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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A019BC it is the complementary color #5FE643. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A019BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A019BC shade: #A519B7, #B62BCA, #C73DDD, #D84FF0 and #E961FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A019BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A019BC shade: #A019BC, #8F07A9, #7E0096, #6D0083 and #5C0070

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A019BC shade: #A118BD, #BD18AD, #BD1880, #BD1854 and #BD1827

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A019BC shade: #A118BD, #7418BD, #4818BD, #1B18BD and #1818BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A019BC shade matches the following richer shades: #A118BD and #AC07CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A019BC shade: #A118BD, #9529AC, #8A3B9A, #7F4C89 and #735D78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A019BC shade: #4718BD, #7318BD, #9F18BD, #BD18AF and #BD1883

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A019BC shade: #630F74, #821399, #A118BD, #C01DE1 and #CA42E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A019BC shade: #A019BC, #BD1B18 and #18BD5D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A019BC shade: #A019BC, #BD9F18 and #18BD9F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A019BC shade: #A019BC, #BD1B18, #36BD18 and #18BABD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A019BC shade: #A019BC, #BD4C18, #36BD18 and #1889BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 87 / 0 / 26

HEX #A019BC

RGB 160 25 188

HSL 289.69, 0.77%, 0.42%

LAB 40.9, 70.45, -54.74

 

Complementary color

CMYK 59 / 0 / 71 / 10

HEX #5FE643

RGB 95 230 67

HSL 109.69, 0.77%, 0.58%

LAB 81.53, -65.34, 64.89

 

CMYK 10 / 86 / 0 / 28

HEX #A519B7

RGB 165 25 183

HSL 293.16, 0.76%, 0.41%

LAB 41.4, 70.43, -50.95

 

CMYK 10 / 79 / 0 / 21

HEX #B62BCA

RGB 182 43 202

HSL 292.45, 0.65%, 0.48%

LAB 46.89, 72.41, -53.06

 

CMYK 10 / 72 / 0 / 13

HEX #C73DDD

RGB 199 61 221

HSL 291.75, 0.7%, 0.55%

LAB 52.62, 73.45, -54.62

 

CMYK 10 / 67 / 0 / 6

HEX #D84FF0

RGB 216 79 240

HSL 291.06, 0.84%, 0.63%

LAB 58.49, 73.86, -55.78

 

CMYK 9 / 62 / 0 / 0

HEX #E961FF

RGB 233 97 255

HSL 291.65, 1%, 0.69%

LAB 64.24, 73.14, -54.79

 

CMYK 15 / 87 / 0 / 26

HEX #A019BC

RGB 160 25 188

HSL 289.69, 0.77%, 0.42%

LAB 40.9, 70.45, -54.74

 

CMYK 15 / 96 / 0 / 34

HEX #8F07A9

RGB 143 7 169

HSL 290.37, 0.92%, 0.35%

LAB 35.71, 67.24, -51.99

 

CMYK 16 / 100 / 0 / 41

HEX #7E0096

RGB 126 0 150

HSL 290.4, 1%, 0.29%

LAB 30.97, 62.3, -48.28

 

CMYK 17 / 100 / 0 / 49

HEX #6D0083

RGB 109 0 131

HSL 289.92, 1%, 0.26%

LAB 26.42, 56.34, -43.99

 

CMYK 18 / 100 / 0 / 56

HEX #5C0070

RGB 92 0 112

HSL 289.29, 1%, 0.22%

LAB 21.75, 50.21, -39.59

 

CMYK 15 / 87 / 0 / 26

HEX #A118BD

RGB 161 24 189

HSL 289.82, 0.77%, 0.42%

LAB 41.06, 70.98, -55.05

 

CMYK 0 / 87 / 8 / 26

HEX #BD18AD

RGB 189 24 173

HSL 305.82, 0.77%, 0.42%

LAB 44.93, 73.43, -39.16

 

