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Color name
HEX #A09A17

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A09A17 it is the complementary color #5F65E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A09A17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A09A17 shade: #A59A12, #B6AC25, #C7BE38, #D8D04B and #E9E25E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A09A17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A09A17 shade: #A09A17, #8F8804, #7E7600, #6D6400 and #5C5200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A09A17 shade: #A09A16, #A07516, #A05016, #A02B16 and #A01616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A09A17 shade: #A09A16, #81A016, #5CA016, #37A016 and #16A01B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A09A17 shade matches the following richer shades: #A09A16 and #AFA808

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A09A17 shade: #A09A16, #918D25, #827F34, #747143 and #656452

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A09A17 shade: #A05016, #A07516, #A09916, #82A016 and #5EA016

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A09A17 shade: #58550C, #7C7711, #A09A16, #C4BD1C and #E0D829

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A09A17 shade: #A09A17, #16A02B and #6216A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A09A17 shade: #A09A17, #16A099 and #9916A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A09A17 shade: #A09A17, #16A02B, #161DA0 and #A0168B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A09A17 shade: #A09A17, #16A054, #161DA0 and #A01662

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 86 / 37

HEX #A09A17

RGB 160 154 23

HSL 57.37, 0.75%, 0.36%

LAB 62.21, -11.67, 61.61

 

Complementary color

CMYK 59 / 56 / 0 / 9

HEX #5F65E8

RGB 95 101 232

HSL 237.37, 0.75%, 0.64%

LAB 48.97, 35.73, -67.3

 

CMYK 0 / 7 / 89 / 35

HEX #A59A12

RGB 165 154 18

HSL 55.51, 0.8%, 0.36%

LAB 62.64, -9.54, 63.24

 

CMYK 0 / 5 / 80 / 29

HEX #B6AC25

RGB 182 172 37

HSL 55.86, 0.66%, 0.43%

LAB 69.17, -10.87, 64.58

 

CMYK 0 / 5 / 72 / 22

HEX #C7BE38

RGB 199 190 56

HSL 56.22, 0.56%, 0.5%

LAB 75.61, -11.98, 64.8

 

CMYK 0 / 4 / 65 / 15

HEX #D8D04B

RGB 216 208 75

HSL 56.6, 0.64%, 0.57%

LAB 81.96, -12.91, 64.39

 

CMYK 0 / 3 / 60 / 9

HEX #E9E25E

RGB 233 226 94

HSL 56.98, 0.76%, 0.64%

LAB 88.22, -13.69, 63.63

 

CMYK 0 / 4 / 86 / 37

HEX #A09A17

RGB 160 154 23

HSL 57.37, 0.75%, 0.36%

LAB 62.21, -11.67, 61.61

 

CMYK 0 / 5 / 97 / 44

HEX #8F8804

RGB 143 136 4

HSL 56.98, 0.95%, 0.29%

LAB 55.54, -10.21, 59.27

 

CMYK 0 / 6 / 100 / 51

HEX #7E7600

RGB 126 118 0

HSL 56.19, 1%, 0.25%

LAB 48.75, -8.4, 54.33

 

CMYK 0 / 8 / 100 / 57

HEX #6D6400

RGB 109 100 0

HSL 55.05, 1%, 0.21%

LAB 41.79, -6.45, 48.56

 

CMYK 0 / 11 / 100 / 64

HEX #5C5200

RGB 92 82 0

HSL 53.48, 1%, 0.18%

LAB 34.62, -4.39, 42.62

 

CMYK 0 / 4 / 86 / 37

HEX #A09A16

RGB 160 154 22

HSL 57.39, 0.76%, 0.36%

LAB 62.2, -11.69, 61.84

 

CMYK 0 / 27 / 86 / 37

HEX #A07516

RGB 160 117 22

HSL 41.3, 0.76%, 0.36%

LAB 52.12, 8.65, 53.49

 

