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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A0C43F it is the complementary color #5F3BC0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A0C43F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A0C43F shade: #A5C43A, #B6D64D, #C7E860, #D8FA73 and #E9FF86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A0C43F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A0C43F shade: #A0C43F, #8FB22C, #7EA019, #6D8E06 and #5C7C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A0C43F shade: #A0C43F, #C4C43F, #C4A03F, #C47C3F and #C4593F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A0C43F shade: #A0C43F, #7CC43F, #58C43F, #3FC44A and #3FC46E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A0C43F shade matches the following richer shades: #A0C43F, #A9D82B and #B2EC17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A0C43F shade: #A0C43F, #97B054, #8D9B68, #84877C and #7B7390

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A0C43F shade: #C4A03F, #C4C43F, #A0C43F, #7DC43F and #5AC43F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A0C43F shade: #6E8729, #88A733, #A0C43F, #B0CD5F and #BFD77E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A0C43F shade: #A0C43F, #3FC47D and #B23FC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A0C43F shade: #A0C43F, #3FA0C4 and #C43FA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A0C43F shade: #A0C43F, #3FC47D, #633FC4 and #C43F86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A0C43F shade: #A0C43F, #3FC4A5, #633FC4 and #C43F5E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 68 / 23

HEX #A0C43F

RGB 160 196 63

HSL 76.24, 0.53%, 0.51%

LAB 74.39, -30.77, 60

 

Complementary color

CMYK 51 / 69 / 0 / 25

HEX #5F3BC0

RGB 95 59 192

HSL 256.24, 0.53%, 0.49%

LAB 36.68, 47.84, -64.34

 

CMYK 16 / 0 / 70 / 23

HEX #A5C43A

RGB 165 196 58

HSL 73.48, 0.54%, 0.5%

LAB 74.69, -29.07, 62.3

 

CMYK 15 / 0 / 64 / 16

HEX #B6D64D

RGB 182 214 77

HSL 74.01, 0.63%, 0.57%

LAB 81.06, -29.58, 61.86

 

CMYK 14 / 0 / 59 / 9

HEX #C7E860

RGB 199 232 96

HSL 74.56, 0.75%, 0.64%

LAB 87.34, -29.98, 61.1

 

CMYK 14 / 0 / 54 / 2

HEX #D8FA73

RGB 216 250 115

HSL 75.11, 0.93%, 0.72%

LAB 93.54, -30.29, 60.16

 

CMYK 9 / 0 / 47 / 0

HEX #E9FF86

RGB 233 255 134

HSL 70.91, 1%, 0.76%

LAB 96.23, -24.47, 55.01

 

CMYK 18 / 0 / 68 / 23

HEX #A0C43F

RGB 160 196 63

HSL 76.24, 0.53%, 0.51%

LAB 74.39, -30.77, 60

 

CMYK 20 / 0 / 75 / 30

HEX #8FB22C

RGB 143 178 44

HSL 75.67, 0.6%, 0.44%

LAB 67.92, -30.21, 60.12

 

CMYK 21 / 0 / 84 / 37

HEX #7EA019

RGB 126 160 25

HSL 75.11, 0.73%, 0.36%

LAB 61.35, -29.46, 59.35

 

CMYK 23 / 0 / 96 / 44

HEX #6D8E06

RGB 109 142 6

HSL 74.56, 0.92%, 0.29%

LAB 54.67, -28.46, 57.11

 

CMYK 26 / 0 / 100 / 51

HEX #5C7C00

RGB 92 124 0

HSL 75.48, 1%, 0.24%

LAB 47.87, -27.13, 52.46

 

CMYK 18 / 0 / 68 / 23

HEX #A0C43F

RGB 160 196 63

HSL 76.24, 0.53%, 0.51%

LAB 74.39, -30.77, 60

 

CMYK 0 / 0 / 68 / 23

HEX #C4C43F

RGB 196 196 63

HSL 60, 0.53%, 0.51%

LAB 77.03, -15.94, 63.52

 

