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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A3E460 it is the complementary color #5C1B9F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A3E460. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A3E460 shade: #A8E45B, #B9F66E, #CAFF81, #DBFF94 and #ECFFA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A3E460. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A3E460 shade: #A3E460, #92D24D, #81C03A, #70AE27 and #5F9C14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A3E460 shade: #A4E462, #C7E462, #E4DE62, #E4BB62 and #E49762

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A3E460 shade: #A4E462, #81E462, #62E466, #62E489 and #62E4AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A3E460 shade matches the following richer shades: #A4E462 and #A4F353

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A3E460 shade: #A4E462, #A3D570, #A3C67F, #A3B78E and #A3A89D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A3E460 shade: #E4DD62, #C8E462, #A5E462, #82E462 and #62E464

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A3E460 shade: #7BD023, #8FDE3E, #A4E462, #B8EA85 and #CCF0A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A3E460 shade: #A3E460, #62E4BB and #E462D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A3E460 shade: #A3E460, #62A5E4 and #E462A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A3E460 shade: #A3E460, #62E4BB, #A162E4 and #E4628B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A3E460 shade: #A3E460, #62E4E2, #A162E4 and #E46264

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 58 / 11

HEX #A3E460

RGB 163 228 96

HSL 89.55, 0.71%, 0.64%

LAB 84.03, -41.57, 56.77

 

Complementary color

CMYK 42 / 83 / 0 / 38

HEX #5C1B9F

RGB 92 27 159

HSL 269.55, 0.71%, 0.36%

LAB 28.28, 53.27, -58.39

 

CMYK 26 / 0 / 60 / 11

HEX #A8E45B

RGB 168 228 91

HSL 86.28, 0.72%, 0.63%

LAB 84.26, -40.22, 59.27

 

CMYK 25 / 0 / 55 / 4

HEX #B9F66E

RGB 185 246 110

HSL 86.91, 0.88%, 0.7%

LAB 90.48, -40.37, 58.34

 

CMYK 21 / 0 / 49 / 0

HEX #CAFF81

RGB 202 255 129

HSL 85.24, 1%, 0.75%

LAB 94.17, -36.43, 54.36

 

CMYK 14 / 0 / 42 / 0

HEX #DBFF94

RGB 219 255 148

HSL 80.19, 1%, 0.79%

LAB 95.46, -28.22, 47.24

 

CMYK 7 / 0 / 35 / 0

HEX #ECFFA7

RGB 236 255 167

HSL 72.95, 1%, 0.83%

LAB 96.88, -19.78, 40.04

 

CMYK 29 / 0 / 58 / 11

HEX #A3E460

RGB 163 228 96

HSL 89.55, 0.71%, 0.64%

LAB 84.03, -41.57, 56.77

 

CMYK 30 / 0 / 63 / 18

HEX #92D24D

RGB 146 210 77

HSL 88.87, 0.6%, 0.56%

LAB 77.72, -41.4, 57.63

 

CMYK 33 / 0 / 70 / 25

HEX #81C03A

RGB 129 192 58

HSL 88.21, 0.54%, 0.49%

LAB 71.33, -41.12, 58.2

 

CMYK 36 / 0 / 78 / 32

HEX #70AE27

RGB 112 174 39

HSL 87.56, 0.63%, 0.42%

LAB 64.85, -40.66, 58.2

 

CMYK 39 / 0 / 87 / 39

HEX #5F9C14

RGB 95 156 20

HSL 86.91, 0.77%, 0.35%

LAB 58.28, -39.95, 57.19

 

CMYK 28 / 0 / 57 / 11

HEX #A4E462

RGB 164 228 98

HSL 89.54, 0.71%, 0.64%

LAB 84.1, -41.03, 55.99

 

CMYK 13 / 0 / 57 / 11

HEX #C7E462

RGB 199 228 98

HSL 73.38, 0.71%, 0.64%

LAB 86.26, -27.94, 59.03

 

