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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A07C3B it is the complementary color #5F83C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A07C3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A07C3B shade: #A57C36, #B68E49, #C7A05C, #D8B26F and #E9C482

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A07C3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A07C3B shade: #A07C3B, #8F6A28, #7E5815, #6D4602 and #5C3400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A07C3B shade: #A07C3B, #A0603B, #A0453B and #A03B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A07C3B shade: #A07C3B, #A0973B, #8DA03B, #72A03B and #57A03B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A07C3B shade matches the following richer shades: #A07C3B, #B18129, #C38617 and #D58B05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A07C3B shade: #A07C3B, #8E774C, #7C715E, #6A6C70 and #596782

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A07C3B shade: #A0453B, #A0603B, #A07B3B, #A0963B and #8FA03B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A07C3B shade: #634D24, #816430, #A07C3B, #BB9248 and #C6A467

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A07C3B shade: #A07C3B, #4CA03B and #523BA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A07C3B shade: #A07C3B, #3BA07B and #7B3BA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A07C3B shade: #A07C3B, #4CA03B, #3B60A0 and #8F3BA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A07C3B shade: #A07C3B, #3BA048, #3B60A0 and #A03B92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 63 / 37

HEX #A07C3B

RGB 160 124 59

HSL 38.61, 0.46%, 0.43%

LAB 54.24, 6.5, 40.09

 

Complementary color

CMYK 52 / 33 / 0 / 23

HEX #5F83C4

RGB 95 131 196

HSL 218.61, 0.46%, 0.57%

LAB 54.71, 5.88, -37.75

 

CMYK 0 / 25 / 67 / 35

HEX #A57C36

RGB 165 124 54

HSL 37.84, 0.51%, 0.43%

LAB 54.74, 8.41, 43.27

 

CMYK 0 / 22 / 60 / 29

HEX #B68E49

RGB 182 142 73

HSL 37.98, 0.43%, 0.5%

LAB 61.46, 7.2, 41.95

 

CMYK 0 / 20 / 54 / 22

HEX #C7A05C

RGB 199 160 92

HSL 38.13, 0.49%, 0.57%

LAB 68.06, 6.19, 40.58

 

CMYK 0 / 18 / 49 / 15

HEX #D8B26F

RGB 216 178 111

HSL 38.29, 0.57%, 0.64%

LAB 74.56, 5.33, 39.25

 

CMYK 0 / 16 / 44 / 9

HEX #E9C482

RGB 233 196 130

HSL 38.45, 0.7%, 0.71%

LAB 80.97, 4.6, 37.96

 

CMYK 0 / 23 / 63 / 37

HEX #A07C3B

RGB 160 124 59

HSL 38.61, 0.46%, 0.43%

LAB 54.24, 6.5, 40.09

 

CMYK 0 / 26 / 72 / 44

HEX #8F6A28

RGB 143 106 40

HSL 38.45, 0.56%, 0.36%

LAB 47.37, 7.83, 41.33

 

CMYK 0 / 30 / 83 / 51

HEX #7E5815

RGB 126 88 21

HSL 38.29, 0.71%, 0.29%

LAB 40.36, 9.49, 42.06

 

CMYK 0 / 36 / 98 / 57

HEX #6D4602

RGB 109 70 2

HSL 38.13, 0.96%, 0.22%

LAB 33.21, 11.54, 41.84

 

CMYK 0 / 43 / 100 / 64

HEX #5C3400

RGB 92 52 0

HSL 33.91, 1%, 0.18%

LAB 25.96, 14.2, 35.94

 

CMYK 0 / 23 / 63 / 37

HEX #A07C3B

RGB 160 124 59

HSL 38.61, 0.46%, 0.43%

LAB 54.24, 6.5, 40.09

 

CMYK 0 / 40 / 63 / 37

HEX #A0603B

RGB 160 96 59

HSL 21.98, 0.46%, 0.43%

LAB 47.18, 22.43, 31.86

 

