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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A092C7 it is the complementary color #5F6D38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A092C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A092C7 shade: #A592C2, #B6A4D5, #C7B6E8, #D8C8FB and #E9DAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A092C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A092C7 shade: #A092C7, #8F80B4, #7E6EA1, #6D5C8E and #5C4A7B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A092C7 shade: #A193C7, #AF93C7, #BD93C7, #C793C3 and #C793B5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A092C7 shade: #A193C7 and #9393C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A092C7 shade matches the following richer shades: #A193C7, #9A86D4, #9478E1, #8E6BEF and #885EFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A092C7 shade: #A193C7, #A7A0BA, #ADADAD, #B3BA9F and #B9C892

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A092C7 shade: #93A2C7, #9394C7, #A093C7, #AE93C7 and #BC93C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A092C7 shade: #715CAB, #8978B9, #A193C7, #B8AED5 and #D0C9E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A092C7 shade: #A092C7, #C793B0 and #9BC793

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A092C7 shade: #A092C7, #C7A093 and #93C7A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A092C7 shade: #A092C7, #C793B0, #BAC793 and #93C7AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A092C7 shade: #A092C7, #C793A0, #BAC793 and #93C7BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 27 / 0 / 22

HEX #A092C7

RGB 160 146 199

HSL 255.85, 0.32%, 0.68%

LAB 63.47, 16.13, -25.47

 

Complementary color

CMYK 13 / 0 / 49 / 57

HEX #5F6D38

RGB 95 109 56

HSL 75.85, 0.32%, 0.32%

LAB 43.74, -14.54, 27.73

 

CMYK 15 / 25 / 0 / 24

HEX #A592C2

RGB 165 146 194

HSL 263.75, 0.28%, 0.67%

LAB 63.71, 16.6, -22.26

 

CMYK 15 / 23 / 0 / 16

HEX #B6A4D5

RGB 182 164 213

HSL 262.04, 0.37%, 0.74%

LAB 70.39, 16.12, -22.49

 

CMYK 14 / 22 / 0 / 9

HEX #C7B6E8

RGB 199 182 232

HSL 260.4, 0.52%, 0.81%

LAB 76.94, 15.69, -22.74

 

CMYK 14 / 20 / 0 / 2

HEX #D8C8FB

RGB 216 200 251

HSL 258.82, 0.86%, 0.88%

LAB 83.38, 15.28, -23.01

 

CMYK 9 / 15 / 0 / 0

HEX #E9DAFF

RGB 233 218 255

HSL 264.32, 1%, 0.93%

LAB 89.25, 11.91, -16.12

 

CMYK 20 / 27 / 0 / 22

HEX #A092C7

RGB 160 146 199

HSL 255.85, 0.32%, 0.68%

LAB 63.47, 16.13, -25.47

 

CMYK 21 / 29 / 0 / 29

HEX #8F80B4

RGB 143 128 180

HSL 257.31, 0.26%, 0.6%

LAB 56.66, 16.66, -25.33

 

CMYK 22 / 32 / 0 / 37

HEX #7E6EA1

RGB 126 110 161

HSL 258.82, 0.21%, 0.53%

LAB 49.69, 17.26, -25.21

 

CMYK 23 / 35 / 0 / 44

HEX #6D5C8E

RGB 109 92 142

HSL 260.4, 0.21%, 0.46%

LAB 42.55, 17.93, -25.14

 

CMYK 25 / 40 / 0 / 52

HEX #5C4A7B

RGB 92 74 123

HSL 262.04, 0.25%, 0.39%

LAB 35.21, 18.71, -25.11

 

CMYK 19 / 26 / 0 / 22

HEX #A193C7

RGB 161 147 199

HSL 256.15, 0.32%, 0.68%

LAB 63.81, 15.87, -24.94

 

CMYK 12 / 26 / 0 / 22

HEX #AF93C7

RGB 175 147 199

HSL 272.31, 0.32%, 0.68%

LAB 65.05, 20.36, -22.94

 

