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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A08F7C it is the complementary color #5F7083. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A08F7C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A08F7C shade: #A58F77, #B6A18A, #C7B39D, #D8C5B0 and #E9D7C3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A08F7C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A08F7C shade: #A08F7C, #8F7D69, #7E6B56, #6D5943 and #5C4730

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A08F7C shade: #A08F7C, #A0867C and #A07C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A08F7C shade: #A08F7C, #A0997C, #9EA07C, #94A07C and #8AA07C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A08F7C shade matches the following richer shades: #A08F7C, #B2906A, #C59158, #D79246 and #E99334

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A08F7C shade: #A08F7C, #8E8E8F, #7C8DA1, #6A8CB3 and #588BC5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A08F7C shade: #A07C7D, #A0857C, #A08F7C, #A0987C and #9EA07C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A08F7C shade: #756655, #8D7B66, #A08F7C, #B2A494 and #C3B8AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A08F7C shade: #A08F7C, #87A07C and #817CA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A08F7C shade: #A08F7C, #7CA08F and #8F7CA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A08F7C shade: #A08F7C, #87A07C, #7C8EA0 and #967CA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A08F7C shade: #A08F7C, #7CA07D, #7C8EA0 and #A07CA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 23 / 37

HEX #A08F7C

RGB 160 143 124

HSL 31.67, 0.16%, 0.56%

LAB 60.4, 3.2, 12.43

 

Complementary color

CMYK 27 / 15 / 0 / 49

HEX #5F7083

RGB 95 112 131

HSL 211.67, 0.16%, 0.44%

LAB 46.53, -1.66, -12.55

 

CMYK 0 / 13 / 28 / 35

HEX #A58F77

RGB 165 143 119

HSL 31.3, 0.2%, 0.56%

LAB 60.76, 4.46, 15.82

 

CMYK 0 / 12 / 24 / 29

HEX #B6A18A

RGB 182 161 138

HSL 31.36, 0.23%, 0.63%

LAB 67.48, 4.02, 14.8

 

CMYK 0 / 10 / 21 / 22

HEX #C7B39D

RGB 199 179 157

HSL 31.43, 0.27%, 0.7%

LAB 74.07, 3.63, 13.84

 

CMYK 0 / 9 / 19 / 15

HEX #D8C5B0

RGB 216 197 176

HSL 31.5, 0.34%, 0.77%

LAB 80.55, 3.29, 12.95

 

CMYK 0 / 8 / 16 / 9

HEX #E9D7C3

RGB 233 215 195

HSL 31.58, 0.46%, 0.84%

LAB 86.93, 2.99, 12.1

 

CMYK 0 / 11 / 23 / 37

HEX #A08F7C

RGB 160 143 124

HSL 31.67, 0.16%, 0.56%

LAB 60.4, 3.2, 12.43

 

CMYK 0 / 13 / 27 / 44

HEX #8F7D69

RGB 143 125 105

HSL 31.58, 0.15%, 0.49%

LAB 53.52, 3.62, 13.45

 

CMYK 0 / 15 / 32 / 51

HEX #7E6B56

RGB 126 107 86

HSL 31.5, 0.19%, 0.42%

LAB 46.48, 4.12, 14.57

 

CMYK 0 / 18 / 39 / 57

HEX #6D5943

RGB 109 89 67

HSL 31.43, 0.24%, 0.35%

LAB 39.24, 4.74, 15.82

 

CMYK 0 / 23 / 48 / 64

HEX #5C4730

RGB 92 71 48

HSL 31.36, 0.31%, 0.27%

LAB 31.8, 5.55, 17.24

 

CMYK 0 / 11 / 23 / 37

HEX #A08F7C

RGB 160 143 124

HSL 31.67, 0.16%, 0.56%

LAB 60.4, 3.2, 12.43

 

CMYK 0 / 16 / 23 / 37

HEX #A0867C

RGB 160 134 124

HSL 16.67, 0.16%, 0.56%

LAB 58.02, 8.26, 9.06

 

