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Color name
HEX #A02B9A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A02B9A it is the complementary color #5FD465. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A02B9A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A02B9A shade: #A52B95, #B63DA8, #C74FBB, #D861CE and #E973E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A02B9A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A02B9A shade: #A02B9A, #8F1987, #7E0774, #6D0061 and #5C004E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A02B9A shade: #A12A9B, #A12A7B, #A12A5B, #A12A3B and #A12A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A02B9A shade: #A12A9B, #872AA1, #672AA1, #472AA1 and #2A2AA1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A02B9A shade matches the following richer shades: #A12A9B, #B11AA9 and #C209B8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A02B9A shade: #A12A9B, #903B8C, #804B7D, #6F5C6E and #5F6C5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A02B9A shade: #672AA1, #872AA1, #A12A9B, #A12A7B and #A12A5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A02B9A shade: #5F195C, #80227B, #A12A9B, #C133BA and #D04EC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A02B9A shade: #A02B9A, #A1482A and #2AA177

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A02B9A shade: #A02B9A, #9BA12A and #2A9BA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A02B9A shade: #A02B9A, #A1482A, #2AA130 and #2A83A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A02B9A shade: #A02B9A, #A16B2A, #2AA130 and #2A60A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 4 / 37

HEX #A02B9A

RGB 160 43 154

HSL 303.08, 0.58%, 0.4%

LAB 40.47, 59.81, -35.17

 

Complementary color

CMYK 55 / 0 / 52 / 17

HEX #5FD465

RGB 95 212 101

HSL 123.08, 0.58%, 0.6%

LAB 76.35, -55.33, 44.71

 

CMYK 0 / 74 / 10 / 35

HEX #A52B95

RGB 165 43 149

HSL 307.87, 0.59%, 0.41%

LAB 41.05, 60.18, -31.17

 

CMYK 0 / 66 / 8 / 29

HEX #B63DA8

RGB 182 61 168

HSL 306.94, 0.5%, 0.48%

LAB 47.12, 60.74, -32.82

 

CMYK 0 / 60 / 6 / 22

HEX #C74FBB

RGB 199 79 187

HSL 306, 0.52%, 0.55%

LAB 53.3, 60.76, -34.06

 

CMYK 0 / 55 / 5 / 15

HEX #D861CE

RGB 216 97 206

HSL 305.04, 0.6%, 0.61%

LAB 59.53, 60.45, -35.02

 

CMYK 0 / 51 / 3 / 9

HEX #E973E1

RGB 233 115 225

HSL 304.07, 0.73%, 0.68%

LAB 65.77, 59.95, -35.8

 

CMYK 0 / 73 / 4 / 37

HEX #A02B9A

RGB 160 43 154

HSL 303.08, 0.58%, 0.4%

LAB 40.47, 59.81, -35.17

 

CMYK 0 / 83 / 6 / 44

HEX #8F1987

RGB 143 25 135

HSL 304.07, 0.7%, 0.33%

LAB 34.57, 58.39, -33.08

 

CMYK 0 / 94 / 8 / 51

HEX #7E0774

RGB 126 7 116

HSL 305.04, 0.89%, 0.26%

LAB 29.03, 55.58, -30.12

 

CMYK 0 / 100 / 11 / 57

HEX #6D0061

RGB 109 0 97

HSL 306.61, 1%, 0.21%

LAB 24.05, 50.67, -25.92

 

CMYK 0 / 100 / 15 / 64

HEX #5C004E

RGB 92 0 78

HSL 309.13, 1%, 0.18%

LAB 19.33, 44.44, -20.88

 

CMYK 0 / 74 / 4 / 37

HEX #A12A9B

RGB 161 42 155

HSL 303.03, 0.59%, 0.4%

LAB 40.57, 60.53, -35.6

 

CMYK 0 / 74 / 24 / 37

HEX #A12A7B

RGB 161 42 123

HSL 319.16, 0.59%, 0.4%

LAB 39.01, 55.77, -18.45

 

