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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A025DE it is the complementary color #5FDA21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A025DE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A025DE shade: #A525D9, #B637EC, #C749FF, #D85BFF and #E96DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A025DE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A025DE shade: #A025DE, #8F13CB, #7E01B8, #6D00A5 and #5C0092

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A025DE shade: #A025DE, #D225DE, #DE25B8, #DE2586 and #DE2555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A025DE shade: #A025DE, #6E25DE, #3C25DE and #2525DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A025DE shade matches the following richer shades: #A025DE and #A711F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A025DE shade: #A025DE, #9939CA, #934EB6, #8C62A1 and #85768D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A025DE shade: #3B25DE, #6C25DE, #9D25DE, #CF25DE and #DE25BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A025DE shade: #6E179A, #881CBE, #A025DE, #B049E3 and #BF6DE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A025DE shade: #A025DE, #DE2541 and #25DE53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A025DE shade: #A025DE, #DE9D25 and #25DE9D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A025DE shade: #A025DE, #DE2541, #66DE25 and #25DEC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A025DE shade: #A025DE, #DE4125, #66DE25 and #25C2DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 83 / 0 / 13

HEX #A025DE

RGB 160 37 222

HSL 279.89, 0.74%, 0.51%

LAB 44.33, 73.99, -68.86

 

Complementary color

CMYK 56 / 0 / 85 / 15

HEX #5FDA21

RGB 95 218 33

HSL 99.89, 0.74%, 0.49%

LAB 77.69, -63.15, 71.23

 

CMYK 24 / 83 / 0 / 15

HEX #A525D9

RGB 165 37 217

HSL 282.67, 0.71%, 0.5%

LAB 44.71, 73.79, -65.36

 

CMYK 23 / 77 / 0 / 7

HEX #B637EC

RGB 182 55 236

HSL 282.1, 0.83%, 0.57%

LAB 50.37, 74.99, -66.85

 

CMYK 22 / 71 / 0 / 0

HEX #C749FF

RGB 199 73 255

HSL 281.54, 1%, 0.64%

LAB 56.21, 75.48, -67.9

 

CMYK 15 / 64 / 0 / 0

HEX #D85BFF

RGB 216 91 255

HSL 285.73, 1%, 0.68%

LAB 61.05, 71.83, -60.01

 

CMYK 9 / 57 / 0 / 0

HEX #E96DFF

RGB 233 109 255

HSL 290.96, 1%, 0.71%

LAB 66.12, 67.98, -51.8

 

CMYK 28 / 83 / 0 / 13

HEX #A025DE

RGB 160 37 222

HSL 279.89, 0.74%, 0.51%

LAB 44.33, 73.99, -68.86

 

CMYK 30 / 91 / 0 / 20

HEX #8F13CB

RGB 143 19 203

HSL 280.43, 0.83%, 0.44%

LAB 38.93, 71.81, -66.83

 

CMYK 32 / 99 / 0 / 28

HEX #7E01B8

RGB 126 1 184

HSL 280.98, 0.99%, 0.36%

LAB 33.81, 68.47, -64.15

 

CMYK 34 / 100 / 0 / 35

HEX #6D00A5

RGB 109 0 165

HSL 279.64, 1%, 0.32%

LAB 29.33, 62.87, -60.21

 

CMYK 37 / 100 / 0 / 43

HEX #5C0092

RGB 92 0 146

HSL 277.81, 1%, 0.29%

LAB 24.8, 57.01, -56.12

 

CMYK 28 / 83 / 0 / 13

HEX #A025DE

RGB 160 37 222

HSL 279.89, 0.74%, 0.51%

LAB 44.33, 73.99, -68.86

 

CMYK 5 / 83 / 0 / 13

HEX #D225DE

RGB 210 37 222

HSL 296.11, 0.74%, 0.51%

LAB 52.17, 82.17, -55.81

 

CMYK 0 / 83 / 17 / 13

HEX #DE25B8

RGB 222 37 184

HSL 312.32, 0.74%, 0.51%

LAB 52.19, 79.01, -33.78

 

CMYK 0 / 83 / 40 / 13

HEX #DE2586

RGB 222 37 134

HSL 328.54, 0.74%, 0.51%

LAB 50.18, 73.41, -7.19

 

CMYK 0 / 83 / 62 / 13

HEX #DE2555

RGB 222 37 85

HSL 344.43, 0.74%, 0.51%

LAB 48.89, 69.65, 20.86

 

CMYK 28 / 83 / 0 / 13

HEX #A025DE

RGB 160 37 222

HSL 279.89, 0.74%, 0.51%

LAB 44.33, 73.99, -68.86

 

CMYK 50 / 83 / 0 / 13

HEX #6E25DE

RGB 110 37 222

HSL 263.68, 0.74%, 0.51%

LAB 37.68, 67.36, -80.02

 

CMYK 73 / 83 / 0 / 13

HEX #3C25DE

RGB 60 37 222

HSL 247.46, 0.74%, 0.51%

LAB 33.04, 63, -87.84

 

CMYK 83 / 83 / 0 / 13

HEX #2525DE

RGB 37 37 222

HSL 240, 0.74%, 0.51%

LAB 31.78, 61.87, -89.97

 

CMYK 28 / 83 / 0 / 13

HEX #A025DE

RGB 160 37 222

HSL 279.89, 0.74%, 0.51%

LAB 44.33, 73.99, -68.86

 

CMYK 31 / 93 / 0 / 5

HEX #A711F2

RGB 167 17 242

HSL 280, 0.9%, 0.51%

LAB 45.67, 82.6, -77.98

 

CMYK 28 / 83 / 0 / 13

HEX #A025DE

RGB 160 37 222

HSL 279.89, 0.74%, 0.51%

LAB 44.33, 73.99, -68.86

 

