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Color name
HEX #A02B64

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A02B64 it is the complementary color #5FD49B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A02B64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A02B64 shade: #A52B5F, #B63D72, #C74F85, #D86198 and #E973AB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A02B64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A02B64 shade: #A02B64, #8F1951, #7E073E, #6D002B and #5C0018

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A02B64 shade: #A12A64, #A12A44 and #A12A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A02B64 shade: #A12A64, #A12A84, #9E2AA1, #7E2AA1 and #5E2AA1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A02B64 shade matches the following richer shades: #A12A64, #B11A64 and #C20963

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A02B64 shade: #A12A64, #903B64, #804B65, #6F5C65 and #5F6C66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A02B64 shade: #9D2AA1, #A12A85, #A12A66, #A12A46 and #A12E2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A02B64 shade: #5F193B, #802250, #A12A64, #C13378 and #D04E8D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A02B64 shade: #A02B64, #A17D2A and #2A95A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A02B64 shade: #A02B64, #66A12A and #2A66A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A02B64 shade: #A02B64, #A17D2A, #2AA166 and #2A4EA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A02B64 shade: #A02B64, #A1A12A, #2AA166 and #2A2AA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 38 / 37

HEX #A02B64

RGB 160 43 100

HSL 330.77, 0.58%, 0.4%

LAB 38.06, 52.3, -5.48

 

Complementary color

CMYK 55 / 0 / 27 / 17

HEX #5FD49B

RGB 95 212 155

HSL 150.77, 0.58%, 0.6%

LAB 77.21, -46.22, 18.4

 

CMYK 0 / 74 / 42 / 35

HEX #A52B5F

RGB 165 43 95

HSL 334.43, 0.59%, 0.41%

LAB 38.82, 53.2, -1.09

 

CMYK 0 / 66 / 37 / 29

HEX #B63D72

RGB 182 61 114

HSL 333.72, 0.5%, 0.48%

LAB 44.94, 53.35, -3.58

 

CMYK 0 / 60 / 33 / 22

HEX #C74F85

RGB 199 79 133

HSL 333, 0.52%, 0.55%

LAB 51.18, 53.04, -5.53

 

CMYK 0 / 55 / 30 / 15

HEX #D86198

RGB 216 97 152

HSL 332.27, 0.6%, 0.61%

LAB 57.48, 52.47, -7.1

 

CMYK 0 / 51 / 27 / 9

HEX #E973AB

RGB 233 115 171

HSL 331.53, 0.73%, 0.68%

LAB 63.77, 51.77, -8.42

 

CMYK 0 / 73 / 38 / 37

HEX #A02B64

RGB 160 43 100

HSL 330.77, 0.58%, 0.4%

LAB 38.06, 52.3, -5.48

 

CMYK 0 / 83 / 43 / 44

HEX #8F1951

RGB 143 25 81

HSL 331.53, 0.7%, 0.33%

LAB 32.1, 51.35, -2.44

 

CMYK 0 / 94 / 51 / 51

HEX #7E073E

RGB 126 7 62

HSL 332.27, 0.89%, 0.26%

LAB 26.55, 49.04, 1.71

 

CMYK 0 / 100 / 61 / 57

HEX #6D002B

RGB 109 0 43

HSL 336.33, 1%, 0.21%

LAB 21.67, 44.6, 7.43

 

CMYK 0 / 100 / 74 / 64

HEX #5C0018

RGB 92 0 24

HSL 344.35, 1%, 0.18%

LAB 17.18, 38.89, 14.31

 

CMYK 0 / 74 / 38 / 37

HEX #A12A64

RGB 161 42 100

HSL 330.76, 0.59%, 0.4%

LAB 38.12, 52.95, -5.37

 

CMYK 0 / 74 / 58 / 37

HEX #A12A44

RGB 161 42 68

HSL 346.89, 0.59%, 0.4%

LAB 37.21, 49.97, 13.74

 

CMYK 0 / 74 / 74 / 37

HEX #A12A2A

RGB 161 42 42

HSL 0, 0.59%, 0.4%

LAB 36.74, 48.41, 29.45

 

CMYK 0 / 74 / 38 / 37

HEX #A12A64

RGB 161 42 100

HSL 330.76, 0.59%, 0.4%

LAB 38.12, 52.95, -5.37

 

CMYK 0 / 74 / 18 / 37

HEX #A12A84

RGB 161 42 132

HSL 314.62, 0.59%, 0.4%

LAB 39.41, 57.02, -23.4

 

CMYK 2 / 74 / 0 / 37

HEX #9E2AA1

RGB 158 42 161

HSL 298.49, 0.59%, 0.4%

LAB 40.41, 60.86, -39.5

 

CMYK 22 / 74 / 0 / 37

HEX #7E2AA1

RGB 126 42 161

HSL 282.35, 0.59%, 0.4%

LAB 35.33, 54.05, -47.92

 

CMYK 42 / 74 / 0 / 37

HEX #5E2AA1

RGB 94 42 161

HSL 266.22, 0.59%, 0.4%

LAB 30.9, 47.82, -55.31

 

CMYK 0 / 74 / 38 / 37

HEX #A12A64

RGB 161 42 100

HSL 330.76, 0.59%, 0.4%

LAB 38.12, 52.95, -5.37

 

CMYK 0 / 85 / 44 / 31

HEX #B11A64

RGB 177 26 100

HSL 330.6, 0.74%, 0.4%

LAB 39.59, 61.7, -2.85

 

CMYK 0 / 95 / 49 / 24

HEX #C20963

RGB 194 9 99

HSL 330.81, 0.91%, 0.4%

LAB 42.1, 68.2, 1.86

 

CMYK 0 / 74 / 38 / 37

HEX #A12A64

RGB 161 42 100

HSL 330.76, 0.59%, 0.4%

LAB 38.12, 52.95, -5.37

 

