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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A08794 it is the complementary color #5F786B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A08794. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A08794 shade: #A5878F, #B699A2, #C7ABB5, #D8BDC8 and #E9CFDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A08794. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A08794 shade: #A08794, #8F7581, #7E636E, #6D515B and #5C3F48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A08794 shade: #A08794, #A0878D and #A08787

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A08794 shade: #A08794, #A0879B, #9F87A0, #9887A0 and #9187A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A08794 shade matches the following richer shades: #A08794, #B27595, #C36495, #D45396 and #E64197

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A08794 shade: #A08794, #8F9893, #7EA993, #6CBB92 and #5BCC91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A08794 shade: #9F87A0, #A0879B, #A08794, #A0878D and #A08787

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A08794 shade: #775D6B, #8E6F7F, #A08794, #B29EA8 and #C5B5BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A08794 shade: #A08794, #A09887 and #879FA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A08794 shade: #A08794, #94A087 and #8794A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A08794 shade: #A08794, #A09887, #87A093 and #878FA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A08794 shade: #A08794, #A09F87, #87A093 and #8787A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 7 / 37

HEX #A08794

RGB 160 135 148

HSL 328.8, 0.12%, 0.58%

LAB 58.92, 11.76, -3.41

 

Complementary color

CMYK 21 / 0 / 11 / 53

HEX #5F786B

RGB 95 120 107

HSL 148.8, 0.12%, 0.42%

LAB 48.17, -11.97, 4.15

 

CMYK 0 / 18 / 13 / 35

HEX #A5878F

RGB 165 135 143

HSL 344, 0.14%, 0.59%

LAB 59.26, 12.74, 0.02

 

CMYK 0 / 16 / 11 / 29

HEX #B699A2

RGB 182 153 162

HSL 341.38, 0.17%, 0.66%

LAB 66.01, 12.26, -0.69

 

CMYK 0 / 14 / 9 / 22

HEX #C7ABB5

RGB 199 171 181

HSL 338.57, 0.2%, 0.73%

LAB 72.63, 11.83, -1.36

 

CMYK 0 / 13 / 7 / 15

HEX #D8BDC8

RGB 216 189 200

HSL 335.56, 0.26%, 0.79%

LAB 79.14, 11.44, -2

 

CMYK 0 / 11 / 6 / 9

HEX #E9CFDB

RGB 233 207 219

HSL 332.31, 0.37%, 0.86%

LAB 85.54, 11.07, -2.61

 

CMYK 0 / 16 / 7 / 37

HEX #A08794

RGB 160 135 148

HSL 328.8, 0.12%, 0.58%

LAB 58.92, 11.76, -3.41

 

CMYK 0 / 18 / 10 / 44

HEX #8F7581

RGB 143 117 129

HSL 332.31, 0.1%, 0.51%

LAB 52, 12.25, -2.75

 

CMYK 0 / 21 / 13 / 51

HEX #7E636E

RGB 126 99 110

HSL 335.56, 0.12%, 0.44%

LAB 44.92, 12.8, -2.04

 

CMYK 0 / 26 / 17 / 57

HEX #6D515B

RGB 109 81 91

HSL 338.57, 0.15%, 0.37%

LAB 37.65, 13.44, -1.27

 

CMYK 0 / 32 / 22 / 64

HEX #5C3F48

RGB 92 63 72

HSL 341.38, 0.19%, 0.3%

LAB 30.15, 14.19, -0.39

 

CMYK 0 / 16 / 7 / 37

HEX #A08794

RGB 160 135 148

HSL 328.8, 0.12%, 0.58%

LAB 58.92, 11.76, -3.41

 

CMYK 0 / 16 / 12 / 37

HEX #A0878D

RGB 160 135 141

HSL 345.6, 0.12%, 0.58%

LAB 58.72, 10.51, 0.32

 

