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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A3DADA it is the complementary color #5C2525. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A3DADA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A3DADA shade: #A8DAD5, #B9ECE8, #CAFEFB, #DBFFFF and #ECFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A3DADA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A3DADA shade: #A3DADA, #92C8C7, #81B6B4, #70A4A1 and #5F928E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A3DADA shade: #A3DADA, #A3DACB, #A3DABD, #A3DAAE and #A8DAA3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A3DADA shade: #A3DADA, #A3CBDA, #A3BDDA, #A3AEDA and #A3A3DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A3DADA shade matches the following richer shades: #A3DADA, #99E4E4, #8FEFEF and #84F9F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A3DADA shade: #A3DADA, #AED0D0, #B8C6C6, #C2BBBB and #CDB1B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A3DADA shade: #A3DABD, #A3DACC, #A3DADA, #A3CCDA and #A3BDDA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A3DADA shade: #68C3C3, #86CECE, #A3DADA, #C1E6E6 and #DEF2F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A3DADA shade: #A3DADA, #AEA3DA and #DAC4A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A3DADA shade: #A3DADA, #DAA3DA and #DADAA3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A3DADA shade: #A3DADA, #AEA3DA, #DAA3A3 and #CFDAA3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A3DADA shade: #A3DADA, #BFA3DA, #DAA3A3 and #BFDAA3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 0 / 15

HEX #A3DADA

RGB 163 218 218

HSL 180, 0.43%, 0.75%

LAB 83.44, -17.51, -5.74

 

Complementary color

CMYK 0 / 60 / 60 / 64

HEX #5C2525

RGB 92 37 37

HSL 0, 0.43%, 0.25%

LAB 22.76, 25.23, 12.48

 

CMYK 23 / 0 / 2 / 15

HEX #A8DAD5

RGB 168 218 213

HSL 174, 0.4%, 0.76%

LAB 83.59, -17.11, -2.83

 

CMYK 22 / 0 / 2 / 7

HEX #B9ECE8

RGB 185 236 232

HSL 175.29, 0.57%, 0.83%

LAB 89.92, -17.01, -3.42

 

CMYK 20 / 0 / 1 / 0

HEX #CAFEFB

RGB 202 254 251

HSL 176.54, 0.96%, 0.89%

LAB 96.16, -16.93, -3.98

 

CMYK 14 / 0 / 0 / 0

HEX #DBFFFF

RGB 219 255 255

HSL 180, 1%, 0.93%

LAB 97.55, -11.49, -3.89

 

CMYK 7 / 0 / 0 / 0

HEX #ECFFFF

RGB 236 255 255

HSL 180, 1%, 0.96%

LAB 98.66, -6.16, -2.13

 

CMYK 25 / 0 / 0 / 15

HEX #A3DADA

RGB 163 218 218

HSL 180, 0.43%, 0.75%

LAB 83.44, -17.51, -5.74

 

CMYK 27 / 0 / 0 / 22

HEX #92C8C7

RGB 146 200 199

HSL 178.89, 0.33%, 0.68%

LAB 77.01, -17.6, -5.17

 

CMYK 29 / 0 / 1 / 29

HEX #81B6B4

RGB 129 182 180

HSL 177.74, 0.27%, 0.61%

LAB 70.47, -17.7, -4.58

 

CMYK 32 / 0 / 2 / 36

HEX #70A4A1

RGB 112 164 161

HSL 176.54, 0.22%, 0.54%

LAB 63.81, -17.82, -3.96

 

CMYK 35 / 0 / 3 / 43

HEX #5F928E

RGB 95 146 142

HSL 175.29, 0.21%, 0.47%

LAB 57.02, -17.94, -3.31

 

CMYK 25 / 0 / 0 / 15

HEX #A3DADA

RGB 163 218 218

HSL 180, 0.43%, 0.75%

LAB 83.44, -17.51, -5.74

 

CMYK 25 / 0 / 7 / 15

HEX #A3DACB

RGB 163 218 203

HSL 163.64, 0.43%, 0.75%

LAB 83.04, -20.72, 1.65

 

