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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A05CBC it is the complementary color #5FA343. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A05CBC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A05CBC shade: #A55CB7, #B66ECA, #C780DD, #D892F0 and #E9A4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A05CBC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A05CBC shade: #A05CBC, #8F4AA9, #7E3896, #6D2683 and #5C1470

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A05CBC shade: #A05CBC, #BA5CBC, #BC5CA4, #BC5C8A and #BC5C70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A05CBC shade: #A05CBC, #865CBC, #6C5CBC and #5C5CBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A05CBC shade matches the following richer shades: #A05CBC, #A849CF, #AF36E1 and #B724F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A05CBC shade: #A05CBC, #986EA9, #908197, #899384 and #81A672

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A05CBC shade: #6C5CBC, #855CBC, #9F5CBC, #B95CBC and #BC5CA5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A05CBC shade: #74398C, #8C45A9, #A05CBC, #B179C8 and #C296D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A05CBC shade: #A05CBC, #BC5C65 and #5CBC78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A05CBC shade: #A05CBC, #BC9F5C and #5CBC9F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A05CBC shade: #A05CBC, #BC5C65, #78BC5C and #5CBCB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A05CBC shade: #A05CBC, #BC6F5C, #78BC5C and #5CA9BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 51 / 0 / 26

HEX #A05CBC

RGB 160 92 188

HSL 282.5, 0.42%, 0.55%

LAB 50.4, 44.08, -39.56

 

Complementary color

CMYK 42 / 0 / 59 / 36

HEX #5FA343

RGB 95 163 67

HSL 102.5, 0.42%, 0.45%

LAB 60.81, -39.6, 42.43

 

CMYK 10 / 50 / 0 / 28

HEX #A55CB7

RGB 165 92 183

HSL 288.13, 0.39%, 0.54%

LAB 50.77, 44.45, -36.04

 

CMYK 10 / 46 / 0 / 21

HEX #B66ECA

RGB 182 110 202

HSL 286.96, 0.46%, 0.61%

LAB 57.43, 43.69, -36.36

 

CMYK 10 / 42 / 0 / 13

HEX #C780DD

RGB 199 128 221

HSL 285.81, 0.58%, 0.68%

LAB 64, 42.91, -36.64

 

CMYK 10 / 39 / 0 / 6

HEX #D892F0

RGB 216 146 240

HSL 284.68, 0.76%, 0.76%

LAB 70.49, 42.15, -36.88

 

CMYK 9 / 36 / 0 / 0

HEX #E9A4FF

RGB 233 164 255

HSL 285.49, 1%, 0.82%

LAB 76.74, 40.63, -35.19

 

CMYK 15 / 51 / 0 / 26

HEX #A05CBC

RGB 160 92 188

HSL 282.5, 0.42%, 0.55%

LAB 50.4, 44.08, -39.56

 

CMYK 15 / 56 / 0 / 34

HEX #8F4AA9

RGB 143 74 169

HSL 283.58, 0.39%, 0.48%

LAB 43.66, 44.83, -39.25

 

CMYK 16 / 63 / 0 / 41

HEX #7E3896

RGB 126 56 150

HSL 284.68, 0.46%, 0.4%

LAB 36.87, 45.44, -38.79

 

CMYK 17 / 71 / 0 / 49

HEX #6D2683

RGB 109 38 131

HSL 285.81, 0.55%, 0.33%

LAB 30.1, 45.67, -38.06

 

CMYK 18 / 82 / 0 / 56

HEX #5C1470

RGB 92 20 112

HSL 286.96, 0.7%, 0.26%

LAB 23.49, 45.08, -36.77

 

CMYK 15 / 51 / 0 / 26

HEX #A05CBC

RGB 160 92 188

HSL 282.5, 0.42%, 0.55%

LAB 50.4, 44.08, -39.56

 

CMYK 1 / 51 / 0 / 26

HEX #BA5CBC

RGB 186 92 188

HSL 298.75, 0.42%, 0.55%

LAB 53.73, 51.39, -34.09

 