CMYK 0 / 57 / 63 / 37

HEX #A0453B

RGB 160 69 59

HSL 5.94, 0.46%, 0.43%

LAB 41.29, 37.05, 24.64

 

CMYK 0 / 63 / 63 / 37

HEX #A03B3B

RGB 160 59 59

HSL 0, 0.46%, 0.43%

LAB 39.44, 41.92, 22.3

 

CMYK 0 / 23 / 63 / 37

HEX #A07C3B

RGB 160 124 59

HSL 38.61, 0.46%, 0.43%

LAB 54.24, 6.5, 40.09

 

CMYK 0 / 6 / 63 / 37

HEX #A0973B

RGB 160 151 59

HSL 54.65, 0.46%, 0.43%

LAB 61.59, -8.39, 48.21

 

CMYK 12 / 0 / 63 / 37

HEX #8DA03B

RGB 141 160 59

HSL 71.29, 0.46%, 0.43%

LAB 62.61, -21.3, 48.86

 

CMYK 29 / 0 / 63 / 37

HEX #72A03B

RGB 114 160 59

HSL 87.33, 0.46%, 0.43%

LAB 60.81, -32.21, 46.39

 

CMYK 46 / 0 / 63 / 37

HEX #57A03B

RGB 87 160 59

HSL 103.37, 0.46%, 0.43%

LAB 59.42, -41.77, 44.45

 

CMYK 0 / 23 / 63 / 37

HEX #A07C3B

RGB 160 124 59

HSL 38.61, 0.46%, 0.43%

LAB 54.24, 6.5, 40.09

 

CMYK 0 / 27 / 77 / 31

HEX #B18129

RGB 177 129 41

HSL 38.82, 0.62%, 0.43%

LAB 57.28, 10.31, 52.08

 

CMYK 0 / 31 / 88 / 24

HEX #C38617

RGB 195 134 23

HSL 38.72, 0.79%, 0.43%

LAB 60.53, 14.99, 61.74

 

CMYK 0 / 35 / 98 / 16

HEX #D58B05

RGB 213 139 5

HSL 38.65, 0.95%, 0.43%

LAB 63.85, 19.9, 68.5

 

CMYK 0 / 23 / 63 / 37

HEX #A07C3B

RGB 160 124 59

HSL 38.61, 0.46%, 0.43%

LAB 54.24, 6.5, 40.09

 

CMYK 0 / 16 / 46 / 44

HEX #8E774C

RGB 142 119 76

HSL 39.09, 0.3%, 0.43%

LAB 51.23, 2.87, 26.92

 

CMYK 0 / 9 / 24 / 51

HEX #7C715E

RGB 124 113 94

HSL 38, 0.14%, 0.43%

LAB 48.14, 0.98, 12.11

 

CMYK 5 / 4 / 0 / 56

HEX #6A6C70

RGB 106 108 112

HSL 220, 0.03%, 0.43%

LAB 45.58, 0.08, -2.5

 

CMYK 32 / 21 / 0 / 49

HEX #596782

RGB 89 103 130

HSL 219.51, 0.19%, 0.43%

LAB 43.41, 1.52, -16.72

 

CMYK 0 / 57 / 63 / 37

HEX #A0453B

RGB 160 69 59

HSL 5.94, 0.46%, 0.43%

LAB 41.29, 37.05, 24.64

 

CMYK 0 / 40 / 63 / 37

HEX #A0603B

RGB 160 96 59

HSL 21.98, 0.46%, 0.43%

LAB 47.18, 22.43, 31.86

 

CMYK 0 / 23 / 63 / 37

HEX #A07B3B

RGB 160 123 59

HSL 38.02, 0.46%, 0.43%

LAB 53.98, 7.07, 39.79

 

CMYK 0 / 6 / 63 / 37

HEX #A0963B

RGB 160 150 59

HSL 54.06, 0.46%, 0.43%

LAB 61.31, -7.85, 47.91

 

CMYK 11 / 0 / 63 / 37

HEX #8FA03B

RGB 143 160 59

HSL 70.1, 0.46%, 0.43%

LAB 62.76, -20.45, 49.07

 