CMYK 0 / 16 / 16 / 37

HEX #A08787

RGB 160 135 135

HSL 0, 0.12%, 0.58%

LAB 58.56, 9.48, 3.53

 

CMYK 0 / 16 / 7 / 37

HEX #A08794

RGB 160 135 148

HSL 328.8, 0.12%, 0.58%

LAB 58.92, 11.76, -3.41

 

CMYK 0 / 16 / 3 / 37

HEX #A0879B

RGB 160 135 155

HSL 312, 0.12%, 0.58%

LAB 59.13, 13.07, -7.11

 

CMYK 1 / 16 / 0 / 37

HEX #9F87A0

RGB 159 135 160

HSL 297.6, 0.12%, 0.58%

LAB 59.19, 13.68, -9.88

 

CMYK 5 / 16 / 0 / 37

HEX #9887A0

RGB 152 135 160

HSL 280.8, 0.12%, 0.58%

LAB 58.55, 11.2, -10.92

 

CMYK 9 / 16 / 0 / 37

HEX #9187A0

RGB 145 135 160

HSL 264, 0.12%, 0.58%

LAB 57.93, 8.75, -11.91

 

CMYK 0 / 16 / 7 / 37

HEX #A08794

RGB 160 135 148

HSL 328.8, 0.12%, 0.58%

LAB 58.92, 11.76, -3.41

 

CMYK 0 / 34 / 16 / 30

HEX #B27595

RGB 178 117 149

HSL 328.52, 0.28%, 0.58%

LAB 56.44, 28.73, -7.44

 

CMYK 0 / 49 / 24 / 24

HEX #C36495

RGB 195 100 149

HSL 329.05, 0.44%, 0.58%

LAB 54.96, 43.75, -9.43

 

CMYK 0 / 61 / 29 / 17

HEX #D45396

RGB 212 83 150

HSL 328.84, 0.6%, 0.58%

LAB 54.43, 57.33, -10.54

 

CMYK 0 / 72 / 34 / 10

HEX #E64197

RGB 230 65 151

HSL 328.73, 0.77%, 0.58%

LAB 54.91, 69.41, -10.13

 

CMYK 0 / 16 / 7 / 37

HEX #A08794

RGB 160 135 148

HSL 328.8, 0.12%, 0.58%

LAB 58.92, 11.76, -3.41

 

CMYK 6 / 0 / 3 / 40

HEX #8F9893

RGB 143 152 147

HSL 146.67, 0.04%, 0.58%

LAB 62, -4.22, 1.5

 

CMYK 25 / 0 / 13 / 34

HEX #7EA993

RGB 126 169 147

HSL 149.3, 0.2%, 0.58%

LAB 65.68, -19.17, 6.68

 

CMYK 42 / 0 / 22 / 27

HEX #6CBB92

RGB 108 187 146

HSL 148.86, 0.37%, 0.58%

LAB 70.04, -33.7, 13.28

 

CMYK 55 / 0 / 29 / 20

HEX #5BCC91

RGB 91 204 145

HSL 148.67, 0.53%, 0.58%

LAB 74.48, -45.76, 19.9

 

CMYK 1 / 16 / 0 / 37

HEX #9F87A0

RGB 159 135 160

HSL 297.6, 0.12%, 0.58%

LAB 59.19, 13.68, -9.88

 

CMYK 0 / 16 / 3 / 37

HEX #A0879B

RGB 160 135 155

HSL 312, 0.12%, 0.58%

LAB 59.13, 13.07, -7.11

 

CMYK 0 / 16 / 7 / 37

HEX #A08794

RGB 160 135 148

HSL 328.8, 0.12%, 0.58%

LAB 58.92, 11.76, -3.41

 

CMYK 0 / 16 / 12 / 37

HEX #A0878D

RGB 160 135 141

HSL 345.6, 0.12%, 0.58%

LAB 58.72, 10.51, 0.32

 

CMYK 0 / 16 / 16 / 37

HEX #A08787

RGB 160 135 135

HSL 0, 0.12%, 0.58%

LAB 58.56, 9.48, 3.53

 