CMYK 0 / 51 / 13 / 26

HEX #BC5CA4

RGB 188 92 164

HSL 315, 0.42%, 0.55%

LAB 52.98, 47.84, -21.3

 

CMYK 0 / 51 / 27 / 26

HEX #BC5C8A

RGB 188 92 138

HSL 331.25, 0.42%, 0.55%

LAB 52.04, 43.92, -7.41

 

CMYK 0 / 51 / 40 / 26

HEX #BC5C70

RGB 188 92 112

HSL 347.5, 0.42%, 0.55%

LAB 51.28, 40.64, 6.96

 

CMYK 15 / 51 / 0 / 26

HEX #A05CBC

RGB 160 92 188

HSL 282.5, 0.42%, 0.55%

LAB 50.4, 44.08, -39.56

 

CMYK 29 / 51 / 0 / 26

HEX #865CBC

RGB 134 92 188

HSL 266.25, 0.42%, 0.55%

LAB 47.43, 36.95, -44.45

 

CMYK 43 / 51 / 0 / 26

HEX #6C5CBC

RGB 108 92 188

HSL 250, 0.42%, 0.55%

LAB 44.9, 30.29, -48.64

 

CMYK 51 / 51 / 0 / 26

HEX #5C5CBC

RGB 92 92 188

HSL 240, 0.42%, 0.55%

LAB 43.6, 26.58, -50.81

 

CMYK 15 / 51 / 0 / 26

HEX #A05CBC

RGB 160 92 188

HSL 282.5, 0.42%, 0.55%

LAB 50.4, 44.08, -39.56

 

CMYK 19 / 65 / 0 / 19

HEX #A849CF

RGB 168 73 207

HSL 282.54, 0.58%, 0.55%

LAB 49, 59.47, -52.68

 

CMYK 22 / 76 / 0 / 12

HEX #AF36E1

RGB 175 54 225

HSL 282.46, 0.74%, 0.55%

LAB 48.5, 71.95, -63.71

 

CMYK 25 / 85 / 0 / 4

HEX #B724F4

RGB 183 36 244

HSL 282.4, 0.9%, 0.55%

LAB 49.33, 81.81, -73.04

 

CMYK 15 / 51 / 0 / 26

HEX #A05CBC

RGB 160 92 188

HSL 282.5, 0.42%, 0.55%

LAB 50.4, 44.08, -39.56

 

CMYK 10 / 35 / 0 / 34

HEX #986EA9

RGB 152 110 169

HSL 282.71, 0.26%, 0.55%

LAB 52.61, 27.53, -25.16

 

CMYK 5 / 15 / 0 / 41

HEX #908197

RGB 144 129 151

HSL 280.91, 0.1%, 0.55%

LAB 55.95, 9.96, -9.7

 

CMYK 7 / 0 / 10 / 42

HEX #899384

RGB 137 147 132

HSL 100, 0.06%, 0.55%

LAB 59.75, -6.53, 6.7

 

CMYK 22 / 0 / 31 / 35

HEX #81A672

RGB 129 166 114

HSL 102.69, 0.23%, 0.55%

LAB 64.29, -22.63, 22.94

 

CMYK 43 / 51 / 0 / 26

HEX #6C5CBC

RGB 108 92 188

HSL 250, 0.42%, 0.55%

LAB 44.9, 30.29, -48.64

 

CMYK 29 / 51 / 0 / 26

HEX #855CBC

RGB 133 92 188

HSL 265.63, 0.42%, 0.55%

LAB 47.33, 36.69, -44.63

 

CMYK 15 / 51 / 0 / 26

HEX #9F5CBC

RGB 159 92 188

HSL 281.88, 0.42%, 0.55%

LAB 50.28, 43.8, -39.76

 

CMYK 2 / 51 / 0 / 26

HEX #B95CBC

RGB 185 92 188

HSL 298.13, 0.42%, 0.55%

LAB 53.6, 51.11, -34.31

 

