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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A06D59 it is the complementary color #5F92A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A06D59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A06D59 shade: #A56D54, #B67F67, #C7917A, #D8A38D and #E9B5A0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A06D59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A06D59 shade: #A06D59, #8F5B46, #7E4933, #6D3720 and #5C250D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A06D59 shade: #A16D58, #A15958 and #A15858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A06D59 shade: #A16D58, #A18058, #A19458, #9AA158 and #87A158

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A06D59 shade matches the following richer shades: #A16D58, #B56444, #C95B30, #DD521C and #F24907

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A06D59 shade: #A16D58, #8C756C, #787E81, #648795 and #5090A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A06D59 shade: #A1586C, #A15858, #A16C58, #A17F58 and #A19258

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A06D59 shade: #6B493B, #865B4A, #A16D58, #B18371 and #BF9A8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A06D59 shade: #A06D59, #7FA158 and #5862A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A06D59 shade: #A06D59, #58A16C and #6C58A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A06D59 shade: #A06D59, #7FA158, #588DA1 and #7A58A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A06D59 shade: #A06D59, #69A158, #588DA1 and #9058A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 44 / 37

HEX #A06D59

RGB 160 109 89

HSL 16.9, 0.29%, 0.49%

LAB 50.84, 17.81, 19.36

 

Complementary color

CMYK 43 / 12 / 0 / 35

HEX #5F92A6

RGB 95 146 166

HSL 196.9, 0.29%, 0.51%

LAB 57.79, -11.63, -15.88

 

CMYK 0 / 34 / 49 / 35

HEX #A56D54

RGB 165 109 84

HSL 18.52, 0.33%, 0.49%

LAB 51.36, 19.37, 23.05

 

CMYK 0 / 30 / 43 / 29

HEX #B67F67

RGB 182 127 103

HSL 18.23, 0.35%, 0.56%

LAB 58.13, 18.33, 21.57

 

CMYK 0 / 27 / 39 / 22

HEX #C7917A

RGB 199 145 122

HSL 17.92, 0.41%, 0.63%

LAB 64.8, 17.43, 20.24

 

CMYK 0 / 25 / 35 / 15

HEX #D8A38D

RGB 216 163 141

HSL 17.6, 0.49%, 0.7%

LAB 71.36, 16.64, 19.04

 

CMYK 0 / 22 / 31 / 9

HEX #E9B5A0

RGB 233 181 160

HSL 17.26, 0.62%, 0.77%

LAB 77.82, 15.94, 17.93

 

CMYK 0 / 32 / 44 / 37

HEX #A06D59

RGB 160 109 89

HSL 16.9, 0.29%, 0.49%

LAB 50.84, 17.81, 19.36

 

CMYK 0 / 36 / 51 / 44

HEX #8F5B46

RGB 143 91 70

HSL 17.26, 0.34%, 0.42%

LAB 43.89, 18.92, 20.92

 

CMYK 0 / 42 / 60 / 51

HEX #7E4933

RGB 126 73 51

HSL 17.6, 0.42%, 0.35%

LAB 36.82, 20.24, 22.73

 

CMYK 0 / 50 / 71 / 57

HEX #6D3720

RGB 109 55 32

HSL 17.92, 0.55%, 0.28%

LAB 29.63, 21.82, 24.84

 

CMYK 0 / 60 / 86 / 64

HEX #5C250D

RGB 92 37 13

HSL 18.23, 0.75%, 0.21%

LAB 22.4, 23.66, 27.04

 

CMYK 0 / 32 / 45 / 37

HEX #A16D58

RGB 161 109 88

HSL 17.26, 0.29%, 0.49%

LAB 50.94, 18.12, 20.1

 

CMYK 0 / 45 / 45 / 37

HEX #A15958

RGB 161 89 88

HSL 0.82, 0.29%, 0.49%

LAB 46.21, 29.39, 13.68

 

CMYK 0 / 45 / 45 / 37

HEX #A15858

RGB 161 88 88

HSL 0, 0.29%, 0.49%

LAB 45.99, 29.95, 13.37

 

