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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A051BB it is the complementary color #5FAE44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A051BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A051BB shade: #A551B6, #B663C9, #C775DC, #D887EF and #E999FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A051BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A051BB shade: #A051BB, #8F3FA8, #7E2D95, #6D1B82 and #5C096F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A051BB shade: #A152BB, #BB52BA, #BB529D, #BB5281 and #BB5264

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A051BB shade: #A152BB, #8452BB, #6852BB and #5252BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A051BB shade matches the following richer shades: #A152BB, #AA3FCF, #B42BE2 and #BD18F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A051BB shade: #A152BB, #9765A8, #8D7995, #848C81 and #7A9F6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A051BB shade: #6752BB, #8352BB, #9F52BB, #BB52BB and #BB529F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A051BB shade: #723487, #8B40A4, #A152BB, #B170C7 and #C18DD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A051BB shade: #A051BB, #BB5259 and #52BB75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A051BB shade: #A051BB, #BB9F52 and #52BB9F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A051BB shade: #A051BB, #BB5259, #6EBB52 and #52BBB4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A051BB shade: #A051BB, #BB6B52, #6EBB52 and #52A3BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 57 / 0 / 27

HEX #A051BB

RGB 160 81 187

HSL 284.72, 0.44%, 0.53%

LAB 48.19, 49.58, -42.48

 

Complementary color

CMYK 45 / 0 / 61 / 32

HEX #5FAE44

RGB 95 174 68

HSL 104.72, 0.44%, 0.47%

LAB 64.26, -44.16, 45.91

 

CMYK 9 / 55 / 0 / 29

HEX #A551B6

RGB 165 81 182

HSL 289.9, 0.41%, 0.52%

LAB 48.59, 49.89, -38.9

 

CMYK 9 / 51 / 0 / 21

HEX #B663C9

RGB 182 99 201

HSL 288.82, 0.49%, 0.59%

LAB 55.16, 49.24, -39.35

 

CMYK 10 / 47 / 0 / 14

HEX #C775DC

RGB 199 117 220

HSL 287.77, 0.6%, 0.66%

LAB 61.68, 48.5, -39.7

 

CMYK 10 / 44 / 0 / 6

HEX #D887EF

RGB 216 135 239

HSL 286.73, 0.76%, 0.73%

LAB 68.14, 47.75, -39.99

 

CMYK 9 / 40 / 0 / 0

HEX #E999FF

RGB 233 153 255

HSL 287.06, 1%, 0.8%

LAB 74.4, 46.41, -38.82

 

CMYK 14 / 57 / 0 / 27

HEX #A051BB

RGB 160 81 187

HSL 284.72, 0.44%, 0.53%

LAB 48.19, 49.58, -42.48

 

CMYK 15 / 63 / 0 / 34

HEX #8F3FA8

RGB 143 63 168

HSL 285.71, 0.45%, 0.45%

LAB 41.57, 50.12, -41.98

 

CMYK 15 / 70 / 0 / 42

HEX #7E2D95

RGB 126 45 149

HSL 286.73, 0.54%, 0.38%

LAB 34.97, 50.32, -41.22

 

CMYK 16 / 79 / 0 / 49

HEX #6D1B82

RGB 109 27 130

HSL 287.77, 0.66%, 0.31%

LAB 28.5, 49.81, -39.99

 

CMYK 17 / 92 / 0 / 56

HEX #5C096F

RGB 92 9 111

HSL 288.82, 0.85%, 0.24%

LAB 22.37, 47.94, -37.94

 

CMYK 14 / 56 / 0 / 27

HEX #A152BB

RGB 161 82 187

HSL 285.14, 0.44%, 0.53%

LAB 48.51, 49.34, -41.96

 

CMYK 0 / 56 / 1 / 27

HEX #BB52BA

RGB 187 82 186

HSL 300.57, 0.44%, 0.53%

LAB 52, 56.08, -35.64

 