CMYK 0 / 22 / 10 / 53

HEX #775D6B

RGB 119 93 107

HSL 327.69, 0.12%, 0.42%

LAB 42.48, 13.1, -3.91

 

CMYK 0 / 22 / 11 / 44

HEX #8E6F7F

RGB 142 111 127

HSL 329.03, 0.12%, 0.5%

LAB 50.28, 15, -4.13

 

CMYK 0 / 16 / 7 / 37

HEX #A08794

RGB 160 135 148

HSL 328.8, 0.12%, 0.58%

LAB 58.92, 11.76, -3.41

 

CMYK 0 / 11 / 6 / 30

HEX #B29EA8

RGB 178 158 168

HSL 330, 0.11%, 0.66%

LAB 67.09, 9.09, -2.51

 

CMYK 0 / 8 / 4 / 23

HEX #C5B5BD

RGB 197 181 189

HSL 330, 0.12%, 0.74%

LAB 75.2, 7.1, -2

 

CMYK 0 / 16 / 7 / 37

HEX #A08794

RGB 160 135 148

HSL 328.8, 0.12%, 0.58%

LAB 58.92, 11.76, -3.41

 

CMYK 0 / 5 / 16 / 37

HEX #A09887

RGB 160 152 135

HSL 40.8, 0.12%, 0.58%

LAB 63.08, -0.04, 9.99

 

CMYK 16 / 1 / 0 / 37

HEX #879FA0

RGB 135 159 160

HSL 182.4, 0.12%, 0.58%

LAB 63.74, -8.14, -3.34

 

CMYK 0 / 16 / 7 / 37

HEX #A08794

RGB 160 135 148

HSL 328.8, 0.12%, 0.58%

LAB 58.92, 11.76, -3.41

 

CMYK 7 / 0 / 16 / 37

HEX #94A087

RGB 148 160 135

HSL 88.8, 0.12%, 0.58%

LAB 64.31, -8.96, 11.6

 

CMYK 16 / 7 / 0 / 37

HEX #8794A0

RGB 135 148 160

HSL 208.8, 0.12%, 0.58%

LAB 60.67, -2.07, -7.9

 

CMYK 0 / 16 / 7 / 37

HEX #A08794

RGB 160 135 148

HSL 328.8, 0.12%, 0.58%

LAB 58.92, 11.76, -3.41

 

CMYK 0 / 5 / 16 / 37

HEX #A09887

RGB 160 152 135

HSL 40.8, 0.12%, 0.58%

LAB 63.08, -0.04, 9.99

 

CMYK 16 / 0 / 8 / 37

HEX #87A093

RGB 135 160 147

HSL 148.8, 0.12%, 0.58%

LAB 63.67, -11.4, 3.85

 

CMYK 16 / 11 / 0 / 37

HEX #878FA0

RGB 135 143 160

HSL 220.8, 0.12%, 0.58%

LAB 59.28, 0.74, -9.96

 

CMYK 0 / 16 / 7 / 37

HEX #A08794

RGB 160 135 148

HSL 328.8, 0.12%, 0.58%

LAB 58.92, 11.76, -3.41

 

CMYK 0 / 1 / 16 / 37

HEX #A09F87

RGB 160 159 135

HSL 57.6, 0.12%, 0.58%

LAB 64.98, -3.88, 12.68

 

CMYK 16 / 0 / 8 / 37

HEX #87A093

RGB 135 160 147

HSL 148.8, 0.12%, 0.58%

LAB 63.67, -11.4, 3.85

 

CMYK 16 / 16 / 0 / 37

HEX #8787A0

RGB 135 135 160

HSL 240, 0.12%, 0.58%

LAB 57.09, 5.31, -13.25

 

Description

Color code: HEX #A08794 | qconv.com Color code: HEX #A08794 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 135 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 135 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 7 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 7% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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