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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A0C50B it is the complementary color #5F3AF4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A0C50B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A0C50B shade: #A5C506, #B6D719, #C7E92C, #D8FB3F and #E9FF52

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A0C50B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A0C50B shade: #A0C50B, #8FB300, #7EA100, #6D8F00 and #5C7D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A0C50B shade: #A0C50B, #C5B80B, #C5860B, #C5540B and #C5210B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A0C50B shade: #A0C50B, #6EC50B, #3CC50B, #0BC50C and #0BC53F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A0C50B shade matches the following richer shades: #A0C50B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A0C50B shade: #A0C50B, #96B41C, #8CA32D, #82923E and #77814F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A0C50B shade: #C5840B, #C5B60B, #A3C50B, #71C50B and #40C50B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A0C50B shade: #617706, #809E09, #A0C50B, #C0EC0D and #CCF230

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A0C50B shade: #A0C50B, #0BC552 and #9D0BC5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A0C50B shade: #A0C50B, #0BA3C5 and #C50BA3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A0C50B shade: #A0C50B, #0BC552, #2D0BC5 and #C50B7E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A0C50B shade: #A0C50B, #0BC58A, #2D0BC5 and #C50B46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 94 / 23

HEX #A0C50B

RGB 160 197 11

HSL 71.94, 0.89%, 0.41%

LAB 74.46, -33.18, 73.44

 

Complementary color

CMYK 61 / 76 / 0 / 4

HEX #5F3AF4

RGB 95 58 244

HSL 251.94, 0.89%, 0.59%

LAB 41.2, 63.03, -86.76

 

CMYK 16 / 0 / 97 / 23

HEX #A5C506

RGB 165 197 6

HSL 70.05, 0.94%, 0.4%

LAB 74.79, -31.2, 74.35

 

CMYK 15 / 0 / 88 / 16

HEX #B6D719

RGB 182 215 25

HSL 70.42, 0.79%, 0.47%

LAB 81.08, -32.34, 77.36

 

CMYK 15 / 0 / 81 / 9

HEX #C7E92C

RGB 199 233 44

HSL 70.79, 0.81%, 0.54%

LAB 87.29, -33.3, 79.08

 

CMYK 14 / 0 / 75 / 2

HEX #D8FB3F

RGB 216 251 63

HSL 71.17, 0.96%, 0.62%

LAB 93.43, -34.09, 79.83

 

CMYK 9 / 0 / 68 / 0

HEX #E9FF52

RGB 233 255 82

HSL 67.63, 1%, 0.66%

LAB 95.77, -28.33, 76.22

 

CMYK 19 / 0 / 94 / 23

HEX #A0C50B

RGB 160 197 11

HSL 71.94, 0.89%, 0.41%

LAB 74.46, -33.18, 73.44

 

CMYK 20 / 0 / 100 / 30

HEX #8FB300

RGB 143 179 0

HSL 72.07, 1%, 0.35%

LAB 68.08, -31.92, 69.27

 

CMYK 22 / 0 / 100 / 37

HEX #7EA100

RGB 126 161 0

HSL 73.04, 1%, 0.32%

LAB 61.59, -30.5, 63.86

 

CMYK 24 / 0 / 100 / 44

HEX #6D8F00

RGB 109 143 0

HSL 74.27, 1%, 0.28%

LAB 54.97, -29.07, 58.35

 

CMYK 26 / 0 / 100 / 51

HEX #5C7D00

RGB 92 125 0

HSL 75.84, 1%, 0.25%

LAB 48.19, -27.61, 52.7

 

CMYK 19 / 0 / 94 / 23

HEX #A0C50B

RGB 160 197 11

HSL 71.94, 0.89%, 0.41%

LAB 74.46, -33.18, 73.44

 

CMYK 0 / 7 / 94 / 23

HEX #C5B80B

RGB 197 184 11

HSL 55.81, 0.89%, 0.41%

LAB 73.66, -11.06, 74.05

 

CMYK 0 / 32 / 94 / 23

HEX #C5860B

RGB 197 134 11

HSL 39.68, 0.89%, 0.41%

LAB 60.73, 15.68, 64.52

 

CMYK 0 / 57 / 94 / 23

HEX #C5540B

RGB 197 84 11

HSL 23.55, 0.89%, 0.41%

LAB 49.78, 42.1, 56.93

 

CMYK 0 / 83 / 94 / 23

HEX #C5210B

RGB 197 33 11

HSL 7.1, 0.89%, 0.41%

LAB 42.74, 61.22, 52.52

 

CMYK 19 / 0 / 94 / 23

HEX #A0C50B

RGB 160 197 11

HSL 71.94, 0.89%, 0.41%

LAB 74.46, -33.18, 73.44

 

CMYK 44 / 0 / 94 / 23

HEX #6EC50B

RGB 110 197 11

HSL 88.06, 0.89%, 0.41%

LAB 71.74, -51.72, 70.12

 

CMYK 70 / 0 / 94 / 23

HEX #3CC50B

RGB 60 197 11

HSL 104.19, 0.89%, 0.41%

LAB 70.12, -64.71, 68.13

 

CMYK 94 / 0 / 94 / 23

HEX #0BC50C

RGB 11 197 12

HSL 120.32, 0.89%, 0.41%

LAB 69.49, -70.26, 67.23

 

CMYK 94 / 0 / 68 / 23

HEX #0BC53F

RGB 11 197 63

HSL 136.77, 0.89%, 0.41%

LAB 69.73, -67.23, 53.58

 

CMYK 19 / 0 / 94 / 23

HEX #A0C50B

RGB 160 197 11

HSL 71.94, 0.89%, 0.41%

LAB 74.46, -33.18, 73.44

 

