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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A08F64 it is the complementary color #5F709B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A08F64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A08F64 shade: #A58F5F, #B6A172, #C7B385, #D8C598 and #E9D7AB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A08F64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A08F64 shade: #A08F64, #8F7D51, #7E6B3E, #6D592B and #5C4718

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A08F64 shade: #A08F64, #A07E64, #A06E64 and #A06464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A08F64 shade: #A08F64, #A09F64, #90A064, #80A064 and #70A064

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A08F64 shade matches the following richer shades: #A08F64, #B4974F, #C8A03B, #DCA927 and #F0B213

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A08F64 shade: #A08F64, #8B8678, #777D8C, #6374A0 and #4F6CB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A08F64 shade: #A06F64, #A07F64, #A08F64, #A09F64 and #91A064

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A08F64 shade: #6E6243, #877853, #A08F64, #AFA17D and #BFB497

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A08F64 shade: #A08F64, #69A064 and #7764A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A08F64 shade: #A08F64, #64A08F and #8F64A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A08F64 shade: #A08F64, #69A064, #6475A0 and #9B64A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A08F64 shade: #A08F64, #64A071, #6475A0 and #A06493

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 38 / 37

HEX #A08F64

RGB 160 143 100

HSL 43, 0.24%, 0.51%

LAB 59.92, -0.12, 25.22

 

Complementary color

CMYK 39 / 28 / 0 / 39

HEX #5F709B

RGB 95 112 155

HSL 223, 0.24%, 0.49%

LAB 47.48, 4.91, -25.31

 

CMYK 0 / 13 / 42 / 35

HEX #A58F5F

RGB 165 143 95

HSL 41.14, 0.28%, 0.51%

LAB 60.31, 1.39, 28.56

 

CMYK 0 / 12 / 37 / 29

HEX #B6A172

RGB 182 161 114

HSL 41.47, 0.32%, 0.58%

LAB 67.01, 0.82, 27.31

 

CMYK 0 / 10 / 33 / 22

HEX #C7B385

RGB 199 179 133

HSL 41.82, 0.37%, 0.65%

LAB 73.59, 0.33, 26.14

 

CMYK 0 / 9 / 30 / 15

HEX #D8C598

RGB 216 197 152

HSL 42.19, 0.45%, 0.72%

LAB 80.07, -0.08, 25.04

 

CMYK 0 / 8 / 27 / 9

HEX #E9D7AB

RGB 233 215 171

HSL 42.58, 0.58%, 0.79%

LAB 86.44, -0.45, 24

 

CMYK 0 / 11 / 38 / 37

HEX #A08F64

RGB 160 143 100

HSL 43, 0.24%, 0.51%

LAB 59.92, -0.12, 25.22

 

CMYK 0 / 13 / 43 / 44

HEX #8F7D51

RGB 143 125 81

HSL 42.58, 0.28%, 0.44%

LAB 53.06, 0.45, 26.5

 

CMYK 0 / 15 / 51 / 51

HEX #7E6B3E

RGB 126 107 62

HSL 42.19, 0.34%, 0.37%

LAB 46.04, 1.16, 27.87

 

CMYK 0 / 18 / 61 / 57

HEX #6D592B

RGB 109 89 43

HSL 41.82, 0.43%, 0.3%

LAB 38.85, 2.09, 29.31

 

CMYK 0 / 23 / 74 / 64

HEX #5C4718

RGB 92 71 24

HSL 41.47, 0.59%, 0.23%

LAB 31.46, 3.33, 30.63

 

CMYK 0 / 11 / 38 / 37

HEX #A08F64

RGB 160 143 100

HSL 43, 0.24%, 0.51%

LAB 59.92, -0.12, 25.22

 

CMYK 0 / 21 / 38 / 37

HEX #A07E64

RGB 160 126 100

HSL 26, 0.24%, 0.51%

LAB 55.4, 9.42, 19.17

 