CMYK 0 / 59 / 31 / 44

HEX #903B64

RGB 144 59 100

HSL 331.06, 0.42%, 0.4%

LAB 37.8, 40.48, -6.15

 

CMYK 0 / 41 / 21 / 50

HEX #804B65

RGB 128 75 101

HSL 330.57, 0.26%, 0.4%

LAB 38.83, 26.25, -5.5

 

CMYK 0 / 17 / 9 / 56

HEX #6F5C65

RGB 111 92 101

HSL 331.58, 0.09%, 0.4%

LAB 41.17, 9.39, -2.25

 

CMYK 12 / 0 / 6 / 58

HEX #5F6C66

RGB 95 108 102

HSL 152.31, 0.06%, 0.4%

LAB 44.4, -6.21, 1.68

 

CMYK 2 / 74 / 0 / 37

HEX #9D2AA1

RGB 157 42 161

HSL 297.98, 0.59%, 0.4%

LAB 40.24, 60.64, -39.78

 

CMYK 0 / 74 / 17 / 37

HEX #A12A85

RGB 161 42 133

HSL 314.12, 0.59%, 0.4%

LAB 39.46, 57.16, -23.94

 

CMYK 0 / 74 / 37 / 37

HEX #A12A66

RGB 161 42 102

HSL 329.75, 0.59%, 0.4%

LAB 38.19, 53.17, -6.53

 

CMYK 0 / 74 / 57 / 37

HEX #A12A46

RGB 161 42 70

HSL 345.88, 0.59%, 0.4%

LAB 37.25, 50.12, 12.52

 

CMYK 0 / 71 / 74 / 37

HEX #A12E2A

RGB 161 46 42

HSL 2.02, 0.59%, 0.4%

LAB 37.3, 46.89, 30.08

 

CMYK 0 / 74 / 38 / 63

HEX #5F193B

RGB 95 25 59

HSL 330.86, 0.58%, 0.24%

LAB 21.74, 34.81, -4.05

 

CMYK 0 / 73 / 38 / 50

HEX #802250

RGB 128 34 80

HSL 330.64, 0.58%, 0.32%

LAB 30.19, 44, -4.94

 

CMYK 0 / 74 / 38 / 37

HEX #A12A64

RGB 161 42 100

HSL 330.76, 0.59%, 0.4%

LAB 38.12, 52.95, -5.37

 

CMYK 0 / 74 / 38 / 24

HEX #C13378

RGB 193 51 120

HSL 330.85, 0.58%, 0.48%

LAB 45.72, 60.89, -5.89

 

CMYK 0 / 63 / 32 / 18

HEX #D04E8D

RGB 208 78 141

HSL 330.92, 0.58%, 0.56%

LAB 52.71, 57.18, -7.87

 

CMYK 0 / 73 / 38 / 37

HEX #A02B64

RGB 160 43 100

HSL 330.77, 0.58%, 0.4%

LAB 38.06, 52.3, -5.48

 

CMYK 0 / 22 / 74 / 37

HEX #A17D2A

RGB 161 125 42

HSL 41.85, 0.59%, 0.4%

LAB 54.46, 5.36, 48.31

 

CMYK 74 / 7 / 0 / 37

HEX #2A95A1

RGB 42 149 161

HSL 186.05, 0.59%, 0.4%

LAB 56.64, -25.27, -14.95

 

CMYK 0 / 73 / 38 / 37

HEX #A02B64

RGB 160 43 100

HSL 330.77, 0.58%, 0.4%

LAB 38.06, 52.3, -5.48

 

CMYK 37 / 0 / 74 / 37

HEX #66A12A

RGB 102 161 42

HSL 89.75, 0.59%, 0.4%

LAB 60.32, -38.46, 52.61

 

CMYK 74 / 37 / 0 / 37

HEX #2A66A1

RGB 42 102 161

HSL 209.75, 0.59%, 0.4%

LAB 42.11, 1.35, -37.48

 

CMYK 0 / 73 / 38 / 37

HEX #A02B64

RGB 160 43 100

HSL 330.77, 0.58%, 0.4%

LAB 38.06, 52.3, -5.48

 

CMYK 0 / 22 / 74 / 37

HEX #A17D2A

RGB 161 125 42

HSL 41.85, 0.59%, 0.4%

LAB 54.46, 5.36, 48.31

 

CMYK 74 / 0 / 37 / 37

HEX #2AA166

RGB 42 161 102

HSL 150.25, 0.59%, 0.4%

LAB 58.92, -46.29, 21.64

 

CMYK 74 / 52 / 0 / 37

HEX #2A4EA1

RGB 42 78 161

HSL 221.85, 0.59%, 0.4%

LAB 35.03, 16.96, -48.79

 

CMYK 0 / 73 / 38 / 37

HEX #A02B64

RGB 160 43 100

HSL 330.77, 0.58%, 0.4%

LAB 38.06, 52.3, -5.48

 

CMYK 0 / 0 / 74 / 37

HEX #A1A12A

RGB 161 161 42

HSL 60, 0.59%, 0.4%

LAB 64.35, -14.2, 57.9

 

CMYK 74 / 0 / 37 / 37

HEX #2AA166

RGB 42 161 102

HSL 150.25, 0.59%, 0.4%

LAB 58.92, -46.29, 21.64

 

CMYK 74 / 74 / 0 / 37

HEX #2A2AA1

RGB 42 42 161

HSL 240, 0.59%, 0.4%

LAB 25.93, 40.36, -63.66

 

Description

Color code: HEX #A02B64 | qconv.com Color code: HEX #A02B64 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 43 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 43 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 38 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 38% 37% C M Y K

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Provide designers and agencies with accurate color values.

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