CMYK 0 / 32 / 45 / 37

HEX #A16D58

RGB 161 109 88

HSL 17.26, 0.29%, 0.49%

LAB 50.94, 18.12, 20.1

 

CMYK 0 / 20 / 45 / 37

HEX #A18058

RGB 161 128 88

HSL 32.88, 0.29%, 0.49%

LAB 55.81, 7.3, 26.51

 

CMYK 0 / 8 / 45 / 37

HEX #A19458

RGB 161 148 88

HSL 49.32, 0.29%, 0.49%

LAB 61.19, -3.82, 33.37

 

CMYK 4 / 0 / 45 / 37

HEX #9AA158

RGB 154 161 88

HSL 65.75, 0.29%, 0.49%

LAB 64.21, -13.72, 37

 

CMYK 16 / 0 / 45 / 37

HEX #87A158

RGB 135 161 88

HSL 81.37, 0.29%, 0.49%

LAB 62.8, -21.45, 34.93

 

CMYK 0 / 32 / 45 / 37

HEX #A16D58

RGB 161 109 88

HSL 17.26, 0.29%, 0.49%

LAB 50.94, 18.12, 20.1

 

CMYK 0 / 45 / 62 / 29

HEX #B56444

RGB 181 100 68

HSL 16.99, 0.45%, 0.49%

LAB 51.1, 29.66, 32.26

 

CMYK 0 / 55 / 76 / 21

HEX #C95B30

RGB 201 91 48

HSL 16.86, 0.61%, 0.49%

LAB 51.96, 41.17, 44.69

 

CMYK 0 / 63 / 87 / 13

HEX #DD521C

RGB 221 82 28

HSL 16.79, 0.78%, 0.49%

LAB 53.48, 52.09, 56.18

 

CMYK 0 / 70 / 97 / 5

HEX #F24907

RGB 242 73 7

HSL 16.85, 0.94%, 0.49%

LAB 55.74, 62.43, 65.3

 

CMYK 0 / 32 / 45 / 37

HEX #A16D58

RGB 161 109 88

HSL 17.26, 0.29%, 0.49%

LAB 50.94, 18.12, 20.1

 

CMYK 0 / 16 / 23 / 45

HEX #8C756C

RGB 140 117 108

HSL 16.88, 0.13%, 0.49%

LAB 51.13, 7.46, 8.3

 

CMYK 7 / 2 / 0 / 49

HEX #787E81

RGB 120 126 129

HSL 200, 0.04%, 0.49%

LAB 52.4, -1.6, -2.41

 

CMYK 33 / 9 / 0 / 42

HEX #648795

RGB 100 135 149

HSL 197.14, 0.2%, 0.49%

LAB 54.25, -8.68, -11.44

 

CMYK 53 / 15 / 0 / 34

HEX #5090A9

RGB 80 144 169

HSL 196.85, 0.36%, 0.49%

LAB 56.6, -13.36, -19.47

 

CMYK 0 / 45 / 33 / 37

HEX #A1586C

RGB 161 88 108

HSL 343.56, 0.29%, 0.49%

LAB 46.5, 32.38, 1.98

 

CMYK 0 / 45 / 45 / 37

HEX #A15858

RGB 161 88 88

HSL 0, 0.29%, 0.49%

LAB 45.99, 29.95, 13.37

 

CMYK 0 / 33 / 45 / 37

HEX #A16C58

RGB 161 108 88

HSL 16.44, 0.29%, 0.49%

LAB 50.7, 18.69, 19.77

 

CMYK 0 / 21 / 45 / 37

HEX #A17F58

RGB 161 127 88

HSL 32.05, 0.29%, 0.49%

LAB 55.54, 7.87, 26.16

 

CMYK 0 / 9 / 45 / 37

HEX #A19258

RGB 161 146 88

HSL 47.67, 0.29%, 0.49%

LAB 60.64, -2.72, 32.68

 