CMYK 0 / 18 / 68 / 23

HEX #C4A03F

RGB 196 160 63

HSL 43.76, 0.53%, 0.51%

LAB 67.45, 2.83, 53.71

 

CMYK 0 / 37 / 68 / 23

HEX #C47C3F

RGB 196 124 63

HSL 27.52, 0.53%, 0.51%

LAB 58.52, 22.49, 44.05

 

CMYK 0 / 55 / 68 / 23

HEX #C4593F

RGB 196 89 63

HSL 11.73, 0.53%, 0.51%

LAB 50.97, 40.99, 35.41

 

CMYK 18 / 0 / 68 / 23

HEX #A0C43F

RGB 160 196 63

HSL 76.24, 0.53%, 0.51%

LAB 74.39, -30.77, 60

 

CMYK 37 / 0 / 68 / 23

HEX #7CC43F

RGB 124 196 63

HSL 92.48, 0.53%, 0.51%

LAB 72.31, -44.24, 57.19

 

CMYK 55 / 0 / 68 / 23

HEX #58C43F

RGB 88 196 63

HSL 108.72, 0.53%, 0.51%

LAB 70.81, -55.28, 55.16

 

CMYK 68 / 0 / 62 / 23

HEX #3FC44A

RGB 63 196 74

HSL 124.96, 0.53%, 0.51%

LAB 70.2, -59.85, 49.67

 

CMYK 68 / 0 / 44 / 23

HEX #3FC46E

RGB 63 196 110

HSL 141.2, 0.53%, 0.51%

LAB 70.64, -54.78, 32.92

 

CMYK 18 / 0 / 68 / 23

HEX #A0C43F

RGB 160 196 63

HSL 76.24, 0.53%, 0.51%

LAB 74.39, -30.77, 60

 

CMYK 22 / 0 / 80 / 15

HEX #A9D82B

RGB 169 216 43

HSL 76.3, 0.69%, 0.51%

LAB 80.58, -37.43, 72.68

 

CMYK 25 / 0 / 90 / 7

HEX #B2EC17

RGB 178 236 23

HSL 76.34, 0.85%, 0.51%

LAB 86.76, -43.35, 82.16

 

CMYK 18 / 0 / 68 / 23

HEX #A0C43F

RGB 160 196 63

HSL 76.24, 0.53%, 0.51%

LAB 74.39, -30.77, 60

 

CMYK 14 / 0 / 52 / 31

HEX #97B054

RGB 151 176 84

HSL 76.3, 0.37%, 0.51%

LAB 68.22, -23.01, 43.78

 

CMYK 9 / 0 / 33 / 39

HEX #8D9B68

RGB 141 155 104

HSL 76.47, 0.2%, 0.51%

LAB 61.74, -13.88, 25.14

 

CMYK 2 / 0 / 8 / 47

HEX #84877C

RGB 132 135 124

HSL 76.36, 0.04%, 0.51%

LAB 55.77, -3.23, 5.52

 

CMYK 15 / 20 / 0 / 44

HEX #7B7390

RGB 123 115 144

HSL 256.55, 0.12%, 0.51%

LAB 50.08, 9.22, -14.65

 

CMYK 0 / 18 / 68 / 23

HEX #C4A03F

RGB 196 160 63

HSL 43.76, 0.53%, 0.51%

LAB 67.45, 2.83, 53.71

 

CMYK 0 / 0 / 68 / 23

HEX #C4C43F

RGB 196 196 63

HSL 60, 0.53%, 0.51%

LAB 77.03, -15.94, 63.52

 

CMYK 18 / 0 / 68 / 23

HEX #A0C43F

RGB 160 196 63

HSL 76.24, 0.53%, 0.51%

LAB 74.39, -30.77, 60

 

CMYK 36 / 0 / 68 / 23

HEX #7DC43F

RGB 125 196 63

HSL 92.03, 0.53%, 0.51%

LAB 72.36, -43.89, 57.26

 