CMYK 0 / 31 / 38 / 37

HEX #A06E64

RGB 160 110 100

HSL 10, 0.24%, 0.51%

LAB 51.32, 18.55, 13.58

 

CMYK 0 / 38 / 38 / 37

HEX #A06464

RGB 160 100 100

HSL 0, 0.24%, 0.51%

LAB 48.89, 24.25, 10.2

 

CMYK 0 / 11 / 38 / 37

HEX #A08F64

RGB 160 143 100

HSL 43, 0.24%, 0.51%

LAB 59.92, -0.12, 25.22

 

CMYK 0 / 1 / 38 / 37

HEX #A09F64

RGB 160 159 100

HSL 59, 0.24%, 0.51%

LAB 64.31, -8.82, 30.94

 

CMYK 10 / 0 / 38 / 37

HEX #90A064

RGB 144 160 100

HSL 76, 0.24%, 0.51%

LAB 63.34, -15.84, 29.43

 

CMYK 20 / 0 / 38 / 37

HEX #80A064

RGB 128 160 100

HSL 92, 0.24%, 0.51%

LAB 62.21, -22.09, 27.75

 

CMYK 30 / 0 / 38 / 37

HEX #70A064

RGB 112 160 100

HSL 108, 0.24%, 0.51%

LAB 61.23, -27.97, 26.27

 

CMYK 0 / 11 / 38 / 37

HEX #A08F64

RGB 160 143 100

HSL 43, 0.24%, 0.51%

LAB 59.92, -0.12, 25.22

 

CMYK 0 / 16 / 56 / 29

HEX #B4974F

RGB 180 151 79

HSL 42.77, 0.4%, 0.51%

LAB 63.67, 1.86, 41.47

 

CMYK 0 / 20 / 71 / 22

HEX #C8A03B

RGB 200 160 59

HSL 42.98, 0.56%, 0.51%

LAB 67.83, 4.35, 55.94

 

CMYK 0 / 23 / 82 / 14

HEX #DCA927

RGB 220 169 39

HSL 43.09, 0.72%, 0.51%

LAB 72.05, 7.45, 67.91

 

CMYK 0 / 26 / 92 / 6

HEX #F0B213

RGB 240 178 19

HSL 43.17, 0.88%, 0.51%

LAB 76.32, 10.93, 76.8

 

CMYK 0 / 11 / 38 / 37

HEX #A08F64

RGB 160 143 100

HSL 43, 0.24%, 0.51%

LAB 59.92, -0.12, 25.22

 

CMYK 0 / 4 / 14 / 45

HEX #8B8678

RGB 139 134 120

HSL 44.21, 0.08%, 0.51%

LAB 55.98, -0.68, 8.2

 

CMYK 15 / 11 / 0 / 45

HEX #777D8C

RGB 119 125 140

HSL 222.86, 0.08%, 0.51%

LAB 52.38, 1.04, -8.88

 

CMYK 38 / 28 / 0 / 37

HEX #6374A0

RGB 99 116 160

HSL 223.28, 0.24%, 0.51%

LAB 49.11, 5.09, -25.7

 

CMYK 56 / 40 / 0 / 29

HEX #4F6CB4

RGB 79 108 180

HSL 222.77, 0.4%, 0.51%

LAB 46.56, 11.11, -41.47

 

CMYK 0 / 31 / 38 / 37

HEX #A06F64

RGB 160 111 100

HSL 11, 0.24%, 0.51%

LAB 51.57, 17.98, 13.93

 

CMYK 0 / 21 / 38 / 37

HEX #A07F64

RGB 160 127 100

HSL 27, 0.24%, 0.51%

LAB 55.66, 8.85, 19.52

 

CMYK 0 / 11 / 38 / 37

HEX #A08F64

RGB 160 143 100

HSL 43, 0.24%, 0.51%

LAB 59.92, -0.12, 25.22

 

CMYK 0 / 1 / 38 / 37

HEX #A09F64

RGB 160 159 100

HSL 59, 0.24%, 0.51%

LAB 64.31, -8.82, 30.94

 

