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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A09283 it is the complementary color #5F6D7C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A09283. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A09283 shade: #A5927E, #B6A491, #C7B6A4, #D8C8B7 and #E9DACA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A09283. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A09283 shade: #A09283, #8F8070, #7E6E5D, #6D5C4A and #5C4A37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A09283 shade: #9F9183, #9F8A83 and #9F8383

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A09283 shade: #9F9183, #9F9983, #9D9F83, #969F83 and #8E9F83

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A09283 shade matches the following richer shades: #9F9183, #B19271, #C3935F, #D4934D and #E6943C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A09283 shade: #9F9183, #8D9194, #7C90A6, #6A90B8 and #588FCA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A09283 shade: #9F8383, #9F8A83, #9F9183, #9F9983 and #9E9F83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A09283 shade: #75685A, #8C7D6C, #9F9183, #B1A69A and #C3BAB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A09283 shade: #A09283, #8B9F83 and #86839F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A09283 shade: #A09283, #839F91 and #91839F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A09283 shade: #A09283, #8B9F83, #83909F and #97839F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A09283 shade: #A09283, #839F83, #83909F and #9F839F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 18 / 37

HEX #A09283

RGB 160 146 131

HSL 31.03, 0.13%, 0.57%

LAB 61.37, 2.63, 9.83

 

Complementary color

CMYK 23 / 12 / 0 / 51

HEX #5F6D7C

RGB 95 109 124

HSL 211.03, 0.13%, 0.43%

LAB 45.39, -1.67, -10.07

 

CMYK 0 / 12 / 24 / 35

HEX #A5927E

RGB 165 146 126

HSL 30.77, 0.18%, 0.57%

LAB 61.71, 3.81, 13.2

 

CMYK 0 / 10 / 20 / 29

HEX #B6A491

RGB 182 164 145

HSL 30.81, 0.2%, 0.64%

LAB 68.42, 3.43, 12.24

 

CMYK 0 / 9 / 18 / 22

HEX #C7B6A4

RGB 199 182 164

HSL 30.86, 0.24%, 0.71%

LAB 75, 3.1, 11.35

 

CMYK 0 / 7 / 15 / 15

HEX #D8C8B7

RGB 216 200 183

HSL 30.91, 0.3%, 0.78%

LAB 81.47, 2.79, 10.51

 

CMYK 0 / 6 / 13 / 9

HEX #E9DACA

RGB 233 218 202

HSL 30.97, 0.41%, 0.85%

LAB 87.84, 2.52, 9.71

 

CMYK 0 / 9 / 18 / 37

HEX #A09283

RGB 160 146 131

HSL 31.03, 0.13%, 0.57%

LAB 61.37, 2.63, 9.83

 

CMYK 0 / 10 / 22 / 44

HEX #8F8070

RGB 143 128 112

HSL 30.97, 0.12%, 0.5%

LAB 54.5, 2.99, 10.77

 

CMYK 0 / 13 / 26 / 51

HEX #7E6E5D

RGB 126 110 93

HSL 30.91, 0.15%, 0.43%

LAB 47.47, 3.41, 11.79

 

CMYK 0 / 16 / 32 / 57

HEX #6D5C4A

RGB 109 92 74

HSL 30.86, 0.19%, 0.36%

LAB 40.25, 3.92, 12.93

 

CMYK 0 / 20 / 40 / 64

HEX #5C4A37

RGB 92 74 55

HSL 30.81, 0.25%, 0.29%

LAB 32.81, 4.58, 14.22

 

CMYK 0 / 9 / 18 / 38

HEX #9F9183

RGB 159 145 131

HSL 30, 0.13%, 0.57%

LAB 61.01, 2.8, 9.31

 

CMYK 0 / 13 / 18 / 38

HEX #9F8A83

RGB 159 138 131

HSL 15, 0.13%, 0.57%

LAB 59.15, 6.73, 6.65

 

