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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A01FE3 it is the complementary color #5FE01C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A01FE3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A01FE3 shade: #A51FDE, #B631F1, #C743FF, #D855FF and #E967FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A01FE3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A01FE3 shade: #A01FE3, #8F0DD0, #7E00BD, #6D00AA and #5C0097

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A01FE3 shade: #A020E3, #D520E3, #E320BD, #E32088 and #E32053

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A01FE3 shade: #A020E3, #6C20E3, #3720E3 and #2020E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A01FE3 shade matches the following richer shades: #A020E3 and #A70CF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A01FE3 shade: #A020E3, #9A34CF, #9449BB, #8D5DA6 and #877192

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A01FE3 shade: #3720E3, #6B20E3, #9F20E3, #D320E3 and #E320BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A01FE3 shade: #6E139E, #8818C2, #A020E3, #B045E8 and #BF6AEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A01FE3 shade: #A01FE3, #E3203D and #20E351

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A01FE3 shade: #A01FE3, #E39F20 and #20E39F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A01FE3 shade: #A01FE3, #E3203D, #64E320 and #20E3C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A01FE3 shade: #A01FE3, #E33D20, #64E320 and #20C6E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 86 / 0 / 11

HEX #A01FE3

RGB 160 31 227

HSL 279.49, 0.78%, 0.51%

LAB 44.23, 76.41, -71.88

 

Complementary color

CMYK 58 / 0 / 88 / 12

HEX #5FE01C

RGB 95 224 28

HSL 99.49, 0.78%, 0.49%

LAB 79.52, -65.38, 73.82

 

CMYK 26 / 86 / 0 / 13

HEX #A51FDE

RGB 165 31 222

HSL 282.09, 0.75%, 0.5%

LAB 44.59, 76.17, -68.4

 

CMYK 24 / 80 / 0 / 5

HEX #B631F1

RGB 182 49 241

HSL 281.56, 0.87%, 0.57%

LAB 50.09, 77.79, -70.12

 

CMYK 22 / 74 / 0 / 0

HEX #C743FF

RGB 199 67 255

HSL 282.13, 1%, 0.63%

LAB 55.46, 77.64, -69.12

 

CMYK 15 / 67 / 0 / 0

HEX #D855FF

RGB 216 85 255

HSL 286.24, 1%, 0.67%

LAB 60.17, 74.26, -61.41

 

CMYK 9 / 60 / 0 / 0

HEX #E967FF

RGB 233 103 255

HSL 291.32, 1%, 0.7%

LAB 65.16, 70.61, -53.33

 

CMYK 30 / 86 / 0 / 11

HEX #A01FE3

RGB 160 31 227

HSL 279.49, 0.78%, 0.51%

LAB 44.23, 76.41, -71.88

 

CMYK 31 / 94 / 0 / 18

HEX #8F0DD0

RGB 143 13 208

HSL 280, 0.88%, 0.43%

LAB 39.04, 73.69, -69.56

 

CMYK 33 / 100 / 0 / 26

HEX #7E00BD

RGB 126 0 189

HSL 280, 1%, 0.37%

LAB 34.21, 69.58, -66.46

 

CMYK 36 / 100 / 0 / 33

HEX #6D00AA

RGB 109 0 170

HSL 278.47, 1%, 0.33%

LAB 29.8, 63.88, -62.47

 

CMYK 39 / 100 / 0 / 41

HEX #5C0097

RGB 92 0 151

HSL 276.56, 1%, 0.3%

LAB 25.29, 58.07, -58.4

 

CMYK 30 / 86 / 0 / 11

HEX #A020E3

RGB 160 32 227

HSL 279.38, 0.78%, 0.51%

LAB 44.31, 76.19, -71.75

 

CMYK 6 / 86 / 0 / 11

HEX #D520E3

RGB 213 32 227

HSL 295.69, 0.78%, 0.51%

LAB 52.65, 84.41, -57.85

 

CMYK 0 / 86 / 17 / 11

HEX #E320BD

RGB 227 32 189

HSL 311.69, 0.78%, 0.51%

LAB 52.99, 81.58, -35.37

 

CMYK 0 / 86 / 40 / 11

HEX #E32088

RGB 227 32 136

HSL 328, 0.78%, 0.51%

LAB 50.85, 75.73, -7.3

 

CMYK 0 / 86 / 63 / 11

HEX #E32053

RGB 227 32 83

HSL 344.31, 0.78%, 0.51%

LAB 49.48, 71.84, 23.04

 

CMYK 30 / 86 / 0 / 11

HEX #A020E3

RGB 160 32 227

HSL 279.38, 0.78%, 0.51%

LAB 44.31, 76.19, -71.75

 

CMYK 52 / 86 / 0 / 11

HEX #6C20E3

RGB 108 32 227

HSL 263.38, 0.78%, 0.51%

LAB 37.42, 69.91, -83.32

 

CMYK 76 / 86 / 0 / 11

HEX #3720E3

RGB 55 32 227

HSL 247.08, 0.78%, 0.51%

LAB 32.68, 66, -91.32

 

CMYK 86 / 86 / 0 / 11

HEX #2020E3

RGB 32 32 227

HSL 240, 0.78%, 0.51%

LAB 31.55, 65.12, -93.24

 

CMYK 30 / 86 / 0 / 11

HEX #A020E3

RGB 160 32 227

HSL 279.38, 0.78%, 0.51%

LAB 44.31, 76.19, -71.75

 

CMYK 32 / 95 / 0 / 3

HEX #A70CF7

RGB 167 12 247

HSL 279.57, 0.94%, 0.51%

LAB 45.9, 84.11, -80.42

 