CMYK 0 / 50 / 86 / 37

HEX #A05016

RGB 160 80 22

HSL 25.22, 0.76%, 0.36%

LAB 43.17, 29.48, 45.95

 

CMYK 0 / 73 / 86 / 37

HEX #A02B16

RGB 160 43 22

HSL 9.13, 0.76%, 0.36%

LAB 36.48, 47, 40.21

 

CMYK 0 / 86 / 86 / 37

HEX #A01616

RGB 160 22 22

HSL 0, 0.76%, 0.36%

LAB 34.2, 53.39, 38.22

 

CMYK 0 / 4 / 86 / 37

HEX #A09A16

RGB 160 154 22

HSL 57.39, 0.76%, 0.36%

LAB 62.2, -11.69, 61.84

 

CMYK 19 / 0 / 86 / 37

HEX #81A016

RGB 129 160 22

HSL 73.48, 0.76%, 0.36%

LAB 61.54, -28.3, 60.31

 

CMYK 43 / 0 / 86 / 37

HEX #5CA016

RGB 92 160 22

HSL 89.57, 0.76%, 0.36%

LAB 59.41, -42.62, 57.65

 

CMYK 66 / 0 / 86 / 37

HEX #37A016

RGB 55 160 22

HSL 105.65, 0.76%, 0.36%

LAB 58.05, -53.3, 55.92

 

CMYK 86 / 0 / 83 / 37

HEX #16A01B

RGB 22 160 27

HSL 122.17, 0.76%, 0.36%

LAB 57.45, -58.34, 53.86

 

CMYK 0 / 4 / 86 / 37

HEX #A09A16

RGB 160 154 22

HSL 57.39, 0.76%, 0.36%

LAB 62.2, -11.69, 61.84

 

CMYK 0 / 4 / 95 / 31

HEX #AFA808

RGB 175 168 8

HSL 57.49, 0.91%, 0.36%

LAB 67.38, -12.56, 68.83

 

CMYK 0 / 4 / 86 / 37

HEX #A09A16

RGB 160 154 22

HSL 57.39, 0.76%, 0.36%

LAB 62.2, -11.69, 61.84

 

CMYK 0 / 3 / 74 / 43

HEX #918D25

RGB 145 141 37

HSL 57.78, 0.59%, 0.36%

LAB 57.27, -11.01, 52.49

 

CMYK 0 / 2 / 60 / 49

HEX #827F34

RGB 130 127 52

HSL 57.69, 0.43%, 0.36%

LAB 52.03, -9.25, 40.25

 

CMYK 0 / 3 / 42 / 55

HEX #747143

RGB 116 113 67

HSL 56.33, 0.27%, 0.36%

LAB 46.88, -6.22, 25.92

 

CMYK 0 / 1 / 19 / 60

HEX #656452

RGB 101 100 82

HSL 56.84, 0.1%, 0.36%

LAB 41.98, -3.02, 10.37

 

CMYK 0 / 50 / 86 / 37

HEX #A05016

RGB 160 80 22

HSL 25.22, 0.76%, 0.36%

LAB 43.17, 29.48, 45.95

 

CMYK 0 / 27 / 86 / 37

HEX #A07516

RGB 160 117 22

HSL 41.3, 0.76%, 0.36%

LAB 52.12, 8.65, 53.49

 

CMYK 0 / 4 / 86 / 37

HEX #A09916

RGB 160 153 22

HSL 56.96, 0.76%, 0.36%

LAB 61.92, -11.17, 61.61

 

CMYK 19 / 0 / 86 / 37

HEX #82A016

RGB 130 160 22

HSL 73.04, 0.76%, 0.36%

LAB 61.61, -27.88, 60.4

 

CMYK 41 / 0 / 86 / 37

HEX #5EA016

RGB 94 160 22

HSL 88.7, 0.76%, 0.36%

LAB 59.51, -41.93, 57.77

 

