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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A06963 it is the complementary color #5F969C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A06963. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A06963 shade: #A5695E, #B67B71, #C78D84, #D89F97 and #E9B1AA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A06963. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A06963 shade: #A06963, #8F5750, #7E453D, #6D332A and #5C2117

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A06963 shade: #A06964 and #A06464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A06963 shade: #A06964, #A07A64, #A08A64, #A09A64 and #95A064

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A06963 shade matches the following richer shades: #A06964, #B4594F, #C8493B, #DC3927 and #F02813

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A06963 shade: #A06964, #8B7A78, #778A8C, #639AA0 and #4FAAB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A06963 shade: #A0647F, #A0646F, #A06964, #A07964 and #A08964

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A06963 shade: #6E4743, #875853, #A06964, #AF827D and #BF9B97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A06963 shade: #A06963, #8FA064 and #6477A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A06963 shade: #A06963, #64A069 and #6964A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A06963 shade: #A06963, #8FA064, #649BA0 and #7564A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A06963 shade: #A06963, #7DA064, #649BA0 and #8764A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 38 / 37

HEX #A06963

RGB 160 105 99

HSL 5.9, 0.24%, 0.51%

LAB 50.07, 21.28, 12.44

 

Complementary color

CMYK 39 / 4 / 0 / 39

HEX #5F969C

RGB 95 150 156

HSL 185.9, 0.24%, 0.49%

LAB 58.65, -16.5, -8.9

 

CMYK 0 / 36 / 43 / 35

HEX #A5695E

RGB 165 105 94

HSL 9.3, 0.28%, 0.51%

LAB 50.58, 22.72, 16.19

 

CMYK 0 / 32 / 38 / 29

HEX #B67B71

RGB 182 123 113

HSL 8.7, 0.32%, 0.58%

LAB 57.37, 21.73, 14.82

 

CMYK 0 / 29 / 34 / 22

HEX #C78D84

RGB 199 141 132

HSL 8.06, 0.37%, 0.65%

LAB 64.05, 20.86, 13.6

 

CMYK 0 / 26 / 30 / 15

HEX #D89F97

RGB 216 159 151

HSL 7.38, 0.45%, 0.72%

LAB 70.61, 20.08, 12.5

 

CMYK 0 / 24 / 27 / 9

HEX #E9B1AA

RGB 233 177 170

HSL 6.67, 0.59%, 0.79%

LAB 77.08, 19.39, 11.49

 

CMYK 0 / 34 / 38 / 37

HEX #A06963

RGB 160 105 99

HSL 5.9, 0.24%, 0.51%

LAB 50.07, 21.28, 12.44

 

CMYK 0 / 39 / 44 / 44

HEX #8F5750

RGB 143 87 80

HSL 6.67, 0.28%, 0.44%

LAB 43.12, 22.32, 13.87

 

CMYK 0 / 45 / 52 / 51

HEX #7E453D

RGB 126 69 61

HSL 7.38, 0.35%, 0.37%

LAB 36.04, 23.52, 15.58

 

CMYK 0 / 53 / 61 / 57

HEX #6D332A

RGB 109 51 42

HSL 8.06, 0.44%, 0.3%

LAB 28.87, 24.89, 17.69

 

CMYK 0 / 64 / 75 / 64

HEX #5C2117

RGB 92 33 23

HSL 8.7, 0.6%, 0.23%

LAB 21.67, 26.36, 20.41

 

CMYK 0 / 34 / 38 / 37

HEX #A06964

RGB 160 105 100

HSL 5, 0.24%, 0.51%

LAB 50.09, 21.41, 11.88

 

CMYK 0 / 38 / 38 / 37

HEX #A06464

RGB 160 100 100

HSL 0, 0.24%, 0.51%

LAB 48.89, 24.25, 10.2

 

CMYK 0 / 34 / 38 / 37

HEX #A06964

RGB 160 105 100

HSL 5, 0.24%, 0.51%

LAB 50.09, 21.41, 11.88

 

CMYK 0 / 24 / 38 / 37

HEX #A07A64

RGB 160 122 100

HSL 22, 0.24%, 0.51%

LAB 54.36, 11.7, 17.76

 

CMYK 0 / 14 / 38 / 37

HEX #A08A64

RGB 160 138 100

HSL 38, 0.24%, 0.51%

LAB 58.57, 2.66, 23.43

 

CMYK 0 / 4 / 38 / 37

HEX #A09A64

RGB 160 154 100

HSL 54, 0.24%, 0.51%

LAB 62.93, -6.14, 29.15

 

CMYK 7 / 0 / 38 / 37

HEX #95A064

RGB 149 160 100

HSL 71, 0.24%, 0.51%

LAB 63.71, -13.84, 29.99

 

CMYK 0 / 34 / 38 / 37

HEX #A06964

RGB 160 105 100

HSL 5, 0.24%, 0.51%

LAB 50.09, 21.41, 11.88

 

CMYK 0 / 51 / 56 / 29

HEX #B4594F

RGB 180 89 79

HSL 5.94, 0.4%, 0.51%

LAB 48.78, 35.97, 22.97

 

CMYK 0 / 64 / 71 / 22

HEX #C8493B

RGB 200 73 59

HSL 5.96, 0.56%, 0.51%

LAB 48.71, 49.72, 35.19

 

CMYK 0 / 74 / 82 / 14

HEX #DC3927

RGB 220 57 39

HSL 5.97, 0.72%, 0.51%

LAB 49.84, 61.63, 48.18

 

CMYK 0 / 83 / 92 / 6

HEX #F02813

RGB 240 40 19

HSL 5.7, 0.88%, 0.51%

LAB 51.94, 71.62, 59.89

 

