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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A08272 it is the complementary color #5F7D8D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A08272. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A08272 shade: #A5826D, #B69480, #C7A693, #D8B8A6 and #E9CAB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A08272. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A08272 shade: #A08272, #8F705F, #7E5E4C, #6D4C39 and #5C3A26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A08272 shade: #9F8273, #9F7673 and #9F7373

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A08272 shade: #9F8273, #9F8E73, #9F9A73, #989F73 and #8C9F73

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A08272 shade matches the following richer shades: #9F8273, #B27D60, #C5774D, #D8713A and #EB6B27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A08272 shade: #9F8273, #8D8886, #7A8E99, #6794AC and #549ABF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A08272 shade: #9F737C, #9F7673, #9F8273, #9F8E73 and #9F9A73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A08272 shade: #725A4E, #8B6E5E, #9F8273, #B0988B and #C1AEA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A08272 shade: #A08272, #889F73 and #73769F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A08272 shade: #A08272, #739F82 and #82739F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A08272 shade: #A08272, #889F73, #73919F and #8B739F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A08272 shade: #A08272, #7A9F73, #73919F and #98739F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 29 / 37

HEX #A08272

RGB 160 130 114

HSL 20.87, 0.19%, 0.54%

LAB 56.74, 9.03, 13

 

Complementary color

CMYK 33 / 11 / 0 / 45

HEX #5F7D8D

RGB 95 125 141

HSL 200.87, 0.19%, 0.46%

LAB 50.71, -6.62, -12.13

 

CMYK 0 / 21 / 34 / 35

HEX #A5826D

RGB 165 130 109

HSL 22.5, 0.24%, 0.54%

LAB 57.14, 10.38, 16.5

 

CMYK 0 / 19 / 30 / 29

HEX #B69480

RGB 182 148 128

HSL 22.22, 0.27%, 0.61%

LAB 63.9, 9.75, 15.38

 

CMYK 0 / 17 / 26 / 22

HEX #C7A693

RGB 199 166 147

HSL 21.92, 0.32%, 0.68%

LAB 70.54, 9.2, 14.35

 

CMYK 0 / 15 / 23 / 15

HEX #D8B8A6

RGB 216 184 166

HSL 21.6, 0.39%, 0.75%

LAB 77.06, 8.71, 13.39

 

CMYK 0 / 13 / 21 / 9

HEX #E9CAB9

RGB 233 202 185

HSL 21.25, 0.52%, 0.82%

LAB 83.48, 8.28, 12.5

 

CMYK 0 / 19 / 29 / 37

HEX #A08272

RGB 160 130 114

HSL 20.87, 0.19%, 0.54%

LAB 56.74, 9.03, 13

 

CMYK 0 / 22 / 34 / 44

HEX #8F705F

RGB 143 112 95

HSL 21.25, 0.2%, 0.47%

LAB 49.8, 9.68, 14.12

 

CMYK 0 / 25 / 40 / 51

HEX #7E5E4C

RGB 126 94 76

HSL 21.6, 0.25%, 0.4%

LAB 42.71, 10.45, 15.39

 

CMYK 0 / 30 / 48 / 57

HEX #6D4C39

RGB 109 76 57

HSL 21.92, 0.31%, 0.33%

LAB 35.43, 11.41, 16.84

 

CMYK 0 / 37 / 59 / 64

HEX #5C3A26

RGB 92 58 38

HSL 22.22, 0.42%, 0.25%

LAB 27.96, 12.63, 18.54

 

CMYK 0 / 18 / 28 / 38

HEX #9F8273

RGB 159 130 115

HSL 20.45, 0.19%, 0.54%

LAB 56.66, 8.77, 12.3

 

CMYK 0 / 26 / 28 / 38

HEX #9F7673

RGB 159 118 115

HSL 4.09, 0.19%, 0.54%

LAB 53.56, 15.62, 7.93

 

