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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A02188 it is the complementary color #5FDE77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A02188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A02188 shade: #A52183, #B63396, #C745A9, #D857BC and #E969CF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A02188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A02188 shade: #A02188, #8F0F75, #7E0062, #6D004F and #5C003C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A02188 shade: #A02088, #A02066, #A02043, #A02021 and #A02020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A02188 shade: #A02088, #9620A0, #7420A0, #5120A0 and #2F20A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A02188 shade matches the following richer shades: #A02088, #B01192 and #C0019C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A02188 shade: #A02088, #91307E, #814075, #714F6B and #625F61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A02188 shade: #7420A0, #9620A0, #A02089, #A02067 and #A02045

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A02188 shade: #5C124E, #7E196B, #A02088, #C327A5 and #D73DBA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A02188 shade: #A02188, #A05120 and #20A085

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A02188 shade: #A02188, #89A020 and #2089A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A02188 shade: #A02188, #A05120, #20A038 and #206FA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A02188 shade: #A02188, #A07820, #20A038 and #2049A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 15 / 37

HEX #A02188

RGB 160 33 136

HSL 311.34, 0.66%, 0.38%

LAB 38.44, 60.15, -27.38

 

Complementary color

CMYK 57 / 0 / 46 / 13

HEX #5FDE77

RGB 95 222 119

HSL 131.34, 0.66%, 0.62%

LAB 79.62, -56.62, 40.05

 

CMYK 0 / 80 / 21 / 35

HEX #A52183

RGB 165 33 131

HSL 315.45, 0.67%, 0.39%

LAB 39.11, 60.61, -23.18

 

CMYK 0 / 72 / 18 / 29

HEX #B63396

RGB 182 51 150

HSL 314.66, 0.56%, 0.46%

LAB 44.96, 61.72, -25.45

 

CMYK 0 / 65 / 15 / 22

HEX #C745A9

RGB 199 69 169

HSL 313.85, 0.54%, 0.53%

LAB 50.99, 62.1, -27.16

 

CMYK 0 / 60 / 13 / 15

HEX #D857BC

RGB 216 87 188

HSL 313.02, 0.62%, 0.59%

LAB 57.12, 62.01, -28.5

 

CMYK 0 / 55 / 11 / 9

HEX #E969CF

RGB 233 105 207

HSL 312.19, 0.74%, 0.66%

LAB 63.29, 61.66, -29.57

 

CMYK 0 / 79 / 15 / 37

HEX #A02188

RGB 160 33 136

HSL 311.34, 0.66%, 0.38%

LAB 38.44, 60.15, -27.38

 

CMYK 0 / 90 / 18 / 44

HEX #8F0F75

RGB 143 15 117

HSL 312.19, 0.81%, 0.31%

LAB 32.84, 57.91, -24.52

 

CMYK 0 / 100 / 22 / 51

HEX #7E0062

RGB 126 0 98

HSL 313.33, 1%, 0.25%

LAB 27.62, 54.22, -20.71

 

CMYK 0 / 100 / 28 / 57

HEX #6D004F

RGB 109 0 79

HSL 316.51, 1%, 0.21%

LAB 23.05, 48.19, -15.47

 

CMYK 0 / 100 / 35 / 64

HEX #5C003C

RGB 92 0 60

HSL 320.87, 1%, 0.18%

LAB 18.37, 42.01, -9.89

 

CMYK 0 / 80 / 15 / 37

HEX #A02088

RGB 160 32 136

HSL 311.25, 0.67%, 0.38%

LAB 38.35, 60.42, -27.53

 

CMYK 0 / 80 / 36 / 37

HEX #A02066

RGB 160 32 102

HSL 327.19, 0.67%, 0.38%

LAB 36.87, 56.1, -8.53

 

CMYK 0 / 80 / 58 / 37

HEX #A02043

RGB 160 32 67

HSL 343.59, 0.67%, 0.38%

LAB 35.81, 52.9, 12.45

 