CMYK 30 / 86 / 0 / 11

HEX #A020E3

RGB 160 32 227

HSL 279.38, 0.78%, 0.51%

LAB 44.31, 76.19, -71.75

 

CMYK 26 / 75 / 0 / 19

HEX #9A34CF

RGB 154 52 207

HSL 279.48, 0.62%, 0.51%

LAB 43.99, 65.24, -60.85

 

CMYK 21 / 61 / 0 / 27

HEX #9449BB

RGB 148 73 187

HSL 279.47, 0.46%, 0.51%

LAB 45.15, 50.53, -47.42

 

CMYK 15 / 44 / 0 / 35

HEX #8D5DA6

RGB 141 93 166

HSL 279.45, 0.29%, 0.51%

LAB 47.29, 33.16, -31.76

 

CMYK 8 / 23 / 0 / 43

HEX #877192

RGB 135 113 146

HSL 280, 0.13%, 0.51%

LAB 50.73, 15.05, -14.74

 

CMYK 76 / 86 / 0 / 11

HEX #3720E3

RGB 55 32 227

HSL 247.08, 0.78%, 0.51%

LAB 32.68, 66, -91.32

 

CMYK 53 / 86 / 0 / 11

HEX #6B20E3

RGB 107 32 227

HSL 263.08, 0.78%, 0.51%

LAB 37.31, 69.81, -83.51

 

CMYK 30 / 86 / 0 / 11

HEX #9F20E3

RGB 159 32 227

HSL 279.08, 0.78%, 0.51%

LAB 44.16, 76.05, -72

 

CMYK 7 / 86 / 0 / 11

HEX #D320E3

RGB 211 32 227

HSL 295.08, 0.78%, 0.51%

LAB 52.32, 84.07, -58.4

 

CMYK 0 / 86 / 16 / 11

HEX #E320BF

RGB 227 32 191

HSL 311.08, 0.78%, 0.51%

LAB 53.09, 81.84, -36.39

 

CMYK 30 / 88 / 0 / 38

HEX #6E139E

RGB 110 19 158

HSL 279.28, 0.79%, 0.35%

LAB 30.03, 58.1, -54.81

 

CMYK 30 / 88 / 0 / 24

HEX #8818C2

RGB 136 24 194

HSL 279.53, 0.78%, 0.43%

LAB 37.45, 68.08, -64.04

 

CMYK 30 / 86 / 0 / 11

HEX #A020E3

RGB 160 32 227

HSL 279.38, 0.78%, 0.51%

LAB 44.31, 76.19, -71.75

 

CMYK 24 / 70 / 0 / 9

HEX #B045E8

RGB 176 69 232

HSL 279.39, 0.78%, 0.59%

LAB 51.05, 67.99, -63.54

 

CMYK 19 / 55 / 0 / 7

HEX #BF6AEC

RGB 191 106 236

HSL 279.23, 0.77%, 0.67%

LAB 59.38, 55.26, -52.33

 

CMYK 30 / 86 / 0 / 11

HEX #A01FE3

RGB 160 31 227

HSL 279.49, 0.78%, 0.51%

LAB 44.23, 76.41, -71.88

 

CMYK 0 / 86 / 73 / 11

HEX #E3203D

RGB 227 32 61

HSL 351.08, 0.78%, 0.51%

LAB 49.13, 70.82, 35.81

 

CMYK 86 / 0 / 64 / 11

HEX #20E351

RGB 32 227 81

HSL 135.08, 0.78%, 0.51%

LAB 79.52, -73.01, 56.99

 

CMYK 30 / 86 / 0 / 11

HEX #A01FE3

RGB 160 31 227

HSL 279.49, 0.78%, 0.51%

LAB 44.23, 76.41, -71.88

 

CMYK 0 / 30 / 86 / 11

HEX #E39F20

RGB 227 159 32

HSL 39.08, 0.78%, 0.51%

LAB 70.34, 15.63, 68.78

 

CMYK 86 / 0 / 30 / 11

HEX #20E39F

RGB 32 227 159

HSL 159.08, 0.78%, 0.51%

LAB 80.6, -60.32, 20.8

 

CMYK 30 / 86 / 0 / 11

HEX #A01FE3

RGB 160 31 227

HSL 279.49, 0.78%, 0.51%

LAB 44.23, 76.41, -71.88

 

CMYK 0 / 86 / 73 / 11

HEX #E3203D

RGB 227 32 61

HSL 351.08, 0.78%, 0.51%

LAB 49.13, 70.82, 35.81

 

CMYK 56 / 0 / 86 / 11

HEX #64E320

RGB 100 227 32

HSL 99.08, 0.78%, 0.51%

LAB 80.6, -65.01, 74.04

 

CMYK 86 / 0 / 13 / 11

HEX #20E3C6

RGB 32 227 198

HSL 171.08, 0.78%, 0.51%

LAB 81.47, -50.95, 1.52

 

CMYK 30 / 86 / 0 / 11

HEX #A01FE3

RGB 160 31 227

HSL 279.49, 0.78%, 0.51%

LAB 44.23, 76.41, -71.88

 

CMYK 0 / 73 / 86 / 11

HEX #E33D20

RGB 227 61 32

HSL 8.92, 0.78%, 0.51%

LAB 51.58, 62.28, 53.46

 

CMYK 56 / 0 / 86 / 11

HEX #64E320

RGB 100 227 32

HSL 99.08, 0.78%, 0.51%

LAB 80.6, -65.01, 74.04

 

CMYK 86 / 13 / 0 / 11

HEX #20C6E3

RGB 32 198 227

HSL 188.92, 0.78%, 0.51%

LAB 73.7, -29.45, -25.64

 

Description

Color code: HEX #A01FE3 | qconv.com Color code: HEX #A01FE3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 31 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 31 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 86 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 86% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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