CMYK 0 / 74 / 43 / 37

HEX #A12A5B

RGB 161 42 91

HSL 335.29, 0.59%, 0.4%

LAB 37.82, 51.99, -0.09

 

CMYK 0 / 74 / 63 / 37

HEX #A12A3B

RGB 161 42 59

HSL 351.43, 0.59%, 0.4%

LAB 37.02, 49.34, 19.22

 

CMYK 0 / 74 / 74 / 37

HEX #A12A2A

RGB 161 42 42

HSL 0, 0.59%, 0.4%

LAB 36.74, 48.41, 29.45

 

CMYK 0 / 74 / 4 / 37

HEX #A12A9B

RGB 161 42 155

HSL 303.03, 0.59%, 0.4%

LAB 40.57, 60.53, -35.6

 

CMYK 16 / 74 / 0 / 37

HEX #872AA1

RGB 135 42 161

HSL 286.89, 0.59%, 0.4%

LAB 36.71, 55.92, -45.63

 

CMYK 36 / 74 / 0 / 37

HEX #672AA1

RGB 103 42 161

HSL 270.76, 0.59%, 0.4%

LAB 32.06, 49.49, -53.37

 

CMYK 56 / 74 / 0 / 37

HEX #472AA1

RGB 71 42 161

HSL 254.62, 0.59%, 0.4%

LAB 28.3, 44, -59.67

 

CMYK 74 / 74 / 0 / 37

HEX #2A2AA1

RGB 42 42 161

HSL 240, 0.59%, 0.4%

LAB 25.93, 40.36, -63.66

 

CMYK 0 / 74 / 4 / 37

HEX #A12A9B

RGB 161 42 155

HSL 303.03, 0.59%, 0.4%

LAB 40.57, 60.53, -35.6

 

CMYK 0 / 85 / 5 / 31

HEX #B11AA9

RGB 177 26 169

HSL 303.18, 0.74%, 0.4%

LAB 42.69, 70.2, -40.46

 

CMYK 0 / 95 / 5 / 24

HEX #C209B8

RGB 194 9 184

HSL 303.24, 0.91%, 0.4%

LAB 45.81, 77.76, -44.19

 

CMYK 0 / 74 / 4 / 37

HEX #A12A9B

RGB 161 42 155

HSL 303.03, 0.59%, 0.4%

LAB 40.57, 60.53, -35.6

 

CMYK 0 / 59 / 3 / 44

HEX #903B8C

RGB 144 59 140

HSL 302.82, 0.42%, 0.4%

LAB 39.5, 46.85, -28.37

 

CMYK 0 / 41 / 2 / 50

HEX #804B7D

RGB 128 75 125

HSL 303.4, 0.26%, 0.4%

LAB 39.75, 30.61, -18.97

 

CMYK 0 / 17 / 1 / 56

HEX #6F5C6E

RGB 111 92 110

HSL 303.16, 0.09%, 0.4%

LAB 41.47, 11.2, -7.34

 

CMYK 12 / 0 / 12 / 58

HEX #5F6C5F

RGB 95 108 95

HSL 120, 0.06%, 0.4%

LAB 44.21, -7.67, 5.62

 

CMYK 36 / 74 / 0 / 37

HEX #672AA1

RGB 103 42 161

HSL 270.76, 0.59%, 0.4%

LAB 32.06, 49.49, -53.37

 

CMYK 16 / 74 / 0 / 37

HEX #872AA1

RGB 135 42 161

HSL 286.89, 0.59%, 0.4%

LAB 36.71, 55.92, -45.63

 

CMYK 0 / 74 / 4 / 37

HEX #A12A9B

RGB 161 42 155

HSL 303.03, 0.59%, 0.4%

LAB 40.57, 60.53, -35.6

 

CMYK 0 / 74 / 24 / 37

HEX #A12A7B

RGB 161 42 123

HSL 319.16, 0.59%, 0.4%

LAB 39.01, 55.77, -18.45

 

CMYK 0 / 74 / 43 / 37

HEX #A12A5C

RGB 161 42 92

HSL 334.79, 0.59%, 0.4%

LAB 37.85, 52.1, -0.68

 