CMYK 25 / 0 / 13 / 15

HEX #A3DABD

RGB 163 218 189

HSL 148.36, 0.43%, 0.75%

LAB 82.7, -23.54, 8.58

 

CMYK 25 / 0 / 20 / 15

HEX #A3DAAE

RGB 163 218 174

HSL 132, 0.43%, 0.75%

LAB 82.37, -26.35, 16.03

 

CMYK 23 / 0 / 25 / 15

HEX #A8DAA3

RGB 168 218 163

HSL 114.55, 0.43%, 0.75%

LAB 82.44, -26.6, 21.94

 

CMYK 25 / 0 / 0 / 15

HEX #A3DADA

RGB 163 218 218

HSL 180, 0.43%, 0.75%

LAB 83.44, -17.51, -5.74

 

CMYK 25 / 7 / 0 / 15

HEX #A3CBDA

RGB 163 203 218

HSL 196.36, 0.43%, 0.75%

LAB 79.36, -9.82, -11.79

 

CMYK 25 / 13 / 0 / 15

HEX #A3BDDA

RGB 163 189 218

HSL 211.64, 0.43%, 0.75%

LAB 75.6, -2.4, -17.44

 

CMYK 25 / 20 / 0 / 15

HEX #A3AEDA

RGB 163 174 218

HSL 228, 0.43%, 0.75%

LAB 71.64, 5.78, -23.46

 

CMYK 25 / 25 / 0 / 15

HEX #A3A3DA

RGB 163 163 218

HSL 240, 0.43%, 0.75%

LAB 68.78, 11.91, -27.83

 

CMYK 25 / 0 / 0 / 15

HEX #A3DADA

RGB 163 218 218

HSL 180, 0.43%, 0.75%

LAB 83.44, -17.51, -5.74

 

CMYK 33 / 0 / 0 / 11

HEX #99E4E4

RGB 153 228 228

HSL 180, 0.58%, 0.75%

LAB 85.94, -23.02, -7.39

 

CMYK 40 / 0 / 0 / 6

HEX #8FEFEF

RGB 143 239 239

HSL 180, 0.75%, 0.75%

LAB 88.83, -28.31, -8.92

 

CMYK 47 / 0 / 0 / 2

HEX #84F9F9

RGB 132 249 249

HSL 180, 0.91%, 0.75%

LAB 91.46, -33.1, -10.28

 

CMYK 25 / 0 / 0 / 15

HEX #A3DADA

RGB 163 218 218

HSL 180, 0.43%, 0.75%

LAB 83.44, -17.51, -5.74

 

CMYK 16 / 0 / 0 / 18

HEX #AED0D0

RGB 174 208 208

HSL 180, 0.27%, 0.75%

LAB 81.11, -11.21, -3.77

 

CMYK 7 / 0 / 0 / 22

HEX #B8C6C6

RGB 184 198 198

HSL 180, 0.11%, 0.75%

LAB 78.84, -4.76, -1.65

 

CMYK 0 / 4 / 4 / 24

HEX #C2BBBB

RGB 194 187 187

HSL 0, 0.05%, 0.75%

LAB 76.43, 2.46, 0.87

 

CMYK 0 / 14 / 14 / 20

HEX #CDB1B1

RGB 205 177 177

HSL 0, 0.22%, 0.75%

LAB 74.57, 10.08, 3.72

 

CMYK 25 / 0 / 13 / 15

HEX #A3DABD

RGB 163 218 189

HSL 148.36, 0.43%, 0.75%

LAB 82.7, -23.54, 8.58

 

CMYK 25 / 0 / 6 / 15

HEX #A3DACC

RGB 163 218 204

HSL 164.73, 0.43%, 0.75%

LAB 83.07, -20.51, 1.15

 

CMYK 25 / 0 / 0 / 15

HEX #A3DADA

RGB 163 218 218

HSL 180, 0.43%, 0.75%

LAB 83.44, -17.51, -5.74

 

CMYK 25 / 6 / 0 / 15

HEX #A3CCDA

RGB 163 204 218

HSL 195.27, 0.43%, 0.75%

LAB 79.63, -10.34, -11.39

 