CMYK 0 / 34 / 38 / 37

HEX #A06964

RGB 160 105 100

HSL 5, 0.24%, 0.51%

LAB 50.09, 21.41, 11.88

 

CMYK 0 / 12 / 14 / 45

HEX #8B7A78

RGB 139 122 120

HSL 6.32, 0.08%, 0.51%

LAB 52.69, 6.18, 3.49

 

CMYK 15 / 1 / 0 / 45

HEX #778A8C

RGB 119 138 140

HSL 185.71, 0.08%, 0.51%

LAB 56.08, -6.37, -3.38

 

CMYK 38 / 4 / 0 / 37

HEX #639AA0

RGB 99 154 160

HSL 185.9, 0.24%, 0.51%

LAB 60.16, -16.49, -8.89

 

CMYK 56 / 6 / 0 / 29

HEX #4FAAB4

RGB 79 170 180

HSL 185.94, 0.4%, 0.51%

LAB 64.73, -24.07, -13.37

 

CMYK 0 / 38 / 21 / 37

HEX #A0647F

RGB 160 100 127

HSL 333, 0.24%, 0.51%

LAB 49.64, 28.12, -4.84

 

CMYK 0 / 38 / 31 / 37

HEX #A0646F

RGB 160 100 111

HSL 349, 0.24%, 0.51%

LAB 49.17, 25.72, 4.03

 

CMYK 0 / 34 / 38 / 37

HEX #A06964

RGB 160 105 100

HSL 5, 0.24%, 0.51%

LAB 50.09, 21.41, 11.88

 

CMYK 0 / 24 / 38 / 37

HEX #A07964

RGB 160 121 100

HSL 21, 0.24%, 0.51%

LAB 54.1, 12.27, 17.41

 

CMYK 0 / 14 / 38 / 37

HEX #A08964

RGB 160 137 100

HSL 37, 0.24%, 0.51%

LAB 58.31, 3.22, 23.08

 

CMYK 0 / 35 / 39 / 57

HEX #6E4743

RGB 110 71 67

HSL 5.58, 0.24%, 0.35%

LAB 34.45, 16.17, 9.27

 

CMYK 0 / 35 / 39 / 47

HEX #875853

RGB 135 88 83

HSL 5.77, 0.24%, 0.43%

LAB 42.39, 18.77, 10.88

 

CMYK 0 / 34 / 38 / 37

HEX #A06964

RGB 160 105 100

HSL 5, 0.24%, 0.51%

LAB 50.09, 21.41, 11.88

 

CMYK 0 / 26 / 29 / 31

HEX #AF827D

RGB 175 130 125

HSL 6, 0.24%, 0.59%

LAB 58.56, 16.61, 9.48

 

CMYK 0 / 19 / 21 / 25

HEX #BF9B97

RGB 191 155 151

HSL 6, 0.24%, 0.67%

LAB 67.09, 12.73, 7.14

 

CMYK 0 / 34 / 38 / 37

HEX #A06963

RGB 160 105 99

HSL 5.9, 0.24%, 0.51%

LAB 50.07, 21.28, 12.44

 

CMYK 11 / 0 / 38 / 37

HEX #8FA064

RGB 143 160 100

HSL 77, 0.24%, 0.51%

LAB 63.26, -16.24, 29.32

 

CMYK 38 / 26 / 0 / 37

HEX #6477A0

RGB 100 119 160

HSL 221, 0.24%, 0.51%

LAB 50.03, 3.58, -24.28

 

CMYK 0 / 34 / 38 / 37

HEX #A06963

RGB 160 105 99

HSL 5.9, 0.24%, 0.51%

LAB 50.07, 21.28, 12.44

 

CMYK 38 / 0 / 34 / 37

HEX #64A069

RGB 100 160 105

HSL 125, 0.24%, 0.51%

LAB 60.67, -31.22, 22.7

 

CMYK 34 / 38 / 0 / 37

HEX #6964A0

RGB 105 100 160

HSL 245, 0.24%, 0.51%

LAB 45.16, 16.59, -31.82

 

CMYK 0 / 34 / 38 / 37

HEX #A06963

RGB 160 105 99

HSL 5.9, 0.24%, 0.51%

LAB 50.07, 21.28, 12.44

 

CMYK 11 / 0 / 38 / 37

HEX #8FA064

RGB 143 160 100

HSL 77, 0.24%, 0.51%

LAB 63.26, -16.24, 29.32

 

CMYK 38 / 3 / 0 / 37

HEX #649BA0

RGB 100 155 160

HSL 185, 0.24%, 0.51%

LAB 60.51, -16.75, -8.36

 

CMYK 27 / 38 / 0 / 37

HEX #7564A0

RGB 117 100 160

HSL 257, 0.24%, 0.51%

LAB 46.22, 20.19, -30.08

 

CMYK 0 / 34 / 38 / 37

HEX #A06963

RGB 160 105 99

HSL 5.9, 0.24%, 0.51%

LAB 50.07, 21.28, 12.44

 

CMYK 22 / 0 / 38 / 37

HEX #7DA064

RGB 125 160 100

HSL 95, 0.24%, 0.51%

LAB 62.02, -23.22, 27.46

 

CMYK 38 / 3 / 0 / 37

HEX #649BA0

RGB 100 155 160

HSL 185, 0.24%, 0.51%

LAB 60.51, -16.75, -8.36

 

CMYK 16 / 38 / 0 / 37

HEX #8764A0

RGB 135 100 160

HSL 275, 0.24%, 0.51%

LAB 48.01, 25.85, -27.16

 

Description

Color code: HEX #A06963 | qconv.com Color code: HEX #A06963 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 105 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 105 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 38 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 38% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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