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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A0496A it is the complementary color #5FB695. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A0496A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A0496A shade: #A54965, #B65B78, #C76D8B, #D87F9E and #E991B1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A0496A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A0496A shade: #A0496A, #8F3757, #7E2544, #6D1331 and #5C011E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A0496A shade: #A0496A, #A04953 and #A04949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A0496A shade: #A0496A, #A04982, #A04999, #9049A0 and #7849A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A0496A shade matches the following richer shades: #A0496A, #B33666, #C62361 and #D9105D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A0496A shade: #A0496A, #8D5C6F, #7A6F73, #678278 and #54957D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A0496A shade: #A04999, #A04982, #A0496B, #A04954 and #A05649

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A0496A shade: #682F45, #843C58, #A0496A, #B55E7F and #C27A95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A0496A shade: #A0496A, #A09049 and #498DA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A0496A shade: #A0496A, #6BA049 and #496BA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A0496A shade: #A0496A, #A09049, #49A07F and #4959A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A0496A shade: #A0496A, #96A049, #49A07F and #5449A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 34 / 37

HEX #A0496A

RGB 160 73 106

HSL 337.24, 0.37%, 0.46%

LAB 43.18, 39.71, -1.65

 

Complementary color

CMYK 48 / 0 / 18 / 29

HEX #5FB695

RGB 95 182 149

HSL 157.24, 0.37%, 0.54%

LAB 68.06, -34.18, 8.77

 

CMYK 0 / 56 / 39 / 35

HEX #A54965

RGB 165 73 101

HSL 341.74, 0.39%, 0.47%

LAB 43.81, 40.84, 2.43

 

CMYK 0 / 50 / 34 / 29

HEX #B65B78

RGB 182 91 120

HSL 340.88, 0.38%, 0.54%

LAB 50.43, 39.98, 0.85

 

CMYK 0 / 45 / 30 / 22

HEX #C76D8B

RGB 199 109 139

HSL 340, 0.45%, 0.6%

LAB 57.02, 39.08, -0.47

 

CMYK 0 / 41 / 27 / 15

HEX #D87F9E

RGB 216 127 158

HSL 339.1, 0.53%, 0.67%

LAB 63.55, 38.21, -1.6

 

CMYK 0 / 38 / 24 / 9

HEX #E991B1

RGB 233 145 177

HSL 338.18, 0.67%, 0.74%

LAB 70, 37.37, -2.59

 

CMYK 0 / 54 / 34 / 37

HEX #A0496A

RGB 160 73 106

HSL 337.24, 0.37%, 0.46%

LAB 43.18, 39.71, -1.65

 

CMYK 0 / 62 / 39 / 44

HEX #8F3757

RGB 143 55 87

HSL 338.18, 0.44%, 0.39%

LAB 36.48, 40.43, 0.11

 

CMYK 0 / 71 / 46 / 51

HEX #7E2544

RGB 126 37 68

HSL 339.1, 0.55%, 0.32%

LAB 29.85, 40.81, 2.45

 

CMYK 0 / 83 / 55 / 57

HEX #6D1331

RGB 109 19 49

HSL 340, 0.7%, 0.25%

LAB 23.47, 40.4, 5.74

 

CMYK 0 / 99 / 67 / 64

HEX #5C011E

RGB 92 1 30

HSL 340.88, 0.98%, 0.18%

LAB 17.42, 38.95, 10.27

 

CMYK 0 / 54 / 34 / 37

HEX #A0496A

RGB 160 73 106

HSL 337.24, 0.37%, 0.46%

LAB 43.18, 39.71, -1.65

 

CMYK 0 / 54 / 48 / 37

HEX #A04953

RGB 160 73 83

HSL 353.1, 0.37%, 0.46%

LAB 42.56, 37.06, 11.65

 

CMYK 0 / 54 / 54 / 37

HEX #A04949

RGB 160 73 73

HSL 0, 0.37%, 0.46%

LAB 42.34, 36.11, 17.5

 

CMYK 0 / 54 / 34 / 37

HEX #A0496A

RGB 160 73 106

HSL 337.24, 0.37%, 0.46%

LAB 43.18, 39.71, -1.65

 

CMYK 0 / 54 / 19 / 37

HEX #A04982

RGB 160 73 130

HSL 320.69, 0.37%, 0.46%

LAB 44.02, 43.14, -15.1

 

CMYK 0 / 54 / 4 / 37

HEX #A04999

RGB 160 73 153

HSL 304.83, 0.37%, 0.46%

LAB 45, 46.98, -27.46

 

CMYK 10 / 54 / 0 / 37

HEX #9049A0

RGB 144 73 160

HSL 288.97, 0.37%, 0.46%

LAB 43.11, 43.74, -34.75

 

CMYK 25 / 54 / 0 / 37

HEX #7849A0

RGB 120 73 160

HSL 272.41, 0.37%, 0.46%

LAB 40.07, 37.07, -39.76

 

CMYK 0 / 54 / 34 / 37

HEX #A0496A

RGB 160 73 106

HSL 337.24, 0.37%, 0.46%

LAB 43.18, 39.71, -1.65

 

CMYK 0 / 70 / 43 / 30

HEX #B33666

RGB 179 54 102

HSL 336.96, 0.54%, 0.46%

LAB 43.04, 53.96, 0.99

 

CMYK 0 / 82 / 51 / 22

HEX #C62361

RGB 198 35 97

HSL 337.18, 0.7%, 0.46%

LAB 44.33, 64.71, 6.43

 

CMYK 0 / 93 / 57 / 15

HEX #D9105D

RGB 217 16 93

HSL 337.01, 0.86%, 0.46%

LAB 46.86, 72.4, 13.01

 