CMYK 5 / 26 / 0 / 22

HEX #BD93C7

RGB 189 147 199

HSL 288.46, 0.32%, 0.68%

LAB 66.37, 24.95, -20.79

 

CMYK 0 / 26 / 2 / 22

HEX #C793C3

RGB 199 147 195

HSL 304.62, 0.32%, 0.68%

LAB 67.24, 27.52, -17.15

 

CMYK 0 / 26 / 9 / 22

HEX #C793B5

RGB 199 147 181

HSL 320.77, 0.32%, 0.68%

LAB 66.78, 25, -10.01

 

CMYK 19 / 26 / 0 / 22

HEX #A193C7

RGB 161 147 199

HSL 256.15, 0.32%, 0.68%

LAB 63.81, 15.87, -24.94

 

CMYK 26 / 26 / 0 / 22

HEX #9393C7

RGB 147 147 199

HSL 240, 0.32%, 0.68%

LAB 62.67, 11.52, -26.79

 

CMYK 19 / 26 / 0 / 22

HEX #A193C7

RGB 161 147 199

HSL 256.15, 0.32%, 0.68%

LAB 63.81, 15.87, -24.94

 

CMYK 27 / 37 / 0 / 17

HEX #9A86D4

RGB 154 134 212

HSL 255.38, 0.48%, 0.68%

LAB 60.49, 24.3, -37.42

 

CMYK 34 / 47 / 0 / 12

HEX #9478E1

RGB 148 120 225

HSL 256, 0.64%, 0.68%

LAB 57.24, 34.04, -49.87

 

CMYK 41 / 55 / 0 / 6

HEX #8E6BEF

RGB 142 107 239

HSL 255.91, 0.8%, 0.68%

LAB 54.55, 43.71, -62.02

 

CMYK 46 / 63 / 0 / 1

HEX #885EFC

RGB 136 94 252

HSL 255.95, 0.96%, 0.68%

LAB 52.14, 53.14, -73.18

 

CMYK 19 / 26 / 0 / 22

HEX #A193C7

RGB 161 147 199

HSL 256.15, 0.32%, 0.68%

LAB 63.81, 15.87, -24.94

 

CMYK 10 / 14 / 0 / 27

HEX #A7A0BA

RGB 167 160 186

HSL 256.15, 0.16%, 0.68%

LAB 67.2, 7.66, -12.48

 

CMYK 0 / 0 / 0 / 32

HEX #ADADAD

RGB 173 173 173

HSL 0, 0%, 0.68%

LAB 70.72, 0, -0.01

 

CMYK 4 / 0 / 15 / 27

HEX #B3BA9F

RGB 179 186 159

HSL 75.56, 0.16%, 0.68%

LAB 74.32, -7.25, 12.87

 

CMYK 8 / 0 / 27 / 22

HEX #B9C892

RGB 185 200 146

HSL 76.67, 0.33%, 0.68%

LAB 78.29, -14.27, 25.37

 

CMYK 26 / 19 / 0 / 22

HEX #93A2C7

RGB 147 162 199

HSL 222.69, 0.32%, 0.68%

LAB 66.65, 3.03, -20.7

 

CMYK 26 / 26 / 0 / 22

HEX #9394C7

RGB 147 148 199

HSL 238.85, 0.32%, 0.68%

LAB 62.93, 10.95, -26.39

 

CMYK 20 / 26 / 0 / 22

HEX #A093C7

RGB 160 147 199

HSL 255, 0.32%, 0.68%

LAB 63.72, 15.56, -25.08

 

CMYK 13 / 26 / 0 / 22

HEX #AE93C7

RGB 174 147 199

HSL 271.15, 0.32%, 0.68%

LAB 64.95, 20.04, -23.09

 

CMYK 6 / 26 / 0 / 22

HEX #BC93C7

RGB 188 147 199

HSL 287.31, 0.32%, 0.68%

LAB 66.28, 24.62, -20.95

 

