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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A3EE81 it is the complementary color #5C117E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A3EE81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A3EE81 shade: #A8EE7C, #B9FF8F, #CAFFA2, #DBFFB5 and #ECFFC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A3EE81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A3EE81 shade: #A3EE81, #92DC6E, #81CA5B, #70B848 and #5FA635

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A3EE81 shade: #A3ED81, #C0ED81, #DDED81, #EDE081 and #EDC381

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A3EE81 shade: #A3ED81, #85ED81, #81ED9A, #81EDB7 and #81EDD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A3EE81 shade matches the following richer shades: #A3ED81 and #9EF975

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A3EE81 shade: #A3ED81, #A7E28C, #ABD698, #B0CBA3 and #B4BFAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A3EE81 shade: #DDED81, #C0ED81, #A3ED81, #86ED81 and #81ED98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A3EE81 shade: #6EE338, #88E85D, #A3ED81, #BDF2A5 and #D8F7C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A3EE81 shade: #A3EE81, #81EDE1 and #ED81CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A3EE81 shade: #A3EE81, #81A3ED and #ED81A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A3EE81 shade: #A3EE81, #81EDE1, #CB81ED and #ED818D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A3EE81 shade: #A3EE81, #81D9ED, #CB81ED and #ED9581

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 46 / 7

HEX #A3EE81

RGB 163 238 129

HSL 101.28, 0.76%, 0.72%

LAB 87.25, -42.39, 45.38

 

Complementary color

CMYK 27 / 87 / 0 / 51

HEX #5C117E

RGB 92 17 126

HSL 281.28, 0.76%, 0.28%

LAB 24.27, 48.98, -44.46

 

CMYK 29 / 0 / 48 / 7

HEX #A8EE7C

RGB 168 238 124

HSL 96.84, 0.77%, 0.71%

LAB 87.45, -41.31, 48.07

 

CMYK 27 / 0 / 44 / 0

HEX #B9FF8F

RGB 185 255 143

HSL 97.5, 1%, 0.78%

LAB 93.37, -40.79, 46.58

 

CMYK 21 / 0 / 36 / 0

HEX #CAFFA2

RGB 202 255 162

HSL 94.19, 1%, 0.82%

LAB 94.6, -32.56, 39.12

 

CMYK 14 / 0 / 29 / 0

HEX #DBFFB5

RGB 219 255 181

HSL 89.19, 1%, 0.85%

LAB 95.96, -24.05, 31.65

 

CMYK 7 / 0 / 22 / 0

HEX #ECFFC8

RGB 236 255 200

HSL 80.73, 1%, 0.89%

LAB 97.44, -15.35, 24.26

 

CMYK 32 / 0 / 46 / 7

HEX #A3EE81

RGB 163 238 129

HSL 101.28, 0.76%, 0.72%

LAB 87.25, -42.39, 45.38

 

CMYK 34 / 0 / 50 / 14

HEX #92DC6E

RGB 146 220 110

HSL 100.36, 0.61%, 0.65%

LAB 80.97, -42.48, 46.54

 

CMYK 36 / 0 / 55 / 21

HEX #81CA5B

RGB 129 202 91

HSL 99.46, 0.51%, 0.57%

LAB 74.61, -42.51, 47.68

 

CMYK 39 / 0 / 61 / 28

HEX #70B848

RGB 112 184 72

HSL 98.57, 0.44%, 0.5%

LAB 68.16, -42.45, 48.73

 

CMYK 43 / 0 / 68 / 35

HEX #5FA635

RGB 95 166 53

HSL 97.7, 0.52%, 0.43%

LAB 61.62, -42.23, 49.54

 

CMYK 31 / 0 / 46 / 7

HEX #A3ED81

RGB 163 237 129

HSL 101.11, 0.75%, 0.72%

LAB 86.97, -41.95, 45.02

 

CMYK 19 / 0 / 46 / 7

HEX #C0ED81

RGB 192 237 129

HSL 85, 0.75%, 0.72%

LAB 88.62, -31.82, 47.44

 