CMYK 24 / 72 / 0 / 21

HEX #9939CA

RGB 153 57 202

HSL 279.72, 0.58%, 0.51%

LAB 44.18, 62.07, -57.66

 

CMYK 19 / 57 / 0 / 29

HEX #934EB6

RGB 147 78 182

HSL 279.81, 0.42%, 0.51%

LAB 45.67, 46.64, -43.66

 

CMYK 13 / 39 / 0 / 37

HEX #8C62A1

RGB 140 98 161

HSL 280, 0.25%, 0.51%

LAB 48.11, 28.85, -27.55

 

CMYK 6 / 16 / 0 / 45

HEX #85768D

RGB 133 118 141

HSL 279.13, 0.09%, 0.51%

LAB 51.69, 10.32, -10.38

 

CMYK 73 / 83 / 0 / 13

HEX #3B25DE

RGB 59 37 222

HSL 247.14, 0.74%, 0.51%

LAB 32.98, 62.94, -87.95

 

CMYK 51 / 83 / 0 / 13

HEX #6C25DE

RGB 108 37 222

HSL 263.03, 0.74%, 0.51%

LAB 37.45, 67.14, -80.4

 

CMYK 29 / 83 / 0 / 13

HEX #9D25DE

RGB 157 37 222

HSL 278.92, 0.74%, 0.51%

LAB 43.89, 73.54, -69.6

 

CMYK 7 / 83 / 0 / 13

HEX #CF25DE

RGB 207 37 222

HSL 295.14, 0.74%, 0.51%

LAB 51.68, 81.64, -56.62

 

CMYK 0 / 83 / 15 / 13

HEX #DE25BC

RGB 222 37 188

HSL 311.03, 0.74%, 0.51%

LAB 52.38, 79.53, -35.82

 

CMYK 29 / 85 / 0 / 40

HEX #6E179A

RGB 110 23 154

HSL 279.85, 0.74%, 0.35%

LAB 30.06, 56.2, -52.32

 

CMYK 28 / 85 / 0 / 25

HEX #881CBE

RGB 136 28 190

HSL 280, 0.74%, 0.43%

LAB 37.45, 66.33, -61.69

 

CMYK 28 / 83 / 0 / 13

HEX #A025DE

RGB 160 37 222

HSL 279.89, 0.74%, 0.51%

LAB 44.33, 73.99, -68.86

 

CMYK 22 / 68 / 0 / 11

HEX #B049E3

RGB 176 73 227

HSL 280.13, 0.73%, 0.59%

LAB 51.31, 65.32, -60.29

 

CMYK 18 / 53 / 0 / 9

HEX #BF6DE9

RGB 191 109 233

HSL 279.68, 0.74%, 0.67%

LAB 59.8, 53.11, -50

 

CMYK 28 / 83 / 0 / 13

HEX #A025DE

RGB 160 37 222

HSL 279.89, 0.74%, 0.51%

LAB 44.33, 73.99, -68.86

 

CMYK 0 / 83 / 71 / 13

HEX #DE2541

RGB 222 37 65

HSL 350.92, 0.74%, 0.51%

LAB 48.55, 68.64, 32.52

 

CMYK 83 / 0 / 63 / 13

HEX #25DE53

RGB 37 222 83

HSL 134.92, 0.74%, 0.51%

LAB 78.03, -70.85, 54.5

 

CMYK 28 / 83 / 0 / 13

HEX #A025DE

RGB 160 37 222

HSL 279.89, 0.74%, 0.51%

LAB 44.33, 73.99, -68.86

 

CMYK 0 / 29 / 83 / 13

HEX #DE9D25

RGB 222 157 37

HSL 38.92, 0.74%, 0.51%

LAB 69.31, 14.67, 66.26

 

CMYK 83 / 0 / 29 / 13

HEX #25DE9D

RGB 37 222 157

HSL 158.92, 0.74%, 0.51%

LAB 79.08, -58.52, 19.76

 

CMYK 28 / 83 / 0 / 13

HEX #A025DE

RGB 160 37 222

HSL 279.89, 0.74%, 0.51%

LAB 44.33, 73.99, -68.86

 

CMYK 0 / 83 / 71 / 13

HEX #DE2541

RGB 222 37 65

HSL 350.92, 0.74%, 0.51%

LAB 48.55, 68.64, 32.52

 

CMYK 54 / 0 / 83 / 13

HEX #66DE25

RGB 102 222 37

HSL 98.92, 0.74%, 0.51%

LAB 79.16, -62.56, 71.71

 

CMYK 83 / 0 / 13 / 13

HEX #25DEC2

RGB 37 222 194

HSL 170.92, 0.74%, 0.51%

LAB 79.92, -49.59, 1.38

 

CMYK 28 / 83 / 0 / 13

HEX #A025DE

RGB 160 37 222

HSL 279.89, 0.74%, 0.51%

LAB 44.33, 73.99, -68.86

 

CMYK 0 / 71 / 83 / 13

HEX #DE4125

RGB 222 65 37

HSL 9.08, 0.74%, 0.51%

LAB 51.2, 59.43, 50.52

 

CMYK 54 / 0 / 83 / 13

HEX #66DE25

RGB 102 222 37

HSL 98.92, 0.74%, 0.51%

LAB 79.16, -62.56, 71.71

 

CMYK 83 / 13 / 0 / 13

HEX #25C2DE

RGB 37 194 222

HSL 189.08, 0.74%, 0.51%

LAB 72.4, -28.75, -24.92

 

Description

Color code: HEX #A025DE | qconv.com Color code: HEX #A025DE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 37 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 37 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 83 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 83% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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