CMYK 0 / 18 / 18 / 38

HEX #9F8383

RGB 159 131 131

HSL 0, 0.13%, 0.57%

LAB 57.31, 10.69, 4.02

 

CMYK 0 / 9 / 18 / 38

HEX #9F9183

RGB 159 145 131

HSL 30, 0.13%, 0.57%

LAB 61.01, 2.8, 9.31

 

CMYK 0 / 4 / 18 / 38

HEX #9F9983

RGB 159 153 131

HSL 47.14, 0.13%, 0.57%

LAB 63.17, -1.63, 12.36

 

CMYK 1 / 0 / 18 / 38

HEX #9D9F83

RGB 157 159 131

HSL 64.29, 0.13%, 0.57%

LAB 64.65, -5.68, 14.4

 

CMYK 6 / 0 / 18 / 38

HEX #969F83

RGB 150 159 131

HSL 79.29, 0.13%, 0.57%

LAB 64.1, -8.35, 13.55

 

CMYK 11 / 0 / 18 / 38

HEX #8E9F83

RGB 142 159 131

HSL 96.43, 0.13%, 0.57%

LAB 63.5, -11.35, 12.62

 

CMYK 0 / 9 / 18 / 38

HEX #9F9183

RGB 159 145 131

HSL 30, 0.13%, 0.57%

LAB 61.01, 2.8, 9.31

 

CMYK 0 / 18 / 36 / 31

HEX #B19271

RGB 177 146 113

HSL 30.94, 0.29%, 0.57%

LAB 62.59, 6.87, 21.87

 

CMYK 0 / 25 / 51 / 24

HEX #C3935F

RGB 195 147 95

HSL 31.2, 0.45%, 0.57%

LAB 64.4, 11.85, 34.4

 

CMYK 0 / 31 / 64 / 17

HEX #D4934D

RGB 212 147 77

HSL 31.11, 0.61%, 0.57%

LAB 66.06, 17.6, 46.12

 

CMYK 0 / 36 / 74 / 10

HEX #E6943C

RGB 230 148 60

HSL 31.06, 0.77%, 0.57%

LAB 68.26, 23.7, 57.04

 

CMYK 0 / 9 / 18 / 38

HEX #9F9183

RGB 159 145 131

HSL 30, 0.13%, 0.57%

LAB 61.01, 2.8, 9.31

 

CMYK 5 / 2 / 0 / 42

HEX #8D9194

RGB 141 145 148

HSL 205.71, 0.03%, 0.57%

LAB 59.94, -0.85, -2.1

 

CMYK 25 / 13 / 0 / 35

HEX #7C90A6

RGB 124 144 166

HSL 211.43, 0.19%, 0.57%

LAB 58.96, -2.03, -13.95

 

CMYK 42 / 22 / 0 / 28

HEX #6A90B8

RGB 106 144 184

HSL 210.77, 0.35%, 0.57%

LAB 58.48, -2.54, -25.02

 

CMYK 56 / 29 / 0 / 21

HEX #588FCA

RGB 88 143 202

HSL 211.05, 0.52%, 0.57%

LAB 58.02, -0.82, -35.98

 

CMYK 0 / 18 / 18 / 38

HEX #9F8383

RGB 159 131 131

HSL 0, 0.13%, 0.57%

LAB 57.31, 10.69, 4.02

 

CMYK 0 / 13 / 18 / 38

HEX #9F8A83

RGB 159 138 131

HSL 15, 0.13%, 0.57%

LAB 59.15, 6.73, 6.65

 

CMYK 0 / 9 / 18 / 38

HEX #9F9183

RGB 159 145 131

HSL 30, 0.13%, 0.57%

LAB 61.01, 2.8, 9.31

 

CMYK 0 / 4 / 18 / 38

HEX #9F9983

RGB 159 153 131

HSL 47.14, 0.13%, 0.57%

LAB 63.17, -1.63, 12.36

 

CMYK 1 / 0 / 18 / 38

HEX #9E9F83

RGB 158 159 131

HSL 62.14, 0.13%, 0.57%

LAB 64.73, -5.29, 14.53

 