CMYK 0 / 22 / 64 / 61

HEX #634D24

RGB 99 77 36

HSL 39.05, 0.47%, 0.26%

LAB 34.17, 3.97, 27.44

 

CMYK 0 / 22 / 63 / 49

HEX #816430

RGB 129 100 48

HSL 38.52, 0.46%, 0.35%

LAB 44.23, 5.37, 33.42

 

CMYK 0 / 23 / 63 / 37

HEX #A07C3B

RGB 160 124 59

HSL 38.61, 0.46%, 0.43%

LAB 54.24, 6.5, 40.09

 

CMYK 0 / 22 / 61 / 27

HEX #BB9248

RGB 187 146 72

HSL 38.61, 0.46%, 0.51%

LAB 63, 7.1, 44.37

 

CMYK 0 / 17 / 48 / 22

HEX #C6A467

RGB 198 164 103

HSL 38.53, 0.45%, 0.59%

LAB 69.14, 4.61, 36.2

 

CMYK 0 / 23 / 63 / 37

HEX #A07C3B

RGB 160 124 59

HSL 38.61, 0.46%, 0.43%

LAB 54.24, 6.5, 40.09

 

CMYK 53 / 0 / 63 / 37

HEX #4CA03B

RGB 76 160 59

HSL 109.9, 0.46%, 0.43%

LAB 58.97, -45.12, 43.82

 

CMYK 49 / 63 / 0 / 37

HEX #523BA0

RGB 82 59 160

HSL 253.66, 0.46%, 0.43%

LAB 32.83, 36.02, -51.62

 

CMYK 0 / 23 / 63 / 37

HEX #A07C3B

RGB 160 124 59

HSL 38.61, 0.46%, 0.43%

LAB 54.24, 6.5, 40.09

 

CMYK 63 / 0 / 23 / 37

HEX #3BA07B

RGB 59 160 123

HSL 158.02, 0.46%, 0.43%

LAB 59.44, -38.29, 10.78

 

CMYK 23 / 63 / 0 / 37

HEX #7B3BA0

RGB 123 59 160

HSL 278.02, 0.46%, 0.43%

LAB 37.62, 45.4, -43.66

 

CMYK 0 / 23 / 63 / 37

HEX #A07C3B

RGB 160 124 59

HSL 38.61, 0.46%, 0.43%

LAB 54.24, 6.5, 40.09

 

CMYK 53 / 0 / 63 / 37

HEX #4CA03B

RGB 76 160 59

HSL 109.9, 0.46%, 0.43%

LAB 58.97, -45.12, 43.82

 

CMYK 63 / 40 / 0 / 37

HEX #3B60A0

RGB 59 96 160

HSL 218.02, 0.46%, 0.43%

LAB 40.95, 7.65, -38.67

 

CMYK 11 / 63 / 0 / 37

HEX #8F3BA0

RGB 143 59 160

HSL 289.9, 0.46%, 0.43%

LAB 40.42, 50.38, -39.03

 

CMYK 0 / 23 / 63 / 37

HEX #A07C3B

RGB 160 124 59

HSL 38.61, 0.46%, 0.43%

LAB 54.24, 6.5, 40.09

 

CMYK 63 / 0 / 55 / 37

HEX #3BA048

RGB 59 160 72

HSL 127.72, 0.46%, 0.43%

LAB 58.55, -47.89, 37

 

CMYK 63 / 40 / 0 / 37

HEX #3B60A0

RGB 59 96 160

HSL 218.02, 0.46%, 0.43%

LAB 40.95, 7.65, -38.67

 

CMYK 0 / 63 / 9 / 37

HEX #A03B92

RGB 160 59 146

HSL 308.32, 0.46%, 0.43%

LAB 42.27, 52.29, -27.5

 

Description

Color code: HEX #A07C3B | qconv.com Color code: HEX #A07C3B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 124 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 124 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 63 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 63% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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