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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A3F08F it is the complementary color #5C0F70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A3F08F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A3F08F shade: #A8F08A, #B9FF9D, #CAFFB0, #DBFFC3 and #ECFFD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A3F08F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A3F08F shade: #A3F08F, #92DE7C, #81CC69, #70BA56 and #5FA843

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A3F08F shade: #A2EF8E, #BCEF8E, #D7EF8E, #EFEE8E and #EFD48E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A3F08F shade: #A2EF8E, #8EEF94, #8EEFAF, #8EEFC9 and #8EEFE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A3F08F shade matches the following richer shades: #A2EF8E and #9CFA84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A3F08F shade: #A2EF8E, #A8E599, #AEDBA3, #B4D0AD and #BBC6B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A3F08F shade: #D7EF8E, #BDEF8E, #A3EF8E, #8EEF93 and #8EEFAD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A3F08F shade: #67E546, #84EA6A, #A2EF8E, #C0F4B3 and #DEF9D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A3F08F shade: #A3F08F, #8EEFEE and #EF8ECA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A3F08F shade: #A3F08F, #8EA3EF and #EF8EA3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A3F08F shade: #A3F08F, #8EEFEE, #DA8EEF and #EF8E90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A3F08F shade: #A3F08F, #8ED4EF, #DA8EEF and #EFAA8E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 40 / 6

HEX #A3F08F

RGB 163 240 143

HSL 107.63, 0.76%, 0.75%

LAB 88.01, -41.44, 39.51

 

Complementary color

CMYK 18 / 87 / 0 / 56

HEX #5C0F70

RGB 92 15 112

HSL 287.63, 0.76%, 0.25%

LAB 22.95, 46.64, -37.64

 

CMYK 30 / 0 / 43 / 6

HEX #A8F08A

RGB 168 240 138

HSL 102.35, 0.77%, 0.74%

LAB 88.2, -40.47, 42.26

 

CMYK 27 / 0 / 38 / 0

HEX #B9FF9D

RGB 185 255 157

HSL 102.86, 1%, 0.81%

LAB 93.57, -38.98, 40.04

 

CMYK 21 / 0 / 31 / 0

HEX #CAFFB0

RGB 202 255 176

HSL 100.25, 1%, 0.85%

LAB 94.83, -30.62, 32.45

 

CMYK 14 / 0 / 24 / 0

HEX #DBFFC3

RGB 219 255 195

HSL 96, 1%, 0.88%

LAB 96.21, -22, 24.93

 

CMYK 7 / 0 / 16 / 0

HEX #ECFFD6

RGB 236 255 214

HSL 87.8, 1%, 0.92%

LAB 97.72, -13.22, 17.53

 

CMYK 32 / 0 / 40 / 6

HEX #A3F08F

RGB 163 240 143

HSL 107.63, 0.76%, 0.75%

LAB 88.01, -41.44, 39.51

 

CMYK 34 / 0 / 44 / 13

HEX #92DE7C

RGB 146 222 124

HSL 106.53, 0.6%, 0.68%

LAB 81.73, -41.6, 40.69

 

CMYK 37 / 0 / 49 / 20

HEX #81CC69

RGB 129 204 105

HSL 105.45, 0.49%, 0.61%

LAB 75.37, -41.73, 41.9

 

CMYK 40 / 0 / 54 / 27

HEX #70BA56

RGB 112 186 86

HSL 104.4, 0.42%, 0.53%

LAB 68.92, -41.79, 43.1

 

CMYK 43 / 0 / 60 / 34

HEX #5FA843

RGB 95 168 67

HSL 103.37, 0.43%, 0.46%

LAB 62.38, -41.75, 44.23

 

CMYK 32 / 0 / 41 / 6

HEX #A2EF8E

RGB 162 239 142

HSL 107.63, 0.75%, 0.75%

LAB 87.66, -41.46, 39.55

 

CMYK 21 / 0 / 41 / 6

HEX #BCEF8E

RGB 188 239 142

HSL 91.55, 0.75%, 0.75%

LAB 89.1, -32.64, 41.68

 

