 56 / 20 / 0 / 15

HEX #60AEDA

RGB 96 174 218

HSL 201.64, 0.62%, 0.62%

LAB 67.89, -11.54, -29.54

 

CMYK 43 / 15 / 0 / 11

HEX #81BFE2

RGB 129 191 226

HSL 201.65, 0.63%, 0.7%

LAB 74.46, -10.85, -23.7

 

CMYK 30 / 11 / 0 / 8

HEX #A3D0EA

RGB 163 208 234

HSL 201.97, 0.63%, 0.78%

LAB 81.2, -8.7, -17.59

 

CMYK 18 / 7 / 0 / 5

HEX #C5E1F1

RGB 197 225 241

HSL 201.82, 0.61%, 0.86%

LAB 88, -5.91, -10.89

 

CMYK 8 / 3 / 0 / 2

HEX #E6F2F9

RGB 230 242 249

HSL 202.11, 0.61%, 0.94%

LAB 94.81, -2.64, -4.74

 

CMYK 30 / 11 / 0 / 8

HEX #A3D0EA

RGB 163 208 234

HSL 201.97, 0.63%, 0.78%

LAB 81.2, -8.7, -17.59

 

CMYK 14 / 30 / 0 / 8

HEX #CAA3EA

RGB 202 163 234

HSL 272.96, 0.63%, 0.78%

LAB 72.69, 27.46, -30.31

 

CMYK 0 / 2 / 30 / 8

HEX #EAE6A3

RGB 234 230 163

HSL 56.62, 0.63%, 0.78%

LAB 90.2, -8.72, 33.21

 

CMYK 30 / 11 / 0 / 8

HEX #A3D0EA

RGB 163 208 234

HSL 201.97, 0.63%, 0.78%

LAB 81.2, -8.7, -17.59

 

CMYK 0 / 30 / 11 / 8

HEX #EAA3D1

RGB 234 163 209

HSL 321.13, 0.63%, 0.78%

LAB 75.01, 33.13, -12.83

 

CMYK 11 / 0 / 30 / 8

HEX #D1EAA3

RGB 209 234 163

HSL 81.13, 0.63%, 0.78%

LAB 89.41, -19.98, 31.84

 

CMYK 30 / 11 / 0 / 8

HEX #A3D0EA

RGB 163 208 234

HSL 201.97, 0.63%, 0.78%

LAB 81.2, -8.7, -17.59

 

CMYK 14 / 30 / 0 / 8

HEX #CAA3EA

RGB 202 163 234

HSL 272.96, 0.63%, 0.78%

LAB 72.69, 27.46, -30.31

 

CMYK 0 / 20 / 30 / 8

HEX #EABCA3

RGB 234 188 163

HSL 21.13, 0.63%, 0.78%

LAB 79.67, 12.99, 18.91

 

CMYK 17 / 0 / 30 / 8

HEX #C3EAA3

RGB 195 234 163

HSL 92.96, 0.63%, 0.78%

LAB 88.49, -24.99, 30.44

 

CMYK 30 / 11 / 0 / 8

HEX #A3D0EA

RGB 163 208 234

HSL 201.97, 0.63%, 0.78%

LAB 81.2, -8.7, -17.59

 

CMYK 5 / 30 / 0 / 8

HEX #DFA3EA

RGB 223 163 234

HSL 290.7, 0.63%, 0.78%

LAB 74.71, 34.02, -27.02

 

CMYK 0 / 20 / 30 / 8

HEX #EABCA3

RGB 234 188 163

HSL 21.13, 0.63%, 0.78%

LAB 79.67, 12.99, 18.91

 

CMYK 26 / 0 / 30 / 8

HEX #AEEAA3

RGB 174 234 163

HSL 110.7, 0.63%, 0.78%

LAB 87.24, -32.18, 28.54

 

Description

Color code: HEX #A3D0EA | qconv.com Color code: HEX #A3D0EA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 208 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 208 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 11 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 11% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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