CMYK 0 / 28 / 28 / 38

HEX #9F7373

RGB 159 115 115

HSL 0, 0.19%, 0.54%

LAB 52.81, 17.34, 6.85

 

CMYK 0 / 18 / 28 / 38

HEX #9F8273

RGB 159 130 115

HSL 20.45, 0.19%, 0.54%

LAB 56.66, 8.77, 12.3

 

CMYK 0 / 11 / 28 / 38

HEX #9F8E73

RGB 159 142 115

HSL 36.82, 0.19%, 0.54%

LAB 59.85, 2.02, 16.73

 

CMYK 0 / 3 / 28 / 38

HEX #9F9A73

RGB 159 154 115

HSL 53.18, 0.19%, 0.54%

LAB 63.11, -4.59, 21.18

 

CMYK 4 / 0 / 28 / 38

HEX #989F73

RGB 152 159 115

HSL 69.55, 0.19%, 0.54%

LAB 63.92, -10.07, 22.19

 

CMYK 12 / 0 / 28 / 38

HEX #8C9F73

RGB 140 159 115

HSL 85.91, 0.19%, 0.54%

LAB 63.02, -14.75, 20.81

 

CMYK 0 / 18 / 28 / 38

HEX #9F8273

RGB 159 130 115

HSL 20.45, 0.19%, 0.54%

LAB 56.66, 8.77, 12.3

 

CMYK 0 / 30 / 46 / 30

HEX #B27D60

RGB 178 125 96

HSL 21.22, 0.35%, 0.54%

LAB 57.05, 17.04, 24

 

CMYK 0 / 40 / 61 / 23

HEX #C5774D

RGB 197 119 77

HSL 21, 0.51%, 0.54%

LAB 57.66, 26.55, 35.77

 

CMYK 0 / 48 / 73 / 15

HEX #D8713A

RGB 216 113 58

HSL 20.89, 0.67%, 0.54%

LAB 58.71, 36.32, 47.5

 

CMYK 0 / 54 / 83 / 8

HEX #EB6B27

RGB 235 107 39

HSL 20.82, 0.83%, 0.54%

LAB 60.18, 45.97, 58.39

 

CMYK 0 / 18 / 28 / 38

HEX #9F8273

RGB 159 130 115

HSL 20.45, 0.19%, 0.54%

LAB 56.66, 8.77, 12.3

 

CMYK 0 / 4 / 5 / 45

HEX #8D8886

RGB 141 136 134

HSL 17.14, 0.03%, 0.54%

LAB 57.07, 1.48, 1.73

 

CMYK 20 / 7 / 0 / 40

HEX #7A8E99

RGB 122 142 153

HSL 201.29, 0.13%, 0.54%

LAB 57.83, -4.65, -8.23

 

CMYK 40 / 14 / 0 / 33

HEX #6794AC

RGB 103 148 172

HSL 200.87, 0.29%, 0.54%

LAB 59.01, -8.94, -17.41

 

CMYK 56 / 19 / 0 / 25

HEX #549ABF

RGB 84 154 191

HSL 200.75, 0.46%, 0.54%

LAB 60.57, -11.32, -25.85

 

CMYK 0 / 28 / 22 / 38

HEX #9F737C

RGB 159 115 124

HSL 347.73, 0.19%, 0.54%

LAB 53.05, 18.71, 1.91

 

CMYK 0 / 26 / 28 / 38

HEX #9F7673

RGB 159 118 115

HSL 4.09, 0.19%, 0.54%

LAB 53.56, 15.62, 7.93

 

CMYK 0 / 18 / 28 / 38

HEX #9F8273

RGB 159 130 115

HSL 20.45, 0.19%, 0.54%

LAB 56.66, 8.77, 12.3

 

CMYK 0 / 11 / 28 / 38

HEX #9F8E73

RGB 159 142 115

HSL 36.82, 0.19%, 0.54%

LAB 59.85, 2.02, 16.73

 

