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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A08791 it is the complementary color #5F786E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A08791. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A08791 shade: #A5878C, #B6999F, #C7ABB2, #D8BDC5 and #E9CFD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A08791. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A08791 shade: #A08791, #8F757E, #7E636B, #6D5158 and #5C3F45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A08791 shade: #A08791, #A0878A and #A08787

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A08791 shade: #A08791, #A08798, #A0879F, #9B87A0 and #9487A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A08791 shade matches the following richer shades: #A08791, #B2758D, #C3648A, #D45386 and #E64183

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A08791 shade: #A08791, #8F9894, #7EA998, #6CBB9B and #5BCC9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A08791 shade: #A0879F, #A08798, #A08791, #A0878A and #A08A87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A08791 shade: #775D68, #8E6F7C, #A08791, #B29EA6 and #C5B5BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A08791 shade: #A08791, #A09B87 and #879BA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A08791 shade: #A08791, #91A087 and #8791A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A08791 shade: #A08791, #A09B87, #87A096 and #878CA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A08791 shade: #A08791, #9EA087, #87A096 and #8987A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 9 / 37

HEX #A08791

RGB 160 135 145

HSL 336, 0.12%, 0.58%

LAB 58.83, 11.22, -1.81

 

Complementary color

CMYK 21 / 0 / 8 / 53

HEX #5F786E

RGB 95 120 110

HSL 156, 0.12%, 0.42%

LAB 48.25, -11.31, 2.49

 

CMYK 0 / 18 / 15 / 35

HEX #A5878C

RGB 165 135 140

HSL 350, 0.14%, 0.59%

LAB 59.18, 12.23, 1.62

 

CMYK 0 / 16 / 13 / 29

HEX #B6999F

RGB 182 153 159

HSL 347.59, 0.17%, 0.66%

LAB 65.93, 11.75, 0.87

 

CMYK 0 / 14 / 11 / 22

HEX #C7ABB2

RGB 199 171 178

HSL 345, 0.2%, 0.73%

LAB 72.55, 11.32, 0.17

 

CMYK 0 / 13 / 9 / 15

HEX #D8BDC5

RGB 216 189 197

HSL 342.22, 0.26%, 0.79%

LAB 79.06, 10.92, -0.5

 

CMYK 0 / 11 / 7 / 9

HEX #E9CFD8

RGB 233 207 216

HSL 339.23, 0.37%, 0.86%

LAB 85.46, 10.56, -1.14

 

CMYK 0 / 16 / 9 / 37

HEX #A08791

RGB 160 135 145

HSL 336, 0.12%, 0.58%

LAB 58.83, 11.22, -1.81

 

CMYK 0 / 18 / 12 / 44

HEX #8F757E

RGB 143 117 126

HSL 339.23, 0.1%, 0.51%

LAB 51.91, 11.7, -1.12

 

CMYK 0 / 21 / 15 / 51

HEX #7E636B

RGB 126 99 107

HSL 342.22, 0.12%, 0.44%

LAB 44.83, 12.26, -0.36

 

CMYK 0 / 26 / 19 / 57

HEX #6D5158

RGB 109 81 88

HSL 345, 0.15%, 0.37%

LAB 37.55, 12.9, 0.47

 

CMYK 0 / 32 / 25 / 64

HEX #5C3F45

RGB 92 63 69

HSL 347.59, 0.19%, 0.3%

LAB 30.06, 13.67, 1.43

 

CMYK 0 / 16 / 9 / 37

HEX #A08791

RGB 160 135 145

HSL 336, 0.12%, 0.58%

LAB 58.83, 11.22, -1.81

 

CMYK 0 / 16 / 14 / 37

HEX #A0878A

RGB 160 135 138

HSL 352.8, 0.12%, 0.58%

LAB 58.64, 9.99, 1.92

 

