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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A025CE it is the complementary color #5FDA31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A025CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A025CE shade: #A525C9, #B637DC, #C749EF, #D85BFF and #E96DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A025CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A025CE shade: #A025CE, #8F13BB, #7E01A8, #6D0095 and #5C0082

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A025CE shade: #A124D0, #CF24D0, #D024A2, #D02474 and #D02445

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A025CE shade: #A124D0, #7324D0, #4524D0 and #2424D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A025CE shade matches the following richer shades: #A124D0 and #AA10E3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A025CE shade: #A124D0, #9838BC, #8F4CA8, #866094 and #7D7380

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A025CE shade: #4424D0, #7124D0, #9F24D0, #CD24D0 and #D024A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A025CE shade: #6B1889, #861EAD, #A124D0, #B240DD and #C063E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A025CE shade: #A025CE, #D02432 and #24D05A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A025CE shade: #A025CE, #D09F24 and #24D09F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A025CE shade: #A025CE, #D02432, #55D024 and #24D0C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A025CE shade: #A025CE, #D04924, #55D024 and #24AAD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 82 / 0 / 19

HEX #A025CE

RGB 160 37 206

HSL 283.67, 0.7%, 0.48%

LAB 43.14, 70.89, -61.6

 

Complementary color

CMYK 56 / 0 / 78 / 15

HEX #5FDA31

RGB 95 218 49

HSL 103.67, 0.7%, 0.52%

LAB 77.76, -62.38, 67.12

 

CMYK 18 / 82 / 0 / 21

HEX #A525C9

RGB 165 37 201

HSL 286.83, 0.69%, 0.47%

LAB 43.57, 70.8, -57.98

 

CMYK 17 / 75 / 0 / 14

HEX #B637DC

RGB 182 55 220

HSL 286.18, 0.7%, 0.54%

LAB 49.31, 71.96, -59.51

 

CMYK 17 / 69 / 0 / 6

HEX #C749EF

RGB 199 73 239

HSL 285.54, 0.84%, 0.61%

LAB 55.22, 72.41, -60.6

 

CMYK 15 / 64 / 0 / 0

HEX #D85BFF

RGB 216 91 255

HSL 285.73, 1%, 0.68%

LAB 61.05, 71.83, -60.01

 

CMYK 9 / 57 / 0 / 0

HEX #E96DFF

RGB 233 109 255

HSL 290.96, 1%, 0.71%

LAB 66.12, 67.98, -51.8

 

CMYK 22 / 82 / 0 / 19

HEX #A025CE

RGB 160 37 206

HSL 283.67, 0.7%, 0.48%

LAB 43.14, 70.89, -61.6

 

CMYK 24 / 90 / 0 / 27

HEX #8F13BB

RGB 143 19 187

HSL 284.29, 0.82%, 0.4%

LAB 37.65, 68.75, -59.55

 

CMYK 25 / 99 / 0 / 34

HEX #7E01A8

RGB 126 1 168

HSL 284.91, 0.99%, 0.33%

LAB 32.45, 65.42, -56.82

 

CMYK 27 / 100 / 0 / 42

HEX #6D0095

RGB 109 0 149

HSL 283.89, 1%, 0.29%

LAB 27.9, 59.71, -52.78

 

CMYK 29 / 100 / 0 / 49

HEX #5C0082

RGB 92 0 130

HSL 282.46, 1%, 0.25%

LAB 23.29, 53.72, -48.58

 

CMYK 23 / 83 / 0 / 18

HEX #A124D0

RGB 161 36 208

HSL 283.6, 0.7%, 0.48%

LAB 43.35, 71.7, -62.41

 

CMYK 0 / 83 / 0 / 18

HEX #CF24D0

RGB 207 36 208

HSL 299.65, 0.7%, 0.48%

LAB 50.78, 79.67, -50.06

 

CMYK 0 / 83 / 22 / 18

HEX #D024A2

RGB 208 36 162

HSL 316.05, 0.7%, 0.48%

LAB 48.61, 73.51, -26.6

 

CMYK 0 / 83 / 44 / 18

HEX #D02474

RGB 208 36 116

HSL 332.09, 0.7%, 0.48%

LAB 46.89, 68.6, -1.4

 

CMYK 0 / 83 / 67 / 18

HEX #D02445

RGB 208 36 69

HSL 348.49, 0.7%, 0.48%

LAB 45.77, 65.31, 26.06

 

CMYK 23 / 83 / 0 / 18

HEX #A124D0

RGB 161 36 208

HSL 283.6, 0.7%, 0.48%

LAB 43.35, 71.7, -62.41

 

CMYK 45 / 83 / 0 / 18

HEX #7324D0

RGB 115 36 208

HSL 267.56, 0.7%, 0.48%

LAB 36.86, 64.97, -73.29

 

CMYK 67 / 83 / 0 / 18

HEX #4524D0

RGB 69 36 208

HSL 251.51, 0.7%, 0.48%

LAB 31.99, 60.13, -81.48

 

CMYK 83 / 83 / 0 / 18

HEX #2424D0

RGB 36 36 208

HSL 240, 0.7%, 0.48%

LAB 29.89, 58.11, -85.03

 

CMYK 23 / 83 / 0 / 18

HEX #A124D0

RGB 161 36 208

HSL 283.6, 0.7%, 0.48%

LAB 43.35, 71.7, -62.41

 

CMYK 25 / 93 / 0 / 11

HEX #AA10E3

RGB 170 16 227

HSL 283.79, 0.87%, 0.48%

LAB 44.89, 80.34, -70.74

 

CMYK 23 / 83 / 0 / 18

HEX #A124D0

RGB 161 36 208

HSL 283.6, 0.7%, 0.48%

LAB 43.35, 71.7, -62.41

 

