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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A00FF5 it is the complementary color #5FF00A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A00FF5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A00FF5 shade: #A50FF0, #B621FF, #C733FF, #D845FF and #E957FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A00FF5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A00FF5 shade: #A00FF5, #8F00E2, #7E00CF, #6D00BC and #5C00A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A00FF5 shade: #A00FF5, #DE0FF5, #F50FCD, #F50F8F and #F50F51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A00FF5 shade: #A00FF5, #620FF5, #240FF5 and #0F0FF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A00FF5 shade matches the following richer shades: #A00FF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A00FF5 shade: #A00FF5, #9A23E0, #9537CC, #904BB8 and #8A5FA4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A00FF5 shade: #220FF5, #5F0FF5, #9C0FF5, #DA0FF5 and #F50FD2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A00FF5 shade: #6E07AA, #8708D2, #A00FF5, #AF36F6 and #BF5EF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A00FF5 shade: #A00FF5, #F50F39 and #0FF540

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A00FF5 shade: #A00FF5, #F59C0F and #0FF59C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A00FF5 shade: #A00FF5, #F50F39, #67F50F and #0FF5CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A00FF5 shade: #A00FF5, #F5290F, #67F50F and #0FDAF5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 94 / 0 / 4

HEX #A00FF5

RGB 160 15 245

HSL 277.83, 0.92%, 0.51%

LAB 44.81, 82.6, -81.11

 

Complementary color

CMYK 60 / 0 / 96 / 6

HEX #5FF00A

RGB 95 240 10

HSL 97.83, 0.92%, 0.49%

LAB 84.37, -71.08, 80.19

 

CMYK 31 / 94 / 0 / 6

HEX #A50FF0

RGB 165 15 240

HSL 280, 0.88%, 0.5%

LAB 45.13, 82.23, -77.75

 

CMYK 29 / 87 / 0 / 0

HEX #B621FF

RGB 182 33 255

HSL 280.27, 1%, 0.56%

LAB 49.8, 84.35, -78.42

 

CMYK 22 / 80 / 0 / 0

HEX #C733FF

RGB 199 51 255

HSL 283.53, 1%, 0.6%

LAB 53.74, 82.6, -71.9

 

CMYK 15 / 73 / 0 / 0

HEX #D845FF

RGB 216 69 255

HSL 287.42, 1%, 0.64%

LAB 58.11, 80.11, -64.73

 

CMYK 9 / 66 / 0 / 0

HEX #E957FF

RGB 233 87 255

HSL 292.14, 1%, 0.67%

LAB 62.81, 77.11, -57.06

 

CMYK 35 / 94 / 0 / 4

HEX #A00FF5

RGB 160 15 245

HSL 277.83, 0.92%, 0.51%

LAB 44.81, 82.6, -81.11

 

CMYK 37 / 100 / 0 / 11

HEX #8F00E2

RGB 143 0 226

HSL 277.96, 1%, 0.44%

LAB 40.13, 78.65, -78.12

 

CMYK 39 / 100 / 0 / 19

HEX #7E00CF

RGB 126 0 207

HSL 276.52, 1%, 0.41%

LAB 35.87, 73.16, -74.27

 

CMYK 42 / 100 / 0 / 26

HEX #6D00BC

RGB 109 0 188

HSL 274.79, 1%, 0.37%

LAB 31.54, 67.59, -70.35

 

CMYK 46 / 100 / 0 / 34

HEX #5C00A9

RGB 92 0 169

HSL 272.66, 1%, 0.33%

LAB 27.13, 61.93, -66.35

 

CMYK 35 / 94 / 0 / 4

HEX #A00FF5

RGB 160 15 245

HSL 277.83, 0.92%, 0.51%

LAB 44.81, 82.6, -81.11

 

CMYK 9 / 94 / 0 / 4

HEX #DE0FF5

RGB 222 15 245

HSL 294, 0.92%, 0.51%

LAB 54.52, 90.81, -64.9

 

CMYK 0 / 94 / 16 / 4

HEX #F50FCD

RGB 245 15 205

HSL 310.43, 0.92%, 0.51%

LAB 56.25, 89.08, -39.26

 

CMYK 0 / 94 / 42 / 4

HEX #F50F8F

RGB 245 15 143

HSL 326.61, 0.92%, 0.51%

LAB 53.75, 82.56, -6.82

 

CMYK 0 / 94 / 67 / 4

HEX #F50F51

RGB 245 15 81

HSL 342.78, 0.92%, 0.51%

LAB 52.23, 78.45, 28.5

 

CMYK 35 / 94 / 0 / 4

HEX #A00FF5

RGB 160 15 245

HSL 277.83, 0.92%, 0.51%

LAB 44.81, 82.6, -81.11

 

CMYK 60 / 94 / 0 / 4

HEX #620FF5

RGB 98 15 245

HSL 261.65, 0.92%, 0.51%

LAB 36.99, 77.15, -94.29

 

CMYK 85 / 94 / 0 / 4

HEX #240FF5

RGB 36 15 245

HSL 245.48, 0.92%, 0.51%

LAB 32.5, 74.74, -101.88

 

CMYK 94 / 94 / 0 / 4

HEX #0F0FF5

RGB 15 15 245

HSL 240, 0.92%, 0.51%

LAB 31.89, 74.46, -102.92

 

CMYK 35 / 94 / 0 / 4

HEX #A00FF5

RGB 160 15 245

HSL 277.83, 0.92%, 0.51%

LAB 44.81, 82.6, -81.11

 

CMYK 35 / 94 / 0 / 4

HEX #A00FF5

RGB 160 15 245

HSL 277.83, 0.92%, 0.51%

LAB 44.81, 82.6, -81.11

 

