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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A0DB43 it is the complementary color #5F24BC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A0DB43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A0DB43 shade: #A5DB3E, #B6ED51, #C7FF64, #D8FF77 and #E9FF8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A0DB43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A0DB43 shade: #A0DB43, #8FC930, #7EB71D, #6DA50A and #5C9300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A0DB43 shade: #9FDB42, #C9DB42, #DBC442, #DB9A42 and #DB7142

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A0DB43 shade: #9FDB42, #76DB42, #4DDB42, #42DB60 and #42DB89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A0DB43 shade matches the following richer shades: #9FDB42 and #A3ED30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A0DB43 shade: #9FDB42, #9BC854, #97B666, #93A478 and #8F928B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A0DB43 shade: #DBC442, #C9DB42, #A0DB42, #77DB42 and #4FDB42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A0DB43 shade: #74AA20, #8CCD27, #9FDB42, #B1E165 and #C2E887

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A0DB43 shade: #A0DB43, #42DB9B and #D842DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A0DB43 shade: #A0DB43, #42A0DB and #DB42A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A0DB43 shade: #A0DB43, #42DB9B, #7C42DB and #DB4282

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A0DB43 shade: #A0DB43, #42DBC9, #7C42DB and #DB4254

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 69 / 14

HEX #A0DB43

RGB 160 219 67

HSL 83.29, 0.68%, 0.56%

LAB 81.04, -40.97, 65.28

 

Complementary color

CMYK 49 / 81 / 0 / 26

HEX #5F24BC

RGB 95 36 188

HSL 263.29, 0.68%, 0.44%

LAB 32.54, 57.51, -68.77

 

CMYK 25 / 0 / 72 / 14

HEX #A5DB3E

RGB 165 219 62

HSL 80.64, 0.69%, 0.55%

LAB 81.3, -39.4, 67.42

 

CMYK 23 / 0 / 66 / 7

HEX #B6ED51

RGB 182 237 81

HSL 81.15, 0.81%, 0.62%

LAB 87.54, -39.82, 67.11

 

CMYK 22 / 0 / 61 / 0

HEX #C7FF64

RGB 199 255 100

HSL 81.68, 1%, 0.7%

LAB 93.7, -40.13, 66.45

 

CMYK 15 / 0 / 53 / 0

HEX #D8FF77

RGB 216 255 119

HSL 77.21, 1%, 0.73%

LAB 94.93, -32.25, 60

 

CMYK 9 / 0 / 46 / 0

HEX #E9FF8A

RGB 233 255 138

HSL 71.28, 1%, 0.77%

LAB 96.28, -24.08, 53.2

 

CMYK 27 / 0 / 69 / 14

HEX #A0DB43

RGB 160 219 67

HSL 83.29, 0.68%, 0.56%

LAB 81.04, -40.97, 65.28

 

CMYK 29 / 0 / 76 / 21

HEX #8FC930

RGB 143 201 48

HSL 82.75, 0.61%, 0.49%

LAB 74.72, -40.49, 65.27

 

CMYK 31 / 0 / 84 / 28

HEX #7EB71D

RGB 126 183 29

HSL 82.21, 0.73%, 0.42%

LAB 68.31, -39.83, 64.43

 

CMYK 34 / 0 / 94 / 35

HEX #6DA50A

RGB 109 165 10

HSL 81.68, 0.89%, 0.34%

LAB 61.81, -38.91, 62.21

 

CMYK 37 / 0 / 100 / 42

HEX #5C9300

RGB 92 147 0

HSL 82.45, 1%, 0.29%

LAB 55.22, -37.7, 58.1

 

CMYK 27 / 0 / 70 / 14

HEX #9FDB42

RGB 159 219 66

HSL 83.53, 0.68%, 0.56%

LAB 80.98, -41.4, 65.56

 

CMYK 8 / 0 / 70 / 14

HEX #C9DB42

RGB 201 219 66

HSL 67.06, 0.68%, 0.56%

LAB 83.69, -25, 69.17

 

