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Color name
HEX #A0872B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A0872B it is the complementary color #5F78D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A0872B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A0872B shade: #A58726, #B69939, #C7AB4C, #D8BD5F and #E9CF72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A0872B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A0872B shade: #A0872B, #8F7518, #7E6305, #6D5100 and #5C3F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A0872B shade: #A1872A, #A1672A, #A1482A and #A12A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A0872B shade: #A1872A, #9AA12A, #7AA12A, #5AA12A and #3AA12A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A0872B shade matches the following richer shades: #A1872A, #B1911A and #C29A09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A0872B shade: #A1872A, #907E3B, #80744B, #6F6B5C and #5F626C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A0872B shade: #A1482A, #A1672A, #A1872A, #9BA12A and #7BA12A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A0872B shade: #5F5019, #806C22, #A1872A, #C1A333 and #D0B44E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A0872B shade: #A0872B, #2CA12A and #582AA1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A0872B shade: #A0872B, #2AA187 and #872AA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A0872B shade: #A0872B, #2CA12A, #2A44A1 and #9F2AA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A0872B shade: #A0872B, #2AA14C, #2A44A1 and #A12A7F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 73 / 37

HEX #A0872B

RGB 160 135 43

HSL 47.18, 0.58%, 0.4%

LAB 57.05, -0.63, 50.43

 

Complementary color

CMYK 55 / 43 / 0 / 17

HEX #5F78D4

RGB 95 120 212

HSL 227.18, 0.58%, 0.6%

LAB 52.53, 17.62, -50.28

 

CMYK 0 / 18 / 77 / 35

HEX #A58726

RGB 165 135 38

HSL 45.83, 0.63%, 0.4%

LAB 57.53, 1.41, 53.04

 

CMYK 0 / 16 / 69 / 29

HEX #B69939

RGB 182 153 57

HSL 46.08, 0.52%, 0.47%

LAB 64.18, 0.12, 52.47

 

CMYK 0 / 14 / 62 / 22

HEX #C7AB4C

RGB 199 171 76

HSL 46.34, 0.52%, 0.54%

LAB 70.73, -0.94, 51.49

 

CMYK 0 / 13 / 56 / 15

HEX #D8BD5F

RGB 216 189 95

HSL 46.61, 0.61%, 0.61%

LAB 77.17, -1.83, 50.34

 

CMYK 0 / 11 / 51 / 9

HEX #E9CF72

RGB 233 207 114

HSL 46.89, 0.73%, 0.68%

LAB 83.53, -2.59, 49.13

 

CMYK 0 / 16 / 73 / 37

HEX #A0872B

RGB 160 135 43

HSL 47.18, 0.58%, 0.4%

LAB 57.05, -0.63, 50.43

 

CMYK 0 / 18 / 83 / 44

HEX #8F7518

RGB 143 117 24

HSL 46.89, 0.71%, 0.33%

LAB 50.25, 0.8, 50.52

 

CMYK 0 / 21 / 96 / 51

HEX #7E6305

RGB 126 99 5

HSL 46.61, 0.92%, 0.26%

LAB 43.32, 2.56, 49.2

 

CMYK 0 / 26 / 100 / 57

HEX #6D5100

RGB 109 81 0

HSL 44.59, 1%, 0.21%

LAB 36.24, 4.79, 44.65

 

CMYK 0 / 32 / 100 / 64

HEX #5C3F00

RGB 92 63 0

HSL 41.09, 1%, 0.18%

LAB 28.98, 7.3, 38.54

 

CMYK 0 / 16 / 74 / 37

HEX #A1872A

RGB 161 135 42

HSL 46.89, 0.59%, 0.4%

LAB 57.15, -0.22, 50.96

 

CMYK 0 / 36 / 74 / 37

HEX #A1672A

RGB 161 103 42

HSL 30.76, 0.59%, 0.4%

LAB 48.82, 17.85, 42.58

 

