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Color name
HEX #A08C4A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A08C4A it is the complementary color #5F73B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A08C4A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A08C4A shade: #A58C45, #B69E58, #C7B06B, #D8C27E and #E9D491

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A08C4A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A08C4A shade: #A08C4A, #8F7A37, #7E6824, #6D5611 and #5C4400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A08C4A shade: #A08C49, #A07549, #A05D49 and #A04949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A08C4A shade: #A08C49, #9DA049, #86A049, #6EA049 and #57A049

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A08C4A shade matches the following richer shades: #A08C49, #B39636, #C6A023 and #D9AA10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A08C4A shade: #A08C49, #8D825C, #7A786F, #676E82 and #546395

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A08C4A shade: #A05E49, #A07549, #A08C49, #9DA049 and #86A049

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A08C4A shade: #685B2F, #84733C, #A08C49, #B5A15E and #C2B17A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A08C4A shade: #A08C4A, #4CA049 and #6949A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A08C4A shade: #A08C4A, #49A08C and #8C49A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A08C4A shade: #A08C4A, #4CA049, #495EA0 and #9D49A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A08C4A shade: #A08C4A, #49A061, #495EA0 and #A04989

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 54 / 37

HEX #A08C4A

RGB 160 140 74

HSL 46.05, 0.37%, 0.46%

LAB 58.72, -1.23, 37.66

 

Complementary color

CMYK 48 / 36 / 0 / 29

HEX #5F73B5

RGB 95 115 181

HSL 226.05, 0.37%, 0.54%

LAB 49.53, 10.86, -37.28

 

CMYK 0 / 15 / 58 / 35

HEX #A58C45

RGB 165 140 69

HSL 44.38, 0.41%, 0.46%

LAB 59.15, 0.54, 40.83

 

CMYK 0 / 13 / 52 / 29

HEX #B69E58

RGB 182 158 88

HSL 44.68, 0.39%, 0.53%

LAB 65.83, -0.3, 39.53

 

CMYK 0 / 12 / 46 / 22

HEX #C7B06B

RGB 199 176 107

HSL 45, 0.45%, 0.6%

LAB 72.4, -1, 38.25

 

CMYK 0 / 10 / 42 / 15

HEX #D8C27E

RGB 216 194 126

HSL 45.33, 0.54%, 0.67%

LAB 78.86, -1.59, 37

 

CMYK 0 / 9 / 38 / 9

HEX #E9D491

RGB 233 212 145

HSL 45.68, 0.67%, 0.74%

LAB 85.23, -2.09, 35.81

 

CMYK 0 / 13 / 54 / 37

HEX #A08C4A

RGB 160 140 74

HSL 46.05, 0.37%, 0.46%

LAB 58.72, -1.23, 37.66

 

CMYK 0 / 15 / 62 / 44

HEX #8F7A37

RGB 143 122 55

HSL 45.68, 0.44%, 0.39%

LAB 51.88, -0.34, 38.94

 

CMYK 0 / 17 / 71 / 51

HEX #7E6824

RGB 126 104 36

HSL 45.33, 0.56%, 0.32%

LAB 44.89, 0.8, 40.03

 

CMYK 0 / 21 / 84 / 57

HEX #6D5611

RGB 109 86 17

HSL 45, 0.73%, 0.25%

LAB 37.75, 2.27, 40.46

 

CMYK 0 / 26 / 100 / 64

HEX #5C4400

RGB 92 68 0

HSL 44.35, 1%, 0.18%

LAB 30.42, 4.17, 39.64

 

CMYK 0 / 13 / 54 / 37

HEX #A08C49

RGB 160 140 73

HSL 46.21, 0.37%, 0.46%

LAB 58.71, -1.32, 38.16

 

CMYK 0 / 27 / 54 / 37

HEX #A07549

RGB 160 117 73

HSL 30.34, 0.37%, 0.46%

LAB 52.59, 11.61, 30.72

 

