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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A3E5A5 it is the complementary color #5C1A5A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A3E5A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A3E5A5 shade: #A8E5A0, #B9F7B3, #CAFFC6, #DBFFD9 and #ECFFEC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A3E5A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A3E5A5 shade: #A3E5A5, #92D392, #81C17F, #70AF6C and #5F9D59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A3E5A5 shade: #A3E5A5, #B3E5A3, #C4E5A3, #D6E5A3 and #E5E2A3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A3E5A5 shade: #A3E5A5, #A3E5B7, #A3E5C8, #A3E5DA and #A3DEE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A3E5A5 shade matches the following richer shades: #A3E5A5, #9AEE9C and #90F893

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A3E5A5 shade: #A3E5A5, #ACDBAE, #B6D2B7, #BFC8C0 and #C9BFC9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A3E5A5 shade: #C5E5A3, #B3E5A3, #A3E5A4, #A3E5B6 and #A3E5C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A3E5A5 shade: #63D366, #83DC86, #A3E5A5, #C3EEC4 and #E3F7E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A3E5A5 shade: #A3E5A5, #A3D6E5 and #E5A3BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A3E5A5 shade: #A3E5A5, #A4A3E5 and #E5A4A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A3E5A5 shade: #A3E5A5, #A3D6E5, #E5A3E4 and #E5B1A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A3E5A5 shade: #A3E5A5, #A3C3E5, #E5A3E4 and #E5C5A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 28 / 10

HEX #A3E5A5

RGB 163 229 165

HSL 121.82, 0.56%, 0.77%

LAB 85.27, -33.12, 24.74

 

Complementary color

CMYK 0 / 72 / 2 / 64

HEX #5C1A5A

RGB 92 26 90

HSL 301.82, 0.56%, 0.23%

LAB 22.83, 38.42, -23.42

 

CMYK 27 / 0 / 30 / 10

HEX #A8E5A0

RGB 168 229 160

HSL 113.04, 0.57%, 0.76%

LAB 85.45, -32.3, 27.61

 

CMYK 25 / 0 / 28 / 3

HEX #B9F7B3

RGB 185 247 179

HSL 114.71, 0.81%, 0.84%

LAB 91.73, -32.09, 26.58

 

CMYK 21 / 0 / 22 / 0

HEX #CAFFC6

RGB 202 255 198

HSL 115.79, 1%, 0.89%

LAB 95.23, -27.22, 21.88

 

CMYK 14 / 0 / 15 / 0

HEX #DBFFD9

RGB 219 255 217

HSL 116.84, 1%, 0.93%

LAB 96.65, -18.46, 14.33

 

CMYK 7 / 0 / 7 / 0

HEX #ECFFEC

RGB 236 255 236

HSL 120, 1%, 0.96%

LAB 98.2, -9.58, 6.95

 

CMYK 29 / 0 / 28 / 10

HEX #A3E5A5

RGB 163 229 165

HSL 121.82, 0.56%, 0.77%

LAB 85.27, -33.12, 24.74

 

CMYK 31 / 0 / 31 / 17

HEX #92D392

RGB 146 211 146

HSL 120, 0.42%, 0.7%

LAB 78.91, -33.36, 25.81

 

CMYK 33 / 0 / 34 / 24

HEX #81C17F

RGB 129 193 127

HSL 118.18, 0.35%, 0.63%

LAB 72.45, -33.6, 26.93

 

CMYK 36 / 0 / 38 / 31

HEX #70AF6C

RGB 112 175 108

HSL 116.42, 0.3%, 0.55%

LAB 65.89, -33.84, 28.12

 

CMYK 39 / 0 / 43 / 38

HEX #5F9D59

RGB 95 157 89

HSL 114.71, 0.28%, 0.48%

LAB 59.22, -34.05, 29.39

 

CMYK 29 / 0 / 28 / 10

HEX #A3E5A5

RGB 163 229 165

HSL 121.82, 0.56%, 0.77%

LAB 85.27, -33.12, 24.74

 

CMYK 22 / 0 / 29 / 10

HEX #B3E5A3

RGB 179 229 163

HSL 105.45, 0.56%, 0.77%

LAB 86.14, -28.14, 27.1

 