CMYK 0 / 55 / 74 / 37

HEX #A1482A

RGB 161 72 42

HSL 15.13, 0.59%, 0.4%

LAB 41.81, 34.9, 35.12

 

CMYK 0 / 74 / 74 / 37

HEX #A12A2A

RGB 161 42 42

HSL 0, 0.59%, 0.4%

LAB 36.74, 48.41, 29.45

 

CMYK 0 / 16 / 74 / 37

HEX #A1872A

RGB 161 135 42

HSL 46.89, 0.59%, 0.4%

LAB 57.15, -0.22, 50.96

 

CMYK 4 / 0 / 74 / 37

HEX #9AA12A

RGB 154 161 42

HSL 63.53, 0.59%, 0.4%

LAB 63.78, -17.26, 57.15

 

CMYK 24 / 0 / 74 / 37

HEX #7AA12A

RGB 122 161 42

HSL 79.66, 0.59%, 0.4%

LAB 61.48, -30.78, 54.13

 

CMYK 44 / 0 / 74 / 37

HEX #5AA12A

RGB 90 161 42

HSL 95.8, 0.59%, 0.4%

LAB 59.74, -42.65, 51.83

 

CMYK 64 / 0 / 74 / 37

HEX #3AA12A

RGB 58 161 42

HSL 111.93, 0.59%, 0.4%

LAB 58.56, -51.74, 50.27

 

CMYK 0 / 16 / 74 / 37

HEX #A1872A

RGB 161 135 42

HSL 46.89, 0.59%, 0.4%

LAB 57.15, -0.22, 50.96

 

CMYK 0 / 18 / 85 / 31

HEX #B1911A

RGB 177 145 26

HSL 47.28, 0.74%, 0.4%

LAB 61.37, 0.95, 60.81

 

CMYK 0 / 21 / 95 / 24

HEX #C29A09

RGB 194 154 9

HSL 47.03, 0.91%, 0.4%

LAB 65.44, 3.41, 68.07

 

CMYK 0 / 16 / 74 / 37

HEX #A1872A

RGB 161 135 42

HSL 46.89, 0.59%, 0.4%

LAB 57.15, -0.22, 50.96

 

CMYK 0 / 13 / 59 / 44

HEX #907E3B

RGB 144 126 59

HSL 47.29, 0.42%, 0.4%

LAB 53.13, -1.82, 38.38

 

CMYK 0 / 9 / 41 / 50

HEX #80744B

RGB 128 116 75

HSL 46.42, 0.26%, 0.4%

LAB 48.99, -1.68, 24.34

 

CMYK 0 / 4 / 17 / 56

HEX #6F6B5C

RGB 111 107 92

HSL 47.37, 0.09%, 0.4%

LAB 45.18, -1.24, 8.97

 

CMYK 12 / 9 / 0 / 58

HEX #5F626C

RGB 95 98 108

HSL 226.15, 0.06%, 0.4%

LAB 41.61, 1.06, -6.06

 

CMYK 0 / 55 / 74 / 37

HEX #A1482A

RGB 161 72 42

HSL 15.13, 0.59%, 0.4%

LAB 41.81, 34.9, 35.12

 

CMYK 0 / 36 / 74 / 37

HEX #A1672A

RGB 161 103 42

HSL 30.76, 0.59%, 0.4%

LAB 48.82, 17.85, 42.58

 

CMYK 0 / 16 / 74 / 37

HEX #A1872A

RGB 161 135 42

HSL 46.89, 0.59%, 0.4%

LAB 57.15, -0.22, 50.96

 

CMYK 4 / 0 / 74 / 37

HEX #9BA12A

RGB 155 161 42

HSL 63.03, 0.59%, 0.4%

LAB 63.86, -16.83, 57.25

 

CMYK 24 / 0 / 74 / 37

HEX #7BA12A

RGB 123 161 42

HSL 79.16, 0.59%, 0.4%

LAB 61.54, -30.37, 54.22

 

