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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A06494 it is the complementary color #5F9B6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A06494. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A06494 shade: #A5648F, #B676A2, #C788B5, #D89AC8 and #E9ACDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A06494. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A06494 shade: #A06494, #8F5281, #7E406E, #6D2E5B and #5C1C48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A06494 shade: #A06494, #A06483, #A06473 and #A06464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A06494 shade: #A06494, #9B64A0, #8B64A0, #7B64A0 and #6B64A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A06494 shade matches the following richer shades: #A06494, #B44FA0, #C83BAC, #DC27B8 and #F013C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A06494 shade: #A06494, #8B7887, #778C7B, #63A06F and #4FB463

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A06494 shade: #8C64A0, #9C64A0, #A06494, #A06484 and #A06474

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A06494 shade: #6E4365, #87537D, #A06494, #AF7DA5 and #BF97B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A06494 shade: #A06494, #A07C64 and #64A094

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A06494 shade: #A06494, #94A064 and #6494A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A06494 shade: #A06494, #A07C64, #64A070 and #6488A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A06494 shade: #A06494, #A08E64, #64A070 and #6476A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 7 / 37

HEX #A06494

RGB 160 100 148

HSL 312, 0.24%, 0.51%

LAB 50.37, 31.72, -16.22

 

Complementary color

CMYK 39 / 0 / 31 / 39

HEX #5F9B6B

RGB 95 155 107

HSL 132, 0.24%, 0.49%

LAB 58.92, -30.08, 19.19

 

CMYK 0 / 39 / 13 / 35

HEX #A5648F

RGB 165 100 143

HSL 320.31, 0.27%, 0.52%

LAB 50.8, 32.56, -12.54

 

CMYK 0 / 35 / 11 / 29

HEX #B676A2

RGB 182 118 162

HSL 318.75, 0.3%, 0.59%

LAB 57.57, 31.78, -13.23

 

CMYK 0 / 32 / 9 / 22

HEX #C788B5

RGB 199 136 181

HSL 317.14, 0.36%, 0.66%

LAB 64.23, 31.04, -13.84

 

CMYK 0 / 29 / 7 / 15

HEX #D89AC8

RGB 216 154 200

HSL 315.48, 0.44%, 0.73%

LAB 70.79, 30.35, -14.4

 

CMYK 0 / 26 / 6 / 9

HEX #E9ACDB

RGB 233 172 219

HSL 313.77, 0.58%, 0.79%

LAB 77.25, 29.7, -14.93

 

CMYK 0 / 38 / 7 / 37

HEX #A06494

RGB 160 100 148

HSL 312, 0.24%, 0.51%

LAB 50.37, 31.72, -16.22

 

CMYK 0 / 43 / 10 / 44

HEX #8F5281

RGB 143 82 129

HSL 313.77, 0.27%, 0.44%

LAB 43.45, 32.52, -15.57

 

CMYK 0 / 49 / 13 / 51

HEX #7E406E

RGB 126 64 110

HSL 315.48, 0.33%, 0.37%

LAB 36.42, 33.32, -14.8

 

CMYK 0 / 58 / 17 / 57

HEX #6D2E5B

RGB 109 46 91

HSL 317.14, 0.41%, 0.3%

LAB 29.31, 34.03, -13.78

 

CMYK 0 / 70 / 22 / 64

HEX #5C1C48

RGB 92 28 72

HSL 318.75, 0.53%, 0.24%

LAB 22.21, 34.38, -12.31

 

CMYK 0 / 38 / 7 / 37

HEX #A06494

RGB 160 100 148

HSL 312, 0.24%, 0.51%

LAB 50.37, 31.72, -16.22

 

CMYK 0 / 38 / 18 / 37

HEX #A06483

RGB 160 100 131

HSL 329, 0.24%, 0.51%

LAB 49.77, 28.77, -7.03

 

CMYK 0 / 38 / 28 / 37

HEX #A06473

RGB 160 100 115

HSL 345, 0.24%, 0.51%

LAB 49.28, 26.29, 1.8

 