CMYK 25 / 13 / 0 / 15

HEX #A3BDDA

RGB 163 189 218

HSL 211.64, 0.43%, 0.75%

LAB 75.6, -2.4, -17.44

 

CMYK 47 / 0 / 0 / 24

HEX #68C3C3

RGB 104 195 195

HSL 180, 0.43%, 0.59%

LAB 73.49, -27.09, -8.43

 

CMYK 35 / 0 / 0 / 19

HEX #86CECE

RGB 134 206 206

HSL 180, 0.42%, 0.67%

LAB 78.27, -22.36, -7.14

 

CMYK 25 / 0 / 0 / 15

HEX #A3DADA

RGB 163 218 218

HSL 180, 0.43%, 0.75%

LAB 83.44, -17.51, -5.74

 

CMYK 16 / 0 / 0 / 10

HEX #C1E6E6

RGB 193 230 230

HSL 180, 0.43%, 0.83%

LAB 88.75, -11.98, -4.03

 

CMYK 8 / 0 / 0 / 5

HEX #DEF2F2

RGB 222 242 242

HSL 180, 0.43%, 0.91%

LAB 94.07, -6.53, -2.26

 

CMYK 25 / 0 / 0 / 15

HEX #A3DADA

RGB 163 218 218

HSL 180, 0.43%, 0.75%

LAB 83.44, -17.51, -5.74

 

CMYK 20 / 25 / 0 / 15

HEX #AEA3DA

RGB 174 163 218

HSL 252, 0.43%, 0.75%

LAB 69.65, 15.27, -26.43

 

CMYK 0 / 10 / 25 / 15

HEX #DAC4A3

RGB 218 196 163

HSL 36, 0.43%, 0.75%

LAB 80.2, 2.68, 19.41

 

CMYK 25 / 0 / 0 / 15

HEX #A3DADA

RGB 163 218 218

HSL 180, 0.43%, 0.75%

LAB 83.44, -17.51, -5.74

 

CMYK 0 / 25 / 0 / 15

HEX #DAA3DA

RGB 218 163 218

HSL 300, 0.43%, 0.75%

LAB 73.65, 29.39, -19.96

 

CMYK 0 / 0 / 25 / 15

HEX #DADAA3

RGB 218 218 163

HSL 60, 0.43%, 0.75%

LAB 85.85, -8.69, 27.16

 

CMYK 25 / 0 / 0 / 15

HEX #A3DADA

RGB 163 218 218

HSL 180, 0.43%, 0.75%

LAB 83.44, -17.51, -5.74

 

CMYK 20 / 25 / 0 / 15

HEX #AEA3DA

RGB 174 163 218

HSL 252, 0.43%, 0.75%

LAB 69.65, 15.27, -26.43

 

CMYK 0 / 25 / 25 / 15

HEX #DAA3A3

RGB 218 163 163

HSL 0, 0.43%, 0.75%

LAB 72.06, 20.33, 7.95

 

CMYK 5 / 0 / 25 / 15

HEX #CFDAA3

RGB 207 218 163

HSL 72, 0.43%, 0.75%

LAB 85.02, -12.78, 25.9

 

CMYK 25 / 0 / 0 / 15

HEX #A3DADA

RGB 163 218 218

HSL 180, 0.43%, 0.75%

LAB 83.44, -17.51, -5.74

 

CMYK 12 / 25 / 0 / 15

HEX #BFA3DA

RGB 191 163 218

HSL 270.55, 0.43%, 0.75%

LAB 71.1, 20.62, -24.08

 

CMYK 0 / 25 / 25 / 15

HEX #DAA3A3

RGB 218 163 163

HSL 0, 0.43%, 0.75%

LAB 72.06, 20.33, 7.95

 

CMYK 12 / 0 / 25 / 15

HEX #BFDAA3

RGB 191 218 163

HSL 89.45, 0.43%, 0.75%

LAB 83.89, -18.6, 24.17

 

Description

Color code: HEX #A3DADA | qconv.com Color code: HEX #A3DADA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 218 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 218 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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