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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A0DC20 it is the complementary color #5F23DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A0DC20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A0DC20 shade: #A5DC1B, #B6EE2E, #C7FF41, #D8FF54 and #E9FF67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A0DC20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A0DC20 shade: #A0DC20, #8FCA0D, #7EB800, #6DA600 and #5C9400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A0DC20 shade: #9EDA1F, #D1DA1F, #DAB11F, #DA7E1F and #DA4C1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A0DC20 shade: #9EDA1F, #6CDA1F, #39DA1F, #1FDA37 and #1FDA69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A0DC20 shade matches the following richer shades: #9EDA1F and #A6EE0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A0DC20 shade: #9EDA1F, #97C633, #90B247, #889E5B and #818970

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A0DC20 shade: #DAB21F, #D1DA1F, #9FDA1F, #6DDA1F and #3BDA1F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A0DC20 shade: #6A9214, #84B61A, #9EDA1F, #AFE33F and #BEE863

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A0DC20 shade: #A0DC20, #1FDA80 and #CB1FDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A0DC20 shade: #A0DC20, #1F9FDA and #DA1F9F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A0DC20 shade: #A0DC20, #1FDA80, #5A1FDA and #DA1F79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A0DC20 shade: #A0DC20, #1FDAB8, #5A1FDA and #DA1F41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 85 / 14

HEX #A0DC20

RGB 160 220 32

HSL 79.15, 0.75%, 0.49%

LAB 81.16, -43.01, 75.57

 

Complementary color

CMYK 57 / 84 / 0 / 13

HEX #5F23DF

RGB 95 35 223

HSL 259.15, 0.75%, 0.51%

LAB 35.91, 66.73, -83.57

 

CMYK 25 / 0 / 88 / 14

HEX #A5DC1B

RGB 165 220 27

HSL 77.1, 0.78%, 0.48%

LAB 81.44, -41.25, 76.87

 

CMYK 24 / 0 / 81 / 7

HEX #B6EE2E

RGB 182 238 46

HSL 77.5, 0.85%, 0.56%

LAB 87.63, -42.07, 78.47

 

CMYK 22 / 0 / 75 / 0

HEX #C7FF41

RGB 199 255 65

HSL 77.68, 1%, 0.63%

LAB 93.47, -42.3, 78.88

 

CMYK 15 / 0 / 67 / 0

HEX #D8FF54

RGB 216 255 84

HSL 73.68, 1%, 0.66%

LAB 94.64, -34.83, 73.98

 

CMYK 9 / 0 / 60 / 0

HEX #E9FF67

RGB 233 255 103

HSL 68.68, 1%, 0.7%

LAB 95.92, -27.03, 68.28

 

CMYK 27 / 0 / 85 / 14

HEX #A0DC20

RGB 160 220 32

HSL 79.15, 0.75%, 0.49%

LAB 81.16, -43.01, 75.57

 

CMYK 29 / 0 / 94 / 21

HEX #8FCA0D

RGB 143 202 13

HSL 78.73, 0.88%, 0.42%

LAB 74.89, -42.07, 73.11

 

CMYK 32 / 0 / 100 / 28

HEX #7EB800

RGB 126 184 0

HSL 78.91, 1%, 0.36%

LAB 68.55, -40.91, 69.17

 

CMYK 34 / 0 / 100 / 35

HEX #6DA600

RGB 109 166 0

HSL 80.6, 1%, 0.33%

LAB 62.1, -39.54, 63.81

 

CMYK 38 / 0 / 100 / 42

HEX #5C9400

RGB 92 148 0

HSL 82.7, 1%, 0.29%

LAB 55.54, -38.13, 58.35

 

CMYK 28 / 0 / 86 / 15

HEX #9EDA1F

RGB 158 218 31

HSL 79.25, 0.75%, 0.49%

LAB 80.47, -42.93, 75.13

 

CMYK 4 / 0 / 86 / 15

HEX #D1DA1F

RGB 209 218 31

HSL 62.89, 0.75%, 0.49%

LAB 83.86, -22.51, 79.34

 