CMYK 0 / 38 / 38 / 37

HEX #A06464

RGB 160 100 100

HSL 0, 0.24%, 0.51%

LAB 48.89, 24.25, 10.2

 

CMYK 0 / 38 / 7 / 37

HEX #A06494

RGB 160 100 148

HSL 312, 0.24%, 0.51%

LAB 50.37, 31.72, -16.22

 

CMYK 3 / 38 / 0 / 37

HEX #9B64A0

RGB 155 100 160

HSL 295, 0.24%, 0.51%

LAB 50.24, 32.34, -23.53

 

CMYK 13 / 38 / 0 / 37

HEX #8B64A0

RGB 139 100 160

HSL 279, 0.24%, 0.51%

LAB 48.44, 27.14, -26.46

 

CMYK 23 / 38 / 0 / 37

HEX #7B64A0

RGB 123 100 160

HSL 263, 0.24%, 0.51%

LAB 46.79, 22.05, -29.15

 

CMYK 33 / 38 / 0 / 37

HEX #6B64A0

RGB 107 100 160

HSL 247, 0.24%, 0.51%

LAB 45.33, 17.17, -31.55

 

CMYK 0 / 38 / 7 / 37

HEX #A06494

RGB 160 100 148

HSL 312, 0.24%, 0.51%

LAB 50.37, 31.72, -16.22

 

CMYK 0 / 56 / 11 / 29

HEX #B44FA0

RGB 180 79 160

HSL 311.88, 0.4%, 0.51%

LAB 49.29, 51.11, -24.72

 

CMYK 0 / 71 / 14 / 22

HEX #C83BAC

RGB 200 59 172

HSL 311.91, 0.56%, 0.51%

LAB 49.96, 66.5, -30.52

 

CMYK 0 / 82 / 16 / 14

HEX #DC27B8

RGB 220 39 184

HSL 311.93, 0.72%, 0.51%

LAB 51.98, 78.18, -34.14

 

CMYK 0 / 92 / 18 / 6

HEX #F013C4

RGB 240 19 196

HSL 311.95, 0.88%, 0.51%

LAB 55.05, 86.7, -36.04

 

CMYK 0 / 38 / 7 / 37

HEX #A06494

RGB 160 100 148

HSL 312, 0.24%, 0.51%

LAB 50.37, 31.72, -16.22

 

CMYK 0 / 14 / 3 / 45

HEX #8B7887

RGB 139 120 135

HSL 312.63, 0.08%, 0.51%

LAB 52.59, 10.13, -5.45

 

CMYK 15 / 0 / 12 / 45

HEX #778C7B

RGB 119 140 123

HSL 131.43, 0.08%, 0.51%

LAB 56.2, -11.04, 6.57

 

CMYK 38 / 0 / 31 / 37

HEX #63A06F

RGB 99 160 111

HSL 131.8, 0.24%, 0.51%

LAB 60.73, -30.46, 19.48

 

CMYK 56 / 0 / 45 / 29

HEX #4FB463

RGB 79 180 99

HSL 131.88, 0.4%, 0.51%

LAB 65.91, -47, 32.58

 

CMYK 13 / 38 / 0 / 37

HEX #8C64A0

RGB 140 100 160

HSL 280, 0.24%, 0.51%

LAB 48.55, 27.46, -26.29

 

CMYK 2 / 38 / 0 / 37

HEX #9C64A0

RGB 156 100 160

HSL 296, 0.24%, 0.51%

LAB 50.36, 32.67, -23.34

 

CMYK 0 / 38 / 7 / 37

HEX #A06494

RGB 160 100 148

HSL 312, 0.24%, 0.51%

LAB 50.37, 31.72, -16.22

 

CMYK 0 / 38 / 18 / 37

HEX #A06484

RGB 160 100 132

HSL 328, 0.24%, 0.51%

LAB 49.8, 28.93, -7.58

 