CMYK 0 / 23 / 23 / 37

HEX #A07C7C

RGB 160 124 124

HSL 0, 0.16%, 0.56%

LAB 55.43, 13.95, 5.36

 

CMYK 0 / 11 / 23 / 37

HEX #A08F7C

RGB 160 143 124

HSL 31.67, 0.16%, 0.56%

LAB 60.4, 3.2, 12.43

 

CMYK 0 / 4 / 23 / 37

HEX #A0997C

RGB 160 153 124

HSL 48.33, 0.16%, 0.56%

LAB 63.1, -2.33, 16.19

 

CMYK 1 / 0 / 23 / 37

HEX #9EA07C

RGB 158 160 124

HSL 63.33, 0.16%, 0.56%

LAB 64.86, -6.92, 18.58

 

CMYK 7 / 0 / 23 / 37

HEX #94A07C

RGB 148 160 124

HSL 80, 0.16%, 0.56%

LAB 64.07, -10.79, 17.38

 

CMYK 14 / 0 / 23 / 37

HEX #8AA07C

RGB 138 160 124

HSL 96.67, 0.16%, 0.56%

LAB 63.34, -14.57, 16.26

 

CMYK 0 / 11 / 23 / 37

HEX #A08F7C

RGB 160 143 124

HSL 31.67, 0.16%, 0.56%

LAB 60.4, 3.2, 12.43

 

CMYK 0 / 19 / 40 / 30

HEX #B2906A

RGB 178 144 106

HSL 31.67, 0.32%, 0.56%

LAB 62.04, 7.54, 25.03

 

CMYK 0 / 26 / 55 / 23

HEX #C59158

RGB 197 145 88

HSL 31.38, 0.48%, 0.56%

LAB 64.02, 13.17, 37.68

 

CMYK 0 / 32 / 67 / 16

HEX #D79246

RGB 215 146 70

HSL 31.45, 0.64%, 0.56%

LAB 66.1, 18.98, 49.66

 

CMYK 0 / 37 / 78 / 9

HEX #E99334

RGB 233 147 52

HSL 31.49, 0.8%, 0.56%

LAB 68.34, 25.16, 60.57

 

CMYK 0 / 11 / 23 / 37

HEX #A08F7C

RGB 160 143 124

HSL 31.67, 0.16%, 0.56%

LAB 60.4, 3.2, 12.43

 

CMYK 1 / 1 / 0 / 44

HEX #8E8E8F

RGB 142 142 143

HSL 240, 0%, 0.56%

LAB 59.05, 0.2, -0.54

 

CMYK 23 / 12 / 0 / 37

HEX #7C8DA1

RGB 124 141 161

HSL 212.43, 0.16%, 0.56%

LAB 57.95, -1.54, -12.62

 

CMYK 41 / 22 / 0 / 30

HEX #6A8CB3

RGB 106 140 179

HSL 212.05, 0.32%, 0.56%

LAB 57.15, -1.66, -24.23

 

CMYK 55 / 29 / 0 / 23

HEX #588BC5

RGB 88 139 197

HSL 211.93, 0.48%, 0.56%

LAB 56.66, -0.08, -35.29

 

CMYK 0 / 23 / 22 / 37

HEX #A07C7D

RGB 160 124 125

HSL 358.33, 0.16%, 0.56%

LAB 55.45, 14.11, 4.82

 

CMYK 0 / 17 / 23 / 37

HEX #A0857C

RGB 160 133 124

HSL 15, 0.16%, 0.56%

LAB 57.75, 8.83, 8.69

 

CMYK 0 / 11 / 23 / 37

HEX #A08F7C

RGB 160 143 124

HSL 31.67, 0.16%, 0.56%

LAB 60.4, 3.2, 12.43

 

CMYK 0 / 5 / 23 / 37

HEX #A0987C

RGB 160 152 124

HSL 46.67, 0.16%, 0.56%

LAB 62.83, -1.78, 15.81

 

