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Color name
HEX #A02080

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A02080 it is the complementary color #5FDF7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A02080. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A02080 shade: #A5207B, #B6328E, #C744A1, #D856B4 and #E968C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A02080. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A02080 shade: #A02080, #8F0E6D, #7E005A, #6D0047 and #5C0034

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A02080 shade: #A11F81, #A11F5E, #A11F3B and #A11F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A02080 shade: #A11F81, #9F1FA1, #7C1FA1, #591FA1 and #361FA1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A02080 shade matches the following richer shades: #A11F81, #B11089 and #C10091

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A02080 shade: #A11F81, #922F79, #823F71, #724F69 and #635E62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A02080 shade: #7D1FA1, #9F1FA1, #A11F81, #A11F5E and #A11F3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A02080 shade: #5C124A, #7F1965, #A11F81, #C4269C and #D83BB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A02080 shade: #A02080, #A15A1F and #1FA18E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A02080 shade: #A02080, #81A11F and #1F81A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A02080 shade: #A02080, #A15A1F, #1FA140 and #1F67A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A02080 shade: #A02080, #A1811F, #1FA140 and #1F40A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 20 / 37

HEX #A02080

RGB 160 32 128

HSL 315, 0.67%, 0.38%

LAB 37.96, 59.31, -23.19

 

Complementary color

CMYK 57 / 0 / 43 / 13

HEX #5FDF7F

RGB 95 223 127

HSL 135, 0.67%, 0.62%

LAB 80.03, -55.77, 36.62

 

CMYK 0 / 81 / 25 / 35

HEX #A5207B

RGB 165 32 123

HSL 318.95, 0.68%, 0.39%

LAB 38.66, 59.84, -18.92

 

CMYK 0 / 73 / 22 / 29

HEX #B6328E

RGB 182 50 142

HSL 318.18, 0.57%, 0.45%

LAB 44.49, 60.97, -21.35

 

CMYK 0 / 66 / 19 / 22

HEX #C744A1

RGB 199 68 161

HSL 317.4, 0.54%, 0.52%

LAB 50.51, 61.34, -23.2

 

CMYK 0 / 60 / 17 / 15

HEX #D856B4

RGB 216 86 180

HSL 316.62, 0.63%, 0.59%

LAB 56.63, 61.26, -24.64

 

CMYK 0 / 55 / 15 / 9

HEX #E968C7

RGB 233 104 199

HSL 315.81, 0.75%, 0.66%

LAB 62.8, 60.89, -25.8

 

CMYK 0 / 80 / 20 / 37

HEX #A02080

RGB 160 32 128

HSL 315, 0.67%, 0.38%

LAB 37.96, 59.31, -23.19

 

CMYK 0 / 90 / 24 / 44

HEX #8F0E6D

RGB 143 14 109

HSL 315.81, 0.82%, 0.31%

LAB 32.39, 57.03, -20.14

 

CMYK 0 / 100 / 29 / 51

HEX #7E005A

RGB 126 0 90

HSL 317.14, 1%, 0.25%

LAB 27.22, 53.22, -16.07

 

CMYK 0 / 100 / 35 / 57

HEX #6D0047

RGB 109 0 71

HSL 320.92, 1%, 0.21%

LAB 22.68, 47.22, -10.61

 

CMYK 0 / 100 / 43 / 64

HEX #5C0034

RGB 92 0 52

HSL 326.09, 1%, 0.18%

LAB 18.02, 41.11, -4.75

 

CMYK 0 / 81 / 20 / 37

HEX #A11F81

RGB 161 31 129

HSL 314.77, 0.68%, 0.38%

LAB 38.1, 59.95, -23.58

 

CMYK 0 / 81 / 42 / 37

HEX #A11F5E

RGB 161 31 94

HSL 330.92, 0.68%, 0.38%

LAB 36.68, 55.8, -3.69

 