CMYK 0 / 54 / 34 / 37

HEX #A0496A

RGB 160 73 106

HSL 337.24, 0.37%, 0.46%

LAB 43.18, 39.71, -1.65

 

CMYK 0 / 35 / 21 / 45

HEX #8D5C6F

RGB 141 92 111

HSL 336.73, 0.21%, 0.46%

LAB 44.89, 22.96, -2.49

 

CMYK 0 / 9 / 6 / 52

HEX #7A6F73

RGB 122 111 115

HSL 338.18, 0.05%, 0.46%

LAB 47.94, 5.04, -0.67

 

CMYK 21 / 0 / 8 / 49

HEX #678278

RGB 103 130 120

HSL 157.78, 0.12%, 0.46%

LAB 52.07, -11.87, 2.22

 

CMYK 44 / 0 / 16 / 42

HEX #54957D

RGB 84 149 125

HSL 157.85, 0.28%, 0.46%

LAB 56.94, -26.7, 6.22

 

CMYK 0 / 54 / 4 / 37

HEX #A04999

RGB 160 73 153

HSL 304.83, 0.37%, 0.46%

LAB 45, 46.98, -27.46

 

CMYK 0 / 54 / 19 / 37

HEX #A04982

RGB 160 73 130

HSL 320.69, 0.37%, 0.46%

LAB 44.02, 43.14, -15.1

 

CMYK 0 / 54 / 33 / 37

HEX #A0496B

RGB 160 73 107

HSL 336.55, 0.37%, 0.46%

LAB 43.21, 39.84, -2.22

 

CMYK 0 / 54 / 48 / 37

HEX #A04954

RGB 160 73 84

HSL 352.41, 0.37%, 0.46%

LAB 42.58, 37.16, 11.07

 

CMYK 0 / 46 / 54 / 37

HEX #A05649

RGB 160 86 73

HSL 8.97, 0.37%, 0.46%

LAB 45.1, 29.15, 21.15

 

CMYK 0 / 55 / 34 / 59

HEX #682F45

RGB 104 47 69

HSL 336.84, 0.38%, 0.3%

LAB 27.86, 28.22, -1.58

 

CMYK 0 / 55 / 33 / 48

HEX #843C58

RGB 132 60 88

HSL 336.67, 0.38%, 0.38%

LAB 35.68, 34.16, -1.91

 

CMYK 0 / 54 / 34 / 37

HEX #A0496A

RGB 160 73 106

HSL 337.24, 0.37%, 0.46%

LAB 43.18, 39.71, -1.65

 

CMYK 0 / 48 / 30 / 29

HEX #B55E7F

RGB 181 94 127

HSL 337.24, 0.37%, 0.54%

LAB 51.11, 38.98, -2.36

 

CMYK 0 / 37 / 23 / 24

HEX #C27A95

RGB 194 122 149

HSL 337.5, 0.37%, 0.62%

LAB 59.49, 31.75, -2.72

 

CMYK 0 / 54 / 34 / 37

HEX #A0496A

RGB 160 73 106

HSL 337.24, 0.37%, 0.46%

LAB 43.18, 39.71, -1.65

 

CMYK 0 / 10 / 54 / 37

HEX #A09049

RGB 160 144 73

HSL 48.97, 0.37%, 0.46%

LAB 59.8, -3.51, 39.45

 

CMYK 54 / 12 / 0 / 37

HEX #498DA0

RGB 73 141 160

HSL 193.1, 0.37%, 0.46%

LAB 55.08, -15.99, -16.66

 

CMYK 0 / 54 / 34 / 37

HEX #A0496A

RGB 160 73 106

HSL 337.24, 0.37%, 0.46%

LAB 43.18, 39.71, -1.65

 

CMYK 33 / 0 / 54 / 37

HEX #6BA049

RGB 107 160 73

HSL 96.55, 0.37%, 0.46%

LAB 60.56, -33.41, 39.4

 

CMYK 54 / 33 / 0 / 37

HEX #496BA0

RGB 73 107 160

HSL 216.55, 0.37%, 0.46%

LAB 44.9, 3.75, -32.39

 

CMYK 0 / 54 / 34 / 37

HEX #A0496A

RGB 160 73 106

HSL 337.24, 0.37%, 0.46%

LAB 43.18, 39.71, -1.65

 

CMYK 0 / 10 / 54 / 37

HEX #A09049

RGB 160 144 73

HSL 48.97, 0.37%, 0.46%

LAB 59.8, -3.51, 39.45

 

CMYK 54 / 0 / 21 / 37

HEX #49A07F

RGB 73 160 127

HSL 157.24, 0.37%, 0.46%

LAB 59.97, -34.34, 9.35

 

CMYK 54 / 44 / 0 / 37

HEX #4959A0

RGB 73 89 160

HSL 228.97, 0.37%, 0.46%

LAB 39.75, 15.09, -40.54

 

CMYK 0 / 54 / 34 / 37

HEX #A0496A

RGB 160 73 106

HSL 337.24, 0.37%, 0.46%

LAB 43.18, 39.71, -1.65

 

CMYK 6 / 0 / 54 / 37

HEX #96A049

RGB 150 160 73

HSL 66.9, 0.37%, 0.46%

LAB 63.43, -16.35, 43.49

 

CMYK 54 / 0 / 21 / 37

HEX #49A07F

RGB 73 160 127

HSL 157.24, 0.37%, 0.46%

LAB 59.97, -34.34, 9.35

 

CMYK 48 / 54 / 0 / 37

HEX #5449A0

RGB 84 73 160

HSL 247.59, 0.37%, 0.46%

LAB 36.34, 27.86, -45.94

 

Description

Color code: HEX #A0496A | qconv.com Color code: HEX #A0496A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 73 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 73 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 34 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 34% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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