CMYK 31 / 84 / 0 / 12

HEX #9A23E0

RGB 154 35 224

HSL 277.78, 0.75%, 0.51%

LAB 43.44, 74.02, -71.5

 

CMYK 27 / 73 / 0 / 20

HEX #9537CC

RGB 149 55 204

HSL 277.85, 0.59%, 0.51%

LAB 43.48, 62.52, -59.97

 

CMYK 22 / 59 / 0 / 28

HEX #904BB8

RGB 144 75 184

HSL 277.98, 0.43%, 0.51%

LAB 44.83, 47.87, -46.2

 

CMYK 16 / 42 / 0 / 36

HEX #8A5FA4

RGB 138 95 164

HSL 277.39, 0.27%, 0.51%

LAB 47.32, 30.63, -30.56

 

CMYK 86 / 94 / 0 / 4

HEX #220FF5

RGB 34 15 245

HSL 244.96, 0.92%, 0.51%

LAB 32.42, 74.7, -102.01

 

CMYK 61 / 94 / 0 / 4

HEX #5F0FF5

RGB 95 15 245

HSL 260.87, 0.92%, 0.51%

LAB 36.68, 76.97, -94.81

 

CMYK 36 / 94 / 0 / 4

HEX #9C0FF5

RGB 156 15 245

HSL 276.78, 0.92%, 0.51%

LAB 44.24, 82.16, -82.08

 

CMYK 11 / 94 / 0 / 4

HEX #DA0FF5

RGB 218 15 245

HSL 292.96, 0.92%, 0.51%

LAB 53.86, 90.22, -66

 

CMYK 0 / 94 / 14 / 4

HEX #F50FD2

RGB 245 15 210

HSL 309.13, 0.92%, 0.51%

LAB 56.49, 89.7, -41.74

 

CMYK 35 / 96 / 0 / 33

HEX #6E07AA

RGB 110 7 170

HSL 277.91, 0.92%, 0.35%

LAB 30.33, 62.87, -61.6

 

CMYK 36 / 96 / 0 / 18

HEX #8708D2

RGB 135 8 210

HSL 277.72, 0.93%, 0.43%

LAB 37.8, 73.74, -72.79

 

CMYK 35 / 94 / 0 / 4

HEX #A00FF5

RGB 160 15 245

HSL 277.83, 0.92%, 0.51%

LAB 44.81, 82.6, -81.11

 

CMYK 29 / 78 / 0 / 4

HEX #AF36F6

RGB 175 54 246

HSL 277.81, 0.91%, 0.59%

LAB 49.99, 76.11, -73.14

 

CMYK 23 / 62 / 0 / 3

HEX #BF5EF8

RGB 191 94 248

HSL 277.79, 0.92%, 0.67%

LAB 57.9, 63.59, -61.36

 

CMYK 35 / 94 / 0 / 4

HEX #A00FF5

RGB 160 15 245

HSL 277.83, 0.92%, 0.51%

LAB 44.81, 82.6, -81.11

 

CMYK 0 / 94 / 77 / 4

HEX #F50F39

RGB 245 15 57

HSL 349.04, 0.92%, 0.51%

LAB 51.89, 77.52, 42.2

 

CMYK 94 / 0 / 74 / 4

HEX #0FF540

RGB 15 245 64

HSL 132.78, 0.92%, 0.51%

LAB 84.88, -80.69, 68.91

 

CMYK 35 / 94 / 0 / 4

HEX #A00FF5

RGB 160 15 245

HSL 277.83, 0.92%, 0.51%

LAB 44.81, 82.6, -81.11

 

CMYK 0 / 36 / 94 / 4

HEX #F59C0F

RGB 245 156 15

HSL 36.78, 0.92%, 0.51%

LAB 71.71, 24.59, 74.36

 

CMYK 94 / 0 / 36 / 4

HEX #0FF59C

RGB 15 245 156

HSL 156.78, 0.92%, 0.51%

LAB 85.91, -68.2, 29.55

 

CMYK 35 / 94 / 0 / 4

HEX #A00FF5

RGB 160 15 245

HSL 277.83, 0.92%, 0.51%

LAB 44.81, 82.6, -81.11

 

CMYK 0 / 94 / 77 / 4

HEX #F50F39

RGB 245 15 57

HSL 349.04, 0.92%, 0.51%

LAB 51.89, 77.52, 42.2

 

CMYK 58 / 0 / 94 / 4

HEX #67F50F

RGB 103 245 15

HSL 97.04, 0.92%, 0.51%

LAB 86.12, -70.75, 81.25

 

CMYK 94 / 0 / 18 / 4

HEX #0FF5CA

RGB 15 245 202

HSL 168.78, 0.92%, 0.51%

LAB 86.84, -57.91, 7.16

 

CMYK 35 / 94 / 0 / 4

HEX #A00FF5

RGB 160 15 245

HSL 277.83, 0.92%, 0.51%

LAB 44.81, 82.6, -81.11

 

CMYK 0 / 83 / 94 / 4

HEX #F5290F

RGB 245 41 15

HSL 6.78, 0.92%, 0.51%

LAB 52.99, 72.71, 62.24

 

CMYK 58 / 0 / 94 / 4

HEX #67F50F

RGB 103 245 15

HSL 97.04, 0.92%, 0.51%

LAB 86.12, -70.75, 81.25

 

CMYK 94 / 11 / 0 / 4

HEX #0FDAF5

RGB 15 218 245

HSL 187.04, 0.92%, 0.51%

LAB 80.09, -34.09, -25.55

 

Description

Color code: HEX #A00FF5 | qconv.com Color code: HEX #A00FF5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 15 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 15 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 94 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 94% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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