CMYK 0 / 16 / 16 / 37

HEX #A08787

RGB 160 135 135

HSL 0, 0.12%, 0.58%

LAB 58.56, 9.48, 3.53

 

CMYK 0 / 16 / 9 / 37

HEX #A08791

RGB 160 135 145

HSL 336, 0.12%, 0.58%

LAB 58.83, 11.22, -1.81

 

CMYK 0 / 16 / 5 / 37

HEX #A08798

RGB 160 135 152

HSL 319.2, 0.12%, 0.58%

LAB 59.04, 12.5, -5.52

 

CMYK 0 / 16 / 1 / 37

HEX #A0879F

RGB 160 135 159

HSL 302.4, 0.12%, 0.58%

LAB 59.26, 13.84, -9.21

 

CMYK 3 / 16 / 0 / 37

HEX #9B87A0

RGB 155 135 160

HSL 288, 0.12%, 0.58%

LAB 58.82, 12.26, -10.48

 

CMYK 7 / 16 / 0 / 37

HEX #9487A0

RGB 148 135 160

HSL 271.2, 0.12%, 0.58%

LAB 58.19, 9.8, -11.49

 

CMYK 0 / 16 / 9 / 37

HEX #A08791

RGB 160 135 145

HSL 336, 0.12%, 0.58%

LAB 58.83, 11.22, -1.81

 

CMYK 0 / 34 / 21 / 30

HEX #B2758D

RGB 178 117 141

HSL 336.39, 0.28%, 0.58%

LAB 56.2, 27.44, -3.15

 

CMYK 0 / 49 / 29 / 24

HEX #C3648A

RGB 195 100 138

HSL 336, 0.44%, 0.58%

LAB 54.61, 42.22, -3.49

 

CMYK 0 / 61 / 37 / 17

HEX #D45386

RGB 212 83 134

HSL 336.28, 0.6%, 0.58%

LAB 53.93, 55.43, -1.84

 

CMYK 0 / 72 / 43 / 10

HEX #E64183

RGB 230 65 131

HSL 336, 0.77%, 0.58%

LAB 54.28, 67.39, 0.82

 

CMYK 0 / 16 / 9 / 37

HEX #A08791

RGB 160 135 145

HSL 336, 0.12%, 0.58%

LAB 58.83, 11.22, -1.81

 

CMYK 6 / 0 / 3 / 40

HEX #8F9894

RGB 143 152 148

HSL 153.33, 0.04%, 0.58%

LAB 62.03, -4.02, 0.98

 

CMYK 25 / 0 / 10 / 34

HEX #7EA998

RGB 126 169 152

HSL 156.28, 0.2%, 0.58%

LAB 65.81, -18.13, 4.08

 

CMYK 42 / 0 / 17 / 27

HEX #6CBB9B

RGB 108 187 155

HSL 155.7, 0.37%, 0.58%

LAB 70.24, -31.79, 8.67

 

CMYK 55 / 0 / 22 / 20

HEX #5BCC9F

RGB 91 204 159

HSL 156.11, 0.53%, 0.58%

LAB 74.77, -42.82, 12.84

 

CMYK 0 / 16 / 1 / 37

HEX #A0879F

RGB 160 135 159

HSL 302.4, 0.12%, 0.58%

LAB 59.26, 13.84, -9.21

 

CMYK 0 / 16 / 5 / 37

HEX #A08798

RGB 160 135 152

HSL 319.2, 0.12%, 0.58%

LAB 59.04, 12.5, -5.52

 

CMYK 0 / 16 / 9 / 37

HEX #A08791

RGB 160 135 145

HSL 336, 0.12%, 0.58%

LAB 58.83, 11.22, -1.81

 

CMYK 0 / 16 / 14 / 37

HEX #A0878A

RGB 160 135 138

HSL 352.8, 0.12%, 0.58%

LAB 58.64, 9.99, 1.92

 