CMYK 0 / 87 / 32 / 26

HEX #BD1880

RGB 189 24 128

HSL 322.18, 0.77%, 0.42%

LAB 42.81, 67.76, -15.26

 

CMYK 0 / 87 / 56 / 26

HEX #BD1854

RGB 189 24 84

HSL 338.18, 0.77%, 0.42%

LAB 41.39, 63.8, 10.19

 

CMYK 0 / 87 / 79 / 26

HEX #BD1827

RGB 189 24 39

HSL 354.55, 0.77%, 0.42%

LAB 40.6, 61.52, 37.06

 

CMYK 15 / 87 / 0 / 26

HEX #A118BD

RGB 161 24 189

HSL 289.82, 0.77%, 0.42%

LAB 41.06, 70.98, -55.05

 

CMYK 39 / 87 / 0 / 26

HEX #7418BD

RGB 116 24 189

HSL 273.45, 0.77%, 0.42%

LAB 34.07, 64.32, -66.75

 

CMYK 62 / 87 / 0 / 26

HEX #4818BD

RGB 72 24 189

HSL 257.45, 0.77%, 0.42%

LAB 28.66, 59.63, -75.86

 

CMYK 86 / 87 / 0 / 26

HEX #1B18BD

RGB 27 24 189

HSL 241.09, 0.77%, 0.42%

LAB 25.44, 57.12, -81.29

 

CMYK 87 / 87 / 0 / 26

HEX #1818BD

RGB 24 24 189

HSL 240, 0.77%, 0.42%

LAB 25.33, 57.03, -81.49

 

CMYK 15 / 87 / 0 / 26

HEX #A118BD

RGB 161 24 189

HSL 289.82, 0.77%, 0.42%

LAB 41.06, 70.98, -55.05

 

CMYK 17 / 97 / 0 / 19

HEX #AC07CE

RGB 172 7 206

HSL 289.75, 0.93%, 0.42%

LAB 43.33, 77.87, -61.21

 

CMYK 15 / 87 / 0 / 26

HEX #A118BD

RGB 161 24 189

HSL 289.82, 0.77%, 0.42%

LAB 41.06, 70.98, -55.05

 

CMYK 13 / 76 / 0 / 33

HEX #9529AC

RGB 149 41 172

HSL 289.47, 0.62%, 0.42%

LAB 39.5, 61.27, -47.61

 

CMYK 10 / 62 / 0 / 40

HEX #8A3B9A

RGB 138 59 154

HSL 289.89, 0.45%, 0.42%

LAB 39.35, 47.9, -37.16

 

CMYK 7 / 45 / 0 / 46

HEX #7F4C89

RGB 127 76 137

HSL 290.16, 0.29%, 0.42%

LAB 40.39, 32.17, -25.33

 

CMYK 4 / 23 / 0 / 53

HEX #735D78

RGB 115 93 120

HSL 288.89, 0.13%, 0.42%

LAB 42.51, 14.22, -11.84

 

CMYK 62 / 87 / 0 / 26

HEX #4718BD

RGB 71 24 189

HSL 257.09, 0.77%, 0.42%

LAB 28.56, 59.55, -76.02

 

CMYK 39 / 87 / 0 / 26

HEX #7318BD

RGB 115 24 189

HSL 273.09, 0.77%, 0.42%

LAB 33.92, 64.19, -66.99

 

CMYK 16 / 87 / 0 / 26

HEX #9F18BD

RGB 159 24 189

HSL 289.09, 0.77%, 0.42%

LAB 40.73, 70.66, -55.6

 

CMYK 0 / 87 / 7 / 26

HEX #BD18AF

RGB 189 24 175

HSL 305.09, 0.77%, 0.42%

LAB 45.04, 73.72, -40.17

 

CMYK 0 / 87 / 31 / 26

HEX #BD1883

RGB 189 24 131

HSL 321.09, 0.77%, 0.42%

LAB 42.93, 68.09, -16.93

 

