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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A0A4EE it is the complementary color #5F5B11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A0A4EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A0A4EE shade: #A5A4E9, #B6B6FC, #C7C8FF, #D8DAFF and #E9ECFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A0A4EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A0A4EE shade: #A0A4EE, #8F92DB, #7E80C8, #6D6EB5 and #5C5CA2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A0A4EE shade: #9FA3EE, #B09FEE, #C59FEE, #DB9FEE and #EE9FEC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A0A4EE shade: #9FA3EE and #9F9FEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A0A4EE shade matches the following richer shades: #9FA3EE and #969BF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A0A4EE shade: #9FA3EE, #A8ABE5, #B1B3DC, #BABCD2 and #C3C4C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A0A4EE shade: #9FCEEE, #9FB9EE, #9FA4EE, #AF9FEE and #C49FEE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A0A4EE shade: #5960E1, #7C82E7, #9FA3EE, #C2C5F4 and #E5E6FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A0A4EE shade: #A0A4EE, #EE9FE3 and #C4EE9F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A0A4EE shade: #A0A4EE, #EE9FA4 and #A4EE9F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A0A4EE shade: #A0A4EE, #EE9FE3, #EEE89F and #9FEEAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A0A4EE shade: #A0A4EE, #EE9FCC, #EEE89F and #9FEEC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 31 / 0 / 7

HEX #A0A4EE

RGB 160 164 238

HSL 236.92, 0.7%, 0.78%

LAB 69.61, 15.44, -37.54

 

Complementary color

CMYK 0 / 4 / 82 / 63

HEX #5F5B11

RGB 95 91 17

HSL 56.92, 0.7%, 0.22%

LAB 37.76, -7.6, 39.92

 

CMYK 29 / 30 / 0 / 9

HEX #A5A4E9

RGB 165 164 233

HSL 240.87, 0.61%, 0.78%

LAB 69.78, 15.59, -34.52

 

CMYK 28 / 28 / 0 / 1

HEX #B6B6FC

RGB 182 182 252

HSL 240, 0.92%, 0.85%

LAB 76.33, 15.08, -34.57

 

CMYK 22 / 22 / 0 / 0

HEX #C7C8FF

RGB 199 200 255

HSL 238.93, 1%, 0.89%

LAB 82.2, 10.95, -27.04

 

CMYK 15 / 15 / 0 / 0

HEX #D8DAFF

RGB 216 218 255

HSL 236.92, 1%, 0.92%

LAB 87.95, 6.55, -18.2

 

CMYK 9 / 7 / 0 / 0

HEX #E9ECFF

RGB 233 236 255

HSL 231.82, 1%, 0.96%

LAB 93.68, 2.54, -9.5

 

CMYK 33 / 31 / 0 / 7

HEX #A0A4EE

RGB 160 164 238

HSL 236.92, 0.7%, 0.78%

LAB 69.61, 15.44, -37.54

 

CMYK 35 / 33 / 0 / 14

HEX #8F92DB

RGB 143 146 219

HSL 237.63, 0.51%, 0.71%

LAB 62.94, 16.05, -37.57

 

CMYK 37 / 36 / 0 / 22

HEX #7E80C8

RGB 126 128 200

HSL 238.38, 0.4%, 0.64%

LAB 56.13, 16.75, -37.64

 

CMYK 40 / 39 / 0 / 29

HEX #6D6EB5

RGB 109 110 181

HSL 239.17, 0.33%, 0.57%

LAB 49.18, 17.56, -37.77

 

CMYK 43 / 43 / 0 / 36

HEX #5C5CA2

RGB 92 92 162

HSL 240, 0.28%, 0.5%

LAB 42.06, 18.51, -37.97

 

CMYK 33 / 32 / 0 / 7

HEX #9FA3EE

RGB 159 163 238

HSL 236.96, 0.7%, 0.78%

LAB 69.28, 15.73, -38.05

 

CMYK 26 / 33 / 0 / 7

HEX #B09FEE

RGB 176 159 238

HSL 252.91, 0.7%, 0.78%

LAB 69.61, 22.79, -37.44

 

CMYK 17 / 33 / 0 / 7

HEX #C59FEE

RGB 197 159 238

HSL 268.86, 0.7%, 0.78%

LAB 71.45, 29, -34.45

 

CMYK 8 / 33 / 0 / 7

HEX #DB9FEE

RGB 219 159 238

HSL 285.57, 0.7%, 0.78%

LAB 73.56, 35.7, -31

 

CMYK 0 / 33 / 1 / 7

HEX #EE9FEC

RGB 238 159 236

HSL 301.52, 0.7%, 0.78%

LAB 75.47, 41.22, -26.82

 

CMYK 33 / 32 / 0 / 7

HEX #9FA3EE

RGB 159 163 238

HSL 236.96, 0.7%, 0.78%

LAB 69.28, 15.73, -38.05

 

CMYK 33 / 33 / 0 / 7

HEX #9F9FEE

RGB 159 159 238

HSL 240, 0.7%, 0.78%

LAB 68.27, 17.99, -39.63

 

CMYK 33 / 32 / 0 / 7

HEX #9FA3EE

RGB 159 163 238

HSL 236.96, 0.7%, 0.78%

LAB 69.28, 15.73, -38.05

 

CMYK 39 / 37 / 0 / 3

HEX #969BF7

RGB 150 155 247

HSL 236.91, 0.86%, 0.78%

LAB 67.01, 20.27, -46.58

 

CMYK 33 / 32 / 0 / 7

HEX #9FA3EE

RGB 159 163 238

HSL 236.96, 0.7%, 0.78%

LAB 69.28, 15.73, -38.05

 