CMYK 0 / 14 / 16 / 37

HEX #A08A87

RGB 160 138 135

HSL 7.2, 0.12%, 0.58%

LAB 59.34, 7.78, 4.66

 

CMYK 0 / 22 / 13 / 53

HEX #775D68

RGB 119 93 104

HSL 334.62, 0.12%, 0.42%

LAB 42.38, 12.53, -2.21

 

CMYK 0 / 22 / 13 / 44

HEX #8E6F7C

RGB 142 111 124

HSL 334.84, 0.12%, 0.5%

LAB 50.19, 14.46, -2.48

 

CMYK 0 / 16 / 9 / 37

HEX #A08791

RGB 160 135 145

HSL 336, 0.12%, 0.58%

LAB 58.83, 11.22, -1.81

 

CMYK 0 / 11 / 7 / 30

HEX #B29EA6

RGB 178 158 166

HSL 336, 0.11%, 0.66%

LAB 67.03, 8.73, -1.48

 

CMYK 0 / 8 / 5 / 23

HEX #C5B5BB

RGB 197 181 187

HSL 337.5, 0.12%, 0.74%

LAB 75.14, 6.75, -0.99

 

CMYK 0 / 16 / 9 / 37

HEX #A08791

RGB 160 135 145

HSL 336, 0.12%, 0.58%

LAB 58.83, 11.22, -1.81

 

CMYK 0 / 3 / 16 / 37

HEX #A09B87

RGB 160 155 135

HSL 48, 0.12%, 0.58%

LAB 63.89, -1.69, 11.14

 

CMYK 16 / 3 / 0 / 37

HEX #879BA0

RGB 135 155 160

HSL 192, 0.12%, 0.58%

LAB 62.62, -5.95, -5

 

CMYK 0 / 16 / 9 / 37

HEX #A08791

RGB 160 135 145

HSL 336, 0.12%, 0.58%

LAB 58.83, 11.22, -1.81

 

CMYK 9 / 0 / 16 / 37

HEX #91A087

RGB 145 160 135

HSL 96, 0.12%, 0.58%

LAB 64.09, -10.07, 11.26

 

CMYK 16 / 9 / 0 / 37

HEX #8791A0

RGB 135 145 160

HSL 216, 0.12%, 0.58%

LAB 59.83, -0.38, -9.14

 

CMYK 0 / 16 / 9 / 37

HEX #A08791

RGB 160 135 145

HSL 336, 0.12%, 0.58%

LAB 58.83, 11.22, -1.81

 

CMYK 0 / 3 / 16 / 37

HEX #A09B87

RGB 160 155 135

HSL 48, 0.12%, 0.58%

LAB 63.89, -1.69, 11.14

 

CMYK 16 / 0 / 6 / 37

HEX #87A096

RGB 135 160 150

HSL 156, 0.12%, 0.58%

LAB 63.75, -10.79, 2.28

 

CMYK 16 / 13 / 0 / 37

HEX #878CA0

RGB 135 140 160

HSL 228, 0.12%, 0.58%

LAB 58.46, 2.45, -11.2

 

CMYK 0 / 16 / 9 / 37

HEX #A08791

RGB 160 135 145

HSL 336, 0.12%, 0.58%

LAB 58.83, 11.22, -1.81

 

CMYK 1 / 0 / 16 / 37

HEX #9EA087

RGB 158 160 135

HSL 64.8, 0.12%, 0.58%

LAB 65.09, -5.18, 12.81

 

CMYK 16 / 0 / 6 / 37

HEX #87A096

RGB 135 160 150

HSL 156, 0.12%, 0.58%

LAB 63.75, -10.79, 2.28

 

CMYK 14 / 16 / 0 / 37

HEX #8987A0

RGB 137 135 160

HSL 244.8, 0.12%, 0.58%

LAB 57.25, 5.99, -12.99

 

Description

Color code: HEX #A08791 | qconv.com Color code: HEX #A08791 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 135 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 135 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 9 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 9% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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