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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A0429E it is the complementary color #5FBD61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A0429E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A0429E shade: #A54299, #B654AC, #C766BF, #D878D2 and #E98AE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A0429E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A0429E shade: #A0429E, #8F308B, #7E1E78, #6D0C65 and #5C0052

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A0429E shade: #9F419D, #9F4183, #9F416A, #9F4151 and #9F4141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A0429E shade: #9F419D, #87419F, #6E419F, #55419F and #41419F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A0429E shade matches the following richer shades: #9F419D, #B12EAE, #C31CC0 and #D50AD1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A0429E shade: #9F419D, #8D538B, #7B657A, #687769 and #568957

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A0429E shade: #6E419F, #87419F, #9F419D, #9F4184 and #9F416B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A0429E shade: #642963, #823580, #9F419D, #B851B5 and #C46EC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A0429E shade: #A0429E, #9F5541 and #419F7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A0429E shade: #A0429E, #9D9F41 and #419D9F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A0429E shade: #A0429E, #9F5541, #419F42 and #418A9F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A0429E shade: #A0429E, #9F7141, #419F42 and #416E9F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 1 / 37

HEX #A0429E

RGB 160 66 158

HSL 301.28, 0.42%, 0.44%

LAB 44, 51.22, -32.01

 

Complementary color

CMYK 50 / 0 / 49 / 26

HEX #5FBD61

RGB 95 189 97

HSL 121.28, 0.42%, 0.56%

LAB 69.25, -46.78, 37.93

 

CMYK 0 / 60 / 7 / 35

HEX #A54299

RGB 165 66 153

HSL 307.27, 0.43%, 0.45%

LAB 44.51, 51.72, -28.16

 

CMYK 0 / 54 / 5 / 29

HEX #B654AC

RGB 182 84 172

HSL 306.12, 0.4%, 0.52%

LAB 50.99, 51.31, -29.12

 

CMYK 0 / 49 / 4 / 22

HEX #C766BF

RGB 199 102 191

HSL 304.95, 0.46%, 0.59%

LAB 57.47, 50.72, -29.87

 

CMYK 0 / 44 / 3 / 15

HEX #D878D2

RGB 216 120 210

HSL 303.75, 0.55%, 0.66%

LAB 63.91, 50.04, -30.48

 

CMYK 0 / 41 / 2 / 9

HEX #E98AE5

RGB 233 138 229

HSL 302.53, 0.68%, 0.73%

LAB 70.29, 49.32, -31

 

CMYK 0 / 59 / 1 / 37

HEX #A0429E

RGB 160 66 158

HSL 301.28, 0.42%, 0.44%

LAB 44, 51.22, -32.01

 

CMYK 0 / 66 / 3 / 44

HEX #8F308B

RGB 143 48 139

HSL 302.53, 0.5%, 0.37%

LAB 37.51, 51.3, -30.89

 

CMYK 0 / 76 / 5 / 51

HEX #7E1E78

RGB 126 30 120

HSL 303.75, 0.62%, 0.31%

LAB 31.16, 50.71, -29.28

 

CMYK 0 / 89 / 7 / 57

HEX #6D0C65

RGB 109 12 101

HSL 304.95, 0.8%, 0.24%

LAB 25.12, 48.85, -26.85

 

CMYK 0 / 100 / 11 / 64

HEX #5C0052

RGB 92 0 82

HSL 306.52, 1%, 0.18%

LAB 19.58, 45.04, -23.21

 

CMYK 0 / 59 / 1 / 38

HEX #9F419D

RGB 159 65 157

HSL 301.28, 0.42%, 0.44%

LAB 43.63, 51.23, -32

 

CMYK 0 / 59 / 18 / 38

HEX #9F4183

RGB 159 65 131

HSL 317.87, 0.42%, 0.44%

LAB 42.45, 46.88, -18.12

 

CMYK 0 / 59 / 33 / 38

HEX #9F416A

RGB 159 65 106

HSL 333.83, 0.42%, 0.44%

LAB 41.52, 43.34, -4.12

 