CMYK 7 / 0 / 46 / 7

HEX #DDED81

RGB 221 237 129

HSL 68.89, 0.75%, 0.72%

LAB 90.56, -20.93, 50.27

 

CMYK 0 / 5 / 46 / 7

HEX #EDE081

RGB 237 224 129

HSL 52.78, 0.75%, 0.72%

LAB 88.4, -8.26, 47.89

 

CMYK 0 / 18 / 46 / 7

HEX #EDC381

RGB 237 195 129

HSL 36.67, 0.75%, 0.72%

LAB 81.08, 6.62, 38.7

 

CMYK 31 / 0 / 46 / 7

HEX #A3ED81

RGB 163 237 129

HSL 101.11, 0.75%, 0.72%

LAB 86.97, -41.95, 45.02

 

CMYK 44 / 0 / 46 / 7

HEX #85ED81

RGB 133 237 129

HSL 117.78, 0.75%, 0.72%

LAB 85.57, -51.27, 42.97

 

CMYK 46 / 0 / 35 / 7

HEX #81ED9A

RGB 129 237 154

HSL 133.89, 0.75%, 0.72%

LAB 85.79, -48.56, 30.8

 

CMYK 46 / 0 / 23 / 7

HEX #81EDB7

RGB 129 237 183

HSL 150, 0.75%, 0.72%

LAB 86.33, -43.24, 16.65

 

CMYK 46 / 0 / 11 / 7

HEX #81EDD4

RGB 129 237 212

HSL 166.11, 0.75%, 0.72%

LAB 86.99, -37.04, 2.45

 

CMYK 31 / 0 / 46 / 7

HEX #A3ED81

RGB 163 237 129

HSL 101.11, 0.75%, 0.72%

LAB 86.97, -41.95, 45.02

 

CMYK 37 / 0 / 53 / 2

HEX #9EF975

RGB 158 249 117

HSL 101.36, 0.92%, 0.72%

LAB 90, -50.1, 54.29

 

CMYK 31 / 0 / 46 / 7

HEX #A3ED81

RGB 163 237 129

HSL 101.11, 0.75%, 0.72%

LAB 86.97, -41.95, 45.02

 

CMYK 26 / 0 / 38 / 11

HEX #A7E28C

RGB 167 226 140

HSL 101.16, 0.6%, 0.72%

LAB 84.23, -34.21, 36.14

 

CMYK 20 / 0 / 29 / 16

HEX #ABD698

RGB 171 214 152

HSL 101.61, 0.43%, 0.72%

LAB 81.3, -25.4, 26.16

 

CMYK 13 / 0 / 20 / 20

HEX #B0CBA3

RGB 176 203 163

HSL 100.5, 0.28%, 0.72%

LAB 78.8, -16.43, 16.98

 

CMYK 6 / 0 / 8 / 25

HEX #B4BFAF

RGB 180 191 175

HSL 101.25, 0.11%, 0.72%

LAB 76.11, -6.76, 6.76

 

CMYK 7 / 0 / 46 / 7

HEX #DDED81

RGB 221 237 129

HSL 68.89, 0.75%, 0.72%

LAB 90.56, -20.93, 50.27

 

CMYK 19 / 0 / 46 / 7

HEX #C0ED81

RGB 192 237 129

HSL 85, 0.75%, 0.72%

LAB 88.62, -31.82, 47.44

 

CMYK 31 / 0 / 46 / 7

HEX #A3ED81

RGB 163 237 129

HSL 101.11, 0.75%, 0.72%

LAB 86.97, -41.95, 45.02

 

CMYK 43 / 0 / 46 / 7

HEX #86ED81

RGB 134 237 129

HSL 117.22, 0.75%, 0.72%

LAB 85.62, -50.98, 43.03

 

CMYK 46 / 0 / 36 / 7

HEX #81ED98

RGB 129 237 152

HSL 132.78, 0.75%, 0.72%

LAB 85.76, -48.9, 31.77

 