CMYK 0 / 80 / 79 / 37

HEX #A02021

RGB 160 32 33

HSL 359.53, 0.67%, 0.38%

LAB 35.24, 51.08, 33.08

 

CMYK 0 / 80 / 80 / 37

HEX #A02020

RGB 160 32 32

HSL 0, 0.67%, 0.38%

LAB 35.22, 51.05, 33.65

 

CMYK 0 / 80 / 15 / 37

HEX #A02088

RGB 160 32 136

HSL 311.25, 0.67%, 0.38%

LAB 38.35, 60.42, -27.53

 

CMYK 6 / 80 / 0 / 37

HEX #9620A0

RGB 150 32 160

HSL 295.31, 0.67%, 0.38%

LAB 37.94, 62.08, -42.92

 

CMYK 28 / 80 / 0 / 37

HEX #7420A0

RGB 116 32 160

HSL 279.38, 0.67%, 0.38%

LAB 32.45, 55.65, -52.06

 

CMYK 49 / 80 / 0 / 37

HEX #5120A0

RGB 81 32 160

HSL 262.97, 0.67%, 0.38%

LAB 27.63, 49.98, -60.12

 

CMYK 71 / 80 / 0 / 37

HEX #2F20A0

RGB 47 32 160

HSL 247.03, 0.67%, 0.38%

LAB 24.24, 45.97, -65.82

 

CMYK 0 / 80 / 15 / 37

HEX #A02088

RGB 160 32 136

HSL 311.25, 0.67%, 0.38%

LAB 38.35, 60.42, -27.53

 

CMYK 0 / 90 / 17 / 31

HEX #B01192

RGB 176 17 146

HSL 311.32, 0.82%, 0.38%

LAB 40.75, 68.3, -29.69

 

CMYK 0 / 99 / 19 / 25

HEX #C0019C

RGB 192 1 156

HSL 311.31, 0.99%, 0.38%

LAB 43.7, 74.39, -30.9

 

CMYK 0 / 80 / 15 / 37

HEX #A02088

RGB 160 32 136

HSL 311.25, 0.67%, 0.38%

LAB 38.35, 60.42, -27.53

 

CMYK 0 / 67 / 13 / 43

HEX #91307E

RGB 145 48 126

HSL 311.75, 0.5%, 0.38%

LAB 37.19, 49.66, -23.35

 

CMYK 0 / 50 / 9 / 49

HEX #814075

RGB 129 64 117

HSL 311.08, 0.34%, 0.38%

LAB 37.15, 35.58, -18.01

 

CMYK 0 / 30 / 5 / 56

HEX #714F6B

RGB 113 79 107

HSL 310.59, 0.18%, 0.38%

LAB 38.14, 19.29, -10.47

 

CMYK 0 / 3 / 1 / 62

HEX #625F61

RGB 98 95 97

HSL 320, 0.02%, 0.38%

LAB 40.64, 1.6, -0.72

 

CMYK 28 / 80 / 0 / 37

HEX #7420A0

RGB 116 32 160

HSL 279.38, 0.67%, 0.38%

LAB 32.45, 55.65, -52.06

 

CMYK 6 / 80 / 0 / 37

HEX #9620A0

RGB 150 32 160

HSL 295.31, 0.67%, 0.38%

LAB 37.94, 62.08, -42.92

 

CMYK 0 / 80 / 14 / 37

HEX #A02089

RGB 160 32 137

HSL 310.78, 0.67%, 0.38%

LAB 38.4, 60.57, -28.07

 

CMYK 0 / 80 / 36 / 37

HEX #A02067

RGB 160 32 103

HSL 326.72, 0.67%, 0.38%

LAB 36.9, 56.21, -9.11

 

CMYK 0 / 80 / 57 / 37

HEX #A02045

RGB 160 32 69

HSL 342.66, 0.67%, 0.38%

LAB 35.86, 53.04, 11.22

 