CMYK 0 / 59 / 49 / 38

HEX #9F4151

RGB 159 65 81

HSL 349.79, 0.42%, 0.44%

LAB 40.81, 40.52, 10.44

 

CMYK 0 / 59 / 59 / 38

HEX #9F4141

RGB 159 65 65

HSL 0, 0.42%, 0.44%

LAB 40.46, 39.12, 19.9

 

CMYK 0 / 59 / 1 / 38

HEX #9F419D

RGB 159 65 157

HSL 301.28, 0.42%, 0.44%

LAB 43.63, 51.23, -32

 

CMYK 15 / 59 / 0 / 38

HEX #87419F

RGB 135 65 159

HSL 284.68, 0.42%, 0.44%

LAB 40.3, 45.19, -38.68

 

CMYK 31 / 59 / 0 / 38

HEX #6E419F

RGB 110 65 159

HSL 268.72, 0.42%, 0.44%

LAB 37.11, 38.71, -43.96

 

CMYK 47 / 59 / 0 / 38

HEX #55419F

RGB 85 65 159

HSL 252.77, 0.42%, 0.44%

LAB 34.43, 32.74, -48.42

 

CMYK 59 / 59 / 0 / 38

HEX #41419F

RGB 65 65 159

HSL 240, 0.42%, 0.44%

LAB 32.72, 28.61, -51.27

 

CMYK 0 / 59 / 1 / 38

HEX #9F419D

RGB 159 65 157

HSL 301.28, 0.42%, 0.44%

LAB 43.63, 51.23, -32

 

CMYK 0 / 74 / 2 / 31

HEX #B12EAE

RGB 177 46 174

HSL 301.37, 0.59%, 0.44%

LAB 44.74, 65.85, -40.17

 

CMYK 0 / 86 / 2 / 24

HEX #C31CC0

RGB 195 28 192

HSL 301.08, 0.75%, 0.44%

LAB 47.29, 76.62, -46.51

 

CMYK 0 / 95 / 2 / 16

HEX #D50AD1

RGB 213 10 209

HSL 301.18, 0.91%, 0.44%

LAB 50.65, 84.45, -50.79

 

CMYK 0 / 59 / 1 / 38

HEX #9F419D

RGB 159 65 157

HSL 301.28, 0.42%, 0.44%

LAB 43.63, 51.23, -32

 

CMYK 0 / 41 / 1 / 45

HEX #8D538B

RGB 141 83 139

HSL 302.07, 0.26%, 0.44%

LAB 43.82, 33.16, -21.08

 

CMYK 0 / 18 / 1 / 52

HEX #7B657A

RGB 123 101 122

HSL 302.73, 0.1%, 0.44%

LAB 45.53, 12.78, -8.42

 

CMYK 13 / 0 / 12 / 53

HEX #687769

RGB 104 119 105

HSL 124, 0.07%, 0.44%

LAB 48.46, -8.5, 5.83

 

CMYK 37 / 0 / 36 / 46

HEX #568957

RGB 86 137 87

HSL 121.18, 0.23%, 0.44%

LAB 52.46, -27.91, 21.57

 

CMYK 31 / 59 / 0 / 38

HEX #6E419F

RGB 110 65 159

HSL 268.72, 0.42%, 0.44%

LAB 37.11, 38.71, -43.96

 

CMYK 15 / 59 / 0 / 38

HEX #87419F

RGB 135 65 159

HSL 284.68, 0.42%, 0.44%

LAB 40.3, 45.19, -38.68

 

CMYK 0 / 59 / 1 / 38

HEX #9F419D

RGB 159 65 157

HSL 301.28, 0.42%, 0.44%

LAB 43.63, 51.23, -32

 

CMYK 0 / 59 / 17 / 38

HEX #9F4184

RGB 159 65 132

HSL 317.23, 0.42%, 0.44%

LAB 42.49, 47.04, -18.67

 