CMYK 52 / 0 / 75 / 11

HEX #6EE338

RGB 110 227 56

HSL 101.05, 0.75%, 0.55%

LAB 81.04, -61.21, 68.28

 

CMYK 41 / 0 / 60 / 9

HEX #88E85D

RGB 136 232 93

HSL 101.44, 0.75%, 0.64%

LAB 83.83, -52.55, 57.49

 

CMYK 31 / 0 / 46 / 7

HEX #A3ED81

RGB 163 237 129

HSL 101.11, 0.75%, 0.72%

LAB 86.97, -41.95, 45.02

 

CMYK 22 / 0 / 32 / 5

HEX #BDF2A5

RGB 189 242 165

HSL 101.3, 0.75%, 0.8%

LAB 90.34, -30.57, 31.84

 

CMYK 13 / 0 / 19 / 3

HEX #D8F7C9

RGB 216 247 201

HSL 100.43, 0.74%, 0.88%

LAB 94.03, -18.21, 18.81

 

CMYK 32 / 0 / 46 / 7

HEX #A3EE81

RGB 163 238 129

HSL 101.28, 0.76%, 0.72%

LAB 87.25, -42.39, 45.38

 

CMYK 46 / 0 / 5 / 7

HEX #81EDE1

RGB 129 237 225

HSL 173.33, 0.75%, 0.72%

LAB 87.33, -34.01, -3.88

 

CMYK 0 / 46 / 13 / 7

HEX #ED81CF

RGB 237 129 207

HSL 316.67, 0.75%, 0.72%

LAB 68.18, 51.39, -22.02

 

CMYK 32 / 0 / 46 / 7

HEX #A3EE81

RGB 163 238 129

HSL 101.28, 0.76%, 0.72%

LAB 87.25, -42.39, 45.38

 

CMYK 46 / 31 / 0 / 7

HEX #81A3ED

RGB 129 163 237

HSL 221.11, 0.75%, 0.72%

LAB 67.26, 7.64, -40.81

 

CMYK 0 / 46 / 31 / 7

HEX #ED81A3

RGB 237 129 163

HSL 341.11, 0.75%, 0.72%

LAB 66.79, 45.13, 0.62

 

CMYK 32 / 0 / 46 / 7

HEX #A3EE81

RGB 163 238 129

HSL 101.28, 0.76%, 0.72%

LAB 87.25, -42.39, 45.38

 

CMYK 46 / 0 / 5 / 7

HEX #81EDE1

RGB 129 237 225

HSL 173.33, 0.75%, 0.72%

LAB 87.33, -34.01, -3.88

 

CMYK 14 / 46 / 0 / 7

HEX #CB81ED

RGB 203 129 237

HSL 281.11, 0.75%, 0.72%

LAB 65.37, 46.8, -43.34

 

CMYK 0 / 46 / 41 / 7

HEX #ED818D

RGB 237 129 141

HSL 353.33, 0.75%, 0.72%

LAB 66.23, 42.56, 12.27

 

CMYK 32 / 0 / 46 / 7

HEX #A3EE81

RGB 163 238 129

HSL 101.28, 0.76%, 0.72%

LAB 87.25, -42.39, 45.38

 

CMYK 46 / 8 / 0 / 7

HEX #81D9ED

RGB 129 217 237

HSL 191.11, 0.75%, 0.72%

LAB 82.06, -21.34, -18.06

 

CMYK 14 / 46 / 0 / 7

HEX #CB81ED

RGB 203 129 237

HSL 281.11, 0.75%, 0.72%

LAB 65.37, 46.8, -43.34

 

CMYK 0 / 37 / 46 / 7

HEX #ED9581

RGB 237 149 129

HSL 11.11, 0.75%, 0.72%

LAB 70.24, 30.94, 24.47

 

Description

Color code: HEX #A3EE81 | qconv.com Color code: HEX #A3EE81 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 238 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 238 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 46 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 46% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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