CMYK 10 / 0 / 41 / 6

HEX #D7EF8E

RGB 215 239 142

HSL 74.85, 0.75%, 0.75%

LAB 90.84, -22.79, 44.25

 

CMYK 0 / 0 / 41 / 6

HEX #EFEE8E

RGB 239 238 142

HSL 59.38, 0.75%, 0.75%

LAB 92.33, -13.16, 46.5

 

CMYK 0 / 11 / 41 / 6

HEX #EFD48E

RGB 239 212 142

HSL 43.3, 0.75%, 0.75%

LAB 85.7, -0.07, 38.05

 

CMYK 32 / 0 / 41 / 6

HEX #A2EF8E

RGB 162 239 142

HSL 107.63, 0.75%, 0.75%

LAB 87.66, -41.46, 39.55

 

CMYK 41 / 0 / 38 / 6

HEX #8EEF94

RGB 142 239 148

HSL 123.71, 0.75%, 0.75%

LAB 86.81, -46.74, 35.27

 

CMYK 41 / 0 / 27 / 6

HEX #8EEFAF

RGB 142 239 175

HSL 140.41, 0.75%, 0.75%

LAB 87.28, -42.19, 22.18

 

CMYK 41 / 0 / 16 / 6

HEX #8EEFC9

RGB 142 239 201

HSL 156.49, 0.75%, 0.75%

LAB 87.82, -37.11, 9.47

 

CMYK 41 / 0 / 5 / 6

HEX #8EEFE3

RGB 142 239 227

HSL 172.58, 0.75%, 0.75%

LAB 88.46, -31.38, -3.19

 

CMYK 32 / 0 / 41 / 6

HEX #A2EF8E

RGB 162 239 142

HSL 107.63, 0.75%, 0.75%

LAB 87.66, -41.46, 39.55

 

CMYK 38 / 0 / 47 / 2

HEX #9CFA84

RGB 156 250 132

HSL 107.8, 0.92%, 0.75%

LAB 90.37, -49.39, 47.75

 

CMYK 32 / 0 / 41 / 6

HEX #A2EF8E

RGB 162 239 142

HSL 107.63, 0.75%, 0.75%

LAB 87.66, -41.46, 39.55

 

CMYK 27 / 0 / 33 / 10

HEX #A8E599

RGB 168 229 153

HSL 108.16, 0.59%, 0.75%

LAB 85.33, -33.38, 31.03

 

CMYK 21 / 0 / 26 / 14

HEX #AEDBA3

RGB 174 219 163

HSL 108.21, 0.44%, 0.75%

LAB 83.08, -25.05, 22.88

 

CMYK 13 / 0 / 17 / 18

HEX #B4D0AD

RGB 180 208 173

HSL 108, 0.27%, 0.75%

LAB 80.65, -15.87, 14.29

 

CMYK 6 / 0 / 7 / 22

HEX #BBC6B8

RGB 187 198 184

HSL 107.14, 0.11%, 0.75%

LAB 78.7, -6.36, 5.71

 

CMYK 10 / 0 / 41 / 6

HEX #D7EF8E

RGB 215 239 142

HSL 74.85, 0.75%, 0.75%

LAB 90.84, -22.79, 44.25

 

CMYK 21 / 0 / 41 / 6

HEX #BDEF8E

RGB 189 239 142

HSL 90.93, 0.75%, 0.75%

LAB 89.16, -32.29, 41.77

 

CMYK 32 / 0 / 41 / 6

HEX #A3EF8E

RGB 163 239 142

HSL 107.01, 0.75%, 0.75%

LAB 87.71, -41.13, 39.62

 

CMYK 41 / 0 / 38 / 6

HEX #8EEF93

RGB 142 239 147

HSL 123.09, 0.75%, 0.75%

LAB 86.8, -46.89, 35.75

 

CMYK 41 / 0 / 28 / 6

HEX #8EEFAD

RGB 142 239 173

HSL 139.18, 0.75%, 0.75%

LAB 87.24, -42.56, 23.16

 