CMYK 0 / 19 / 86 / 15

HEX #DAB11F

RGB 218 177 31

HSL 46.84, 0.75%, 0.49%

LAB 73.84, 2.14, 71.49

 

CMYK 0 / 42 / 86 / 15

HEX #DA7E1F

RGB 218 126 31

HSL 30.48, 0.75%, 0.49%

LAB 61.59, 29.39, 61.48

 

CMYK 0 / 65 / 86 / 15

HEX #DA4C1F

RGB 218 76 31

HSL 14.44, 0.75%, 0.49%

LAB 52.03, 53.67, 53.6

 

CMYK 28 / 0 / 86 / 15

HEX #9EDA1F

RGB 158 218 31

HSL 79.25, 0.75%, 0.49%

LAB 80.47, -42.93, 75.13

 

CMYK 50 / 0 / 86 / 15

HEX #6CDA1F

RGB 108 218 31

HSL 95.29, 0.75%, 0.49%

LAB 78.13, -59.7, 72.21

 

CMYK 74 / 0 / 86 / 15

HEX #39DA1F

RGB 57 218 31

HSL 111.66, 0.75%, 0.49%

LAB 76.75, -71.06, 70.47

 

CMYK 86 / 0 / 75 / 15

HEX #1FDA37

RGB 31 218 55

HSL 127.7, 0.75%, 0.49%

LAB 76.5, -72.79, 63.56

 

CMYK 86 / 0 / 52 / 15

HEX #1FDA69

RGB 31 218 105

HSL 143.74, 0.75%, 0.49%

LAB 76.95, -67.23, 43.24

 

CMYK 28 / 0 / 86 / 15

HEX #9EDA1F

RGB 158 218 31

HSL 79.25, 0.75%, 0.49%

LAB 80.47, -42.93, 75.13

 

CMYK 30 / 0 / 95 / 7

HEX #A6EE0B

RGB 166 238 11

HSL 79.03, 0.91%, 0.49%

LAB 86.64, -48.84, 83.13

 

CMYK 28 / 0 / 86 / 15

HEX #9EDA1F

RGB 158 218 31

HSL 79.25, 0.75%, 0.49%

LAB 80.47, -42.93, 75.13

 

CMYK 24 / 0 / 74 / 22

HEX #97C633

RGB 151 198 51

HSL 79.18, 0.59%, 0.49%

LAB 74.32, -35.94, 64.08

 

CMYK 19 / 0 / 60 / 30

HEX #90B247

RGB 144 178 71

HSL 79.07, 0.43%, 0.49%

LAB 68.19, -27.98, 49.7

 

CMYK 14 / 0 / 42 / 38

HEX #889E5B

RGB 136 158 91

HSL 79.7, 0.27%, 0.49%

LAB 62.03, -19.15, 32.42

 

CMYK 6 / 0 / 18 / 46

HEX #818970

RGB 129 137 112

HSL 79.2, 0.1%, 0.49%

LAB 55.81, -7.64, 12.44

 

CMYK 0 / 18 / 86 / 15

HEX #DAB21F

RGB 218 178 31

HSL 47.17, 0.75%, 0.49%

LAB 74.09, 1.61, 71.69

 

CMYK 4 / 0 / 86 / 15

HEX #D1DA1F

RGB 209 218 31

HSL 62.89, 0.75%, 0.49%

LAB 83.86, -22.51, 79.34

 

CMYK 27 / 0 / 86 / 15

HEX #9FDA1F

RGB 159 218 31

HSL 78.93, 0.75%, 0.49%

LAB 80.52, -42.55, 75.21

 

CMYK 50 / 0 / 86 / 15

HEX #6DDA1F

RGB 109 218 31

HSL 94.97, 0.75%, 0.49%

LAB 78.17, -59.41, 72.25

 

CMYK 73 / 0 / 86 / 15

HEX #3BDA1F

RGB 59 218 31

HSL 111.02, 0.75%, 0.49%

LAB 76.78, -70.75, 70.51

 