CMYK 0 / 11 / 70 / 14

HEX #DBC442

RGB 219 196 66

HSL 50.98, 0.68%, 0.56%

LAB 79, -6.04, 65

 

CMYK 0 / 30 / 70 / 14

HEX #DB9A42

RGB 219 154 66

HSL 34.51, 0.68%, 0.56%

LAB 68.43, 16.15, 54.16

 

CMYK 0 / 48 / 70 / 14

HEX #DB7142

RGB 219 113 66

HSL 18.43, 0.68%, 0.56%

LAB 59.22, 37.89, 44.16

 

CMYK 27 / 0 / 70 / 14

HEX #9FDB42

RGB 159 219 66

HSL 83.53, 0.68%, 0.56%

LAB 80.98, -41.4, 65.56

 

CMYK 46 / 0 / 70 / 14

HEX #76DB42

RGB 118 219 66

HSL 99.61, 0.68%, 0.56%

LAB 78.99, -55.24, 62.9

 

CMYK 65 / 0 / 70 / 14

HEX #4DDB42

RGB 77 219 66

HSL 115.69, 0.68%, 0.56%

LAB 77.66, -65.65, 61.1

 

CMYK 70 / 0 / 56 / 14

HEX #42DB60

RGB 66 219 96

HSL 131.76, 0.68%, 0.56%

LAB 77.68, -64.53, 48.46

 

CMYK 70 / 0 / 37 / 14

HEX #42DB89

RGB 66 219 137

HSL 147.84, 0.68%, 0.56%

LAB 78.24, -58.05, 29.07

 

CMYK 27 / 0 / 70 / 14

HEX #9FDB42

RGB 159 219 66

HSL 83.53, 0.68%, 0.56%

LAB 80.98, -41.4, 65.56

 

CMYK 31 / 0 / 80 / 7

HEX #A3ED30

RGB 163 237 48

HSL 83.49, 0.84%, 0.56%

LAB 86.29, -48.56, 76.36

 

CMYK 27 / 0 / 70 / 14

HEX #9FDB42

RGB 159 219 66

HSL 83.53, 0.68%, 0.56%

LAB 80.98, -41.4, 65.56

 

CMYK 23 / 0 / 58 / 22

HEX #9BC854

RGB 155 200 84

HSL 83.28, 0.51%, 0.56%

LAB 75.4, -32.97, 52.17

 

CMYK 17 / 0 / 44 / 29

HEX #97B666

RGB 151 182 102

HSL 83.25, 0.35%, 0.56%

LAB 70.17, -24, 37.2

 

CMYK 10 / 0 / 27 / 36

HEX #93A478

RGB 147 164 120

HSL 83.18, 0.19%, 0.56%

LAB 65.05, -13.92, 20.91

 

CMYK 2 / 0 / 5 / 43

HEX #8F928B

RGB 143 146 139

HSL 85.71, 0.03%, 0.56%

LAB 60.12, -2.44, 3.32

 

CMYK 0 / 11 / 70 / 14

HEX #DBC442

RGB 219 196 66

HSL 50.98, 0.68%, 0.56%

LAB 79, -6.04, 65

 

CMYK 8 / 0 / 70 / 14

HEX #C9DB42

RGB 201 219 66

HSL 67.06, 0.68%, 0.56%

LAB 83.69, -25, 69.17

 

CMYK 27 / 0 / 70 / 14

HEX #A0DB42

RGB 160 219 66

HSL 83.14, 0.68%, 0.56%

LAB 81.03, -41.03, 65.63

 

CMYK 46 / 0 / 70 / 14

HEX #77DB42

RGB 119 219 66

HSL 99.22, 0.68%, 0.56%

LAB 79.03, -54.94, 62.95

 

CMYK 64 / 0 / 70 / 14

HEX #4FDB42

RGB 79 219 66

HSL 114.9, 0.68%, 0.56%

LAB 77.71, -65.24, 61.17

 