CMYK 0 / 56 / 16 / 27

HEX #BB529D

RGB 187 82 157

HSL 317.14, 0.44%, 0.53%

LAB 50.73, 51.29, -20.66

 

CMYK 0 / 56 / 31 / 27

HEX #BB5281

RGB 187 82 129

HSL 333.14, 0.44%, 0.53%

LAB 49.72, 47.32, -5.51

 

CMYK 0 / 56 / 47 / 27

HEX #BB5264

RGB 187 82 100

HSL 349.71, 0.44%, 0.53%

LAB 48.91, 44.01, 10.78

 

CMYK 14 / 56 / 0 / 27

HEX #A152BB

RGB 161 82 187

HSL 285.14, 0.44%, 0.53%

LAB 48.51, 49.34, -41.96

 

CMYK 29 / 56 / 0 / 27

HEX #8452BB

RGB 132 82 187

HSL 268.57, 0.44%, 0.53%

LAB 44.98, 41.82, -47.8

 

CMYK 44 / 56 / 0 / 27

HEX #6852BB

RGB 104 82 187

HSL 252.57, 0.44%, 0.53%

LAB 42.1, 35.07, -52.57

 

CMYK 56 / 56 / 0 / 27

HEX #5252BB

RGB 82 82 187

HSL 240, 0.44%, 0.53%

LAB 40.27, 30.42, -55.62

 

CMYK 14 / 56 / 0 / 27

HEX #A152BB

RGB 161 82 187

HSL 285.14, 0.44%, 0.53%

LAB 48.51, 49.34, -41.96

 

CMYK 18 / 70 / 0 / 19

HEX #AA3FCF

RGB 170 63 207

HSL 284.58, 0.6%, 0.53%

LAB 47.76, 64.15, -54.65

 

CMYK 20 / 81 / 0 / 11

HEX #B42BE2

RGB 180 43 226

HSL 284.92, 0.76%, 0.53%

LAB 48.16, 76.33, -64.79

 

CMYK 23 / 90 / 0 / 4

HEX #BD18F6

RGB 189 24 246

HSL 284.59, 0.93%, 0.53%

LAB 49.65, 85.21, -73.59

 

CMYK 14 / 56 / 0 / 27

HEX #A152BB

RGB 161 82 187

HSL 285.14, 0.44%, 0.53%

LAB 48.51, 49.34, -41.96

 

CMYK 10 / 40 / 0 / 34

HEX #9765A8

RGB 151 101 168

HSL 284.78, 0.28%, 0.53%

LAB 50.35, 32.15, -28.08

 

CMYK 5 / 19 / 0 / 42

HEX #8D7995

RGB 141 121 149

HSL 282.86, 0.12%, 0.53%

LAB 53.5, 13.12, -12.25

 

CMYK 6 / 0 / 8 / 45

HEX #848C81

RGB 132 140 129

HSL 103.64, 0.05%, 0.53%

LAB 57.31, -5.09, 4.86

 

CMYK 23 / 0 / 31 / 38

HEX #7A9F6E

RGB 122 159 110

HSL 105.31, 0.2%, 0.53%

LAB 61.71, -22.29, 21.57

 

CMYK 45 / 56 / 0 / 27

HEX #6752BB

RGB 103 82 187

HSL 252, 0.44%, 0.53%

LAB 42.01, 34.84, -52.73

 

CMYK 30 / 56 / 0 / 27

HEX #8352BB

RGB 131 82 187

HSL 268, 0.44%, 0.53%

LAB 44.87, 41.56, -47.98

 

CMYK 15 / 56 / 0 / 27

HEX #9F52BB

RGB 159 82 187

HSL 284, 0.44%, 0.53%

LAB 48.25, 48.81, -42.39

 

CMYK 0 / 56 / 0 / 27

HEX #BB52BB

RGB 187 82 187

HSL 300, 0.44%, 0.53%

LAB 52.05, 56.26, -36.15

 