CMYK 27 / 25 / 0 / 10

HEX #A8ABE5

RGB 168 171 229

HSL 237.05, 0.54%, 0.78%

LAB 71.63, 11.57, -29.45

 

CMYK 20 / 19 / 0 / 14

HEX #B1B3DC

RGB 177 179 220

HSL 237.21, 0.38%, 0.78%

LAB 74.03, 7.79, -20.81

 

CMYK 11 / 10 / 0 / 18

HEX #BABCD2

RGB 186 188 210

HSL 235, 0.21%, 0.78%

LAB 76.71, 3.63, -11.27

 

CMYK 3 / 2 / 0 / 21

HEX #C3C4C9

RGB 195 196 201

HSL 230, 0.05%, 0.78%

LAB 79.21, 0.59, -2.63

 

CMYK 33 / 13 / 0 / 7

HEX #9FCEEE

RGB 159 206 238

HSL 204.3, 0.7%, 0.78%

LAB 80.56, -7.81, -20.71

 

CMYK 33 / 22 / 0 / 7

HEX #9FB9EE

RGB 159 185 238

HSL 220.25, 0.7%, 0.78%

LAB 74.98, 3.47, -29.24

 

CMYK 33 / 31 / 0 / 7

HEX #9FA4EE

RGB 159 164 238

HSL 236.2, 0.7%, 0.78%

LAB 69.54, 15.16, -37.65

 

CMYK 26 / 33 / 0 / 7

HEX #AF9FEE

RGB 175 159 238

HSL 252.15, 0.7%, 0.78%

LAB 69.53, 22.51, -37.57

 

CMYK 18 / 33 / 0 / 7

HEX #C49FEE

RGB 196 159 238

HSL 268.1, 0.7%, 0.78%

LAB 71.35, 28.7, -34.6

 

CMYK 60 / 57 / 0 / 12

HEX #5960E1

RGB 89 96 225

HSL 236.91, 0.69%, 0.62%

LAB 46.88, 35.48, -66.76

 

CMYK 46 / 44 / 0 / 9

HEX #7C82E7

RGB 124 130 231

HSL 236.64, 0.69%, 0.7%

LAB 58.06, 23.92, -52.04

 

CMYK 33 / 32 / 0 / 7

HEX #9FA3EE

RGB 159 163 238

HSL 236.96, 0.7%, 0.78%

LAB 69.28, 15.73, -38.05

 

CMYK 20 / 19 / 0 / 4

HEX #C2C5F4

RGB 194 197 244

HSL 236.4, 0.69%, 0.86%

LAB 80.7, 8.6, -23.5

 

CMYK 8 / 8 / 0 / 2

HEX #E5E6FA

RGB 229 230 250

HSL 237.14, 0.68%, 0.94%

LAB 91.75, 3.39, -9.79

 

CMYK 33 / 31 / 0 / 7

HEX #A0A4EE

RGB 160 164 238

HSL 236.92, 0.7%, 0.78%

LAB 69.61, 15.44, -37.54

 

CMYK 0 / 33 / 5 / 7

HEX #EE9FE3

RGB 238 159 227

HSL 308.35, 0.7%, 0.78%

LAB 75.15, 39.62, -22.4

 

CMYK 18 / 0 / 33 / 7

HEX #C4EE9F

RGB 196 238 159

HSL 91.9, 0.7%, 0.78%

LAB 89.57, -27.11, 33.93

 

CMYK 33 / 31 / 0 / 7

HEX #A0A4EE

RGB 160 164 238

HSL 236.92, 0.7%, 0.78%

LAB 69.61, 15.44, -37.54

 

CMYK 0 / 33 / 31 / 7

HEX #EE9FA4

RGB 238 159 164

HSL 356.2, 0.7%, 0.78%

LAB 73.32, 30.03, 9.5

 

CMYK 31 / 0 / 33 / 7

HEX #A4EE9F

RGB 164 238 159

HSL 116.2, 0.7%, 0.78%

LAB 87.75, -37.88, 31.17

 

CMYK 33 / 31 / 0 / 7

HEX #A0A4EE

RGB 160 164 238

HSL 236.92, 0.7%, 0.78%

LAB 69.61, 15.44, -37.54

 

CMYK 0 / 33 / 5 / 7

HEX #EE9FE3

RGB 238 159 227

HSL 308.35, 0.7%, 0.78%

LAB 75.15, 39.62, -22.4

 

CMYK 0 / 3 / 33 / 7

HEX #EEE89F

RGB 238 232 159

HSL 55.44, 0.7%, 0.78%

LAB 90.96, -8.69, 36.3

 

CMYK 33 / 0 / 29 / 7

HEX #9FEEAA

RGB 159 238 170

HSL 128.35, 0.7%, 0.78%

LAB 87.69, -37.66, 25.44

 

CMYK 33 / 31 / 0 / 7

HEX #A0A4EE

RGB 160 164 238

HSL 236.92, 0.7%, 0.78%

LAB 69.61, 15.44, -37.54

 

CMYK 0 / 33 / 14 / 7

HEX #EE9FCC

RGB 238 159 204

HSL 325.82, 0.7%, 0.78%

LAB 74.4, 35.79, -10.95

 

CMYK 0 / 3 / 33 / 7

HEX #EEE89F

RGB 238 232 159

HSL 55.44, 0.7%, 0.78%

LAB 90.96, -8.69, 36.3

 

CMYK 33 / 0 / 19 / 7

HEX #9FEEC1

RGB 159 238 193

HSL 145.82, 0.7%, 0.78%

LAB 88.15, -33.52, 14.2

 

Description

Color code: HEX #A0A4EE | qconv.com Color code: HEX #A0A4EE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 164 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 164 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 31 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 31% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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