CMYK 0 / 38 / 28 / 37

HEX #A06474

RGB 160 100 116

HSL 344, 0.24%, 0.51%

LAB 49.31, 26.44, 1.24

 

CMYK 0 / 39 / 8 / 57

HEX #6E4365

RGB 110 67 101

HSL 312.56, 0.24%, 0.35%

LAB 34.54, 24.24, -12.2

 

CMYK 0 / 39 / 7 / 47

HEX #87537D

RGB 135 83 125

HSL 311.54, 0.24%, 0.43%

LAB 42.49, 28.43, -14.7

 

CMYK 0 / 38 / 7 / 37

HEX #A06494

RGB 160 100 148

HSL 312, 0.24%, 0.51%

LAB 50.37, 31.72, -16.22

 

CMYK 0 / 29 / 6 / 31

HEX #AF7DA5

RGB 175 125 165

HSL 312, 0.24%, 0.59%

LAB 58.51, 25.98, -13.62

 

CMYK 0 / 21 / 4 / 25

HEX #BF97B7

RGB 191 151 183

HSL 312, 0.24%, 0.67%

LAB 67, 20.35, -10.9

 

CMYK 0 / 38 / 7 / 37

HEX #A06494

RGB 160 100 148

HSL 312, 0.24%, 0.51%

LAB 50.37, 31.72, -16.22

 

CMYK 0 / 23 / 38 / 37

HEX #A07C64

RGB 160 124 100

HSL 24, 0.24%, 0.51%

LAB 54.88, 10.56, 18.46

 

CMYK 38 / 0 / 7 / 37

HEX #64A094

RGB 100 160 148

HSL 168, 0.24%, 0.51%

LAB 61.64, -22.32, 0.09

 

CMYK 0 / 38 / 7 / 37

HEX #A06494

RGB 160 100 148

HSL 312, 0.24%, 0.51%

LAB 50.37, 31.72, -16.22

 

CMYK 7 / 0 / 38 / 37

HEX #94A064

RGB 148 160 100

HSL 72, 0.24%, 0.51%

LAB 63.64, -14.24, 29.88

 

CMYK 38 / 7 / 0 / 37

HEX #6494A0

RGB 100 148 160

HSL 192, 0.24%, 0.51%

LAB 58.44, -12.98, -11.46

 

CMYK 0 / 38 / 7 / 37

HEX #A06494

RGB 160 100 148

HSL 312, 0.24%, 0.51%

LAB 50.37, 31.72, -16.22

 

CMYK 0 / 23 / 38 / 37

HEX #A07C64

RGB 160 124 100

HSL 24, 0.24%, 0.51%

LAB 54.88, 10.56, 18.46

 

CMYK 38 / 0 / 30 / 37

HEX #64A070

RGB 100 160 112

HSL 132, 0.24%, 0.51%

LAB 60.8, -29.96, 19.03

 

CMYK 38 / 15 / 0 / 37

HEX #6488A0

RGB 100 136 160

HSL 204, 0.24%, 0.51%

LAB 54.92, -6.32, -16.77

 

CMYK 0 / 38 / 7 / 37

HEX #A06494

RGB 160 100 148

HSL 312, 0.24%, 0.51%

LAB 50.37, 31.72, -16.22

 

CMYK 0 / 11 / 38 / 37

HEX #A08E64

RGB 160 142 100

HSL 42, 0.24%, 0.51%

LAB 59.65, 0.43, 24.86

 

CMYK 38 / 0 / 30 / 37

HEX #64A070

RGB 100 160 112

HSL 132, 0.24%, 0.51%

LAB 60.8, -29.96, 19.03

 

CMYK 38 / 26 / 0 / 37

HEX #6476A0

RGB 100 118 160

HSL 222, 0.24%, 0.51%

LAB 49.74, 4.18, -24.71

 

Description

Color code: HEX #A06494 | qconv.com Color code: HEX #A06494 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 100 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 100 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 7 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 7% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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