CMYK 0 / 81 / 63 / 37

HEX #A11F3B

RGB 161 31 59

HSL 347.08, 0.68%, 0.38%

LAB 35.74, 52.94, 17.54

 

CMYK 0 / 81 / 81 / 37

HEX #A11F1F

RGB 161 31 31

HSL 0, 0.68%, 0.38%

LAB 35.31, 51.61, 34.38

 

CMYK 0 / 81 / 20 / 37

HEX #A11F81

RGB 161 31 129

HSL 314.77, 0.68%, 0.38%

LAB 38.1, 59.95, -23.58

 

CMYK 1 / 81 / 0 / 37

HEX #9F1FA1

RGB 159 31 161

HSL 299.08, 0.68%, 0.38%

LAB 39.45, 64.31, -41.01

 

CMYK 23 / 81 / 0 / 37

HEX #7C1FA1

RGB 124 31 161

HSL 282.92, 0.68%, 0.38%

LAB 33.64, 57.62, -50.66

 

CMYK 45 / 81 / 0 / 37

HEX #591FA1

RGB 89 31 161

HSL 266.77, 0.68%, 0.38%

LAB 28.58, 51.81, -59.13

 

CMYK 66 / 81 / 0 / 37

HEX #361FA1

RGB 54 31 161

HSL 250.62, 0.68%, 0.38%

LAB 24.76, 47.43, -65.56

 

CMYK 0 / 81 / 20 / 37

HEX #A11F81

RGB 161 31 129

HSL 314.77, 0.68%, 0.38%

LAB 38.1, 59.95, -23.58

 

CMYK 0 / 91 / 23 / 31

HEX #B11089

RGB 177 16 137

HSL 314.91, 0.83%, 0.38%

LAB 40.45, 67.5, -24.63

 

CMYK 0 / 100 / 25 / 24

HEX #C10091

RGB 193 0 145

HSL 314.92, 1%, 0.38%

LAB 43.33, 73.36, -24.8

 

CMYK 0 / 81 / 20 / 37

HEX #A11F81

RGB 161 31 129

HSL 314.77, 0.68%, 0.38%

LAB 38.1, 59.95, -23.58

 

CMYK 0 / 68 / 17 / 43

HEX #922F79

RGB 146 47 121

HSL 315.15, 0.51%, 0.38%

LAB 36.98, 49.57, -20.56

 

CMYK 0 / 52 / 13 / 49

HEX #823F71

RGB 130 63 113

HSL 315.22, 0.35%, 0.38%

LAB 36.92, 35.74, -15.86

 

CMYK 0 / 31 / 8 / 55

HEX #724F69

RGB 114 79 105

HSL 315.43, 0.18%, 0.38%

LAB 38.18, 19.27, -9.15

 

CMYK 0 / 5 / 1 / 61

HEX #635E62

RGB 99 94 98

HSL 312, 0.03%, 0.38%

LAB 40.48, 2.81, -1.57

 

CMYK 22 / 81 / 0 / 37

HEX #7D1FA1

RGB 125 31 161

HSL 283.38, 0.68%, 0.38%

LAB 33.8, 57.81, -50.4

 

CMYK 1 / 81 / 0 / 37

HEX #9F1FA1

RGB 159 31 161

HSL 299.08, 0.68%, 0.38%

LAB 39.45, 64.31, -41.01

 

CMYK 0 / 81 / 20 / 37

HEX #A11F81

RGB 161 31 129

HSL 314.77, 0.68%, 0.38%

LAB 38.1, 59.95, -23.58

 

CMYK 0 / 81 / 42 / 37

HEX #A11F5E

RGB 161 31 94

HSL 330.92, 0.68%, 0.38%

LAB 36.68, 55.8, -3.69

 

CMYK 0 / 81 / 63 / 37

HEX #A11F3C

RGB 161 31 60

HSL 346.62, 0.68%, 0.38%

LAB 35.76, 53, 16.93

 