CMYK 14 / 0 / 29 / 10

HEX #C4E5A3

RGB 196 229 163

HSL 90, 0.56%, 0.77%

LAB 87.2, -22.22, 28.72

 

CMYK 7 / 0 / 29 / 10

HEX #D6E5A3

RGB 214 229 163

HSL 73.64, 0.56%, 0.77%

LAB 88.44, -15.69, 30.6

 

CMYK 0 / 1 / 29 / 10

HEX #E5E2A3

RGB 229 226 163

HSL 57.27, 0.56%, 0.77%

LAB 88.78, -8.6, 31.25

 

CMYK 29 / 0 / 28 / 10

HEX #A3E5A5

RGB 163 229 165

HSL 121.82, 0.56%, 0.77%

LAB 85.27, -33.12, 24.74

 

CMYK 29 / 0 / 20 / 10

HEX #A3E5B7

RGB 163 229 183

HSL 138.18, 0.56%, 0.77%

LAB 85.63, -29.97, 15.88

 

CMYK 29 / 0 / 13 / 10

HEX #A3E5C8

RGB 163 229 200

HSL 153.64, 0.56%, 0.77%

LAB 86, -26.71, 7.51

 

CMYK 29 / 0 / 5 / 10

HEX #A3E5DA

RGB 163 229 218

HSL 170, 0.56%, 0.77%

LAB 86.45, -22.97, -1.31

 

CMYK 29 / 3 / 0 / 10

HEX #A3DEE5

RGB 163 222 229

HSL 186.36, 0.56%, 0.77%

LAB 84.84, -17.05, -9.49

 

CMYK 29 / 0 / 28 / 10

HEX #A3E5A5

RGB 163 229 165

HSL 121.82, 0.56%, 0.77%

LAB 85.27, -33.12, 24.74

 

CMYK 35 / 0 / 34 / 7

HEX #9AEE9C

RGB 154 238 156

HSL 121.43, 0.71%, 0.77%

LAB 87.2, -41.47, 31.87

 

CMYK 42 / 0 / 41 / 3

HEX #90F893

RGB 144 248 147

HSL 121.73, 0.88%, 0.77%

LAB 89.47, -50.1, 39.26

 

CMYK 29 / 0 / 28 / 10

HEX #A3E5A5

RGB 163 229 165

HSL 121.82, 0.56%, 0.77%

LAB 85.27, -33.12, 24.74

 

CMYK 21 / 0 / 21 / 14

HEX #ACDBAE

RGB 172 219 174

HSL 122.55, 0.39%, 0.77%

LAB 83.17, -23.88, 17.23

 

CMYK 13 / 0 / 13 / 18

HEX #B6D2B7

RGB 182 210 183

HSL 122.14, 0.24%, 0.77%

LAB 81.54, -14.45, 10.26

 

CMYK 5 / 0 / 4 / 22

HEX #BFC8C0

RGB 191 200 192

HSL 126.67, 0.08%, 0.77%

LAB 79.72, -4.56, 2.92

 

CMYK 0 / 5 / 0 / 21

HEX #C9BFC9

RGB 201 191 201

HSL 300, 0.08%, 0.77%

LAB 78.4, 5.32, -3.77

 

CMYK 14 / 0 / 29 / 10

HEX #C5E5A3

RGB 197 229 163

HSL 89.09, 0.56%, 0.77%

LAB 87.27, -21.86, 28.82

 

CMYK 22 / 0 / 29 / 10

HEX #B3E5A3

RGB 179 229 163

HSL 105.45, 0.56%, 0.77%

LAB 86.14, -28.14, 27.1

 

CMYK 29 / 0 / 28 / 10

HEX #A3E5A4

RGB 163 229 164

HSL 120.91, 0.56%, 0.77%

LAB 85.25, -33.28, 25.23

 

CMYK 29 / 0 / 21 / 10

HEX #A3E5B6

RGB 163 229 182

HSL 137.27, 0.56%, 0.77%

LAB 85.61, -30.16, 16.38

 

