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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A059EE it is the complementary color #5FA611. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A059EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A059EE shade: #A559E9, #B66BFC, #C77DFF, #D88FFF and #E9A1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A059EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A059EE shade: #A059EE, #8F47DB, #7E35C8, #6D23B5 and #5C11A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A059EE shade: #9F58ED, #C758ED, #ED58EB, #ED58C3 and #ED589A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A059EE shade: #9F58ED, #7758ED and #5858ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A059EE shade matches the following richer shades: #9F58ED and #9F49FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A059EE shade: #9F58ED, #A067DE, #A176CF, #A185C0 and #A294B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A059EE shade: #5862ED, #7658ED, #9E58ED, #C558ED and #ED58ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A059EE shade: #7517DC, #8A33E9, #9F58ED, #B57EF1 and #CAA3F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A059EE shade: #A059EE, #ED588A and #58ED62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A059EE shade: #A059EE, #ED9E58 and #58ED9E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A059EE shade: #A059EE, #ED588A, #A8ED58 and #58EDBB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A059EE shade: #A059EE, #ED585D, #A8ED58 and #58EDE8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 63 / 0 / 7

HEX #A059EE

RGB 160 89 238

HSL 268.59, 0.81%, 0.64%

LAB 52.72, 56.99, -64.32

 

Complementary color

CMYK 43 / 0 / 90 / 35

HEX #5FA611

RGB 95 166 17

HSL 88.59, 0.81%, 0.36%

LAB 61.43, -44.23, 60.49

 

CMYK 29 / 62 / 0 / 9

HEX #A559E9

RGB 165 89 233

HSL 271.67, 0.77%, 0.63%

LAB 52.98, 56.9, -61.06

 

CMYK 28 / 58 / 0 / 1

HEX #B66BFC

RGB 182 107 252

HSL 271.03, 0.96%, 0.7%

LAB 59.42, 56.1, -61.19

 

CMYK 22 / 51 / 0 / 0

HEX #C77DFF

RGB 199 125 255

HSL 274.15, 1%, 0.75%

LAB 64.99, 51.67, -53.86

 

CMYK 15 / 44 / 0 / 0

HEX #D88FFF

RGB 216 143 255

HSL 279.11, 1%, 0.78%

LAB 70.5, 46.8, -45.04

 

CMYK 9 / 37 / 0 / 0

HEX #E9A1FF

RGB 233 161 255

HSL 285.96, 1%, 0.82%

LAB 76.09, 42.22, -36.19

 

CMYK 33 / 63 / 0 / 7

HEX #A059EE

RGB 160 89 238

HSL 268.59, 0.81%, 0.64%

LAB 52.72, 56.99, -64.32

 

CMYK 35 / 68 / 0 / 14

HEX #8F47DB

RGB 143 71 219

HSL 269.19, 0.67%, 0.57%

LAB 46.26, 57.74, -64.12

 

CMYK 37 / 74 / 0 / 22

HEX #7E35C8

RGB 126 53 200

HSL 269.8, 0.58%, 0.5%

LAB 39.84, 58.22, -63.71

 

CMYK 40 / 81 / 0 / 29

HEX #6D23B5

RGB 109 35 181

HSL 270.41, 0.68%, 0.42%

LAB 33.54, 58.15, -62.91

 

CMYK 43 / 90 / 0 / 36

HEX #5C11A2

RGB 92 17 162

HSL 271.03, 0.81%, 0.35%

LAB 27.53, 57.02, -61.45

 

CMYK 33 / 63 / 0 / 7

HEX #9F58ED

RGB 159 88 237

HSL 268.59, 0.81%, 0.64%

LAB 52.36, 57.03, -64.34

 

CMYK 16 / 63 / 0 / 7

HEX #C758ED

RGB 199 88 237

HSL 284.7, 0.81%, 0.64%

LAB 57.3, 65.86, -56.14

 

CMYK 0 / 63 / 1 / 7

HEX #ED58EB

RGB 237 88 235

HSL 300.81, 0.81%, 0.64%

LAB 62.49, 74.27, -46.45

 

CMYK 0 / 63 / 18 / 7

HEX #ED58C3

RGB 237 88 195

HSL 316.91, 0.81%, 0.64%

LAB 60.71, 68.24, -26.69

 

CMYK 0 / 63 / 35 / 7

HEX #ED589A

RGB 237 88 154

HSL 333.42, 0.81%, 0.64%

LAB 59.27, 63.09, -5.26

 

CMYK 33 / 63 / 0 / 7

HEX #9F58ED

RGB 159 88 237

HSL 268.59, 0.81%, 0.64%

LAB 52.36, 57.03, -64.34

 

CMYK 50 / 63 / 0 / 7

HEX #7758ED

RGB 119 88 237

HSL 252.48, 0.81%, 0.64%

LAB 48.28, 49.09, -71.15

 

CMYK 63 / 63 / 0 / 7

HEX #5858ED

RGB 88 88 237

HSL 240, 0.81%, 0.64%

LAB 45.86, 44.02, -75.19

 

CMYK 33 / 63 / 0 / 7

HEX #9F58ED

RGB 159 88 237

HSL 268.59, 0.81%, 0.64%

LAB 52.36, 57.03, -64.34

 

CMYK 37 / 71 / 0 / 1

HEX #9F49FC

RGB 159 73 252

HSL 268.83, 0.97%, 0.64%

LAB 50.88, 67.54, -75.12

 

CMYK 33 / 63 / 0 / 7

HEX #9F58ED

RGB 159 88 237

HSL 268.59, 0.81%, 0.64%

LAB 52.36, 57.03, -64.34

 