CMYK 0 / 42 / 54 / 37

HEX #A05D49

RGB 160 93 73

HSL 13.79, 0.37%, 0.46%

LAB 46.69, 25.26, 23.23

 

CMYK 0 / 54 / 54 / 37

HEX #A04949

RGB 160 73 73

HSL 0, 0.37%, 0.46%

LAB 42.34, 36.11, 17.5

 

CMYK 0 / 13 / 54 / 37

HEX #A08C49

RGB 160 140 73

HSL 46.21, 0.37%, 0.46%

LAB 58.71, -1.32, 38.16

 

CMYK 2 / 0 / 54 / 37

HEX #9DA049

RGB 157 160 73

HSL 62.07, 0.37%, 0.46%

LAB 63.99, -13.38, 44.28

 

CMYK 16 / 0 / 54 / 37

HEX #86A049

RGB 134 160 73

HSL 77.93, 0.37%, 0.46%

LAB 62.25, -22.98, 41.81

 

CMYK 31 / 0 / 54 / 37

HEX #6EA049

RGB 110 160 73

HSL 94.48, 0.37%, 0.46%

LAB 60.73, -32.32, 39.64

 

CMYK 46 / 0 / 54 / 37

HEX #57A049

RGB 87 160 73

HSL 110.34, 0.37%, 0.46%

LAB 59.57, -40.18, 37.98

 

CMYK 0 / 13 / 54 / 37

HEX #A08C49

RGB 160 140 73

HSL 46.21, 0.37%, 0.46%

LAB 58.71, -1.32, 38.16

 

CMYK 0 / 16 / 70 / 30

HEX #B39636

RGB 179 150 54

HSL 46.08, 0.54%, 0.46%

LAB 63.06, 0.26, 52.51

 

CMYK 0 / 19 / 82 / 22

HEX #C6A023

RGB 198 160 35

HSL 46.01, 0.7%, 0.46%

LAB 67.48, 2.49, 64.28

 

CMYK 0 / 22 / 93 / 15

HEX #D9AA10

RGB 217 170 16

HSL 45.97, 0.86%, 0.46%

LAB 71.92, 5.12, 72.93

 

CMYK 0 / 13 / 54 / 37

HEX #A08C49

RGB 160 140 73

HSL 46.21, 0.37%, 0.46%

LAB 58.71, -1.32, 38.16

 

CMYK 0 / 8 / 35 / 45

HEX #8D825C

RGB 141 130 92

HSL 46.53, 0.21%, 0.46%

LAB 54.45, -1.88, 22.11

 

CMYK 0 / 2 / 9 / 52

HEX #7A786F

RGB 122 120 111

HSL 49.09, 0.05%, 0.46%

LAB 50.36, -0.96, 5.21

 

CMYK 21 / 15 / 0 / 49

HEX #676E82

RGB 103 110 130

HSL 224.44, 0.12%, 0.46%

LAB 46.51, 1.96, -11.92

 

CMYK 44 / 34 / 0 / 42

HEX #546395

RGB 84 99 149

HSL 226.15, 0.28%, 0.46%

LAB 42.73, 8, -29.21

 

CMYK 0 / 41 / 54 / 37

HEX #A05E49

RGB 160 94 73

HSL 14.48, 0.37%, 0.46%

LAB 46.92, 24.7, 23.53

 

CMYK 0 / 27 / 54 / 37

HEX #A07549

RGB 160 117 73

HSL 30.34, 0.37%, 0.46%

LAB 52.59, 11.61, 30.72

 

CMYK 0 / 13 / 54 / 37

HEX #A08C49

RGB 160 140 73

HSL 46.21, 0.37%, 0.46%

LAB 58.71, -1.32, 38.16

 

CMYK 2 / 0 / 54 / 37

HEX #9DA049

RGB 157 160 73

HSL 62.07, 0.37%, 0.46%

LAB 63.99, -13.38, 44.28

 

CMYK 16 / 0 / 54 / 37

HEX #86A049

RGB 134 160 73

HSL 77.93, 0.37%, 0.46%

LAB 62.25, -22.98, 41.81

 