CMYK 0 / 3 / 57 / 11

HEX #E4DE62

RGB 228 222 98

HSL 57.23, 0.71%, 0.64%

LAB 86.81, -13.46, 60.23

 

CMYK 0 / 18 / 57 / 11

HEX #E4BB62

RGB 228 187 98

HSL 41.08, 0.71%, 0.64%

LAB 77.83, 4.44, 49.95

 

CMYK 0 / 34 / 57 / 11

HEX #E49762

RGB 228 151 98

HSL 24.46, 0.71%, 0.64%

LAB 69.12, 23.57, 39.5

 

CMYK 28 / 0 / 57 / 11

HEX #A4E462

RGB 164 228 98

HSL 89.54, 0.71%, 0.64%

LAB 84.1, -41.03, 55.99

 

CMYK 43 / 0 / 57 / 11

HEX #81E462

RGB 129 228 98

HSL 105.69, 0.71%, 0.64%

LAB 82.4, -52.58, 53.59

 

CMYK 57 / 0 / 55 / 11

HEX #62E466

RGB 98 228 102

HSL 121.85, 0.71%, 0.64%

LAB 81.32, -60.47, 50.23

 

CMYK 57 / 0 / 40 / 11

HEX #62E489

RGB 98 228 137

HSL 138, 0.71%, 0.64%

LAB 81.78, -55.4, 33.89

 

CMYK 57 / 0 / 25 / 11

HEX #62E4AC

RGB 98 228 172

HSL 154.15, 0.71%, 0.64%

LAB 82.41, -48.79, 16.73

 

CMYK 28 / 0 / 57 / 11

HEX #A4E462

RGB 164 228 98

HSL 89.54, 0.71%, 0.64%

LAB 84.1, -41.03, 55.99

 

CMYK 33 / 0 / 66 / 5

HEX #A4F353

RGB 164 243 83

HSL 89.63, 0.87%, 0.64%

LAB 88.27, -48.71, 66.8

 

CMYK 28 / 0 / 57 / 11

HEX #A4E462

RGB 164 228 98

HSL 89.54, 0.71%, 0.64%

LAB 84.1, -41.03, 55.99

 

CMYK 23 / 0 / 47 / 16

HEX #A3D570

RGB 163 213 112

HSL 89.7, 0.55%, 0.64%

LAB 79.92, -33.16, 44.51

 

CMYK 18 / 0 / 36 / 22

HEX #A3C67F

RGB 163 198 127

HSL 89.58, 0.38%, 0.64%

LAB 75.89, -24.12, 31.84

 

CMYK 11 / 0 / 22 / 28

HEX #A3B78E

RGB 163 183 142

HSL 89.27, 0.22%, 0.64%

LAB 71.96, -14.34, 18.61

 

CMYK 3 / 0 / 7 / 34

HEX #A3A89D

RGB 163 168 157

HSL 87.27, 0.06%, 0.64%

LAB 68.19, -3.84, 5.06

 

CMYK 0 / 3 / 57 / 11

HEX #E4DD62

RGB 228 221 98

HSL 56.77, 0.71%, 0.64%

LAB 86.55, -12.97, 59.94

 

CMYK 12 / 0 / 57 / 11

HEX #C8E462

RGB 200 228 98

HSL 72.92, 0.71%, 0.64%

LAB 86.33, -27.55, 59.12

 

CMYK 28 / 0 / 57 / 11

HEX #A5E462

RGB 165 228 98

HSL 89.08, 0.71%, 0.64%

LAB 84.16, -40.68, 56.07

 

CMYK 43 / 0 / 57 / 11

HEX #82E462

RGB 130 228 98

HSL 105.23, 0.71%, 0.64%

LAB 82.44, -52.28, 53.65

 

CMYK 57 / 0 / 56 / 11

HEX #62E464

RGB 98 228 100

HSL 120.92, 0.71%, 0.64%

LAB 81.29, -60.71, 51.11

 