CMYK 19 / 0 / 94 / 23

HEX #A0C50B

RGB 160 197 11

HSL 71.94, 0.89%, 0.41%

LAB 74.46, -33.18, 73.44

 

CMYK 17 / 0 / 84 / 29

HEX #96B41C

RGB 150 180 28

HSL 71.84, 0.73%, 0.41%

LAB 68.9, -28.94, 65.76

 

CMYK 14 / 0 / 72 / 36

HEX #8CA32D

RGB 140 163 45

HSL 71.69, 0.57%, 0.41%

LAB 63.31, -24.14, 55.25

 

CMYK 11 / 0 / 58 / 43

HEX #82923E

RGB 130 146 62

HSL 71.43, 0.4%, 0.41%

LAB 57.7, -18.55, 41.82

 

CMYK 8 / 0 / 39 / 49

HEX #77814F

RGB 119 129 79

HSL 72, 0.24%, 0.41%

LAB 52.05, -12.32, 25.89

 

CMYK 0 / 33 / 94 / 23

HEX #C5840B

RGB 197 132 11

HSL 39.03, 0.89%, 0.41%

LAB 60.25, 16.77, 64.17

 

CMYK 0 / 8 / 94 / 23

HEX #C5B60B

RGB 197 182 11

HSL 55.16, 0.89%, 0.41%

LAB 73.12, -10.03, 73.65

 

CMYK 17 / 0 / 94 / 23

HEX #A3C50B

RGB 163 197 11

HSL 70.97, 0.89%, 0.41%

LAB 74.66, -31.96, 73.68

 

CMYK 43 / 0 / 94 / 23

HEX #71C50B

RGB 113 197 11

HSL 87.1, 0.89%, 0.41%

LAB 71.87, -50.73, 70.28

 

CMYK 68 / 0 / 94 / 23

HEX #40C50B

RGB 64 197 11

HSL 102.9, 0.89%, 0.41%

LAB 70.21, -63.94, 68.24

 

CMYK 18 / 0 / 95 / 53

HEX #617706

RGB 97 119 6

HSL 71.68, 0.9%, 0.25%

LAB 46.64, -22.29, 50.39

 

CMYK 19 / 0 / 94 / 38

HEX #809E09

RGB 128 158 9

HSL 72.08, 0.89%, 0.33%

LAB 60.84, -28.07, 62.06

 

CMYK 19 / 0 / 94 / 23

HEX #A0C50B

RGB 160 197 11

HSL 71.94, 0.89%, 0.41%

LAB 74.46, -33.18, 73.44

 

CMYK 19 / 0 / 94 / 7

HEX #C0EC0D

RGB 192 236 13

HSL 71.84, 0.9%, 0.49%

LAB 87.59, -38.1, 84.35

 

CMYK 16 / 0 / 80 / 5

HEX #CCF230

RGB 204 242 48

HSL 71.75, 0.88%, 0.57%

LAB 90.12, -35.29, 80.69

 

CMYK 19 / 0 / 94 / 23

HEX #A0C50B

RGB 160 197 11

HSL 71.94, 0.89%, 0.41%

LAB 74.46, -33.18, 73.44

 

CMYK 94 / 0 / 58 / 23

HEX #0BC552

RGB 11 197 82

HSL 142.9, 0.89%, 0.41%

LAB 69.9, -65.02, 45.55

 

CMYK 20 / 94 / 0 / 23

HEX #9D0BC5

RGB 157 11 197

HSL 287.1, 0.89%, 0.41%

LAB 40.31, 73.76, -60.99

 

CMYK 19 / 0 / 94 / 23

HEX #A0C50B

RGB 160 197 11

HSL 71.94, 0.89%, 0.41%

LAB 74.46, -33.18, 73.44

 

CMYK 94 / 17 / 0 / 23

HEX #0BA3C5

RGB 11 163 197

HSL 190.97, 0.89%, 0.41%

LAB 61.91, -22.83, -27.28

 

CMYK 0 / 94 / 17 / 23

HEX #C50BA3

RGB 197 11 163

HSL 310.97, 0.89%, 0.41%

LAB 45.3, 75.3, -32.52

 

CMYK 19 / 0 / 94 / 23

HEX #A0C50B

RGB 160 197 11

HSL 71.94, 0.89%, 0.41%

LAB 74.46, -33.18, 73.44

 

CMYK 94 / 0 / 58 / 23

HEX #0BC552

RGB 11 197 82

HSL 142.9, 0.89%, 0.41%

LAB 69.9, -65.02, 45.55

 

CMYK 77 / 94 / 0 / 23

HEX #2D0BC5

RGB 45 11 197

HSL 250.97, 0.89%, 0.41%

LAB 26.24, 63.64, -84.66

 

CMYK 0 / 94 / 36 / 23

HEX #C50B7E

RGB 197 11 126

HSL 322.9, 0.89%, 0.41%

LAB 43.68, 71.1, -12.57

 

CMYK 19 / 0 / 94 / 23

HEX #A0C50B

RGB 160 197 11

HSL 71.94, 0.89%, 0.41%

LAB 74.46, -33.18, 73.44

 

CMYK 94 / 0 / 30 / 23

HEX #0BC58A

RGB 11 197 138

HSL 160.97, 0.89%, 0.41%

LAB 70.76, -54.93, 18.27

 

CMYK 77 / 94 / 0 / 23

HEX #2D0BC5

RGB 45 11 197

HSL 250.97, 0.89%, 0.41%

LAB 26.24, 63.64, -84.66

 

CMYK 0 / 94 / 64 / 23

HEX #C50B46

RGB 197 11 70

HSL 340.97, 0.89%, 0.41%

LAB 42.08, 66.78, 20.25

 

Description

Color code: HEX #A0C50B | qconv.com Color code: HEX #A0C50B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 197 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 197 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 94 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 94% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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