CMYK 19 / 70 / 0 / 26

HEX #9838BC

RGB 152 56 188

HSL 283.64, 0.54%, 0.48%

LAB 42.97, 59.39, -51.47

 

CMYK 15 / 55 / 0 / 34

HEX #8F4CA8

RGB 143 76 168

HSL 283.7, 0.38%, 0.48%

LAB 44, 43.57, -38.12

 

CMYK 9 / 35 / 0 / 42

HEX #866094

RGB 134 96 148

HSL 283.85, 0.21%, 0.48%

LAB 46.41, 25.19, -22.55

 

CMYK 2 / 10 / 0 / 50

HEX #7D7380

RGB 125 115 128

HSL 286.15, 0.05%, 0.48%

LAB 49.71, 6.44, -5.74

 

CMYK 67 / 83 / 0 / 18

HEX #4424D0

RGB 68 36 208

HSL 251.16, 0.7%, 0.48%

LAB 31.91, 60.05, -81.62

 

CMYK 46 / 83 / 0 / 18

HEX #7124D0

RGB 113 36 208

HSL 266.86, 0.7%, 0.48%

LAB 36.61, 64.71, -73.71

 

CMYK 24 / 83 / 0 / 18

HEX #9F24D0

RGB 159 36 208

HSL 282.91, 0.7%, 0.48%

LAB 43.04, 71.38, -62.92

 

CMYK 1 / 83 / 0 / 18

HEX #CD24D0

RGB 205 36 208

HSL 298.95, 0.7%, 0.48%

LAB 50.45, 79.31, -50.62

 

CMYK 0 / 83 / 21 / 18

HEX #D024A5

RGB 208 36 165

HSL 315, 0.7%, 0.48%

LAB 48.75, 73.88, -28.18

 

CMYK 22 / 82 / 0 / 46

HEX #6B1889

RGB 107 24 137

HSL 284.07, 0.7%, 0.32%

LAB 28.34, 51.84, -44.65

 

CMYK 23 / 83 / 0 / 32

HEX #861EAD

RGB 134 30 173

HSL 283.64, 0.7%, 0.4%

LAB 36.01, 62.08, -53.96

 

CMYK 23 / 83 / 0 / 18

HEX #A124D0

RGB 161 36 208

HSL 283.6, 0.7%, 0.48%

LAB 43.35, 71.7, -62.41

 

CMYK 19 / 71 / 0 / 13

HEX #B240DD

RGB 178 64 221

HSL 283.57, 0.7%, 0.56%

LAB 49.92, 68.15, -59.12

 

CMYK 15 / 56 / 0 / 11

HEX #C063E3

RGB 192 99 227

HSL 283.59, 0.7%, 0.64%

LAB 57.73, 57.1, -49.92

 

CMYK 22 / 82 / 0 / 19

HEX #A025CE

RGB 160 37 206

HSL 283.67, 0.7%, 0.48%

LAB 43.14, 70.89, -61.6

 

CMYK 0 / 83 / 76 / 18

HEX #D02432

RGB 208 36 50

HSL 355.12, 0.7%, 0.48%

LAB 45.5, 64.49, 37.09

 

CMYK 83 / 0 / 57 / 18

HEX #24D05A

RGB 36 208 90

HSL 138.84, 0.7%, 0.48%

LAB 73.69, -65.69, 46.38

 

CMYK 22 / 82 / 0 / 19

HEX #A025CE

RGB 160 37 206

HSL 283.67, 0.7%, 0.48%

LAB 43.14, 70.89, -61.6

 

CMYK 0 / 24 / 83 / 18

HEX #D09F24

RGB 208 159 36

HSL 42.91, 0.7%, 0.48%

LAB 68.27, 7.47, 65.06

 

CMYK 83 / 0 / 24 / 18

HEX #24D09F

RGB 36 208 159

HSL 162.91, 0.7%, 0.48%

LAB 74.82, -52.77, 12.74

 

CMYK 22 / 82 / 0 / 19

HEX #A025CE

RGB 160 37 206

HSL 283.67, 0.7%, 0.48%

LAB 43.14, 70.89, -61.6

 

CMYK 0 / 83 / 76 / 18

HEX #D02432

RGB 208 36 50

HSL 355.12, 0.7%, 0.48%

LAB 45.5, 64.49, 37.09

 

CMYK 59 / 0 / 83 / 18

HEX #55D024

RGB 85 208 36

HSL 102.91, 0.7%, 0.48%

LAB 74.3, -62.08, 67.39

 

CMYK 83 / 0 / 7 / 18

HEX #24D0C1

RGB 36 208 193

HSL 174.77, 0.7%, 0.48%

LAB 75.66, -43.99, -4.31

 

CMYK 22 / 82 / 0 / 19

HEX #A025CE

RGB 160 37 206

HSL 283.67, 0.7%, 0.48%

LAB 43.14, 70.89, -61.6

 

CMYK 0 / 65 / 83 / 18

HEX #D04924

RGB 208 73 36

HSL 12.91, 0.7%, 0.48%

LAB 49.86, 51.61, 48.84

 

CMYK 59 / 0 / 83 / 18

HEX #55D024

RGB 85 208 36

HSL 102.91, 0.7%, 0.48%

LAB 74.3, -62.08, 67.39

 

CMYK 83 / 18 / 0 / 18

HEX #24AAD0

RGB 36 170 208

HSL 193.26, 0.7%, 0.48%

LAB 64.71, -21.28, -29.06

 

Description

Color code: HEX #A025CE | qconv.com Color code: HEX #A025CE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 37 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 37 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 82 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 82% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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