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Color name
HEX #A04A11

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A04A11 it is the complementary color #5FB5EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A04A11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A04A11 shade: #A54A0C, #B65C1F, #C76E32, #D88045 and #E99258

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A04A11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A04A11 shade: #A04A11, #8F3800, #7E2600, #6D1400 and #5C0200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A04A11 shade: #A14A10, #A12310 and #A11010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A04A11 shade: #A14A10, #A17110, #A19810, #83A110 and #5CA110

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A04A11 shade matches the following richer shades: #A14A10 and #AF4702

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A04A11 shade: #A14A10, #934D1F, #84502D, #76533C and #67564A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A04A11 shade: #A11026, #A12110, #A14810, #A16E10 and #A19510

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A04A11 shade: #562809, #7C390D, #A14A10, #C65B14 and #E76E1D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A04A11 shade: #A04A11, #4DA110 and #1013A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A04A11 shade: #A04A11, #10A148 and #4810A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A04A11 shade: #A04A11, #4DA110, #106AA1 and #6510A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A04A11 shade: #A04A11, #21A110, #106AA1 and #9010A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 89 / 37

HEX #A04A11

RGB 160 74 17

HSL 23.92, 0.81%, 0.35%

LAB 41.86, 32.56, 46.75

 

Complementary color

CMYK 60 / 24 / 0 / 7

HEX #5FB5EE

RGB 95 181 238

HSL 203.92, 0.81%, 0.65%

LAB 70.63, -9.4, -36.22

 

CMYK 0 / 55 / 93 / 35

HEX #A54A0C

RGB 165 74 12

HSL 24.31, 0.86%, 0.35%

LAB 42.65, 34.51, 49.32

 

CMYK 0 / 49 / 83 / 29

HEX #B65C1F

RGB 182 92 31

HSL 24.24, 0.71%, 0.42%

LAB 49.13, 32.5, 48.81

 

CMYK 0 / 45 / 75 / 22

HEX #C76E32

RGB 199 110 50

HSL 24.16, 0.6%, 0.49%

LAB 55.61, 30.66, 47.39

 

CMYK 0 / 41 / 68 / 15

HEX #D88045

RGB 216 128 69

HSL 24.08, 0.65%, 0.56%

LAB 62.06, 29.01, 45.7

 

CMYK 0 / 37 / 62 / 9

HEX #E99258

RGB 233 146 88

HSL 24, 0.77%, 0.63%

LAB 68.45, 27.54, 44

 

CMYK 0 / 54 / 89 / 37

HEX #A04A11

RGB 160 74 17

HSL 23.92, 0.81%, 0.35%

LAB 41.86, 32.56, 46.75

 

CMYK 0 / 61 / 100 / 44

HEX #8F3800

RGB 143 56 0

HSL 23.5, 1%, 0.28%

LAB 35.34, 34.62, 46.61

 

CMYK 0 / 70 / 100 / 51

HEX #7E2600

RGB 126 38 0

HSL 18.1, 1%, 0.25%

LAB 28.96, 36.59, 40.86

 

CMYK 0 / 82 / 100 / 57

HEX #6D1400

RGB 109 20 0

HSL 11.01, 1%, 0.21%

LAB 22.83, 37.68, 33.95

 

CMYK 0 / 98 / 100 / 64

HEX #5C0200

RGB 92 2 0

HSL 1.3, 1%, 0.18%

LAB 17.08, 37.43, 26.39

 

CMYK 0 / 54 / 90 / 37

HEX #A14A10

RGB 161 74 16

HSL 24, 0.82%, 0.35%

LAB 42.02, 32.95, 47.29

 

CMYK 0 / 78 / 90 / 37

HEX #A12310

RGB 161 35 16

HSL 7.86, 0.82%, 0.35%

LAB 35.63, 50, 42.38

 

CMYK 0 / 90 / 90 / 37

HEX #A11010

RGB 161 16 16

HSL 0, 0.82%, 0.35%

LAB 33.95, 54.75, 41.1

 

CMYK 0 / 54 / 90 / 37

HEX #A14A10

RGB 161 74 16

HSL 24, 0.82%, 0.35%

LAB 42.02, 32.95, 47.29

 

CMYK 0 / 30 / 90 / 37

HEX #A17110

RGB 161 113 16

HSL 40.14, 0.82%, 0.35%

LAB 51.18, 11.24, 54.44

 

CMYK 0 / 6 / 90 / 37

HEX #A19810

RGB 161 152 16

HSL 56.28, 0.82%, 0.35%

LAB 61.72, -10.32, 62.74

 

CMYK 19 / 0 / 90 / 37

HEX #83A110

RGB 131 161 16

HSL 72.41, 0.82%, 0.35%

LAB 61.96, -28.11, 61.95

 

CMYK 43 / 0 / 90 / 37

HEX #5CA110

RGB 92 161 16

HSL 88.55, 0.82%, 0.35%

LAB 59.71, -43.24, 59.17

 

CMYK 0 / 54 / 90 / 37

HEX #A14A10

RGB 161 74 16

HSL 24, 0.82%, 0.35%

LAB 42.02, 32.95, 47.29

 

CMYK 0 / 59 / 99 / 31

HEX #AF4702

RGB 175 71 2

HSL 23.93, 0.98%, 0.35%

LAB 43.69, 39.83, 53.56

 

CMYK 0 / 54 / 90 / 37

HEX #A14A10

RGB 161 74 16

HSL 24, 0.82%, 0.35%

LAB 42.02, 32.95, 47.29

 