CMYK 1 / 0 / 23 / 37

HEX #9EA07C

RGB 158 160 124

HSL 63.33, 0.16%, 0.56%

LAB 64.86, -6.92, 18.58

 

CMYK 0 / 13 / 27 / 54

HEX #756655

RGB 117 102 85

HSL 31.88, 0.16%, 0.4%

LAB 44.15, 3.08, 11.81

 

CMYK 0 / 13 / 28 / 45

HEX #8D7B66

RGB 141 123 102

HSL 32.31, 0.16%, 0.48%

LAB 52.72, 3.49, 14.04

 

CMYK 0 / 11 / 23 / 37

HEX #A08F7C

RGB 160 143 124

HSL 31.67, 0.16%, 0.56%

LAB 60.4, 3.2, 12.43

 

CMYK 0 / 8 / 17 / 30

HEX #B2A494

RGB 178 164 148

HSL 32, 0.16%, 0.64%

LAB 68.13, 2.37, 10.13

 

CMYK 0 / 6 / 12 / 24

HEX #C3B8AC

RGB 195 184 172

HSL 31.3, 0.16%, 0.72%

LAB 75.37, 1.83, 7.48

 

CMYK 0 / 11 / 23 / 37

HEX #A08F7C

RGB 160 143 124

HSL 31.67, 0.16%, 0.56%

LAB 60.4, 3.2, 12.43

 

CMYK 16 / 0 / 23 / 37

HEX #87A07C

RGB 135 160 124

HSL 101.67, 0.16%, 0.56%

LAB 63.13, -15.69, 15.93

 

CMYK 19 / 23 / 0 / 37

HEX #817CA0

RGB 129 124 160

HSL 248.33, 0.16%, 0.56%

LAB 53.62, 9.69, -18.56

 

CMYK 0 / 11 / 23 / 37

HEX #A08F7C

RGB 160 143 124

HSL 31.67, 0.16%, 0.56%

LAB 60.4, 3.2, 12.43

 

CMYK 23 / 0 / 11 / 37

HEX #7CA08F

RGB 124 160 143

HSL 151.67, 0.16%, 0.56%

LAB 62.85, -15.97, 4.82

 

CMYK 11 / 23 / 0 / 37

HEX #8F7CA0

RGB 143 124 160

HSL 271.67, 0.16%, 0.56%

LAB 54.86, 14.42, -16.57

 

CMYK 0 / 11 / 23 / 37

HEX #A08F7C

RGB 160 143 124

HSL 31.67, 0.16%, 0.56%

LAB 60.4, 3.2, 12.43

 

CMYK 16 / 0 / 23 / 37

HEX #87A07C

RGB 135 160 124

HSL 101.67, 0.16%, 0.56%

LAB 63.13, -15.69, 15.93

 

CMYK 23 / 11 / 0 / 37

HEX #7C8EA0

RGB 124 142 160

HSL 210, 0.16%, 0.56%

LAB 58.2, -2.34, -11.67

 

CMYK 6 / 23 / 0 / 37

HEX #967CA0

RGB 150 124 160

HSL 283.33, 0.16%, 0.56%

LAB 55.52, 16.84, -15.5

 

CMYK 0 / 11 / 23 / 37

HEX #A08F7C

RGB 160 143 124

HSL 31.67, 0.16%, 0.56%

LAB 60.4, 3.2, 12.43

 

CMYK 23 / 0 / 22 / 37

HEX #7CA07D

RGB 124 160 125

HSL 121.67, 0.16%, 0.56%

LAB 62.43, -19.48, 14.29

 

CMYK 23 / 11 / 0 / 37

HEX #7C8EA0

RGB 124 142 160

HSL 210, 0.16%, 0.56%

LAB 58.2, -2.34, -11.67

 

CMYK 0 / 23 / 0 / 37

HEX #A07CA0

RGB 160 124 160

HSL 300, 0.16%, 0.56%

LAB 56.51, 20.34, -13.9

 

Description

Color code: HEX #A08F7C | qconv.com Color code: HEX #A08F7C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 143 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 143 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 23 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 23% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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