CMYK 0 / 3 / 28 / 38

HEX #9F9A73

RGB 159 154 115

HSL 53.18, 0.19%, 0.54%

LAB 63.11, -4.59, 21.18

 

CMYK 0 / 21 / 32 / 55

HEX #725A4E

RGB 114 90 78

HSL 20, 0.19%, 0.38%

LAB 40.31, 7.91, 10.67

 

CMYK 0 / 21 / 32 / 45

HEX #8B6E5E

RGB 139 110 94

HSL 21.33, 0.19%, 0.46%

LAB 48.82, 9.02, 13.29

 

CMYK 0 / 18 / 28 / 38

HEX #9F8273

RGB 159 130 115

HSL 20.45, 0.19%, 0.54%

LAB 56.66, 8.77, 12.3

 

CMYK 0 / 14 / 21 / 31

HEX #B0988B

RGB 176 152 139

HSL 21.08, 0.19%, 0.62%

LAB 64.6, 6.78, 10.11

 

CMYK 0 / 10 / 15 / 24

HEX #C1AEA4

RGB 193 174 164

HSL 20.69, 0.19%, 0.7%

LAB 72.42, 5.16, 7.61

 

CMYK 0 / 19 / 29 / 37

HEX #A08272

RGB 160 130 114

HSL 20.87, 0.19%, 0.54%

LAB 56.74, 9.03, 13

 

CMYK 14 / 0 / 28 / 38

HEX #889F73

RGB 136 159 115

HSL 91.36, 0.19%, 0.54%

LAB 62.73, -16.27, 20.37

 

CMYK 28 / 26 / 0 / 38

HEX #73769F

RGB 115 118 159

HSL 235.91, 0.19%, 0.54%

LAB 50.81, 8.46, -22.39

 

CMYK 0 / 19 / 29 / 37

HEX #A08272

RGB 160 130 114

HSL 20.87, 0.19%, 0.54%

LAB 56.74, 9.03, 13

 

CMYK 28 / 0 / 18 / 38

HEX #739F82

RGB 115 159 130

HSL 140.45, 0.19%, 0.54%

LAB 61.7, -21.1, 10.39

 

CMYK 18 / 28 / 0 / 38

HEX #82739F

RGB 130 115 159

HSL 260.45, 0.19%, 0.54%

LAB 51.28, 15.1, -21.56

 

CMYK 0 / 19 / 29 / 37

HEX #A08272

RGB 160 130 114

HSL 20.87, 0.19%, 0.54%

LAB 56.74, 9.03, 13

 

CMYK 14 / 0 / 28 / 38

HEX #889F73

RGB 136 159 115

HSL 91.36, 0.19%, 0.54%

LAB 62.73, -16.27, 20.37

 

CMYK 28 / 9 / 0 / 38

HEX #73919F

RGB 115 145 159

HSL 199.09, 0.19%, 0.54%

LAB 58.41, -7.14, -10.84

 

CMYK 13 / 28 / 0 / 38

HEX #8B739F

RGB 139 115 159

HSL 272.73, 0.19%, 0.54%

LAB 52.12, 18.11, -20.2

 

CMYK 0 / 19 / 29 / 37

HEX #A08272

RGB 160 130 114

HSL 20.87, 0.19%, 0.54%

LAB 56.74, 9.03, 13

 

CMYK 23 / 0 / 28 / 38

HEX #7A9F73

RGB 122 159 115

HSL 110.45, 0.19%, 0.54%

LAB 61.8, -21.45, 18.95

 

CMYK 28 / 9 / 0 / 38

HEX #73919F

RGB 115 145 159

HSL 199.09, 0.19%, 0.54%

LAB 58.41, -7.14, -10.84

 

CMYK 4 / 28 / 0 / 38

HEX #98739F

RGB 152 115 159

HSL 290.45, 0.19%, 0.54%

LAB 53.43, 22.54, -18.08

 

Description

Color code: HEX #A08272 | qconv.com Color code: HEX #A08272 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 130 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 130 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 29 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 29% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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