CMYK 0 / 11 / 23 / 54

HEX #75685A

RGB 117 104 90

HSL 31.11, 0.13%, 0.41%

LAB 44.83, 2.69, 9.77

 

CMYK 0 / 11 / 23 / 45

HEX #8C7D6C

RGB 140 125 108

HSL 31.88, 0.13%, 0.49%

LAB 53.3, 2.85, 11.37

 

CMYK 0 / 9 / 18 / 38

HEX #9F9183

RGB 159 145 131

HSL 30, 0.13%, 0.57%

LAB 61.01, 2.8, 9.31

 

CMYK 0 / 6 / 13 / 31

HEX #B1A69A

RGB 177 166 154

HSL 31.3, 0.13%, 0.65%

LAB 68.72, 1.89, 7.63

 

CMYK 0 / 5 / 9 / 24

HEX #C3BAB1

RGB 195 186 177

HSL 30, 0.13%, 0.73%

LAB 76, 1.6, 5.68

 

CMYK 0 / 9 / 18 / 37

HEX #A09283

RGB 160 146 131

HSL 31.03, 0.13%, 0.57%

LAB 61.37, 2.63, 9.83

 

CMYK 13 / 0 / 18 / 38

HEX #8B9F83

RGB 139 159 131

HSL 102.86, 0.13%, 0.57%

LAB 63.28, -12.46, 12.29

 

CMYK 16 / 18 / 0 / 38

HEX #86839F

RGB 134 131 159

HSL 246.43, 0.13%, 0.57%

LAB 55.89, 7.05, -14.5

 

CMYK 0 / 9 / 18 / 37

HEX #A09283

RGB 160 146 131

HSL 31.03, 0.13%, 0.57%

LAB 61.37, 2.63, 9.83

 

CMYK 18 / 0 / 9 / 38

HEX #839F91

RGB 131 159 145

HSL 150, 0.13%, 0.57%

LAB 63.07, -12.65, 4.07

 

CMYK 9 / 18 / 0 / 38

HEX #91839F

RGB 145 131 159

HSL 270, 0.13%, 0.57%

LAB 56.84, 10.84, -12.98

 

CMYK 0 / 9 / 18 / 37

HEX #A09283

RGB 160 146 131

HSL 31.03, 0.13%, 0.57%

LAB 61.37, 2.63, 9.83

 

CMYK 13 / 0 / 18 / 38

HEX #8B9F83

RGB 139 159 131

HSL 102.86, 0.13%, 0.57%

LAB 63.28, -12.46, 12.29

 

CMYK 18 / 9 / 0 / 38

HEX #83909F

RGB 131 144 159

HSL 212.14, 0.13%, 0.57%

LAB 59.23, -1.39, -9.5

 

CMYK 5 / 18 / 0 / 38

HEX #97839F

RGB 151 131 159

HSL 282.86, 0.13%, 0.57%

LAB 57.38, 12.94, -12.11

 

CMYK 0 / 9 / 18 / 37

HEX #A09283

RGB 160 146 131

HSL 31.03, 0.13%, 0.57%

LAB 61.37, 2.63, 9.83

 

CMYK 18 / 0 / 18 / 38

HEX #839F83

RGB 131 159 131

HSL 120, 0.13%, 0.57%

LAB 62.73, -15.37, 11.43

 

CMYK 18 / 9 / 0 / 38

HEX #83909F

RGB 131 144 159

HSL 212.14, 0.13%, 0.57%

LAB 59.23, -1.39, -9.5

 

CMYK 0 / 18 / 0 / 38

HEX #9F839F

RGB 159 131 159

HSL 300, 0.13%, 0.57%

LAB 58.14, 15.77, -10.89

 

Description

Color code: HEX #A09283 | qconv.com Color code: HEX #A09283 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 146 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 146 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 18 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 18% 37% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

32% - むぎとそらまめのウェブログ
Link: http://kabosu.hatenablog.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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