CMYK 9 / 0 / 38 / 37

HEX #91A064

RGB 145 160 100

HSL 75, 0.24%, 0.51%

LAB 63.41, -15.45, 29.54

 

CMYK 0 / 11 / 39 / 57

HEX #6E6243

RGB 110 98 67

HSL 43.26, 0.24%, 0.35%

LAB 41.93, -0.19, 19.41

 

CMYK 0 / 11 / 39 / 47

HEX #877853

RGB 135 120 83

HSL 42.69, 0.24%, 0.43%

LAB 50.93, 0.07, 22.45

 

CMYK 0 / 11 / 38 / 37

HEX #A08F64

RGB 160 143 100

HSL 43, 0.24%, 0.51%

LAB 59.92, -0.12, 25.22

 

CMYK 0 / 8 / 29 / 31

HEX #AFA17D

RGB 175 161 125

HSL 43.2, 0.24%, 0.59%

LAB 66.58, -0.59, 20.63

 

CMYK 0 / 6 / 21 / 25

HEX #BFB497

RGB 191 180 151

HSL 43.5, 0.24%, 0.67%

LAB 73.52, -0.84, 16.22

 

CMYK 0 / 11 / 38 / 37

HEX #A08F64

RGB 160 143 100

HSL 43, 0.24%, 0.51%

LAB 59.92, -0.12, 25.22

 

CMYK 34 / 0 / 38 / 37

HEX #69A064

RGB 105 160 100

HSL 115, 0.24%, 0.51%

LAB 60.84, -30.39, 25.69

 

CMYK 26 / 38 / 0 / 37

HEX #7764A0

RGB 119 100 160

HSL 259, 0.24%, 0.51%

LAB 46.41, 20.81, -29.77

 

CMYK 0 / 11 / 38 / 37

HEX #A08F64

RGB 160 143 100

HSL 43, 0.24%, 0.51%

LAB 59.92, -0.12, 25.22

 

CMYK 38 / 0 / 11 / 37

HEX #64A08F

RGB 100 160 143

HSL 163, 0.24%, 0.51%

LAB 61.51, -23.5, 2.72

 

CMYK 11 / 38 / 0 / 37

HEX #8F64A0

RGB 143 100 160

HSL 283, 0.24%, 0.51%

LAB 48.87, 28.43, -25.75

 

CMYK 0 / 11 / 38 / 37

HEX #A08F64

RGB 160 143 100

HSL 43, 0.24%, 0.51%

LAB 59.92, -0.12, 25.22

 

CMYK 34 / 0 / 38 / 37

HEX #69A064

RGB 105 160 100

HSL 115, 0.24%, 0.51%

LAB 60.84, -30.39, 25.69

 

CMYK 38 / 27 / 0 / 37

HEX #6475A0

RGB 100 117 160

HSL 223, 0.24%, 0.51%

LAB 49.46, 4.78, -25.15

 

CMYK 3 / 38 / 0 / 37

HEX #9B64A0

RGB 155 100 160

HSL 295, 0.24%, 0.51%

LAB 50.24, 32.34, -23.53

 

CMYK 0 / 11 / 38 / 37

HEX #A08F64

RGB 160 143 100

HSL 43, 0.24%, 0.51%

LAB 59.92, -0.12, 25.22

 

CMYK 38 / 0 / 29 / 37

HEX #64A071

RGB 100 160 113

HSL 133, 0.24%, 0.51%

LAB 60.82, -29.78, 18.51

 

CMYK 38 / 27 / 0 / 37

HEX #6475A0

RGB 100 117 160

HSL 223, 0.24%, 0.51%

LAB 49.46, 4.78, -25.15

 

CMYK 0 / 38 / 8 / 37

HEX #A06493

RGB 160 100 147

HSL 313, 0.24%, 0.51%

LAB 50.33, 31.54, -15.68

 

Description

Color code: HEX #A08F64 | qconv.com Color code: HEX #A08F64 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 143 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 143 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 38 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 38% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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