CMYK 0 / 51 / 12 / 26

HEX #BC5CA5

RGB 188 92 165

HSL 314.38, 0.42%, 0.55%

LAB 53.02, 48, -21.83

 

CMYK 17 / 59 / 0 / 45

HEX #74398C

RGB 116 57 140

HSL 282.65, 0.42%, 0.39%

LAB 35.07, 40.1, -35.63

 

CMYK 17 / 59 / 0 / 34

HEX #8C45A9

RGB 140 69 169

HSL 282.6, 0.42%, 0.47%

LAB 42.3, 46.61, -41.43

 

CMYK 15 / 51 / 0 / 26

HEX #A05CBC

RGB 160 92 188

HSL 282.5, 0.42%, 0.55%

LAB 50.4, 44.08, -39.56

 

CMYK 12 / 40 / 0 / 22

HEX #B179C8

RGB 177 121 200

HSL 282.53, 0.42%, 0.63%

LAB 59.15, 35.79, -32.58

 

CMYK 8 / 29 / 0 / 17

HEX #C296D4

RGB 194 150 212

HSL 282.58, 0.42%, 0.71%

LAB 68.05, 27.54, -25.42

 

CMYK 15 / 51 / 0 / 26

HEX #A05CBC

RGB 160 92 188

HSL 282.5, 0.42%, 0.55%

LAB 50.4, 44.08, -39.56

 

CMYK 0 / 51 / 46 / 26

HEX #BC5C65

RGB 188 92 101

HSL 354.38, 0.42%, 0.55%

LAB 51.02, 39.46, 13.15

 

CMYK 51 / 0 / 36 / 26

HEX #5CBC78

RGB 92 188 120

HSL 137.5, 0.42%, 0.55%

LAB 69.18, -43.48, 25.96

 

CMYK 15 / 51 / 0 / 26

HEX #A05CBC

RGB 160 92 188

HSL 282.5, 0.42%, 0.55%

LAB 50.4, 44.08, -39.56

 

CMYK 0 / 15 / 51 / 26

HEX #BC9F5C

RGB 188 159 92

HSL 41.88, 0.42%, 0.55%

LAB 66.72, 2.07, 38.69

 

CMYK 51 / 0 / 15 / 26

HEX #5CBC9F

RGB 92 188 159

HSL 161.88, 0.42%, 0.55%

LAB 70, -35.41, 6.05

 

CMYK 15 / 51 / 0 / 26

HEX #A05CBC

RGB 160 92 188

HSL 282.5, 0.42%, 0.55%

LAB 50.4, 44.08, -39.56

 

CMYK 0 / 51 / 46 / 26

HEX #BC5C65

RGB 188 92 101

HSL 354.38, 0.42%, 0.55%

LAB 51.02, 39.46, 13.15

 

CMYK 36 / 0 / 51 / 26

HEX #78BC5C

RGB 120 188 92

HSL 102.5, 0.42%, 0.55%

LAB 69.99, -39.29, 41.56

 

CMYK 51 / 0 / 5 / 26

HEX #5CBCB2

RGB 92 188 178

HSL 173.75, 0.42%, 0.55%

LAB 70.49, -30.76, -3.63

 

CMYK 15 / 51 / 0 / 26

HEX #A05CBC

RGB 160 92 188

HSL 282.5, 0.42%, 0.55%

LAB 50.4, 44.08, -39.56

 

CMYK 0 / 41 / 51 / 26

HEX #BC6F5C

RGB 188 111 92

HSL 11.88, 0.42%, 0.55%

LAB 54.9, 28.49, 23.66

 

CMYK 36 / 0 / 51 / 26

HEX #78BC5C

RGB 120 188 92

HSL 102.5, 0.42%, 0.55%

LAB 69.99, -39.29, 41.56

 

CMYK 51 / 10 / 0 / 26

HEX #5CA9BC

RGB 92 169 188

HSL 191.88, 0.42%, 0.55%

LAB 65.19, -18.52, -17.09

 

Description

Color code: HEX #A05CBC | qconv.com Color code: HEX #A05CBC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 92 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 92 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 51 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 51% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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