CMYK 0 / 80 / 20 / 64

HEX #5C124A

RGB 92 18 74

HSL 314.59, 0.67%, 0.22%

LAB 20.84, 38.81, -15.79

 

CMYK 0 / 80 / 20 / 50

HEX #7F1965

RGB 127 25 101

HSL 315.29, 0.67%, 0.3%

LAB 29.78, 49.61, -19.29

 

CMYK 0 / 81 / 20 / 37

HEX #A11F81

RGB 161 31 129

HSL 314.77, 0.68%, 0.38%

LAB 38.1, 59.95, -23.58

 

CMYK 0 / 81 / 20 / 23

HEX #C4269C

RGB 196 38 156

HSL 315.19, 0.68%, 0.46%

LAB 46.34, 69.66, -26.72

 

CMYK 0 / 73 / 18 / 15

HEX #D83BB1

RGB 216 59 177

HSL 314.9, 0.67%, 0.54%

LAB 52.84, 71.03, -28.76

 

CMYK 0 / 80 / 20 / 37

HEX #A02080

RGB 160 32 128

HSL 315, 0.67%, 0.38%

LAB 37.96, 59.31, -23.19

 

CMYK 0 / 44 / 81 / 37

HEX #A15A1F

RGB 161 90 31

HSL 27.23, 0.68%, 0.38%

LAB 45.62, 24.7, 44.46

 

CMYK 81 / 0 / 12 / 37

HEX #1FA18E

RGB 31 161 142

HSL 171.23, 0.68%, 0.38%

LAB 59.65, -37.92, 0.31

 

CMYK 0 / 80 / 20 / 37

HEX #A02080

RGB 160 32 128

HSL 315, 0.67%, 0.38%

LAB 37.96, 59.31, -23.19

 

CMYK 20 / 0 / 81 / 37

HEX #81A11F

RGB 129 161 31

HSL 74.77, 0.68%, 0.38%

LAB 61.87, -28.46, 58.27

 

CMYK 81 / 20 / 0 / 37

HEX #1F81A1

RGB 31 129 161

HSL 194.77, 0.68%, 0.38%

LAB 50.17, -15.95, -24.86

 

CMYK 0 / 80 / 20 / 37

HEX #A02080

RGB 160 32 128

HSL 315, 0.67%, 0.38%

LAB 37.96, 59.31, -23.19

 

CMYK 0 / 44 / 81 / 37

HEX #A15A1F

RGB 161 90 31

HSL 27.23, 0.68%, 0.38%

LAB 45.62, 24.7, 44.46

 

CMYK 81 / 0 / 60 / 37

HEX #1FA140

RGB 31 161 64

HSL 135.23, 0.68%, 0.38%

LAB 58.18, -54.21, 40.3

 

CMYK 81 / 36 / 0 / 37

HEX #1F67A1

RGB 31 103 161

HSL 206.77, 0.68%, 0.38%

LAB 42.1, -0.66, -37.5

 

CMYK 0 / 80 / 20 / 37

HEX #A02080

RGB 160 32 128

HSL 315, 0.67%, 0.38%

LAB 37.96, 59.31, -23.19

 

CMYK 0 / 20 / 81 / 37

HEX #A1811F

RGB 161 129 31

HSL 45.23, 0.68%, 0.38%

LAB 55.46, 2.64, 53.51

 

CMYK 81 / 0 / 60 / 37

HEX #1FA140

RGB 31 161 64

HSL 135.23, 0.68%, 0.38%

LAB 58.18, -54.21, 40.3

 

CMYK 81 / 60 / 0 / 37

HEX #1F40A1

RGB 31 64 161

HSL 224.77, 0.68%, 0.38%

LAB 30.72, 25.11, -55.82

 

Description

Color code: HEX #A02080 | qconv.com Color code: HEX #A02080 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 32 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 32 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 20 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 20% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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