CMYK 0 / 3 / 86 / 65

HEX #58550C

RGB 88 85 12

HSL 57.63, 0.76%, 0.2%

LAB 35.2, -7.77, 39.08

 

CMYK 0 / 4 / 86 / 51

HEX #7C7711

RGB 124 119 17

HSL 57.2, 0.76%, 0.28%

LAB 48.91, -9.51, 50.7

 

CMYK 0 / 4 / 86 / 37

HEX #A09A16

RGB 160 154 22

HSL 57.39, 0.76%, 0.36%

LAB 62.2, -11.69, 61.84

 

CMYK 0 / 4 / 86 / 23

HEX #C4BD1C

RGB 196 189 28

HSL 57.5, 0.75%, 0.44%

LAB 74.96, -13.75, 72.25

 

CMYK 0 / 4 / 82 / 12

HEX #E0D829

RGB 224 216 41

HSL 57.38, 0.75%, 0.52%

LAB 84.55, -14.98, 78.18

 

CMYK 0 / 4 / 86 / 37

HEX #A09A17

RGB 160 154 23

HSL 57.37, 0.75%, 0.36%

LAB 62.21, -11.67, 61.61

 

CMYK 86 / 0 / 73 / 37

HEX #16A02B

RGB 22 160 43

HSL 129.13, 0.76%, 0.36%

LAB 57.55, -57.18, 48.63

 

CMYK 39 / 86 / 0 / 37

HEX #6216A0

RGB 98 22 160

HSL 273.04, 0.76%, 0.36%

LAB 28.66, 55.98, -58.34

 

CMYK 0 / 4 / 86 / 37

HEX #A09A17

RGB 160 154 23

HSL 57.37, 0.75%, 0.36%

LAB 62.21, -11.67, 61.61

 

CMYK 86 / 0 / 4 / 37

HEX #16A099

RGB 22 160 153

HSL 176.96, 0.76%, 0.36%

LAB 59.54, -35.03, -6.09

 

CMYK 4 / 86 / 0 / 37

HEX #9916A0

RGB 153 22 160

HSL 296.96, 0.76%, 0.36%

LAB 37.63, 65.07, -43.38

 

CMYK 0 / 4 / 86 / 37

HEX #A09A17

RGB 160 154 23

HSL 57.37, 0.75%, 0.36%

LAB 62.21, -11.67, 61.61

 

CMYK 86 / 0 / 73 / 37

HEX #16A02B

RGB 22 160 43

HSL 129.13, 0.76%, 0.36%

LAB 57.55, -57.18, 48.63

 

CMYK 86 / 82 / 0 / 37

HEX #161DA0

RGB 22 29 160

HSL 236.96, 0.76%, 0.36%

LAB 22.26, 45.83, -69.16

 

CMYK 0 / 86 / 13 / 37

HEX #A0168B

RGB 160 22 139

HSL 309.13, 0.76%, 0.36%

LAB 37.68, 63.22, -30.42

 

CMYK 0 / 4 / 86 / 37

HEX #A09A17

RGB 160 154 23

HSL 57.37, 0.75%, 0.36%

LAB 62.21, -11.67, 61.61

 

CMYK 86 / 0 / 48 / 37

HEX #16A054

RGB 22 160 84

HSL 146.96, 0.76%, 0.36%

LAB 57.99, -51.75, 30.03

 

CMYK 86 / 82 / 0 / 37

HEX #161DA0

RGB 22 29 160

HSL 236.96, 0.76%, 0.36%

LAB 22.26, 45.83, -69.16

 

CMYK 0 / 86 / 39 / 37

HEX #A01662

RGB 160 22 98

HSL 326.96, 0.76%, 0.36%

LAB 35.85, 58.17, -7.51

 

Description

Color code: HEX #A09A17 | qconv.com Color code: HEX #A09A17 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 154 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 154 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 86 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 86% 37% C M Y K

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