CMYK 0 / 48 / 79 / 42

HEX #934D1F

RGB 147 77 31

HSL 23.79, 0.65%, 0.35%

LAB 40.59, 25.89, 38.89

 

CMYK 0 / 39 / 66 / 48

HEX #84502D

RGB 132 80 45

HSL 24.14, 0.49%, 0.35%

LAB 39.3, 18.33, 29.44

 

CMYK 0 / 30 / 49 / 54

HEX #76533C

RGB 118 83 60

HSL 23.79, 0.33%, 0.35%

LAB 38.49, 11.57, 19.24

 

CMYK 0 / 17 / 28 / 60

HEX #67564A

RGB 103 86 74

HSL 24.83, 0.16%, 0.35%

LAB 37.9, 4.94, 9.59

 

CMYK 0 / 90 / 76 / 37

HEX #A11026

RGB 161 16 38

HSL 350.9, 0.82%, 0.35%

LAB 34.16, 55.37, 28.96

 

CMYK 0 / 80 / 90 / 37

HEX #A12110

RGB 161 33 16

HSL 7.03, 0.82%, 0.35%

LAB 35.4, 50.63, 42.21

 

CMYK 0 / 55 / 90 / 37

HEX #A14810

RGB 161 72 16

HSL 23.17, 0.82%, 0.35%

LAB 41.61, 34, 46.98

 

CMYK 0 / 32 / 90 / 37

HEX #A16E10

RGB 161 110 16

HSL 38.9, 0.82%, 0.35%

LAB 50.41, 12.94, 53.84

 

CMYK 0 / 7 / 90 / 37

HEX #A19510

RGB 161 149 16

HSL 55.03, 0.82%, 0.35%

LAB 60.88, -8.73, 62.08

 

CMYK 0 / 53 / 90 / 66

HEX #562809

RGB 86 40 9

HSL 24.16, 0.81%, 0.19%

LAB 22, 19.02, 28.03

 

CMYK 0 / 54 / 90 / 51

HEX #7C390D

RGB 124 57 13

HSL 23.78, 0.81%, 0.27%

LAB 32.35, 26.44, 38.13

 

CMYK 0 / 54 / 90 / 37

HEX #A14A10

RGB 161 74 16

HSL 24, 0.82%, 0.35%

LAB 42.02, 32.95, 47.29

 

CMYK 0 / 54 / 90 / 22

HEX #C65B14

RGB 198 91 20

HSL 23.93, 0.82%, 0.43%

LAB 51.31, 39.18, 55.64

 

CMYK 0 / 52 / 87 / 9

HEX #E76E1D

RGB 231 110 29

HSL 24.06, 0.81%, 0.51%

LAB 60.1, 42.76, 61.7

 

CMYK 0 / 54 / 89 / 37

HEX #A04A11

RGB 160 74 17

HSL 23.92, 0.81%, 0.35%

LAB 41.86, 32.56, 46.75

 

CMYK 52 / 0 / 90 / 37

HEX #4DA110

RGB 77 161 16

HSL 94.76, 0.82%, 0.35%

LAB 59.07, -48.09, 58.37

 

CMYK 90 / 88 / 0 / 37

HEX #1013A1

RGB 16 19 161

HSL 238.76, 0.82%, 0.35%

LAB 20.63, 50.48, -72.48

 

CMYK 0 / 54 / 89 / 37

HEX #A04A11

RGB 160 74 17

HSL 23.92, 0.81%, 0.35%

LAB 41.86, 32.56, 46.75

 

CMYK 90 / 0 / 55 / 37

HEX #10A148

RGB 16 161 72

HSL 143.17, 0.82%, 0.35%

LAB 58.1, -54.54, 36.29

 

CMYK 55 / 90 / 0 / 37

HEX #4810A1

RGB 72 16 161

HSL 263.17, 0.82%, 0.35%

LAB 24.71, 54.86, -65.59

 

CMYK 0 / 54 / 89 / 37

HEX #A04A11

RGB 160 74 17

HSL 23.92, 0.81%, 0.35%

LAB 41.86, 32.56, 46.75

 

CMYK 52 / 0 / 90 / 37

HEX #4DA110

RGB 77 161 16

HSL 94.76, 0.82%, 0.35%

LAB 59.07, -48.09, 58.37

 

CMYK 90 / 34 / 0 / 37

HEX #106AA1

RGB 16 106 161

HSL 202.76, 0.82%, 0.35%

LAB 42.75, -3.8, -36.49

 

CMYK 37 / 90 / 0 / 37

HEX #6510A1

RGB 101 16 161

HSL 275.17, 0.82%, 0.35%

LAB 28.67, 58.19, -58.92

 

CMYK 0 / 54 / 89 / 37

HEX #A04A11

RGB 160 74 17

HSL 23.92, 0.81%, 0.35%

LAB 41.86, 32.56, 46.75

 

CMYK 80 / 0 / 90 / 37

HEX #21A110

RGB 33 161 16

HSL 112.97, 0.82%, 0.35%

LAB 57.89, -57.86, 56.9

 

CMYK 90 / 34 / 0 / 37

HEX #106AA1

RGB 16 106 161

HSL 202.76, 0.82%, 0.35%

LAB 42.75, -3.8, -36.49

 

CMYK 11 / 90 / 0 / 37

HEX #9010A1

RGB 144 16 161

HSL 292.97, 0.82%, 0.35%

LAB 35.74, 64.76, -47.11

 

Description

Color code: HEX #A04A11 | qconv.com Color code: HEX #A04A11 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 74 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 74 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 89 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 89% 37% C M Y K

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Provide designers and agencies with accurate color values.

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