CMYK 0 / 16 / 74 / 63

HEX #5F5019

RGB 95 80 25

HSL 47.14, 0.58%, 0.24%

LAB 34.48, -0.64, 33.39

 

CMYK 0 / 16 / 73 / 50

HEX #806C22

RGB 128 108 34

HSL 47.23, 0.58%, 0.32%

LAB 46.22, -0.69, 42.35

 

CMYK 0 / 16 / 74 / 37

HEX #A1872A

RGB 161 135 42

HSL 46.89, 0.59%, 0.4%

LAB 57.15, -0.22, 50.96

 

CMYK 0 / 16 / 74 / 24

HEX #C1A333

RGB 193 163 51

HSL 47.32, 0.58%, 0.48%

LAB 67.85, -0.72, 58.96

 

CMYK 0 / 13 / 63 / 18

HEX #D0B44E

RGB 208 180 78

HSL 47.08, 0.58%, 0.56%

LAB 73.93, -1.72, 54.36

 

CMYK 0 / 16 / 73 / 37

HEX #A0872B

RGB 160 135 43

HSL 47.18, 0.58%, 0.4%

LAB 57.05, -0.63, 50.43

 

CMYK 73 / 0 / 74 / 37

HEX #2CA12A

RGB 44 161 42

HSL 118.99, 0.59%, 0.4%

LAB 58.22, -54.59, 49.81

 

CMYK 45 / 74 / 0 / 37

HEX #582AA1

RGB 88 42 161

HSL 263.19, 0.59%, 0.4%

LAB 30.17, 46.76, -56.54

 

CMYK 0 / 16 / 73 / 37

HEX #A0872B

RGB 160 135 43

HSL 47.18, 0.58%, 0.4%

LAB 57.05, -0.63, 50.43

 

CMYK 74 / 0 / 16 / 37

HEX #2AA187

RGB 42 161 135

HSL 166.89, 0.59%, 0.4%

LAB 59.65, -38.54, 4.27

 

CMYK 16 / 74 / 0 / 37

HEX #872AA1

RGB 135 42 161

HSL 286.89, 0.59%, 0.4%

LAB 36.71, 55.92, -45.63

 

CMYK 0 / 16 / 73 / 37

HEX #A0872B

RGB 160 135 43

HSL 47.18, 0.58%, 0.4%

LAB 57.05, -0.63, 50.43

 

CMYK 73 / 0 / 74 / 37

HEX #2CA12A

RGB 44 161 42

HSL 118.99, 0.59%, 0.4%

LAB 58.22, -54.59, 49.81

 

CMYK 74 / 58 / 0 / 37

HEX #2A44A1

RGB 42 68 161

HSL 226.89, 0.59%, 0.4%

LAB 32.26, 23.67, -53.29

 

CMYK 1 / 74 / 0 / 37

HEX #9F2AA1

RGB 159 42 161

HSL 298.99, 0.59%, 0.4%

LAB 40.57, 61.08, -39.23

 

CMYK 0 / 16 / 73 / 37

HEX #A0872B

RGB 160 135 43

HSL 47.18, 0.58%, 0.4%

LAB 57.05, -0.63, 50.43

 

CMYK 74 / 0 / 53 / 37

HEX #2AA14C

RGB 42 161 76

HSL 137.14, 0.59%, 0.4%

LAB 58.51, -50.95, 34.86

 

CMYK 74 / 58 / 0 / 37

HEX #2A44A1

RGB 42 68 161

HSL 226.89, 0.59%, 0.4%

LAB 32.26, 23.67, -53.29

 

CMYK 0 / 74 / 21 / 37

HEX #A12A7F

RGB 161 42 127

HSL 317.14, 0.59%, 0.4%

LAB 39.18, 56.32, -20.66

 

Description

Color code: HEX #A0872B | qconv.com Color code: HEX #A0872B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 135 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 135 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 73 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 73% 37% C M Y K

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Provide designers and agencies with accurate color values.

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