CMYK 0 / 56 / 15 / 27

HEX #BB529F

RGB 187 82 159

HSL 316, 0.44%, 0.53%

LAB 50.81, 51.59, -21.71

 

CMYK 16 / 61 / 0 / 47

HEX #723487

RGB 114 52 135

HSL 284.82, 0.44%, 0.37%

LAB 33.53, 41.07, -35.02

 

CMYK 15 / 61 / 0 / 36

HEX #8B40A4

RGB 139 64 164

HSL 285, 0.44%, 0.45%

LAB 40.95, 47.79, -40.6

 

CMYK 14 / 56 / 0 / 27

HEX #A152BB

RGB 161 82 187

HSL 285.14, 0.44%, 0.53%

LAB 48.51, 49.34, -41.96

 

CMYK 11 / 44 / 0 / 22

HEX #B170C7

RGB 177 112 199

HSL 284.83, 0.44%, 0.61%

LAB 57.13, 40.52, -35.16

 

CMYK 8 / 33 / 0 / 18

HEX #C18DD2

RGB 193 141 210

HSL 285.22, 0.43%, 0.69%

LAB 65.78, 31.78, -27.8

 

CMYK 14 / 57 / 0 / 27

HEX #A051BB

RGB 160 81 187

HSL 284.72, 0.44%, 0.53%

LAB 48.19, 49.58, -42.48

 

CMYK 0 / 56 / 52 / 27

HEX #BB5259

RGB 187 82 89

HSL 356, 0.44%, 0.53%

LAB 48.66, 42.98, 17.06

 

CMYK 56 / 0 / 37 / 27

HEX #52BB75

RGB 82 187 117

HSL 140, 0.44%, 0.53%

LAB 68.47, -46.07, 26.54

 

CMYK 14 / 57 / 0 / 27

HEX #A051BB

RGB 160 81 187

HSL 284.72, 0.44%, 0.53%

LAB 48.19, 49.58, -42.48

 

CMYK 0 / 15 / 56 / 27

HEX #BB9F52

RGB 187 159 82

HSL 44, 0.44%, 0.53%

LAB 66.5, 0.78, 43.47

 

CMYK 56 / 0 / 15 / 27

HEX #52BB9F

RGB 82 187 159

HSL 164, 0.44%, 0.53%

LAB 69.35, -37.17, 5.08

 

CMYK 14 / 57 / 0 / 27

HEX #A051BB

RGB 160 81 187

HSL 284.72, 0.44%, 0.53%

LAB 48.19, 49.58, -42.48

 

CMYK 0 / 56 / 52 / 27

HEX #BB5259

RGB 187 82 89

HSL 356, 0.44%, 0.53%

LAB 48.66, 42.98, 17.06

 

CMYK 41 / 0 / 56 / 27

HEX #6EBB52

RGB 110 187 82

HSL 104, 0.44%, 0.53%

LAB 69.09, -43.33, 45.17

 

CMYK 56 / 0 / 4 / 27

HEX #52BBB4

RGB 82 187 180

HSL 176, 0.44%, 0.53%

LAB 69.92, -31.84, -5.62

 

CMYK 14 / 57 / 0 / 27

HEX #A051BB

RGB 160 81 187

HSL 284.72, 0.44%, 0.53%

LAB 48.19, 49.58, -42.48

 

CMYK 0 / 43 / 56 / 27

HEX #BB6B52

RGB 187 107 82

HSL 14.29, 0.44%, 0.53%

LAB 53.7, 29.38, 27.78

 

CMYK 41 / 0 / 56 / 27

HEX #6EBB52

RGB 110 187 82

HSL 104, 0.44%, 0.53%

LAB 69.09, -43.33, 45.17

 

CMYK 56 / 13 / 0 / 27

HEX #52A3BB

RGB 82 163 187

HSL 193.71, 0.44%, 0.53%

LAB 62.99, -17.8, -19.9

 

Description

Color code: HEX #A051BB | qconv.com Color code: HEX #A051BB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 81 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 81 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 57 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 57% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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