CMYK 0 / 13 / 55 / 59

HEX #685B2F

RGB 104 91 47

HSL 46.32, 0.38%, 0.3%

LAB 38.95, -1.11, 27.08

 

CMYK 0 / 13 / 55 / 48

HEX #84733C

RGB 132 115 60

HSL 45.83, 0.38%, 0.38%

LAB 48.88, -0.93, 32.57

 

CMYK 0 / 13 / 54 / 37

HEX #A08C49

RGB 160 140 73

HSL 46.21, 0.37%, 0.46%

LAB 58.71, -1.32, 38.16

 

CMYK 0 / 11 / 48 / 29

HEX #B5A15E

RGB 181 161 94

HSL 46.21, 0.37%, 0.54%

LAB 66.61, -1.78, 37.38

 

CMYK 0 / 9 / 37 / 24

HEX #C2B17A

RGB 194 177 122

HSL 45.83, 0.37%, 0.62%

LAB 72.44, -1.94, 30.38

 

CMYK 0 / 13 / 54 / 37

HEX #A08C4A

RGB 160 140 74

HSL 46.05, 0.37%, 0.46%

LAB 58.72, -1.23, 37.66

 

CMYK 53 / 0 / 54 / 37

HEX #4CA049

RGB 76 160 73

HSL 117.93, 0.37%, 0.46%

LAB 59.12, -43.45, 37.33

 

CMYK 34 / 54 / 0 / 37

HEX #6949A0

RGB 105 73 160

HSL 262.07, 0.37%, 0.46%

LAB 38.39, 33.07, -42.55

 

CMYK 0 / 13 / 54 / 37

HEX #A08C4A

RGB 160 140 74

HSL 46.05, 0.37%, 0.46%

LAB 58.72, -1.23, 37.66

 

CMYK 54 / 0 / 13 / 37

HEX #49A08C

RGB 73 160 140

HSL 166.21, 0.37%, 0.46%

LAB 60.29, -31.2, 2.5

 

CMYK 13 / 54 / 0 / 37

HEX #8C49A0

RGB 140 73 160

HSL 286.21, 0.37%, 0.46%

LAB 42.58, 42.61, -35.63

 

CMYK 0 / 13 / 54 / 37

HEX #A08C4A

RGB 160 140 74

HSL 46.05, 0.37%, 0.46%

LAB 58.72, -1.23, 37.66

 

CMYK 53 / 0 / 54 / 37

HEX #4CA049

RGB 76 160 73

HSL 117.93, 0.37%, 0.46%

LAB 59.12, -43.45, 37.33

 

CMYK 54 / 41 / 0 / 37

HEX #495EA0

RGB 73 94 160

HSL 225.52, 0.37%, 0.46%

LAB 41.15, 11.9, -38.3

 

CMYK 2 / 54 / 0 / 37

HEX #9D49A0

RGB 157 73 160

HSL 297.93, 0.37%, 0.46%

LAB 44.9, 47.4, -31.82

 

CMYK 0 / 13 / 54 / 37

HEX #A08C4A

RGB 160 140 74

HSL 46.05, 0.37%, 0.46%

LAB 58.72, -1.23, 37.66

 

CMYK 54 / 0 / 39 / 37

HEX #49A061

RGB 73 160 97

HSL 136.55, 0.37%, 0.46%

LAB 59.36, -40.52, 25.1

 

CMYK 54 / 41 / 0 / 37

HEX #495EA0

RGB 73 94 160

HSL 225.52, 0.37%, 0.46%

LAB 41.15, 11.9, -38.3

 

CMYK 0 / 54 / 14 / 37

HEX #A04989

RGB 160 73 137

HSL 315.86, 0.37%, 0.46%

LAB 44.3, 44.25, -18.91

 

Description

Color code: HEX #A08C4A | qconv.com Color code: HEX #A08C4A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 140 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 140 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 54 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 54% 37% C M Y K

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Provide designers and agencies with accurate color values.

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