CMYK 55 / 0 / 69 / 10

HEX #67E546

RGB 103 229 70

HSL 107.55, 0.75%, 0.59%

LAB 81.49, -62.8, 63.83

 

CMYK 44 / 0 / 55 / 8

HEX #84EA6A

RGB 132 234 106

HSL 107.81, 0.75%, 0.67%

LAB 84.38, -53.21, 52.33

 

CMYK 32 / 0 / 41 / 6

HEX #A2EF8E

RGB 162 239 142

HSL 107.63, 0.75%, 0.75%

LAB 87.66, -41.46, 39.55

 

CMYK 21 / 0 / 27 / 4

HEX #C0F4B3

RGB 192 244 179

HSL 108, 0.75%, 0.83%

LAB 91.31, -28.38, 26.07

 

CMYK 11 / 0 / 14 / 2

HEX #DEF9D7

RGB 222 249 215

HSL 107.65, 0.74%, 0.91%

LAB 95.24, -14.86, 13.38

 

CMYK 32 / 0 / 40 / 6

HEX #A3F08F

RGB 163 240 143

HSL 107.63, 0.76%, 0.75%

LAB 88.01, -41.44, 39.51

 

CMYK 41 / 0 / 0 / 6

HEX #8EEFEE

RGB 142 239 238

HSL 179.38, 0.75%, 0.75%

LAB 88.76, -28.79, -8.51

 

CMYK 0 / 41 / 15 / 6

HEX #EF8ECA

RGB 239 142 202

HSL 322.89, 0.75%, 0.75%

LAB 70.84, 44.66, -15.17

 

CMYK 32 / 0 / 40 / 6

HEX #A3F08F

RGB 163 240 143

HSL 107.63, 0.76%, 0.75%

LAB 88.01, -41.44, 39.51

 

CMYK 41 / 32 / 0 / 6

HEX #8EA3EF

RGB 142 163 239

HSL 227.01, 0.75%, 0.75%

LAB 68.15, 11.45, -40.45

 

CMYK 0 / 41 / 32 / 6

HEX #EF8EA3

RGB 239 142 163

HSL 347.01, 0.75%, 0.75%

LAB 69.71, 39.18, 4.9

 

CMYK 32 / 0 / 40 / 6

HEX #A3F08F

RGB 163 240 143

HSL 107.63, 0.76%, 0.75%

LAB 88.01, -41.44, 39.51

 

CMYK 41 / 0 / 0 / 6

HEX #8EEFEE

RGB 142 239 238

HSL 179.38, 0.75%, 0.75%

LAB 88.76, -28.79, -8.51

 

CMYK 9 / 41 / 0 / 6

HEX #DA8EEF

RGB 218 142 239

HSL 287.01, 0.75%, 0.75%

LAB 69.81, 44.66, -37.37

 

CMYK 0 / 41 / 40 / 6

HEX #EF8E90

RGB 239 142 144

HSL 358.76, 0.75%, 0.75%

LAB 69.26, 36.93, 14.87

 

CMYK 32 / 0 / 40 / 6

HEX #A3F08F

RGB 163 240 143

HSL 107.63, 0.76%, 0.75%

LAB 88.01, -41.44, 39.51

 

CMYK 41 / 11 / 0 / 6

HEX #8ED4EF

RGB 142 212 239

HSL 196.7, 0.75%, 0.75%

LAB 81.33, -15.15, -20.17

 

CMYK 9 / 41 / 0 / 6

HEX #DA8EEF

RGB 218 142 239

HSL 287.01, 0.75%, 0.75%

LAB 69.81, 44.66, -37.37

 

CMYK 0 / 29 / 41 / 6

HEX #EFAA8E

RGB 239 170 142

HSL 17.32, 0.75%, 0.75%

LAB 75.48, 21.96, 24.53

 

Description

Color code: HEX #A3F08F | qconv.com Color code: HEX #A3F08F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 240 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 240 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 40 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 40% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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