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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A3E994 it is the complementary color #5C166B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A3E994. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A3E994 shade: #A8E98F, #B9FBA2, #CAFFB5, #DBFFC8 and #ECFFDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A3E994. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A3E994 shade: #A3E994, #92D781, #81C56E, #70B35B and #5FA148

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A3E994 shade: #A4E995, #BAE995, #D1E995, #E8E995 and #E9D395

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A3E994 shade: #A4E995, #95E99D, #95E9B3, #95E9CA and #95E9E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A3E994 shade matches the following richer shades: #A4E995, #9DF38A and #96FD80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A3E994 shade: #A4E995, #AADF9F, #B1D4A9, #B8CAB4 and #BEC0BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A3E994 shade: #D1E995, #BBE995, #A4E995, #95E99C and #95E9B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A3E994 shade: #69DB50, #86E272, #A4E995, #C1F0B7 and #DEF7D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A3E994 shade: #A3E994, #95E7E9 and #E995C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A3E994 shade: #A3E994, #95A4E9 and #E995A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A3E994 shade: #A3E994, #95E7E9, #D995E9 and #E99695

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A3E994 shade: #A3E994, #95CEE9, #D995E9 and #E9AF95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 36 / 9

HEX #A3E994

RGB 163 233 148

HSL 109.41, 0.66%, 0.75%

LAB 86.11, -37.6, 34.54

 

Complementary color

CMYK 14 / 79 / 0 / 58

HEX #5C166B

RGB 92 22 107

HSL 289.41, 0.66%, 0.25%

LAB 23.37, 43.35, -33.72

 

CMYK 28 / 0 / 39 / 9

HEX #A8E98F

RGB 168 233 143

HSL 103.33, 0.67%, 0.74%

LAB 86.3, -36.66, 37.35

 

CMYK 26 / 0 / 35 / 2

HEX #B9FBA2

RGB 185 251 162

HSL 104.49, 0.92%, 0.81%

LAB 92.54, -36.49, 36.22

 

CMYK 21 / 0 / 29 / 0

HEX #CAFFB5

RGB 202 255 181

HSL 102.97, 1%, 0.85%

LAB 94.91, -29.88, 30.06

 

CMYK 14 / 0 / 22 / 0

HEX #DBFFC8

RGB 219 255 200

HSL 99.27, 1%, 0.89%

LAB 96.31, -21.23, 22.52

 

CMYK 7 / 0 / 14 / 0

HEX #ECFFDB

RGB 236 255 219

HSL 91.67, 1%, 0.93%

LAB 97.82, -12.42, 15.12

 

CMYK 30 / 0 / 36 / 9

HEX #A3E994

RGB 163 233 148

HSL 109.41, 0.66%, 0.75%

LAB 86.11, -37.6, 34.54

 

CMYK 32 / 0 / 40 / 16

HEX #92D781

RGB 146 215 129

HSL 108.14, 0.52%, 0.67%

LAB 79.78, -37.8, 35.7

 

CMYK 35 / 0 / 44 / 23

HEX #81C56E

RGB 129 197 110

HSL 106.9, 0.43%, 0.6%

LAB 73.37, -37.97, 36.9

 

CMYK 37 / 0 / 49 / 30

HEX #70B35B

RGB 112 179 91

HSL 105.68, 0.37%, 0.53%

LAB 66.85, -38.1, 38.13

 

CMYK 41 / 0 / 55 / 37

HEX #5FA148

RGB 95 161 72

HSL 104.49, 0.38%, 0.46%

LAB 60.24, -38.16, 39.36

 

CMYK 30 / 0 / 36 / 9

HEX #A4E995

RGB 164 233 149

HSL 109.29, 0.66%, 0.75%

LAB 86.18, -37.13, 34.13

 

CMYK 20 / 0 / 36 / 9

HEX #BAE995

RGB 186 233 149

HSL 93.57, 0.66%, 0.75%

LAB 87.43, -29.63, 36.02

 