CMYK 28 / 54 / 0 / 13

HEX #A067DE

RGB 160 103 222

HSL 268.74, 0.64%, 0.64%

LAB 54.5, 45.88, -52.47

 

CMYK 22 / 43 / 0 / 19

HEX #A176CF

RGB 161 118 207

HSL 268.99, 0.48%, 0.64%

LAB 57.11, 34.27, -39.85

 

CMYK 16 / 31 / 0 / 25

HEX #A185C0

RGB 161 133 192

HSL 268.47, 0.32%, 0.64%

LAB 60.03, 22.28, -26.82

 

CMYK 9 / 17 / 0 / 30

HEX #A294B2

RGB 162 148 178

HSL 268, 0.16%, 0.64%

LAB 63.41, 11.02, -13.75

 

CMYK 63 / 59 / 0 / 7

HEX #5862ED

RGB 88 98 237

HSL 235.97, 0.81%, 0.64%

LAB 48.16, 38.04, -71.44

 

CMYK 50 / 63 / 0 / 7

HEX #7658ED

RGB 118 88 237

HSL 252.08, 0.81%, 0.64%

LAB 48.19, 48.91, -71.29

 

CMYK 33 / 63 / 0 / 7

HEX #9E58ED

RGB 158 88 237

HSL 268.19, 0.81%, 0.64%

LAB 52.25, 56.82, -64.53

 

CMYK 17 / 63 / 0 / 7

HEX #C558ED

RGB 197 88 237

HSL 283.89, 0.81%, 0.64%

LAB 57.04, 65.41, -56.57

 

CMYK 0 / 63 / 0 / 7

HEX #ED58ED

RGB 237 88 237

HSL 300, 0.81%, 0.64%

LAB 62.59, 74.6, -47.41

 

CMYK 47 / 90 / 0 / 14

HEX #7517DC

RGB 117 23 220

HSL 268.63, 0.81%, 0.48%

LAB 37.04, 71.51, -79.89

 

CMYK 41 / 78 / 0 / 9

HEX #8A33E9

RGB 138 51 233

HSL 268.68, 0.81%, 0.56%

LAB 43.73, 68.65, -76.22

 

CMYK 33 / 63 / 0 / 7

HEX #9F58ED

RGB 159 88 237

HSL 268.59, 0.81%, 0.64%

LAB 52.36, 57.03, -64.34

 

CMYK 25 / 48 / 0 / 5

HEX #B57EF1

RGB 181 126 241

HSL 268.7, 0.8%, 0.72%

LAB 62.59, 43.28, -50.08

 

CMYK 18 / 33 / 0 / 4

HEX #CAA3F5

RGB 202 163 245

HSL 268.54, 0.8%, 0.8%

LAB 73.12, 29.82, -35.63

 

CMYK 33 / 63 / 0 / 7

HEX #A059EE

RGB 160 89 238

HSL 268.59, 0.81%, 0.64%

LAB 52.72, 56.99, -64.32

 

CMYK 0 / 63 / 42 / 7

HEX #ED588A

RGB 237 88 138

HSL 339.87, 0.81%, 0.64%

LAB 58.81, 61.4, 3.4

 

CMYK 63 / 0 / 59 / 7

HEX #58ED62

RGB 88 237 98

HSL 124.03, 0.81%, 0.64%

LAB 83.72, -66.34, 54.76

 

CMYK 33 / 63 / 0 / 7

HEX #A059EE

RGB 160 89 238

HSL 268.59, 0.81%, 0.64%

LAB 52.72, 56.99, -64.32

 

CMYK 0 / 33 / 63 / 7

HEX #ED9E58

RGB 237 158 88

HSL 28.19, 0.81%, 0.64%

LAB 71.67, 22.81, 47.89

 

CMYK 63 / 0 / 33 / 7

HEX #58ED9E

RGB 88 237 158

HSL 148.19, 0.81%, 0.64%

LAB 84.54, -57.18, 26.86

 

CMYK 33 / 63 / 0 / 7

HEX #A059EE

RGB 160 89 238

HSL 268.59, 0.81%, 0.64%

LAB 52.72, 56.99, -64.32

 

CMYK 0 / 63 / 42 / 7

HEX #ED588A

RGB 237 88 138

HSL 339.87, 0.81%, 0.64%

LAB 58.81, 61.4, 3.4

 

CMYK 29 / 0 / 63 / 7

HEX #A8ED58

RGB 168 237 88

HSL 87.79, 0.81%, 0.64%

LAB 86.8, -44.39, 63.31

 

CMYK 63 / 0 / 21 / 7

HEX #58EDBB

RGB 88 237 187

HSL 159.87, 0.81%, 0.64%

LAB 85.11, -51.17, 12.66

 

CMYK 33 / 63 / 0 / 7

HEX #A059EE

RGB 160 89 238

HSL 268.59, 0.81%, 0.64%

LAB 52.72, 56.99, -64.32

 

CMYK 0 / 63 / 61 / 7

HEX #ED585D

RGB 237 88 93

HSL 357.99, 0.81%, 0.64%

LAB 57.82, 57.71, 28.29

 

CMYK 29 / 0 / 63 / 7

HEX #A8ED58

RGB 168 237 88

HSL 87.79, 0.81%, 0.64%

LAB 86.8, -44.39, 63.31

 

CMYK 63 / 0 / 2 / 7

HEX #58EDE8

RGB 88 237 232

HSL 177.99, 0.81%, 0.64%

LAB 86.24, -40.12, -9.3

 

Description

Color code: HEX #A059EE | qconv.com Color code: HEX #A059EE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 89 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 89 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 63 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 63% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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