CMYK 29 / 0 / 13 / 10

HEX #A3E5C7

RGB 163 229 199

HSL 152.73, 0.56%, 0.77%

LAB 85.98, -26.91, 8.01

 

CMYK 53 / 0 / 52 / 17

HEX #63D366

RGB 99 211 102

HSL 121.61, 0.56%, 0.61%

LAB 76.19, -53.81, 44.07

 

CMYK 40 / 0 / 39 / 14

HEX #83DC86

RGB 131 220 134

HSL 122.02, 0.56%, 0.69%

LAB 80.59, -43.98, 34.08

 

CMYK 29 / 0 / 28 / 10

HEX #A3E5A5

RGB 163 229 165

HSL 121.82, 0.56%, 0.77%

LAB 85.27, -33.12, 24.74

 

CMYK 18 / 0 / 18 / 7

HEX #C3EEC4

RGB 195 238 196

HSL 121.4, 0.56%, 0.85%

LAB 90.2, -21.71, 15.82

 

CMYK 8 / 0 / 8 / 3

HEX #E3F7E4

RGB 227 247 228

HSL 123, 0.56%, 0.93%

LAB 95.35, -9.97, 6.89

 

CMYK 29 / 0 / 28 / 10

HEX #A3E5A5

RGB 163 229 165

HSL 121.82, 0.56%, 0.77%

LAB 85.27, -33.12, 24.74

 

CMYK 29 / 7 / 0 / 10

HEX #A3D6E5

RGB 163 214 229

HSL 193.64, 0.56%, 0.77%

LAB 82.67, -12.98, -12.73

 

CMYK 0 / 29 / 18 / 10

HEX #E5A3BC

RGB 229 163 188

HSL 337.27, 0.56%, 0.77%

LAB 73.86, 28.04, -3.07

 

CMYK 29 / 0 / 28 / 10

HEX #A3E5A5

RGB 163 229 165

HSL 121.82, 0.56%, 0.77%

LAB 85.27, -33.12, 24.74

 

CMYK 28 / 29 / 0 / 10

HEX #A4A3E5

RGB 164 163 229

HSL 240.91, 0.56%, 0.77%

LAB 69.29, 14.88, -33.09

 

CMYK 0 / 28 / 29 / 10

HEX #E5A4A3

RGB 229 164 163

HSL 0.91, 0.56%, 0.77%

LAB 73.45, 23.9, 10.1

 

CMYK 29 / 0 / 28 / 10

HEX #A3E5A5

RGB 163 229 165

HSL 121.82, 0.56%, 0.77%

LAB 85.27, -33.12, 24.74

 

CMYK 29 / 7 / 0 / 10

HEX #A3D6E5

RGB 163 214 229

HSL 193.64, 0.56%, 0.77%

LAB 82.67, -12.98, -12.73

 

CMYK 0 / 29 / 0 / 10

HEX #E5A3E4

RGB 229 163 228

HSL 300.91, 0.56%, 0.77%

LAB 75.11, 34.8, -23.1

 

CMYK 0 / 23 / 29 / 10

HEX #E5B1A3

RGB 229 177 163

HSL 12.73, 0.56%, 0.77%

LAB 76.53, 16.94, 14.44

 

CMYK 29 / 0 / 28 / 10

HEX #A3E5A5

RGB 163 229 165

HSL 121.82, 0.56%, 0.77%

LAB 85.27, -33.12, 24.74

 

CMYK 29 / 15 / 0 / 10

HEX #A3C3E5

RGB 163 195 229

HSL 210.91, 0.56%, 0.77%

LAB 77.56, -3.02, -20.41

 

CMYK 0 / 29 / 0 / 10

HEX #E5A3E4

RGB 229 163 228

HSL 300.91, 0.56%, 0.77%

LAB 75.11, 34.8, -23.1

 

CMYK 0 / 14 / 29 / 10

HEX #E5C5A3

RGB 229 197 163

HSL 30.91, 0.56%, 0.77%

LAB 81.42, 6.34, 21.25

 

Description

Color code: HEX #A3E5A5 | qconv.com Color code: HEX #A3E5A5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 229 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 229 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 28 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 28% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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