CMYK 0 / 59 / 33 / 38

HEX #9F416B

RGB 159 65 107

HSL 333.19, 0.42%, 0.44%

LAB 41.55, 43.47, -4.69

 

CMYK 0 / 59 / 1 / 61

HEX #642963

RGB 100 41 99

HSL 301.02, 0.42%, 0.28%

LAB 27.29, 35.26, -22.23

 

CMYK 0 / 59 / 2 / 49

HEX #823580

RGB 130 53 128

HSL 301.56, 0.42%, 0.36%

LAB 35.69, 43.57, -27.1

 

CMYK 0 / 59 / 1 / 38

HEX #9F419D

RGB 159 65 157

HSL 301.28, 0.42%, 0.44%

LAB 43.63, 51.23, -32

 

CMYK 0 / 56 / 2 / 28

HEX #B851B5

RGB 184 81 181

HSL 301.75, 0.42%, 0.52%

LAB 51.17, 54.85, -34.08

 

CMYK 0 / 44 / 1 / 23

HEX #C46EC2

RGB 196 110 194

HSL 301.4, 0.42%, 0.6%

LAB 58.77, 46.3, -29.59

 

CMYK 0 / 59 / 1 / 37

HEX #A0429E

RGB 160 66 158

HSL 301.28, 0.42%, 0.44%

LAB 44, 51.22, -32.01

 

CMYK 0 / 47 / 59 / 38

HEX #9F5541

RGB 159 85 65

HSL 12.77, 0.42%, 0.44%

LAB 44.59, 28.61, 25.21

 

CMYK 59 / 0 / 23 / 38

HEX #419F7B

RGB 65 159 123

HSL 157.02, 0.42%, 0.44%

LAB 59.3, -36.61, 10.61

 

CMYK 0 / 59 / 1 / 37

HEX #A0429E

RGB 160 66 158

HSL 301.28, 0.42%, 0.44%

LAB 44, 51.22, -32.01

 

CMYK 1 / 0 / 59 / 38

HEX #9D9F41

RGB 157 159 65

HSL 61.28, 0.42%, 0.44%

LAB 63.63, -13.5, 47.64

 

CMYK 59 / 1 / 0 / 38

HEX #419D9F

RGB 65 157 159

HSL 181.28, 0.42%, 0.44%

LAB 59.65, -26.27, -9.22

 

CMYK 0 / 59 / 1 / 37

HEX #A0429E

RGB 160 66 158

HSL 301.28, 0.42%, 0.44%

LAB 44, 51.22, -32.01

 

CMYK 0 / 47 / 59 / 38

HEX #9F5541

RGB 159 85 65

HSL 12.77, 0.42%, 0.44%

LAB 44.59, 28.61, 25.21

 

CMYK 59 / 0 / 58 / 38

HEX #419F42

RGB 65 159 66

HSL 120.64, 0.42%, 0.44%

LAB 58.33, -46.87, 39.73

 

CMYK 59 / 13 / 0 / 38

HEX #418A9F

RGB 65 138 159

HSL 193.4, 0.42%, 0.44%

LAB 53.82, -16.35, -18.03

 

CMYK 0 / 59 / 1 / 37

HEX #A0429E

RGB 160 66 158

HSL 301.28, 0.42%, 0.44%

LAB 44, 51.22, -32.01

 

CMYK 0 / 29 / 59 / 38

HEX #9F7141

RGB 159 113 65

HSL 30.64, 0.42%, 0.44%

LAB 51.34, 12.77, 33.53

 

CMYK 59 / 0 / 58 / 38

HEX #419F42

RGB 65 159 66

HSL 120.64, 0.42%, 0.44%

LAB 58.33, -46.87, 39.73

 

CMYK 59 / 31 / 0 / 38

HEX #416E9F

RGB 65 110 159

HSL 211.28, 0.42%, 0.44%

LAB 45.33, -0.21, -31.15

 

Description

Color code: HEX #A0429E | qconv.com Color code: HEX #A0429E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 66 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 66 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 1 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 1% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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