CMYK 41 / 0 / 83 / 18

HEX #7BD023

RGB 123 208 35

HSL 89.48, 0.71%, 0.48%

LAB 75.73, -51.1, 69.45

 

CMYK 36 / 0 / 72 / 13

HEX #8FDE3E

RGB 143 222 62

HSL 89.63, 0.71%, 0.56%

LAB 80.98, -48.64, 66.7

 

CMYK 28 / 0 / 57 / 11

HEX #A4E462

RGB 164 228 98

HSL 89.54, 0.71%, 0.64%

LAB 84.1, -41.03, 55.99

 

CMYK 21 / 0 / 43 / 8

HEX #B8EA85

RGB 184 234 133

HSL 89.7, 0.71%, 0.72%

LAB 87.35, -32.85, 43.82

 

CMYK 15 / 0 / 30 / 6

HEX #CCF0A8

RGB 204 240 168

HSL 90, 0.71%, 0.8%

LAB 90.77, -23.98, 31.07

 

CMYK 29 / 0 / 58 / 11

HEX #A3E460

RGB 163 228 96

HSL 89.55, 0.71%, 0.64%

LAB 84.03, -41.57, 56.77

 

CMYK 57 / 0 / 18 / 11

HEX #62E4BB

RGB 98 228 187

HSL 161.08, 0.71%, 0.64%

LAB 82.74, -45.52, 9.32

 

CMYK 0 / 57 / 5 / 11

HEX #E462D9

RGB 228 98 217

HSL 305.08, 0.71%, 0.64%

LAB 61.86, 65.01, -37.47

 

CMYK 29 / 0 / 58 / 11

HEX #A3E460

RGB 163 228 96

HSL 89.55, 0.71%, 0.64%

LAB 84.03, -41.57, 56.77

 

CMYK 57 / 28 / 0 / 11

HEX #62A5E4

RGB 98 165 228

HSL 209.08, 0.71%, 0.64%

LAB 65.83, -3.11, -38.22

 

CMYK 0 / 57 / 28 / 11

HEX #E462A5

RGB 228 98 165

HSL 329.08, 0.71%, 0.64%

LAB 59.84, 57.4, -10.93

 

CMYK 29 / 0 / 58 / 11

HEX #A3E460

RGB 163 228 96

HSL 89.55, 0.71%, 0.64%

LAB 84.03, -41.57, 56.77

 

CMYK 57 / 0 / 18 / 11

HEX #62E4BB

RGB 98 228 187

HSL 161.08, 0.71%, 0.64%

LAB 82.74, -45.52, 9.32

 

CMYK 29 / 57 / 0 / 11

HEX #A162E4

RGB 161 98 228

HSL 269.08, 0.71%, 0.64%

LAB 53.94, 50.22, -56.74

 

CMYK 0 / 57 / 39 / 11

HEX #E4628B

RGB 228 98 139

HSL 341.08, 0.71%, 0.64%

LAB 59.06, 54.32, 3

 

CMYK 29 / 0 / 58 / 11

HEX #A3E460

RGB 163 228 96

HSL 89.55, 0.71%, 0.64%

LAB 84.03, -41.57, 56.77

 

CMYK 57 / 0 / 1 / 11

HEX #62E4E2

RGB 98 228 226

HSL 179.08, 0.71%, 0.64%

LAB 83.74, -35.93, -9.82

 

CMYK 29 / 57 / 0 / 11

HEX #A162E4

RGB 161 98 228

HSL 269.08, 0.71%, 0.64%

LAB 53.94, 50.22, -56.74

 

CMYK 0 / 57 / 56 / 11

HEX #E46264

RGB 228 98 100

HSL 359.08, 0.71%, 0.64%

LAB 58.18, 50.74, 24.45

 

Description

Color code: HEX #A3E460 | qconv.com Color code: HEX #A3E460 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 228 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 228 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 58 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 58% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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