CMYK 27 / 0 / 86 / 43

HEX #6A9214

RGB 106 146 20

HSL 79.05, 0.76%, 0.33%

LAB 55.76, -31.23, 55.25

 

CMYK 27 / 0 / 86 / 29

HEX #84B61A

RGB 132 182 26

HSL 79.23, 0.75%, 0.41%

LAB 68.34, -37.18, 65.28

 

CMYK 28 / 0 / 86 / 15

HEX #9EDA1F

RGB 158 218 31

HSL 79.25, 0.75%, 0.49%

LAB 80.47, -42.93, 75.13

 

CMYK 23 / 0 / 72 / 11

HEX #AFE33F

RGB 175 227 63

HSL 79.02, 0.75%, 0.57%

LAB 84.18, -39.11, 70.1

 

CMYK 18 / 0 / 57 / 9

HEX #BEE863

RGB 190 232 99

HSL 78.95, 0.74%, 0.65%

LAB 86.78, -33.18, 59.02

 

CMYK 27 / 0 / 85 / 14

HEX #A0DC20

RGB 160 220 32

HSL 79.15, 0.75%, 0.49%

LAB 81.16, -43.01, 75.57

 

CMYK 86 / 0 / 41 / 15

HEX #1FDA80

RGB 31 218 128

HSL 151.12, 0.75%, 0.49%

LAB 77.28, -63.4, 32.29

 

CMYK 7 / 86 / 0 / 15

HEX #CB1FDA

RGB 203 31 218

HSL 295.19, 0.75%, 0.49%

LAB 50.38, 81.49, -56.47

 

CMYK 27 / 0 / 85 / 14

HEX #A0DC20

RGB 160 220 32

HSL 79.15, 0.75%, 0.49%

LAB 81.16, -43.01, 75.57

 

CMYK 86 / 27 / 0 / 15

HEX #1F9FDA

RGB 31 159 218

HSL 198.93, 0.75%, 0.49%

LAB 61.78, -12.29, -39.16

 

CMYK 0 / 86 / 27 / 15

HEX #DA1F9F

RGB 218 31 159

HSL 318.93, 0.75%, 0.49%

LAB 49.96, 76.3, -22.58

 

CMYK 27 / 0 / 85 / 14

HEX #A0DC20

RGB 160 220 32

HSL 79.15, 0.75%, 0.49%

LAB 81.16, -43.01, 75.57

 

CMYK 86 / 0 / 41 / 15

HEX #1FDA80

RGB 31 218 128

HSL 151.12, 0.75%, 0.49%

LAB 77.28, -63.4, 32.29

 

CMYK 59 / 86 / 0 / 15

HEX #5A1FDA

RGB 90 31 218

HSL 258.93, 0.75%, 0.49%

LAB 34.43, 66.33, -83.17

 

CMYK 0 / 86 / 44 / 15

HEX #DA1F79

RGB 218 31 121

HSL 331.12, 0.75%, 0.49%

LAB 48.59, 72.49, -1.73

 

CMYK 27 / 0 / 85 / 14

HEX #A0DC20

RGB 160 220 32

HSL 79.15, 0.75%, 0.49%

LAB 81.16, -43.01, 75.57

 

CMYK 86 / 0 / 16 / 15

HEX #1FDAB8

RGB 31 218 184

HSL 169.09, 0.75%, 0.49%

LAB 78.4, -50.96, 4.51

 

CMYK 59 / 86 / 0 / 15

HEX #5A1FDA

RGB 90 31 218

HSL 258.93, 0.75%, 0.49%

LAB 34.43, 66.33, -83.17

 

CMYK 0 / 86 / 70 / 15

HEX #DA1F41

RGB 218 31 65

HSL 349.09, 0.75%, 0.49%

LAB 47.32, 68.84, 30.85

 

Description

Color code: HEX #A0DC20 | qconv.com Color code: HEX #A0DC20 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 220 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 220 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 85 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 85% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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