CMYK 10 / 0 / 36 / 9

HEX #D1E995

RGB 209 233 149

HSL 77.14, 0.66%, 0.75%

LAB 88.92, -21.3, 38.25

 

CMYK 0 / 0 / 36 / 9

HEX #E8E995

RGB 232 233 149

HSL 60.71, 0.66%, 0.75%

LAB 90.6, -12.63, 40.75

 

CMYK 0 / 9 / 36 / 9

HEX #E9D395

RGB 233 211 149

HSL 44.29, 0.66%, 0.75%

LAB 85.04, -1.13, 33.51

 

CMYK 30 / 0 / 36 / 9

HEX #A4E995

RGB 164 233 149

HSL 109.29, 0.66%, 0.75%

LAB 86.18, -37.13, 34.13

 

CMYK 36 / 0 / 33 / 9

HEX #95E99D

RGB 149 233 157

HSL 125.71, 0.66%, 0.75%

LAB 85.56, -40.62, 29.11

 

CMYK 36 / 0 / 23 / 9

HEX #95E9B3

RGB 149 233 179

HSL 141.43, 0.66%, 0.75%

LAB 85.97, -36.78, 18.34

 

CMYK 36 / 0 / 13 / 9

HEX #95E9CA

RGB 149 233 202

HSL 157.86, 0.66%, 0.75%

LAB 86.47, -32.24, 7.04

 

CMYK 36 / 0 / 3 / 9

HEX #95E9E1

RGB 149 233 225

HSL 174.29, 0.66%, 0.75%

LAB 87.05, -27.2, -4.19

 

CMYK 30 / 0 / 36 / 9

HEX #A4E995

RGB 164 233 149

HSL 109.29, 0.66%, 0.75%

LAB 86.18, -37.13, 34.13

 

CMYK 35 / 0 / 43 / 5

HEX #9DF38A

RGB 157 243 138

HSL 109.14, 0.81%, 0.75%

LAB 88.5, -45.34, 42.53

 

CMYK 41 / 0 / 49 / 1

HEX #96FD80

RGB 150 253 128

HSL 109.44, 0.97%, 0.75%

LAB 90.91, -52.95, 50.24

 

CMYK 30 / 0 / 36 / 9

HEX #A4E995

RGB 164 233 149

HSL 109.29, 0.66%, 0.75%

LAB 86.18, -37.13, 34.13

 

CMYK 24 / 0 / 29 / 13

HEX #AADF9F

RGB 170 223 159

HSL 109.69, 0.5%, 0.75%

LAB 83.87, -28.97, 26

 

CMYK 17 / 0 / 20 / 17

HEX #B1D4A9

RGB 177 212 169

HSL 108.84, 0.33%, 0.75%

LAB 81.46, -19.6, 17.51

 

CMYK 9 / 0 / 11 / 21

HEX #B8CAB4

RGB 184 202 180

HSL 109.09, 0.17%, 0.75%

LAB 79.46, -10.2, 8.91

 

CMYK 1 / 0 / 1 / 25

HEX #BEC0BE

RGB 190 192 190

HSL 120, 0.02%, 0.75%

LAB 77.5, -1.06, 0.75

 

CMYK 10 / 0 / 36 / 9

HEX #D1E995

RGB 209 233 149

HSL 77.14, 0.66%, 0.75%

LAB 88.92, -21.3, 38.25

 

CMYK 20 / 0 / 36 / 9

HEX #BBE995

RGB 187 233 149

HSL 92.86, 0.66%, 0.75%

LAB 87.49, -29.28, 36.11

 

CMYK 30 / 0 / 36 / 9

HEX #A4E995

RGB 164 233 149

HSL 109.29, 0.66%, 0.75%

LAB 86.18, -37.13, 34.13

 

CMYK 36 / 0 / 33 / 9

HEX #95E99C

RGB 149 233 156

HSL 125, 0.66%, 0.75%

LAB 85.54, -40.78, 29.6

 