CMYK 0 / 80 / 15 / 64

HEX #5C124E

RGB 92 18 78

HSL 311.35, 0.67%, 0.22%

LAB 21.05, 39.45, -18.18

 

CMYK 0 / 80 / 15 / 51

HEX #7E196B

RGB 126 25 107

HSL 311.29, 0.67%, 0.3%

LAB 29.89, 50.24, -22.99

 

CMYK 0 / 80 / 15 / 37

HEX #A02088

RGB 160 32 136

HSL 311.25, 0.67%, 0.38%

LAB 38.35, 60.42, -27.53

 

CMYK 0 / 80 / 15 / 24

HEX #C327A5

RGB 195 39 165

HSL 311.54, 0.67%, 0.46%

LAB 46.67, 70.38, -31.59

 

CMYK 0 / 72 / 13 / 16

HEX #D73DBA

RGB 215 61 186

HSL 311.3, 0.66%, 0.54%

LAB 53.31, 71.39, -33.29

 

CMYK 0 / 79 / 15 / 37

HEX #A02188

RGB 160 33 136

HSL 311.34, 0.66%, 0.38%

LAB 38.44, 60.15, -27.38

 

CMYK 0 / 49 / 80 / 37

HEX #A05120

RGB 160 81 32

HSL 22.97, 0.67%, 0.38%

LAB 43.45, 29.27, 41.88

 

CMYK 80 / 0 / 17 / 37

HEX #20A085

RGB 32 160 133

HSL 167.34, 0.67%, 0.38%

LAB 59.11, -39.83, 4.6

 

CMYK 0 / 79 / 15 / 37

HEX #A02188

RGB 160 33 136

HSL 311.34, 0.66%, 0.38%

LAB 38.44, 60.15, -27.38

 

CMYK 14 / 0 / 80 / 37

HEX #89A020

RGB 137 160 32

HSL 70.78, 0.67%, 0.38%

LAB 62.14, -24.56, 58.42

 

CMYK 80 / 14 / 0 / 37

HEX #2089A0

RGB 32 137 160

HSL 190.78, 0.67%, 0.38%

LAB 52.66, -20.52, -20.46

 

CMYK 0 / 79 / 15 / 37

HEX #A02188

RGB 160 33 136

HSL 311.34, 0.66%, 0.38%

LAB 38.44, 60.15, -27.38

 

CMYK 0 / 49 / 80 / 37

HEX #A05120

RGB 160 81 32

HSL 22.97, 0.67%, 0.38%

LAB 43.45, 29.27, 41.88

 

CMYK 80 / 0 / 65 / 37

HEX #20A038

RGB 32 160 56

HSL 131.25, 0.67%, 0.38%

LAB 57.78, -54.73, 43.53

 

CMYK 80 / 31 / 0 / 37

HEX #206FA0

RGB 32 111 160

HSL 202.97, 0.67%, 0.38%

LAB 44.54, -5.83, -33.06

 

CMYK 0 / 79 / 15 / 37

HEX #A02188

RGB 160 33 136

HSL 311.34, 0.66%, 0.38%

LAB 38.44, 60.15, -27.38

 

CMYK 0 / 25 / 80 / 37

HEX #A07820

RGB 160 120 32

HSL 41.25, 0.67%, 0.38%

LAB 52.96, 7.28, 50.84

 

CMYK 80 / 0 / 65 / 37

HEX #20A038

RGB 32 160 56

HSL 131.25, 0.67%, 0.38%

LAB 57.78, -54.73, 43.53

 

CMYK 80 / 54 / 0 / 37

HEX #2049A0

RGB 32 73 160

HSL 220.78, 0.67%, 0.38%

LAB 33.16, 18.71, -51.24

 

Description

Color code: HEX #A02188 | qconv.com Color code: HEX #A02188 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 33 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 33 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 15 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 15% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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