CMYK 15 / 87 / 0 / 55

HEX #630F74

RGB 99 15 116

HSL 289.9, 0.77%, 0.26%

LAB 24.5, 48.76, -37.65

 

CMYK 15 / 88 / 0 / 40

HEX #821399

RGB 130 19 153

HSL 289.7, 0.78%, 0.34%

LAB 32.94, 60.36, -46.88

 

CMYK 15 / 87 / 0 / 26

HEX #A118BD

RGB 161 24 189

HSL 289.82, 0.77%, 0.42%

LAB 41.06, 70.98, -55.05

 

CMYK 15 / 87 / 0 / 12

HEX #C01DE1

RGB 192 29 225

HSL 289.9, 0.77%, 0.5%

LAB 48.91, 81.2, -62.92

 

CMYK 12 / 71 / 0 / 10

HEX #CA42E6

RGB 202 66 230

HSL 289.76, 0.77%, 0.58%

LAB 54.2, 73.92, -57.15

 

CMYK 15 / 87 / 0 / 26

HEX #A019BC

RGB 160 25 188

HSL 289.69, 0.77%, 0.42%

LAB 40.9, 70.45, -54.74

 

CMYK 0 / 86 / 87 / 26

HEX #BD1B18

RGB 189 27 24

HSL 1.09, 0.77%, 0.42%

LAB 40.68, 60.52, 45.13

 

CMYK 87 / 0 / 51 / 26

HEX #18BD5D

RGB 24 189 93

HSL 145.09, 0.77%, 0.42%

LAB 67.56, -60.08, 37.47

 

CMYK 15 / 87 / 0 / 26

HEX #A019BC

RGB 160 25 188

HSL 289.69, 0.77%, 0.42%

LAB 40.9, 70.45, -54.74

 

CMYK 0 / 16 / 87 / 26

HEX #BD9F18

RGB 189 159 24

HSL 49.09, 0.77%, 0.42%

LAB 66.28, -1.28, 65.82

 

CMYK 87 / 0 / 16 / 26

HEX #18BD9F

RGB 24 189 159

HSL 169.09, 0.77%, 0.42%

LAB 68.82, -45.95, 4.16

 

CMYK 15 / 87 / 0 / 26

HEX #A019BC

RGB 160 25 188

HSL 289.69, 0.77%, 0.42%

LAB 40.9, 70.45, -54.74

 

CMYK 0 / 86 / 87 / 26

HEX #BD1B18

RGB 189 27 24

HSL 1.09, 0.77%, 0.42%

LAB 40.68, 60.52, 45.13

 

CMYK 71 / 0 / 87 / 26

HEX #36BD18

RGB 54 189 24

HSL 109.09, 0.77%, 0.42%

LAB 67.46, -62.93, 63.76

 

CMYK 87 / 2 / 0 / 26

HEX #18BABD

RGB 24 186 189

HSL 181.09, 0.77%, 0.42%

LAB 68.74, -36.09, -12.44

 

CMYK 15 / 87 / 0 / 26

HEX #A019BC

RGB 160 25 188

HSL 289.69, 0.77%, 0.42%

LAB 40.9, 70.45, -54.74

 

CMYK 0 / 60 / 87 / 26

HEX #BD4C18

RGB 189 76 24

HSL 18.91, 0.77%, 0.42%

LAB 47.04, 43.12, 50.29

 

CMYK 71 / 0 / 87 / 26

HEX #36BD18

RGB 54 189 24

HSL 109.09, 0.77%, 0.42%

LAB 67.46, -62.93, 63.76

 

CMYK 87 / 28 / 0 / 26

HEX #1889BD

RGB 24 137 189

HSL 198.91, 0.77%, 0.42%

LAB 53.77, -10.93, -35.4

 

Description

Color code: HEX #A019BC | qconv.com Color code: HEX #A019BC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 25 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 25 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 87 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 87% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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