CMYK 36 / 0 / 24 / 9

HEX #95E9B2

RGB 149 233 178

HSL 140.71, 0.66%, 0.75%

LAB 85.95, -36.96, 18.83

 

CMYK 52 / 0 / 63 / 14

HEX #69DB50

RGB 105 219 80

HSL 109.21, 0.66%, 0.59%

LAB 78.6, -57.76, 56.83

 

CMYK 41 / 0 / 50 / 11

HEX #86E272

RGB 134 226 114

HSL 109.29, 0.66%, 0.67%

LAB 82.2, -48.4, 46.01

 

CMYK 30 / 0 / 36 / 9

HEX #A4E995

RGB 164 233 149

HSL 109.29, 0.66%, 0.75%

LAB 86.18, -37.13, 34.13

 

CMYK 20 / 0 / 24 / 6

HEX #C1F0B7

RGB 193 240 183

HSL 109.47, 0.66%, 0.83%

LAB 90.36, -25.5, 22.73

 

CMYK 10 / 0 / 12 / 3

HEX #DEF7D9

RGB 222 247 217

HSL 110, 0.65%, 0.91%

LAB 94.76, -13.53, 11.68

 

CMYK 30 / 0 / 36 / 9

HEX #A3E994

RGB 163 233 148

HSL 109.41, 0.66%, 0.75%

LAB 86.11, -37.6, 34.54

 

CMYK 36 / 1 / 0 / 9

HEX #95E7E9

RGB 149 231 233

HSL 181.43, 0.66%, 0.75%

LAB 86.71, -24.37, -8.89

 

CMYK 0 / 36 / 15 / 9

HEX #E995C6

RGB 233 149 198

HSL 325, 0.66%, 0.75%

LAB 71.48, 38.42, -12.06

 

CMYK 30 / 0 / 36 / 9

HEX #A3E994

RGB 163 233 148

HSL 109.41, 0.66%, 0.75%

LAB 86.11, -37.6, 34.54

 

CMYK 36 / 30 / 0 / 9

HEX #95A4E9

RGB 149 164 233

HSL 229.29, 0.66%, 0.75%

LAB 68.62, 11.11, -36.4

 

CMYK 0 / 36 / 30 / 9

HEX #E995A4

RGB 233 149 164

HSL 349.29, 0.66%, 0.75%

LAB 70.52, 33.49, 5.41

 

CMYK 30 / 0 / 36 / 9

HEX #A3E994

RGB 163 233 148

HSL 109.41, 0.66%, 0.75%

LAB 86.11, -37.6, 34.54

 

CMYK 36 / 1 / 0 / 9

HEX #95E7E9

RGB 149 231 233

HSL 181.43, 0.66%, 0.75%

LAB 86.71, -24.37, -8.89

 

CMYK 7 / 36 / 0 / 9

HEX #D995E9

RGB 217 149 233

HSL 288.57, 0.66%, 0.75%

LAB 70.96, 39.47, -32.31

 

CMYK 0 / 36 / 36 / 9

HEX #E99695

RGB 233 150 149

HSL 0.71, 0.66%, 0.75%

LAB 70.39, 31.08, 13.56

 

CMYK 30 / 0 / 36 / 9

HEX #A3E994

RGB 163 233 148

HSL 109.41, 0.66%, 0.75%

LAB 86.11, -37.6, 34.54

 

CMYK 36 / 12 / 0 / 9

HEX #95CEE9

RGB 149 206 233

HSL 199.29, 0.66%, 0.75%

LAB 79.85, -11.75, -19.18

 

CMYK 7 / 36 / 0 / 9

HEX #D995E9

RGB 217 149 233

HSL 288.57, 0.66%, 0.75%

LAB 70.96, 39.47, -32.31

 

CMYK 0 / 25 / 36 / 9

HEX #E9AF95

RGB 233 175 149

HSL 18.57, 0.66%, 0.75%

LAB 76.16, 17.78, 21.57

 

Description

Color code: HEX #A3E994 | qconv.com Color code: HEX #A3E994 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 233 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 233 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 36 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 36% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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