CMYK 32 / 0 / 81 / 33

HEX #74AA20

RGB 116 170 32

HSL 83.48, 0.68%, 0.4%

LAB 63.81, -37.76, 59.43

 

CMYK 32 / 0 / 81 / 20

HEX #8CCD27

RGB 140 205 39

HSL 83.49, 0.68%, 0.48%

LAB 75.69, -43.75, 68.73

 

CMYK 27 / 0 / 70 / 14

HEX #9FDB42

RGB 159 219 66

HSL 83.53, 0.68%, 0.56%

LAB 80.98, -41.4, 65.56

 

CMYK 21 / 0 / 55 / 12

HEX #B1E165

RGB 177 225 101

HSL 83.23, 0.67%, 0.64%

LAB 84.04, -34.67, 54.78

 

CMYK 16 / 0 / 42 / 9

HEX #C2E887

RGB 194 232 135

HSL 83.51, 0.68%, 0.72%

LAB 87.45, -28.05, 43.09

 

CMYK 27 / 0 / 69 / 14

HEX #A0DB43

RGB 160 219 67

HSL 83.29, 0.68%, 0.56%

LAB 81.04, -40.97, 65.28

 

CMYK 70 / 0 / 29 / 14

HEX #42DB9B

RGB 66 219 155

HSL 154.9, 0.68%, 0.56%

LAB 78.57, -54.47, 20.17

 

CMYK 1 / 70 / 0 / 14

HEX #D842DB

RGB 216 66 219

HSL 298.82, 0.68%, 0.56%

LAB 55.7, 74.97, -48.43

 

CMYK 27 / 0 / 69 / 14

HEX #A0DB43

RGB 160 219 67

HSL 83.29, 0.68%, 0.56%

LAB 81.04, -40.97, 65.28

 

CMYK 70 / 27 / 0 / 14

HEX #42A0DB

RGB 66 160 219

HSL 203.14, 0.68%, 0.56%

LAB 62.86, -8.78, -37.98

 

CMYK 0 / 70 / 27 / 14

HEX #DB42A0

RGB 219 66 160

HSL 323.14, 0.68%, 0.56%

LAB 53.49, 67.23, -17.76

 

CMYK 27 / 0 / 69 / 14

HEX #A0DB43

RGB 160 219 67

HSL 83.29, 0.68%, 0.56%

LAB 81.04, -40.97, 65.28

 

CMYK 70 / 0 / 29 / 14

HEX #42DB9B

RGB 66 219 155

HSL 154.9, 0.68%, 0.56%

LAB 78.57, -54.47, 20.17

 

CMYK 43 / 70 / 0 / 14

HEX #7C42DB

RGB 124 66 219

HSL 262.75, 0.68%, 0.56%

LAB 43.21, 56.59, -69.18

 

CMYK 0 / 70 / 41 / 14

HEX #DB4282

RGB 219 66 130

HSL 334.9, 0.68%, 0.56%

LAB 52.47, 63.89, -1.46

 

CMYK 27 / 0 / 69 / 14

HEX #A0DB43

RGB 160 219 67

HSL 83.29, 0.68%, 0.56%

LAB 81.04, -40.97, 65.28

 

CMYK 70 / 0 / 8 / 14

HEX #42DBC9

RGB 66 219 201

HSL 172.94, 0.68%, 0.56%

LAB 79.64, -43.49, -2.7

 

CMYK 43 / 70 / 0 / 14

HEX #7C42DB

RGB 124 66 219

HSL 262.75, 0.68%, 0.56%

LAB 43.21, 56.59, -69.18

 

CMYK 0 / 70 / 62 / 14

HEX #DB4254

RGB 219 66 84

HSL 352.94, 0.68%, 0.56%

LAB 51.38, 60.15, 24.62

 

Description

Color code: HEX #A0DB43 | qconv.com Color code: HEX #A0DB43 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 219 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 219 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 69 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 69% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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