CMYK 34 / 46 / 0 / 33

HEX #715CAB

RGB 113 92 171

HSL 255.95, 0.32%, 0.52%

LAB 44.38, 26.79, -39.49

 

CMYK 26 / 35 / 0 / 27

HEX #8978B9

RGB 137 120 185

HSL 255.69, 0.32%, 0.6%

LAB 54.3, 20.7, -31.89

 

CMYK 19 / 26 / 0 / 22

HEX #A193C7

RGB 161 147 199

HSL 256.15, 0.32%, 0.68%

LAB 63.81, 15.87, -24.94

 

CMYK 14 / 18 / 0 / 16

HEX #B8AED5

RGB 184 174 213

HSL 255.38, 0.32%, 0.76%

LAB 73.07, 11.24, -18.4

 

CMYK 8 / 11 / 0 / 11

HEX #D0C9E3

RGB 208 201 227

HSL 256.15, 0.32%, 0.84%

LAB 82.23, 7.31, -12

 

CMYK 20 / 27 / 0 / 22

HEX #A092C7

RGB 160 146 199

HSL 255.85, 0.32%, 0.68%

LAB 63.47, 16.13, -25.47

 

CMYK 0 / 26 / 12 / 22

HEX #C793B0

RGB 199 147 176

HSL 326.54, 0.32%, 0.68%

LAB 66.63, 24.14, -7.44

 

CMYK 22 / 0 / 26 / 22

HEX #9BC793

RGB 155 199 147

HSL 110.77, 0.32%, 0.68%

LAB 76.02, -24.44, 21.43

 

CMYK 20 / 27 / 0 / 22

HEX #A092C7

RGB 160 146 199

HSL 255.85, 0.32%, 0.68%

LAB 63.47, 16.13, -25.47

 

CMYK 0 / 20 / 26 / 22

HEX #C7A093

RGB 199 160 147

HSL 15, 0.32%, 0.68%

LAB 69.03, 12.46, 12.23

 

CMYK 26 / 0 / 20 / 22

HEX #93C7A0

RGB 147 199 160

HSL 135, 0.32%, 0.68%

LAB 75.82, -24.84, 14.13

 

CMYK 20 / 27 / 0 / 22

HEX #A092C7

RGB 160 146 199

HSL 255.85, 0.32%, 0.68%

LAB 63.47, 16.13, -25.47

 

CMYK 0 / 26 / 12 / 22

HEX #C793B0

RGB 199 147 176

HSL 326.54, 0.32%, 0.68%

LAB 66.63, 24.14, -7.44

 

CMYK 7 / 0 / 26 / 22

HEX #BAC793

RGB 186 199 147

HSL 75, 0.32%, 0.68%

LAB 78.11, -13.24, 24.61

 

CMYK 26 / 0 / 15 / 22

HEX #93C7AA

RGB 147 199 170

HSL 146.54, 0.32%, 0.68%

LAB 76.04, -22.93, 9.08

 

CMYK 20 / 27 / 0 / 22

HEX #A092C7

RGB 160 146 199

HSL 255.85, 0.32%, 0.68%

LAB 63.47, 16.13, -25.47

 

CMYK 0 / 26 / 20 / 22

HEX #C793A0

RGB 199 147 160

HSL 345, 0.32%, 0.68%

LAB 66.17, 21.54, 0.87

 

CMYK 7 / 0 / 26 / 22

HEX #BAC793

RGB 186 199 147

HSL 75, 0.32%, 0.68%

LAB 78.11, -13.24, 24.61

 

CMYK 26 / 0 / 7 / 22

HEX #93C7BA

RGB 147 199 186

HSL 165, 0.32%, 0.68%

LAB 76.43, -19.65, 1.02

 

Description

Color code: HEX #A092C7 | qconv.com Color code: HEX #A092C7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 146 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 146 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 27 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 27% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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