CMYK 0 / 32 / 45 / 58

HEX #6B493B

RGB 107 73 59

HSL 17.5, 0.29%, 0.33%

LAB 34.41, 12.58, 14.19

 

CMYK 0 / 32 / 45 / 47

HEX #865B4A

RGB 134 91 74

HSL 17, 0.29%, 0.41%

LAB 42.83, 15.47, 16.92

 

CMYK 0 / 32 / 45 / 37

HEX #A16D58

RGB 161 109 88

HSL 17.26, 0.29%, 0.49%

LAB 50.94, 18.12, 20.1

 

CMYK 0 / 26 / 36 / 31

HEX #B18371

RGB 177 131 113

HSL 16.88, 0.29%, 0.57%

LAB 58.76, 15.24, 16.65

 

CMYK 0 / 19 / 27 / 25

HEX #BF9A8C

RGB 191 154 140

HSL 16.47, 0.28%, 0.65%

LAB 66.58, 11.66, 12.55

 

CMYK 0 / 32 / 44 / 37

HEX #A06D59

RGB 160 109 89

HSL 16.9, 0.29%, 0.49%

LAB 50.84, 17.81, 19.36

 

CMYK 21 / 0 / 45 / 37

HEX #7FA158

RGB 127 161 88

HSL 87.95, 0.29%, 0.49%

LAB 62.26, -24.58, 34.14

 

CMYK 45 / 39 / 0 / 37

HEX #5862A1

RGB 88 98 161

HSL 231.78, 0.29%, 0.49%

LAB 43.34, 13.39, -35.38

 

CMYK 0 / 32 / 44 / 37

HEX #A06D59

RGB 160 109 89

HSL 16.9, 0.29%, 0.49%

LAB 50.84, 17.81, 19.36

 

CMYK 45 / 0 / 33 / 37

HEX #58A16C

RGB 88 161 108

HSL 136.44, 0.29%, 0.49%

LAB 60.47, -34.83, 20.69

 

CMYK 33 / 45 / 0 / 37

HEX #6C58A1

RGB 108 88 161

HSL 256.44, 0.29%, 0.49%

LAB 42.37, 25.1, -36.79

 

CMYK 0 / 32 / 44 / 37

HEX #A06D59

RGB 160 109 89

HSL 16.9, 0.29%, 0.49%

LAB 50.84, 17.81, 19.36

 

CMYK 21 / 0 / 45 / 37

HEX #7FA158

RGB 127 161 88

HSL 87.95, 0.29%, 0.49%

LAB 62.26, -24.58, 34.14

 

CMYK 45 / 12 / 0 / 37

HEX #588DA1

RGB 88 141 161

HSL 196.44, 0.29%, 0.49%

LAB 55.78, -12.11, -16.1

 

CMYK 24 / 45 / 0 / 37

HEX #7A58A1

RGB 122 88 161

HSL 267.95, 0.29%, 0.49%

LAB 43.79, 29.16, -34.46

 

CMYK 0 / 32 / 44 / 37

HEX #A06D59

RGB 160 109 89

HSL 16.9, 0.29%, 0.49%

LAB 50.84, 17.81, 19.36

 

CMYK 35 / 0 / 45 / 37

HEX #69A158

RGB 105 161 88

HSL 106.03, 0.29%, 0.49%

LAB 60.96, -32.67, 32.23

 

CMYK 45 / 12 / 0 / 37

HEX #588DA1

RGB 88 141 161

HSL 196.44, 0.29%, 0.49%

LAB 55.78, -12.11, -16.1

 

CMYK 11 / 45 / 0 / 37

HEX #9058A1

RGB 144 88 161

HSL 286.03, 0.29%, 0.49%

LAB 46.29, 35.81, -30.36

 

Description

Color code: HEX #A06D59 | qconv.com Color code: HEX #A06D59 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 109 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 109 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 44 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 44% 37% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

18% - index
Link: http://bonnie0209.dothome.co.kr

23% - NoDiscipline
Link: http://www.nodiscipline.com.br

14% - Saatchi Gallery
Link: http://www.saatchigallery.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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