CMYK 54 / 0 / 68 / 23

HEX #5AC43F

RGB 90 196 63

HSL 107.82, 0.53%, 0.51%

LAB 70.88, -54.75, 55.25

 

CMYK 19 / 0 / 70 / 47

HEX #6E8729

RGB 110 135 41

HSL 75.96, 0.53%, 0.35%

LAB 52.73, -23.12, 45.5

 

CMYK 19 / 0 / 69 / 35

HEX #88A733

RGB 136 167 51

HSL 76.03, 0.53%, 0.43%

LAB 64.25, -27.4, 53.81

 

CMYK 18 / 0 / 68 / 23

HEX #A0C43F

RGB 160 196 63

HSL 76.24, 0.53%, 0.51%

LAB 74.39, -30.77, 60

 

CMYK 14 / 0 / 54 / 20

HEX #B0CD5F

RGB 176 205 95

HSL 75.82, 0.52%, 0.59%

LAB 78.3, -26.22, 50.84

 

CMYK 11 / 0 / 41 / 16

HEX #BFD77E

RGB 191 215 126

HSL 76.18, 0.53%, 0.67%

LAB 82.48, -22.05, 41.2

 

CMYK 18 / 0 / 68 / 23

HEX #A0C43F

RGB 160 196 63

HSL 76.24, 0.53%, 0.51%

LAB 74.39, -30.77, 60

 

CMYK 68 / 0 / 36 / 23

HEX #3FC47D

RGB 63 196 125

HSL 147.97, 0.53%, 0.51%

LAB 70.88, -52.05, 25.45

 

CMYK 9 / 68 / 0 / 23

HEX #B23FC4

RGB 178 63 196

HSL 291.88, 0.53%, 0.51%

LAB 48.27, 63.8, -47.43

 

CMYK 18 / 0 / 68 / 23

HEX #A0C43F

RGB 160 196 63

HSL 76.24, 0.53%, 0.51%

LAB 74.39, -30.77, 60

 

CMYK 68 / 18 / 0 / 23

HEX #3FA0C4

RGB 63 160 196

HSL 196.24, 0.53%, 0.51%

LAB 61.81, -16.82, -26.8

 

CMYK 0 / 68 / 18 / 23

HEX #C43FA0

RGB 196 63 160

HSL 316.24, 0.53%, 0.51%

LAB 49.29, 62.34, -24.53

 

CMYK 18 / 0 / 68 / 23

HEX #A0C43F

RGB 160 196 63

HSL 76.24, 0.53%, 0.51%

LAB 74.39, -30.77, 60

 

CMYK 68 / 0 / 36 / 23

HEX #3FC47D

RGB 63 196 125

HSL 147.97, 0.53%, 0.51%

LAB 70.88, -52.05, 25.45

 

CMYK 49 / 68 / 0 / 23

HEX #633FC4

RGB 99 63 196

HSL 256.24, 0.53%, 0.51%

LAB 38.19, 47.52, -64.2

 

CMYK 0 / 68 / 32 / 23

HEX #C43F86

RGB 196 63 134

HSL 327.97, 0.53%, 0.51%

LAB 48.28, 58.96, -10.52

 

CMYK 18 / 0 / 68 / 23

HEX #A0C43F

RGB 160 196 63

HSL 76.24, 0.53%, 0.51%

LAB 74.39, -30.77, 60

 

CMYK 68 / 0 / 16 / 23

HEX #3FC4A5

RGB 63 196 165

HSL 166.02, 0.53%, 0.51%

LAB 71.73, -43.15, 5.16

 

CMYK 49 / 68 / 0 / 23

HEX #633FC4

RGB 99 63 196

HSL 256.24, 0.53%, 0.51%

LAB 38.19, 47.52, -64.2

 

CMYK 0 / 68 / 52 / 23

HEX #C43F5E

RGB 196 63 94

HSL 346.02, 0.53%, 0.51%

LAB 47.1, 54.9, 12.13

 

Description

Color code: HEX #A0C43F | qconv.com Color code: HEX #A0C43F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 196 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 196 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 68 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 68% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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