CMYK 0 / 74 / 3 / 63

HEX #5F195C

RGB 95 25 92

HSL 302.57, 0.58%, 0.24%

LAB 23.34, 40, -23.91

 

CMYK 0 / 73 / 4 / 50

HEX #80227B

RGB 128 34 123

HSL 303.19, 0.58%, 0.32%

LAB 32.18, 50.29, -29.54

 

CMYK 0 / 74 / 4 / 37

HEX #A12A9B

RGB 161 42 155

HSL 303.03, 0.59%, 0.4%

LAB 40.57, 60.53, -35.6

 

CMYK 0 / 74 / 4 / 24

HEX #C133BA

RGB 193 51 186

HSL 302.96, 0.58%, 0.48%

LAB 48.57, 69.64, -40.98

 

CMYK 0 / 63 / 3 / 18

HEX #D04EC9

RGB 208 78 201

HSL 303.23, 0.58%, 0.56%

LAB 55.15, 65.75, -39.12

 

CMYK 0 / 73 / 4 / 37

HEX #A02B9A

RGB 160 43 154

HSL 303.08, 0.58%, 0.4%

LAB 40.47, 59.81, -35.17

 

CMYK 0 / 55 / 74 / 37

HEX #A1482A

RGB 161 72 42

HSL 15.13, 0.59%, 0.4%

LAB 41.81, 34.9, 35.12

 

CMYK 74 / 0 / 26 / 37

HEX #2AA177

RGB 42 161 119

HSL 158.82, 0.59%, 0.4%

LAB 59.26, -42.54, 12.71

 

CMYK 0 / 73 / 4 / 37

HEX #A02B9A

RGB 160 43 154

HSL 303.08, 0.58%, 0.4%

LAB 40.47, 59.81, -35.17

 

CMYK 4 / 0 / 74 / 37

HEX #9BA12A

RGB 155 161 42

HSL 63.03, 0.59%, 0.4%

LAB 63.86, -16.83, 57.25

 

CMYK 74 / 4 / 0 / 37

HEX #2A9BA1

RGB 42 155 161

HSL 183.03, 0.59%, 0.4%

LAB 58.52, -28.28, -12.12

 

CMYK 0 / 73 / 4 / 37

HEX #A02B9A

RGB 160 43 154

HSL 303.08, 0.58%, 0.4%

LAB 40.47, 59.81, -35.17

 

CMYK 0 / 55 / 74 / 37

HEX #A1482A

RGB 161 72 42

HSL 15.13, 0.59%, 0.4%

LAB 41.81, 34.9, 35.12

 

CMYK 74 / 0 / 70 / 37

HEX #2AA130

RGB 42 161 48

HSL 123.03, 0.59%, 0.4%

LAB 58.22, -54.41, 47.46

 

CMYK 74 / 19 / 0 / 37

HEX #2A83A1

RGB 42 131 161

HSL 195.13, 0.59%, 0.4%

LAB 51.03, -15.74, -23.52

 

CMYK 0 / 73 / 4 / 37

HEX #A02B9A

RGB 160 43 154

HSL 303.08, 0.58%, 0.4%

LAB 40.47, 59.81, -35.17

 

CMYK 0 / 34 / 74 / 37

HEX #A16B2A

RGB 161 107 42

HSL 32.77, 0.59%, 0.4%

LAB 49.81, 15.57, 43.6

 

CMYK 74 / 0 / 70 / 37

HEX #2AA130

RGB 42 161 48

HSL 123.03, 0.59%, 0.4%

LAB 58.22, -54.41, 47.46

 

CMYK 74 / 40 / 0 / 37

HEX #2A60A1

RGB 42 96 161

HSL 212.77, 0.59%, 0.4%

LAB 40.3, 5.14, -40.35

 

Description

Color code: HEX #A02B9A | qconv.com Color code: HEX #A02B9A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 43 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 43 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 4 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 4% 37% C M Y K

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Provide designers and agencies with accurate color values.

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